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Mezzetino (Watteau)

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Painting by Antoine Watteau

Mezzetino

Artist	Jean-Antoine Watteau
Year	c. 1718–1720
Medium	Oil on canvas
Subject	Mezzetino playing guitar
Dimensions	55.2 cm × 43.2 cm (21.7 in × 17.0 in)
Location	Metropolitan Museum of Art,New York City
Accession	34.138

Mezzetino (transl. Mezzetin;French:Mézetin) is an oil-on-canvas painting in theMetropolitan Museum of Art,New York, by theFrench Rococo painterJean-Antoine Watteau. Dated within 1717–1720,Mezzetino forms a full-length single-figure composition, depicting theeponymous character incommedia dell'arte. In the 18th century,Mezzetino was owned byJean de Jullienne, the friend and patron of Watteau who supervised thefour-volume edition of prints after the artist's works, for which the picture was engraved byBenoit Audran the Elder; after Jullienne's death in 1766, it was acquired for theHermitage inSaint Petersburg, then recently established by EmpressCatherine II of Russia. During theSoviet sales in the 1920s and 1930s,Mezzetino was sold to British-American businessmanCalouste Gulbenkian; it was later sold to theWildenstein art firm in Paris and New York, from which it was bought in 1934 by the Metropolitan Museum of Art, where it remains; the institution also owns a preparatory study—a drawing of the man's head.^[1]

Mezzetino was a comedy character, based onHarlequin but with his own distinctive costume, who was introduced for the first time by theThéâtre italien de Paris actor Angelo Costantini on October 16, 1683. Constantini's expressive face allowed him to portray the role without a mask, a tradition kept alive by all successive Mezzetinos. That novelty attracted Watteau, who featured Mezzetino in several of his works.^[2] In the picture, Mezzetino is playing his guitar and singing, his eyes lifted as if towards an unseen balcony. The statue of Venus behind him is facing away, suggesting that his feelings are not shared by the lady she represents. Although the model for Mezzetino is not known, the fact that Jean de Jullienne, who, while selling a number of Watteau's works through his life, still keptMezzetino, suggests he may have fulfilled the role.^[3]

Provenance

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Exhibition history

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List of exhibitions featuring the work
Year	Title	Location	Cat. no.
1934	A Century of Progress	Art Institute,Chicago	154^[4]^[5]
1935	Exposition de l'art français au XVIIIe siècle / Udstillingen af frankrigs kunst fra det XVIII. aarhundrede	Charlottenborg Palace,Copenhagen	260
1935	French Painting and Sculpture of the XVIII Century	Metropolitan Museum of Art, New York	5
1937	Chefs d'œuvre de l'art français	Palais National des Arts,Paris	231
1951	Wildenstein Jubilee Loan Exhibition, 1901-1951: Masterpieces From Museums and Private Collections	Wildenstein & Company Building, New York	17
1952–1953	Art Treasures of the Metropolitan	Metropolitan Museum of Art, New York	127^[6]
1970	Masterpieces of Painting in The Metropolitan Museum of Art	Museum of Fine Arts,Boston	*^[7]
1970–1971	Masterpieces of Fifty Centuries	Metropolitan Museum of Art, New York	303^[8]
1977	Paris — New York, A Continuing Romance	Wildenstein & Company Building, New York	54
1984–1985	Watteau 1684–1721	National Gallery of Art,Washington, D.C.;Galeries nationales du Grand Palais, Paris;Charlottenburg Palace,Berlin	P. 49^[9]
2003–2004	The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting	National Gallery of Canada,Ottawa; National Gallery of Art, Washington, D.C.;Gemäldegalerie, Berlin	10
2009	Watteau, Music, and Theater	Metropolitan Museum of Art, New York	12^[10]
General references:Grasselli, Rosenberg & Parmantier 1984, pp. 364–365;Baejter 2010. "*" denotes an unnumbered entry.

References

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^"Mezzetin". Metropolitan Museum of Art. Retrieved18 October 2018.
^Moureau 1992, p. 123.
^Grasselli, Rosenberg & Parmantier 1984, p. 364.
^Art Institute, Chicago (1934).Catalogue of A Century of Progress Exhibition of Paintings and Sculpture. Chicago: Art Institute. p. 27.OCLC 68667579 – via the Internet Archive.
^Bulliet, C. J. (1934).1934 Art Masterpieces in a Сentury of Progress (exhibition catalogue). Chicago: Sterling North. p. 37.OCLC 1145795843 – via the Internet Archive.
^Metropolitan Museum of Art, New York (1952).Art Treasures of the Metropolitan (exhibition catalogue). New York: H. N. Abrams. p. 230 – via the Internet Archive.
^Standen, Edith A. (1970).Masterpieces of Painting in The Metropolitan Museum of Art. New York: New York Graphic Society. p. 66.ISBN 978-0-87099-015-1.OCLC 1036384751 – via the Internet Archive.
^Metropolitan Museum of Art, New York (1970).Masterpieces of Fifty Centuries (exhibition catalogue). New York: Dutton. p. 274.ISBN 0525039503.OCLC 930453793 – via the Internet Archive.
^Opperman 1988, pp. 356, 359.
^Baetjer 2009, pp. 44–47.

Bibliography

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Baetjer, Katharine, ed. (2009).Watteau, Music, and Theater. Rosenberg, Pierre (an introduction by); Cowart, Georgia J. (an essay by). New York: The Metropolitan Museum of Art. pp. 44–47, 84–85.ISBN 978-1-58839-335-7.
Baejter, Katherine (2010)."Mezzetin". Metropolitan Museum of Art. RetrievedMay 23, 2020.
Baetjer, Katharine (2019).French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution. New York: Metropolitan Museum of Art. pp. 62–66, cat. no. 10.ISBN 978-1-58839-661-7 – via Google Books.
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Banks, Oliver T. (1977).Watteau and the North: Studies in the Dutch and Flemish Baroque Influence on French Rococo Painting. New York, London: Garland. pp. 121, 183–84, figs. 35, 119.OCLC 1075255658.
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Dacier, Émile; Vuaflart, Albert (1922).Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. III. Catalogue (in French). Paris: M. Rousseau. pp. 100–101, no. 215.doi:10.11588/DIGLIT.41977.OCLC 1039156495.
Dargenty, G. (1891).Antoine Watteau. Les Artistes Célèbres (in French). Paris: Librarie de l'Art. p. 63.OCLC 1039952242 – via the Internet Archive.
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Europe in the Age of Monarchy. Introduction by John T. Spike. New York: The Metropolitan Museum of Art. 1987. p. 146.ISBN 0-87099-449-2 – viaGoogle Books.{{cite book}}: CS1 maint: others (link)
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Mirimonde, Albert Pomme de (November 1961). "Les sujets musicaux chez Antoine Watteau".Gazette des Beaux-Arts (in French).6.58 (1114):249–288.OCLC 888153049.
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External links

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Mezzetin at theWeb Gallery of Art

v t e Antoine Watteau
Paintings	The Country Dance (c. 1706–1710) Marriage Contract and Country Dancing (c. 1711) Cupid Disarmed (c. 1715) Savoyard with a Marmot (1716) The Two Cousins (1716) The Robber of the Sparrow's Nest (c. 1709–1716) Pastoral Pleasure (c. 1714–1716) The Embarrassing Proposal (c. 1715–1716) L'Indifférent (1717) The Shepherds (c. 1717) The Dreamer (c. 1712–1717) The Chord (c. 1714–1717) The Surprise (c. 1718) Actors of the Comédie-Française (c. 1711–1718) La Boudeuse (c. 1715–1718) The Faux Pas (1716–1718) The Embarkation for Cythera (c. 1717; c. 1718–1719) Fêtes Vénitiennes (1719) Perfect Harmony (c. 1719) Jupiter and Antiope (c. 1714–1719) Pierrot (c. 1718–1719) The Worried Lover (c. 1715–1720) Mezzetino (c. 1718–1720) Holy Family (c. 1714–1721) L'Enseigne de Gersaint (1720–1721)
Drawings	Two Studies of an Actor (c. 1716–1721)
Related people	Claude Audran III Pierre Crozat Claude Gillot Jean de Jullienne Edme-François Gersaint Philippe Mercier Jean-Baptiste Pater Pierre-Antoine Quillard
Related articles	Fête galante Polish Woman (attributed) Rococo

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