Milan Kašanin | |
|---|---|
 Kašanin in front of theKunsthistorisches Museum,c. 1923 | |
| Born | (1895-02-21)21 February 1895 |
| Died | 22 November 1981(1981-11-22) (aged 86) |
| Alma mater | Sorbonne University |
| Occupation(s) | Art historian, writer |
| Awards | Legion of Honour |
Milan Kašanin (Serbian Cyrillic:Милан Кашанин; 21 February 1895 – 22 November 1981) was a Serbian art historian, art critic, curator and writer. He served as the head of threeBelgrade based museums, the Museum of Prince Pavle (the modern-dayNational Museum of Serbia),[1] the Museum of Contemporary Art and the Gallery of Frescoes.
Of humble origins, Kašanin adopted his mother's surname because he was born out of wedlock. Granted a scholarship, he studied art history at theSorbonne.[2] With the dissertationBela crkva Karanska (The White Church of Karan), Kašanin obtained his PhD from theUniversity of Belgrade in 1926. He was curator at the Museum of Contemporary Art, director of the Museum ofPrince Pavle (the modern-dayNational Museum of Serbia) and the Gallery of Frescoes in Belgrade.[3] He is also known as one of the organizers of some of the first major European art exhibitions inBelgrade,The Italian Portrait Through the Ages, in 1938, andFrench Painting of the 19th Century one year later. Apart from organizing foreign exhibitions in Yugoslavia, he also organized exhibits of Serbian frescoes and other art in many European capitals, as well as inSouth America.
Kašanin was the founder and editor of the magazineUmetnički pregled (Art Review), which was published between 1937 and 1941. He served as the head of the Museum of Prince Pavle between 1935 and 1944. In order to compile the art collection of the Museum of Prince Pavle, Kašanin traveled through Europe and stayed in theNetherlands, among other places. His travel reports, first published in newspapers and later also in the anthologyPronađeni predmeti (Lost Objects) (1962), are a testimony to this. The organization of the exhibitions of both Yugoslav art in Amsterdam and Dutch art in Belgrade is also attributed to Kašanin; for this, the Dutch Government bestowed him with a state decoration. As part of his scientific work, he researches Serbian art from the Middle Ages to the modern era. His interpretations are based on insights gained by the French research school of the interwar period and are written in a refined style and with a thorough analysis. It also brought him into the company of Serbian artists and collectors such asMilan Konjović andPavle Beljanski respectively. Kašanin also made a significant contribution to the knowledge of Serbian medieval literature. He began publishing art criticism in 1924 and was published in magazines such asPolitika,Vreme and in the magazineReč i slika. In 1927, he co-authored a book withVeljko Petrović on the contribution of Serbian artists to the visual arts inVojvodina.[4] He was also noted for his fierce literary criticism.[5]
After World War II, Kašanin fell out of favor with Yugoslavia's new communist government because of his former close ties with Prince Pavle, and struggled to get a job and publish his books.[3][6] Kašanin had four children, three sons and a daughter. His brotherRadivoje Kašanin was an accomplished mathematician and academic, while some of his friends included the fellow art historianKenneth Clark,[3] and Serbian writers such asIsidora Sekulić,Anica Savić Rebac, andIvo Andrić. His collected works were published in 2002 with a total of eight volumes.[7] Kašanin was a recipient of theOrder of St Sava (I, III and V degree), theOrder of the Yugoslav Crown,[8] the FrenchLegion of Honour, theOrder of Orange-Nassau (III degree), the Danish Order (III degree), theOrder of Polonia Restituta (III degree), and an Italian order. A street in Belgrade is named after him.[9]
| Cultural offices | ||
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| Preceded by | Director ofNational Museum of Serbia 1935–1944 | Succeeded by |
