Maurice Mierau | |
|---|---|
| Born | Maurice Mierau Bloomington, Indiana, USA |
| Occupation | poet, writer, editor |
| Nationality | Canadian |
| Citizenship | American, Canadian |
| Education | MA in English fromU of M |
| Period | 2002 to present |
| Genre | Poetry, Non-Fiction |
| Notable works | Ending With Music,Memoir of a Living Disease,Fear Not |
| Notable awards | The John Hirsch Award for Most Promising Manitoba Writer, Margaret McWilliams Award, ReLit Award |
| Spouse | Married |
| Website | |
| [5] | |
Maurice Mierau (born January 22, 1962) is anAmerican-Canadian writer of non-fiction and poetry. Born in Bloomington, Indiana, Mierau grew up inNigeria,Manitoba,Jamaica,Kansas andSaskatchewan and has aMennonite background.[1] Mierau currently lives with his family inWinnipeg, Manitoba, and was president of the League of Canadian Poets from 2006-2008.[2] Mierau holds an MA in English Literature from theUniversity of Manitoba.
Mierau began writing informally at the age of nine as a way to express himself. With inspiration from the Bible and music, he has published two poetry books: Fear Not in 2008 and Ending with Music in 2002. In 2005 he was asked by The Manitoba Lung Association to write Memoir of a Living Disease for theirtuberculosis treatment program. In 1988-90 Maurice was review editor forPrairie Fire Magazine and in 1990 was the founding editor ofPrairie Book World, currently known as,Prairie Books Now. From 2002-2006 Mierau taught technical writing in the Business Computing Department at theUniversity of Winnipeg. From the years 2005-2008 he worked as a poet and teacher in "The Artists in the Schools" program and had residencies in four Winnipeg high schools. He was a poetry editor forGeez (magazine) from 2007–2010 and also co-editor forContemporary Verse 2 through the same years. In 2008 Maurice served as a mentor for an emerging poet in the "Manitoba Writer's Guild" mentor-ship program and again in 2011. From 2009-2010 he was a writer in residence at theWinnipeg Public Library. He presently works as a poetry co-editor for CV2 magazine, as the editor of the online literary magazineThe Winnipeg Review, and as an associate editor forEnfield & Wizenty.[3]
In Mierau's first book of poetry,Ending with Music, he uses a conventional poetic form which is not unique other than in content and style. The poems inEnding with Music tell the stories of events and people.[4] The poetry, though dealing with generally conventional subject matter, has a slight stylistic twist to it. The poems have a unique perspective which at first might not be recognized and which alter the reader's perceptions of the stories in subtle ways. These poems are at times darkly humorous, heart wrenching, or illuminating and fulfilling.[5] Mierau's most radical work isFear Not, his second book of poetry. This book takes the form of many poems which are all connected by form. The book is written as if it is a collection of biblical psalms; however the subject matter and literary style could not be less biblical.[6] Mierau uses techniques such as irony and juxtaposition to intensify the messages and experience of his writing.[7] The juxtaposition is one of form and style against content. Mierau's poems are well crafted and lyrical and unfailingly mirror the ancient biblical form of thepsalm, yet they are dealing with the harsh realities of a modern world and are unrelentingly accurate in describing the human experience.
Ending With Music, Maurice Mierau's first book, was published by Brick Books in 2002. The book is a collection of poems that deal with themes of violence, suicide, martyrdom, music, and pop culture. These themes are explored through the lens ofAnabaptist andMennonite history, as framed by the bookMartyr's Mirror. In other poems he looks at the plight of Mennonite farmers in Saskatchewan during the 1930s and his own family's experience of fleeing from Ukraine near the end of World War 2.
Other poems in the book examine historical figures likeLouis Armstrong andLenny Breau, highlighting the immortalizing effect of artistic expression.
The style is influenced by some writers, particularlyPatrick Friesen andRobert Kroetsch. InEnding With Music the poetic style tends to be unadorned, while there is some use of sonnets and rhyming schemes.[3]
Fear Not, published by Turnstone Press in 2008, is a collection of poems that parody the self-help topics in the Gideon Bible. The poems intermingle biblical passages with contemporary self-help and advertising language. Poems are based upon the directory at the end of the Gideon Bible that suggests readings based on the readers state of mind, such as "Tempted to Lie". Although based on the Gideon Bible the subject matter of the poems often diverge to reference pop culture, the holocaust and his family. Formally, this book represents a significant stylistic departure from his first book,Ending with Music. The poems are set up in two columns, like theKing James Bible but use traditional formal shapes of English poetry (sonnet,sestina,nonce form).[3]
Memoir of a Living Disease, published by Great Plains Publication in 2005, is a non-fiction history of the treatment and current impact of tuberculosis in the world, focusing on Manitoba. The book deals with a First Nations community that had one of the highest rates of tuberculosis infection in Canada, a result of poverty and sub-standard housing. The book includes interviews with about 60 front-line tuberculosis researchers and medical practitioners.
The book was commissioned by the Manitoban chapter of theCanadian Lung Association for their tuberculosis treatment program.[3]
| International | |
|---|---|
| National | |
| Other | |
