| Midnight Express | |
|---|---|
 Theatrical release poster | |
| Directed by | Alan Parker |
| Screenplay by | Oliver Stone |
| Based on | the book byWilliam Hayes with William Hoffer |
| Produced by | |
| Cinematography | Michael Seresin (lighting cameraman) |
| Edited by | Gerry Hambling |
| Music by | Giorgio Moroder |
Production company | |
| Distributed by | Columbia Pictures |
Release dates |
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Running time | 121 minutes |
| Countries | |
| Languages |
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| Budget | $2.3 million[2] |
| Box office | $35 million[2] |
Midnight Express is a 1978prisondrama film directed byAlan Parker and adapted byOliver Stone fromBilly Hayes's1977 memoir. It starsBrad Davis, withIrene Miracle andBo Hopkins in supporting roles. The film centers on Hayes, a young American student, who is sent to aTurkish prison for trying to smugglehashish out of the country. The film's title isprison slang for his escape attempt.
Hayes and others criticized the film for portraying the Turkish prison men as violent and villainous and for deviating too much from the source material.
Midnight Express received generally positive reviews from critics. The film was nominated forBest Picture andBest Director for Parker at the51st Academy Awards in 1979, and wonBest Adapted Screenplay for Stone andBest Original Score forGiorgio Moroder. It also won sixGolden Globes, includingBest Motion Picture – Drama andBAFTA Awards forBest Direction,Best Editing andBest Actor in a Supporting Role (for Hurt).
"The following is based on a true story. It began October 6, 1970 inIstanbul, Turkey." On vacation inIstanbul, American college studentBilly Hayes straps 2 kg (4.4 lb) of hashish bricks to his chest. As he and his girlfriend Susan are about to board a plane back to the US, Billy is frisked by soldiers (who are on high alert for terrorist attacks) who discover the drug. Billy is then arrested by the police and strip-searched.
A shadowy American — whom Billy nicknames "Tex" for his thickTexan accent — arrives and accompanies Billy to a police station and translates for him. Billy claims he bought the hashish from a taxicab driver. He offers to help police locate the driver in exchange for being released. At a nearby market, Billy points out the driver to police, who approach him; meanwhile Billy attempts to escape, only to be recaptured at gunpoint by Tex.
During his first night inSultanahmet Jail, a freezing-cold Billy sneaks out of his cell and steals a blanket. He is later rousted from his cell and brutally beaten by chief guard Hamidou for the theft. A few days later, Billy awakens inSağmalcılar Prison, surrounded by fellow Western prisoners Jimmy (an American who stole two candlesticks from amosque), Max (an English heroin addict), and Erich (a Swedish drug smuggler). Jimmy warns Billy that the prison is dangerous for foreigners and says no one can be trusted, not even young children.
Billy meets with his father, a U.S. representative, and a Turkish lawyer to discuss his situation. During Billy's trial, the prosecutor makes a case against him for drug smuggling. The lead judge is sympathetic to Billy and gives him a four-year sentence for drug possession. Billy and his father are devastated, but their Turkish lawyer insists it is a good result because the prosecutor wanted alife sentence.
Jimmy wants Billy to join an escape attempt through the prison's subterranean tunnels. Billy, due to be released soon, declines. Jimmy goes alone and is caught, then brutally beaten. Fifty-three days before his release, Billy learns theTurkish High Court inAnkara has overturned his sentence after an appeal by the prosecution. The prosecutor who originally wanted Billy convicted of smuggling rather than the lesser charge of possession finally had his way. Billy has been resentenced to serve 30 years.
In desperation, Billy accompanies Jimmy and Max to try to escape through the catacombs below the prison. They give up after running into endless dead-ends. A particularly sycophantic prisoner, Rifki, who routinely acts as an informant in exchange for favors, notifies the guards about the escape attempt. Hamidou suspects Jimmy of being responsible for what happened during the first escape attempt. Jimmy is taken away again for punishment and is never seen again. Billy's imprisonment becomes harsh and brutal: terrifying scenes of physical and mental torture follow one another, and Billy has a breakdown. He brutally beats Rifki, killing him. He is sent to the prison's ward for the insane, where he wanders about in a daze among the other disturbed prisoners. Max is sent there, too. He is seen running from guards for an unknown infraction and is grabbed by Hamidou and severely injured.
In 1975, Billy's girlfriend Susan visits him. Devastated by Billy's condition, she tells him he must get out or die. She leaves him a scrapbook with money hidden inside to help Billy escape. Her visit strongly helps Billy to regain his senses. Billy says goodbye to an almost dead Max, telling him to stay alive and promising he will come back for him. Max awakens and is somewhat conscious. Billy tries to bribe Hamidou to take him to the prison hospital, but instead Hamidou forces Billy to a room, then tries to rape him. Billy becomes infuriated. They struggle until Hamidou is killed after being pushed into the wall, his head impaled upon a coat hook. Billy dons the guard's uniform and bluffs his way with his Turkish language skills, walks out of the front door and runs to freedom.
"On the night of October 4th, 1975 Billy Hayes successfully crossed the border to Greece. He arrived home at Kennedy Airport 3 weeks later."
(in order of appearance)
Although the story is set largely in Turkey, the movie was filmed almost entirely atFort Saint Elmo inValletta,Malta, after permission to film in Istanbul was denied.[3][4] The end credits state the movie was made entirely on location in Malta. However, background shots of Istanbul were taken by a small crew pretending to be making a cigarette commercial.
A made-for-television documentary about the film,I'm Healthy, I'm Alive, and I'm Free (alternative title:The Making of Midnight Express), was released on 1 January 1978. It is seven minutes long, and features commentary from the cast and crew on how they worked together during production, and the effort it took from beginning to completion. It also includes footage from the creation of the film, and Hayes's emotional first visit to the prison set.[5]
The film screened at the1978 Cannes Film Festival. It opened at theOdeon Haymarket in London on Thursday, 10 August 1978 grossing $3,472 in its opening day, aColumbia Pictures record in the UK.[6] It opened in New York on 6 October 1978 before opening nationwide in the United States on 27 October.[7]
The film was first released onVHS andBetamax byColumbia Pictures Home Entertainment in 1979. It made its DVD debut in 1998. A 30th Anniversary DVD of the film was released in 2008, and a Blu-ray was released in 2009.
According to the filmreview aggregatorRotten Tomatoes, 90% of critics gave the film positive reviews, based on 31 reviews with an average rating of 7.6/10. The website's critics consensus reads: "Raw and unrelenting,Midnight Express is riveting in its realistic depiction of incarceration -- mining pathos from the simple act of enduring hardship."[8] OnMetacritic, the film has a weighted average score of 59 out of 100, based on 11 critics, indicating "mixed or average reviews".[9]
Roger Ebert gaveMidnight Express three stars out of four in a review that concluded, "The movie creates spellbinding terror, all right; my only objection is that it's so eager to have us sympathize with Billy Hayes."[10]Gene Siskel gave the film two and a half stars out of four and called it "a powerful film, but we leave the theater thinking it should have been more so. It was for that reason that I was persuaded to read the book, which is where I found the story I had been expecting to see on the screen." He also thought that Brad Davis "is simply not up to the lead role. He appears unsure of himself and, like the film itself, he overacts."[11]
Arthur D. Murphy ofVariety wrote, "Acceptance of the film depends a lot on forgetting several things," namely that Hayes was smuggling drugs. Nevertheless, he thought Davis gave "a strong performance" and that "Alan Parker's direction and other credits are also admirable, once you swallow the specious and hypocritical story."[12]
Charles Champlin, of theLos Angeles Times, was positive, writing that the film "has a kind of wailing, arid authenticity and enormous power. It is strong and uncompromising stuff, made bearable by its artistry and the saving awareness that Hayes, at least, slipped free and lived to tell the tale."[13] Gary Arnold, ofThe Washington Post, described the film as "outrageously sensationalistic" and "loaded with show-stopping fabrications," and wrote of the protagonist that "there's never a compelling reason for sympathizing with the callow boy he appears to be from start to finish."[14]
Midnight Express was also criticized for its unfavorable portrayal of Turkish people. In her 1991 bookTurkish Reflections: A Biography of Place,Mary Lee Settle wrote: "The Turks I saw inLawrence of Arabia andMidnight Express were like cartoon caricatures, compared to the people I had known and lived among for three of the happiest years of my life."[15]
Pauline Kael, in reviewing the film forThe New Yorker, commented, "This story could have happened in almost any country, but if Billy Hayes had planned to be arrested to get the maximum commercial benefit from it, where else could he get the advantages of a Turkish jail? Who wants to defend Turks? (They don't even constitute enough of a movie market forColumbia Pictures to be concerned about how they are represented.)"[16] One reviewer, writing forWorld Film Directors, wrote: "Midnight Express is 'more violent, as a national hate-film than anything I can remember', 'a cultural form that narrows horizons, confirming the audience's meanest fears and prejudices and resentments'."[17]
David Denby ofNew York criticizedMidnight Express as "merelyanti-Turkish, and hardly a defense of prisoners' rights or a protest against prison conditions."[18] Denby said also that all Turks in the film – guardian or prisoner – were portrayed as "losers" and "swine", and that "without exception [all the Turks] are presented as degenerate, stupid slobs".[18]
The well-known Spanish film magazineFotogramas had this to say: "One of the most sibylline exercises inracism ever produced, and one peddled under a progressive label to boot. The true story of an American arrested in Turkey for drug trafficking becomes a nightmare resolved with asensationalism that is impactful yet worthy of a better cause, as is always the case inits director's career."[19]
Norman Stone described it as a "brilliant, but quite misleading, film."[20]
The film was made for $2.3 million and grossed over $35 million worldwide.
In 1978, the Turkish government unsuccessfully attempted to prevent the film from being screened in Israel.[21]
| Midnight Express: Music from the Original Motion Picture Soundtrack | ||||
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| Soundtrack album by | ||||
| Released | 6 October 1978 | |||
| Recorded | Musicland Studios,Munich,Germany | |||
| Genre | Disco | |||
| Length | 37:00 | |||
| Label | Casablanca Records | |||
| Producer | Giorgio Moroder | |||
| Giorgio Moroder chronology | ||||
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| Singles from Midnight Express: Music from the Original Motion Picture Soundtrack | ||||
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Released on 6 October 1978, byCasablanca Records, the soundtrack toMidnight Express was composed by Italiansynth-pioneerGiorgio Moroder. The score won theAcademy Award for Best Original Score in1979.
| Chart (1979) | Peak position |
|---|---|
| Australia (Kent Music Report)[31] | 26 |
The quote "Have you ever been in a Turkish prison?", in the American comedy filmAirplane! (1980), is a reference toMidnight Express.[32]
An amateur interview with Billy Hayes appeared onYouTube,[33] recorded during the 1999Cannes Film Festival. He describes his experiences and expresses his disappointment with the film adaptation.[34] In an article for theSeattle Post-Intelligencer, Hayes is reported as saying that the film "depicts all Turks as monsters".[35]
Giorgio Moroder's work "The Chase" is often used asbumper music on theAmerican late-nightradio talk show radio programCoast to Coast AM.[36]
When he visited Turkey in 2004, screenwriter Oliver Stone - who won anAcademy Award for writing the screenplay forMidnight Express - apologized for the portrayal of the Turkish people in the film.[37] He "eventually apologized for tampering with the truth".[38]
"Theme from Midnight Express" is sampled onJ Dilla's "Phantom of the Synths", which is prominently used on "Gazzillion Ear", produced by J Dilla and performed byMF Doom, released in 2005 and 2009 respectively.[39][40]
Hayes, Stone, and Alan Parker were invited to attend a special screening ofMidnight Express, with prisoners in the garden of an L-type prison in Döşemealtı, Turkey, as part of the47th Antalya Golden Orange Film Festival in October 2010.[41]
In 2016, Parker returned to Malta as a special guest during the second edition of theValletta Film Festival to attend a screening of the film on 4 June atFort St Elmo, where many of the prison scenes were filmed.[4]
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