TheMelos Ensemble is a group of musicians who started in 1950 in London to playchamber music in mixedinstrumentation ofstring instruments, wind instruments and others.Benjamin Britten composed the chamber music for hisWar Requiem for the Melos Ensemble and conducted the group in the first performance inCoventry.
They should not be confused with two other chamber groups of similar name, theMelos Quartet or the Melos Art Ensemble (an Italian group).
The Melos Ensemble was founded by musicians who wanted to play chamber music scored for a larger ensemble in a combination of strings, winds and other instruments with the quality of musical rapport only regular groups can achieve. The Melos Ensemble played in variable instrumentation, flexible enough to perform a wide repertory of pieces. All its members were excellent musicians who held positions in notable orchestras and appeared as soloists. The founding members, namelyGervase de Peyer (clarinet),Cecil Aronowitz (viola),Richard Adeney (flute), andTerence Weil (cello) planned a group of twelve players, astring quintet and awind quintet with harp and piano, that might be expanded by other players, to perform the greatoctets bySchubert andMendelssohn, theseptet byBeethoven, Ravel'sIntroduction and Allegro and theSerenade byArnold Schoenberg.[1]Neill Sanders (horn, a member for 29 years until 1979),Paul Beaumont Draper (bassoon) andAdrian Beers (double bass) were members from the beginning. All these musicians stayed with the group for decades.
Other early members included Gervase de Peyer (first clarinet)Emanuel Hurwitz (leader 1956–1972),Ivor McMahon (second violin),William Waterhouse (bassoon),Osian Ellis (harp),James Blades (percussion),Lamar Crowson andErnst Ueckermann (piano),Peter Graeme andSarah Barrington (oboe),James Buck (horn),Edgar Williams (bassoon) andKeith Puddy (clarinet), expanded byColin Chambers (flute and piccolo),Alan Hacker (bass clarinet),Eric Roseberry (piano),Leonard Friedman (violin),Kay Hurwitz (viola),William Bennett (flute),Stephen Pruslin (piano),Leonard Friedman (violin),Hilary Wilson (harp)[2] andTimothy Brown (horn). In the opinion of William Waterhouse (writing in 1995), "it was the remarkable rapport between this pair of lower strings" (i.e. Terence Weil and Cecil Aronowitz) "which remained constant throughout a succession of distinguished leaders, that gave a special distinction to this outstanding ensemble.",[3] Obituary Gervase de Peyer"the Guardian"
A remarkable premiere for the group wasJacques-Louis Monod's 1962 presentation ofRoberto Gerhard'sConcerto for Eight. This was followed by the 1962 premiere, and subsequent1963 recording, ofBenjamin Britten'sWar Requiem, for which the instrumental sections accompanying the English texts had been written specifically for the Melos, and were directed by the composer in the performance.[4] The recording received aGrammy Hall of Fame Award in 1998. In 1964 and 1965 the Melos Ensemble played several concerts at the newWardour Castle Summer School, founded byHarrison Birtwistle,Peter Maxwell Davies andAlexander Goehr.[5][6] On 16 August 1964 they played among othersMonody for Corpus Christi by Birtwistle,Five Little Pieces (first performance) by Davies, andSuite Op.11 by Goehr. A chamber concert on 17 August featured theHorn Trio by Brahms, on 18 August theQuatuor pour la fin du temps by Messiaen. In 1965, the Melos Ensemble played on 16 AugustPierrot Lunaire by Schoenberg. On 18 August parts ofIn Chymick Art, a cantata on texts byEdward Benlowes thatRobin Holloway wrote for the Summer School, were performed for the first time. On 20 August they premiered two works they had commissioned,Tragoedia by Birtwistle, conducted byLawrence Foster, and two 'In Nomine" ofSeven in Nomine by Davies, conducted by the composer.[7][8]
The Melos Ensemble performed regularly at British and International Festivals, among others Warsaw, Venice, Cheltenham, Edinburgh, Bordeaux and theAldeburgh Festival, their first US tour was in 1966.[9] The group gave manyBBC broadcasts, and made over 50 recordings, first with the publisher L'Oiseau-Lyre. Gervase de Peyer directed the extensive recording programme of the Ensemble forEMI.[10][11]
EMI reissued in 2011 a selection from historical recordings, titled "Melos Ensemble – Music among Friends". The principal players were Richard Adeney (and William Bennett, flute), Gervase de Peyer (and Keith Puddy, clarinet), Peter Graeme (and Sarah Barrington, oboe), Neil Sanders (and James Buck, horn), William Waterhouse (and Edgar Williams, bassoon), Emanuel Hurwitz (andKenneth Sillito, first violin), Ivor McMahon (and Iona Brown, second violin), Cecil Aronowitz (and Kenneth Essex, viola), Terence Weil (and Keith Harvey, cello), Adrian Beers (double bass), Osian Ellis (harp) and Lamar Crowson (piano).[10] The ensemble was expanded for single works byChristopher Hyde-Smith (flute), Anthony Jennings and Stephen Trier (bass clarinet),Barry Tuckwell (horn),David Mason andPhilip Jones (trumpet), Arthur Wilson and Alfred Flaszinski (trombone), Robert Masters (violin),Manoug Parikian and Eli Goren (violin),Patrick Ireland (viola),Derek Simpson (cello), Hilary Wilson (harp), Marcal Gazelle (piano),James Blades,Tristan Fry, Jack Lees and Stephen Whittaker (percussion), and singers Mary Thomas (soprano) and Rosemary Phillips (contralto).The collection of 11 CDs contains the works for large ensemble – six to thirteen players – for which the Melos Ensemble was founded, some composed for the ensemble:
Following the death of Ivor McMahon in 1972, and the departure of three other members, the group briefly disbanded in 1973, but was reformed in 1974 with eight of the original players.[1] In the later period the following musicians were also among those playing for the ensemble:Hugh Maguire (violin),Thea King (clarinet, 1974–1993),Nicholas Ward[23] (violin, from 1977),Sylvie Gazeau[24] (principal violin for many years),Gwenneth Pryor[25] (piano),Iona Brown[26] (violin),Patrick Ireland (viola) andKeith Harvey[27] (cello). In 1975 the Melos Ensemble presented its 25th anniversary concert in London. In 1982 the Melos Ensemble appeared in Graz in a retrospective ofEgon Wellesz, playing hisOktett für Klarinette, Fagott, Horn und Streichquintett Op.67.[28]
Composers created music for unusual groupings with the Melos Ensemble specifically in mind, leading in turn to the formation of similar chamber groups.[1]Hans Werner Henze composedKammermusik 1958 for tenor, guitar and eight solo instruments, for example. In that way, the Melos Ensemble has directly and indirectly influenced music for new combinations of chamber musicians incontemporary music.
