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Mia Hansen-Løve

From Wikipedia, the free encyclopedia
French film director (born 1981)

Mia Hansen-Løve
Hansen-Løve in 2025
Born (1981-02-05)5 February 1981 (age 45)
Paris, France
Occupations
  • Film director
  • screenwriter
  • actress
Years active1998–present
Partners
Children2

Mia Hansen-Løve (born 5 February 1981) is a French film director, screenwriter, and former actress. She has won several accolades for her work. Her first feature film,All Is Forgiven, won theLouis Delluc Prize for Best First Film in 2007 along withCéline Sciamma'sWater Lilies. Hansen-Løve's filmFather of My Children won the Special Jury Prize in theUn Certain Regard section at the2009 Cannes Film Festival.[2] In 2014, Hansen-Løve was awarded the status of Chevalier in theOrdre des Arts et des Lettres.[3] In 2016, she won theSilver Bear for Best Director for her filmThings to Come at the66th Berlin International Film Festival, as well as becoming a member of theAcademy of Motion Picture Arts and Sciences.[4][5]

Early life

[edit]

Hansen-Løve was born on 5 February 1981 in Paris. Her parents, Laurence and Ole Hansen-Løve, are both philosophy professors who separated when Hansen-Løve was in her 20s.[6][7] She inherited herdouble-barrelledDanish family name from her paternal grandfather, who had immigrated to France from Denmark.[8]

At university, Hansen-Løve studied German and minored in philosophy.[9]

As a teenager, Hansen-Løve enjoyed acting and appeared inLate August, Early September andSentimental Destinies, both directed byOlivier Assayas. In 2001, she began studying at the Conservatory of Dramatic Arts in Paris, but left in 2003 and began writing reviews for French film magazineCahiers du cinéma until 2005, a job that fueled her desire to make films.[10] "What I wanted [as a Cahiers critic] was to build little-by-little a cinematic train of thought," she has said.[11] Hansen-Løve says she is not nostalgic about her time atCahiers du cinéma, however useful it was, and that she experienced misogyny there.[12] Meanwhile, she directed several shorts, includingContre-coup (2005), starringLouis Garrel andLolita Chammah.[13]

In 2016, Hansen-Løve said, "When I was in my 20s, I was completely lost in life. Realizing I wanted to make films gave me strength. Because filmmaking is a perpetual questioning of existence: What is beauty? Why am I living? And I need that, I think, perhaps because of being the daughter of two philosophy teachers."[6]

Career

[edit]

Hansen-Løve's debut film,All Is Forgiven, was nominated for aCésar Award for Best First Feature Film in 2008 by theFrench Film Academy.[14]

Her second film,Father of My Children, premiered at the2009 Cannes Film Festival in theUn Certain Regard section, winning the Special Jury Prize. The film was inspired by the suicide ofHumbert Balsan, a French actor and film producer who served as an early mentor for Hansen-Løve.[15]

Her third feature was the semi-autobiographicalGoodbye First Love. Hansen-Løve castLola Créton after seeing her inBluebeard.[16] Her then-partner,Olivier Assayas, who was with her at the time of the viewing, subsequently cast Créton in one of his films. The film premiered at the 2011Locarno International Film Festival, where it received a special mention from the Jury.

A woman with shoulder-length brown hair holding a microphone and standing onstage
Hansen-Løve in 2012

In August 2012,TIFF Cinemathique presented a retrospective of Hansen-Løve's work titled "Fathers and Daughters: The Films of Mia Hansen-Løve."

In November 2013, Hansen-Løve began filmingEden, an autobiographical drama about a young man who discovers the burgeoningFrench house music scene during the early 90s. The film was inspired and co-written by her brother Sven, who had been part of the 90s club scene as a DJ. Hansen-Løve went through multiple producers while trying to make the film, as obtaining the rights to the music she wanted to use was time-consuming and expensive. The film premiered at the2014 Toronto International Film Festival.[17]

During promotion forEden, Hansen-Løve announced that her next film,Things to Come (L'Avenir), would starIsabelle Huppert as a philosophy teacher whose seemingly perfect life begins to fall apart when her husband leaves her and her children move away from home.[18] Hansen-Løve cited Eric Rohmer'sThe Green Ray as the "one film [she] couldn't help thinking of when writingThings to Come" because of the similarities between the film's themes and their central female characters.[19] The film was completed in 2016 and premiered in competition at the66th Berlin International Film Festival, where Hansen-Løve won theSilver Bear for Best Director.[20][21]

In September 2018, Hansen-Løve premieredMaya at the2018 Toronto International Film Festival as a part of the Special Presentations section.[22]

In May 2017, it was announced that Hansen-Løve would be making her English-language debut withBergman Island.[23] Set on the Swedish island ofFårö, the film illustrates a filmmaking couple who retreat to the island that inspired directorIngmar Bergman, residing there for the summer to each write screenplays for their upcoming films.[24] The film was set to starGreta Gerwig,Mia Wasikowska,Anders Danielsen Lie andJohn Turturro, but in August 2018 it was announced thatVicky Krieps would replace Gerwig and Turturro would no longer star in the film.[23][25] Production began in August 2018 andTim Roth was later cast in the lead role.[26]Bergman Island premiered atCannes in 2021, having been postponed from the cancelled 2020 edition of the festival.

Hansen-Løve is also a screenwriter, having written the screenplays for all of her films. "I write all films by myself", she has said. "I really try to close a door and go inside myself to search for my own truth. It would be a limitation to stick to those cineastes that I look up to. What I admire in them is precisely their sense of independence, how they created their own language and how they plunged into themselves to make their own films."[27]

Style and themes

[edit]

Hansen-Løve's films mostly revolve around familial and romantic relationships and their effects.[28]Eden,Father of My Children, andThings to Come all draw on important people or events in Hansen-Løve's life, though she has said that while all her films are personal, they are not autobiographical.[29]Time Out writer Dave Calhoun describes Hansen-Løve's films as "intimate, realist, free of melodrama. They have a lightness of touch and yet feel wise."[30] Hansen-Løve's brother, Sven, has said that she "prides herself on trueness and realism and authenticity."[31] Eschewing shocking or dramatic events, Hansen-Løve rests her narratives on subtle emotional shifts; climactic moments occur naturally, with no prior indication.

Common themes in Hansen-Løve's films are personal crisis, desire, and existentialism.[32][33] Her films also tend to touch upon the generational effects of France's political and social history.[9] Hansen-Løve's films have been compared to those of French auteurEric Rohmer, whose work influenced her.[19][27]

Hansen-Løve has said thatAll Is Forgiven,Father of My Children, andGoodbye First Love are a loose trilogy about the transformations involved in transitioning to adulthood. "It's not accidental that the daughters are all 15, 16, or 17 for the majority of each film," she said. "It's not only about the relationship between fathers and daughters, it's about that particular age where you separate from your family and become an adult."[34]

Personal life

[edit]

Hansen-Løve was in a relationship with directorOlivier Assayas, who directed her in the filmsLate August, Early September andSentimental Destinies, from 2002 to 2017.[35] Though it was widely assumed they were married, Hansen-Løve revealed after they split that they never had been.[36][37] They have a daughter, Vicky, born in 2009.[38] Hansen-Løve had a second child, a son with filmmakerLaurent Perreau, in 2020.[39]

Hansen-Løve is the younger sister of Sven Hansen-Løve, a successful DJ in the 90s and the inspiration for and co-writer ofEden.[40]

Her cousin, Igor Hansen-Løve, is aL'Express journalist. He had a small role in her 2009 filmFather of My Children.[41]

Filmography

[edit]

Feature films

[edit]
YearEnglish TitleOriginal TitleNotes
2007All Is ForgivenTout est pardonnéLouis Delluc Prize for Best First Film
Nominated – Caméra d'Or (2007 Cannes Film Festival)
Nominated – César Award for Best First Feature Film
2009Father of My ChildrenLe Père de mes enfantsUn Certain Regard - Special Jury Prize (2009 Cannes Film Festival)
Lumière Award for Best Screenplay
Nominated – Un Certain Regard
2011Goodbye First LoveUn amour de jeunesseLocarno International Film Festival - Special Mention
Nominated – Golden Leopard
2014EdenNominated – Golden Shell (San Sebastián International Film Festival)
2016Things to ComeL'AvenirSilver Bear for Best Director
Nominated – Golden Bear
Nominated – Louis Delluc Prize
2018Maya
2021Bergman IslandNominated – Palme d'Or[23]
2022One Fine MorningUn beau matin
2026If Love Should DieIn production

Short films

[edit]
YearTitle
2003Après mûre réflexion
2004Un pur esprit
2005Offre Spéciale
2005Contre-coup
2005Laisse passer l'été
2005Platonov, la nuit est belle

Only actress

[edit]
YearTitleRole
1998Late August, Early SeptemberVéra
2000Sentimental DestiniesAline

Further reading

[edit]
  • Ince, Kate (2020). "Ethics, Gender and Vulnerability in the Films of Mia Hansen-Løve".Film-Philosophy.24 (2).
  • Ince, Kate (2021).The Cinema of Mia Hansen-Løve: Candour and Vulnerability. Edinburgh: Edinburgh University Press.ISBN 978-1-4744-4767-6.
  • Palmer, Tim (2009)."Contemporary Feminine French Cinema and Lucile Hadzihalilovic's 'Innocence'".The French Review.83 (2):316–327.
  • Porton, Richard (2010). "A Death in the Family: An Interview with Mia Hansen-Løve".Cineaste: America's Leading Magazine on the Art and Politics of the Cinema.35 (3):10–14.
  • Porton, Richard (2017). "Love, Work and Radical Ideals: An Interview with Mia Hansen-Løve".Cineaste: America's Leading Magazine on the Art and Politics of the Cinema.42 (2):24–27.
  • Wilson, Emma (2012). "Precarious Lives: On Girls in Mia Hansen-Løve and Others".Studies in French Cinema.12 (3):273–284.doi:10.1386/sfc.12.3.273_1.

References

[edit]
  1. ^Hogan, Michael (16 April 2023)."Mia Hansen-Løve: 'I'd rather not film sex scenes than have virtue police on set'".The Guardian.
  2. ^"Festival de Cannes: The Father of My Children".festival-cannes.com. Archived fromthe original on 3 October 2009. Retrieved17 May 2009.
  3. ^"Nomination dans l'ordre des Arts et des Lettres janvier 2014".Ministry of Culture (France). 18 March 2014. Archived fromthe original on 12 November 2020. Retrieved15 November 2018.
  4. ^"Prizes of the International Jury".Berlinale. Retrieved20 February 2016.
  5. ^"New Members 2016: Academy Invites 683 To Membership".Oscars. 29 June 2016. Retrieved15 November 2018.
  6. ^abBrooks, Xan (30 August 2016)."Mia Hansen-Løve: 'Oh no, please don't touch the cat!'".The Guardian. Retrieved6 November 2018.
  7. ^"Laurence Hansen-Løve". Retrieved6 January 2015.
  8. ^"Ærkefranske Hansen-Løve har et crush på Danmark". 26 April 2012.
  9. ^abGanjavie, Amir (18 December 2016)."Can Philosophy Save Your Life? An Interview with Mia Hansen-Løve". Retrieved12 November 2018.
  10. ^Pallister, Janis L.; Hottell, Ruth A. (2011).Noteworthy Francophone Women Directors: A Sequel. Madison, NJ: Fairleigh Dickinson University Press. pp. 60–61.ISBN 978-1-61147-443-5.
  11. ^Palmer, Tim (2011).Brutal Intimacy: Analyzing Contemporary French Cinema. Middletown, CT: Wesleyan University Press. pp. 44.ISBN 978-0-8195-7000-0.
  12. ^Porton, Richard (Summer 2010). "A Death in the Family: An Interview with Mia Hansen-Løve".Cineaste:10–14.
  13. ^"Mia Hansen-Løve".Canal+.
  14. ^Palmer, Tim (2011).Brutal Intimacy: Analyzing Contemporary French Cinema, Wesleyan University Press, Middleton CT.ISBN 978-0-8195-6827-4.
  15. ^Romeny, Johnathan. (March 2010). "Under Pressure."Sight and Sound. Retrieved 6 November 2018.
  16. ^Solomons, Jason (28 April 2012)."Mia Hansen-Løve: the broken heart that made me a film-maker".The Guardian. Retrieved25 December 2014.
  17. ^Raup, Jordan (22 July 2014)."TIFF 2014 Line-Up Includes 'The Imitation Game,' 'Eden,' 'While We're Young,' 'Pasolini,' and More". Retrieved25 September 2014.
  18. ^Ehrlich, David."Interview: Mia Hansen-Løve Talks 'Eden,' Daft Punk, French Disco & Her Next Film 'The Future'". Retrieved7 February 2015.
  19. ^ab"Mia Hansen-Løve Inspired by Rohmer | TIFF 2016".Youtube. 10 September 2016.Archived from the original on 20 December 2021. Retrieved12 November 2018.
  20. ^Raup, Jordan (11 January 2016)."New Films From Mia Hansen-Løve, Thomas Vinterberg, Lav Diaz, and More Will Premiere at Berlin 2016". Retrieved11 January 2016.
  21. ^Roxborough, Scott (20 February 2016)."Berlin Film Festival: The Winners List".The Hollywood Reporter. Retrieved20 February 2016.
  22. ^Tartaglione, Nancy (24 July 2018)."Toronto Film Festival Lineup: 'Beautiful Boy', 'Ben Is Back', 'If Beale Street Could Talk', 'Widows' Among World Premieres".Deadline. Retrieved6 November 2018.
  23. ^abcErbland, Kate (18 May 2017)."Mia Hansen-Løve Lines Up Greta Gerwig, Mia Wasikowska and John Turturro for 'Bergman Island'".Indiewire. Retrieved12 November 2018.
  24. ^Lemercier, Fabien (21 June 2018)."Céline Sciamma's 'Portrait de la jeune fille en feu' to be backed by Arte France Cinéma".Cineuropa. Retrieved12 November 2018.
  25. ^Raup, Jordan (6 August 2018)."Vicky Krieps Replaces Greta Gerwig in Mia Hansen-Løve's 'Bergman Island'". Retrieved12 November 2018.
  26. ^"The production of the french/swedish/belgian film Bergman island is now on! Fårö is the Location".Instagram. 9 August 2018. Archived fromthe original on 24 December 2021. Retrieved21 November 2018.
  27. ^abPulman-Jones, Madeleine (2 March 2018)."The considered cinema of Mia Hansen-Løve".Varsity. Retrieved6 November 2018.
  28. ^Felsenthal, Julia (2 December 2016)."Mia Hansen-Løve on Mining Her Mother's Life in Things to Come".Vogue. Retrieved12 November 2018.
  29. ^Barlow, Helen (25 April 2017)."Mia Hansen-Løve gets personal in 'Things to Come'".Special Broadcasting Service. Retrieved12 November 2018.
  30. ^Calhoun, Dave."Mia Hansen-Løve Interview".Time Out. Archived fromthe original on 16 November 2018. Retrieved12 November 2018.
  31. ^Jenkins, Dave (24 July 2015)."Meet Sven Hansen-Løve: The True Story Behind the Movie Eden".UKF. Retrieved14 November 2015.
  32. ^Palmer, Daniel (11 September 2016)."Things to Come directed by Mia Hansen-Løve".The State of the Arts. Retrieved12 November 2018.
  33. ^Fragoso, Sam (10 October 2016)."French Filmmaker Mia Hansen-Løve On Desire And Pain". Retrieved12 November 2018.
  34. ^Carrington, Julian (22 August 2012)."Lightbox Mini-Retrospective a Celebration of Young Løve".Torontoist. Retrieved14 November 2018.
  35. ^Morris, Octavia (27 June 2010)."The film that changed my life: Mia Hansen-Løve".The Guardian. Retrieved25 September 2010.
  36. ^"Things to Come: review and interview with Mia Hansen-Løve".Australian Broadcasting Corporation. 28 April 2017. Retrieved5 May 2017.
  37. ^Brooks, Xan (30 August 2016)."Mia Hansen-Løve: 'Oh no, please don't touch the cat!'".The Guardian. Retrieved30 May 2017.
  38. ^Solomons, Jason (29 April 2012)."Mia Hansen-Løve: the broken heart that made me a film-maker".The Guardian. Retrieved25 September 2014.
  39. ^Olsen, Mark (21 October 2021)."A breakup, an idol and work-life balance. How Mia Hansen-Løve found 'Bergman Island'".Los Angeles Times.
  40. ^Kinos-Goodin, Jesse (11 September 2014)."TIFF 2014: Daft Punk's surprising role in French house music movie Eden". Archived fromthe original on 1 March 2016. Retrieved25 September 2014.
  41. ^Abela, Emmanuel."Mia Hansen-Løve, le fil de la transmission". Archived fromthe original on 30 March 2020. Retrieved10 June 2015.

External links

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Wikimedia Commons has media related toMia Hansen-Løve.

Interviews

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Reviews

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Films directed byMia Hansen-Løve
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