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Media economics embodieseconomic theoretical and practical economic questions specific tomedia of all types. Of particular concern to media economics are the economic policies and practices of media companies and disciplines includingjournalism and thenews industry,film production,entertainment programs,print,broadcast, mobile communications,Internet,advertising andpublic relations.Deregulation of media, media ownership and concentration, market share,intellectual property rights, competitive economic strategies, company economics, "media tax" and other issues are considered parts of the field. Media economics hassocial, cultural, and economic implications. Regular study of media economic issues began in the 1970s but flourished in the 1980s with the addition of classes on the subject at U.S. and European universities.The Journal of Media Economics began publishing in 1988, edited byRobert G. Picard, one of the founding fathers of the discipline. Since that time the field of inquiry has flourished and there are now hundreds of universities offering courses and programs in media economics. Other significant figures in the field have includedSteven S. Wildman, Alan Albarran,Bruce M. Owen,Ben Compaine,Ghislain Deslandes, Stuart McFadyen, Gillian Doyle, Karl Erik Gustafsson, Lucy Küng, Gregory Ferrell Lowe, Nadine Toussaint Desmoulins,Achour Fenni,Amanda D. Lotz, and Stephen Lacy.
Within academia, the location of media economics research varies depending upon the tradition and history of the institution. In some universities it is located in schools of business or economics, whereas in others it is located in communication, media or journalism schools (or departments).
The term "cultural economics" is sometimes used as asynonym for media economics but they are not substitutable. Cultural economics includes a wide variety of activities that do not necessarily involve mediated dissemination such as museums, symphonies, operas, and festivals. At times these may cross over into media economic issues, such as when audio or video recordings are made of performances or museum holdings are put onCDs.
There is no definitive list of every radio and television station in the world. TheNational Association of Broadcasters cites the estimate from the U.S.C.I.A. World Fact Book, which reports that "as of January 2000, there are over 21,500 television stations and over 44,000 radio stations." (CIA World Fact Book references –Radio,TV)
In the United States theFCC provides a list of "Licensed Broadcast Station Totals (Index) 1990 to Present," which may be foundhere. According to the FCC report –
| TYPE | NUMBER |
|---|---|
| AM RADIO | 4781 |
| FM RADIO | 6224 |
| FM EDUCATIONAL | 2471 |
| TOTAL | 13476 |
| TYPE | NUMBER |
|---|---|
| UHF COMMERCIAL TV | 773 |
| VHF COMMERCIAL TV | 589 |
| UHF EDUCATIONAL TV | 255 |
| VHF EDUCATIONAL TV | 127 |
| TOTAL | 1744 |
| TYPE | NUMBER |
|---|---|
| CLASS A UHF STATIONS | 498 |
| CLASS A VHF STATIONS | 112 |
| TOTAL | 610 |
| TYPE | NUMBER |
|---|---|
| FM TRANSLATORS & BOOSTERS | 3842 |
| UHF TRANSLATORS | 2658 |
| VHF TRANSLATORS | 2079 |
| TOTAL | 8579 |
| TYPE | NUMBER |
| UHF LOW POWER TV | 1605 |
| VHF LOW POWER TV | 523 |
| TOTAL | 2128 |
In the United States, a report from the Radio Advertising Bureau (RAB) states that in 2002, radio's revenue reached $19.4 billion, an increase of 5.7% from the $17.7 billion earned in 2001. For additional details seeRAB's Radio Fact Book. Total broadcast revenues for 2001 were $54.4 billion, asreported by The Television Advertising Bureau (TVB).