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Marjorie Perloff

From Wikipedia, the free encyclopedia
American academic (1931–2024)

Marjorie Perloff
Born
Gabriele Schüller Mintz

(1931-09-28)September 28, 1931
Vienna, Austria
DiedMarch 24, 2024(2024-03-24) (aged 92)
Los Angeles, California, U.S.
Spouse
Joseph K. Perloff
(m. 1953; died 2014)
Children2, includingCarey Perloff
Academic background
Education
Academic work
Institutions
Main interestsModern poetry and poetics
Notable works
  • Radical Artifice: Writing Poetry in the Age of Media (1991)
  • Unoriginal Genius: Poetry by Other Means in the New Century (2010)
  • Private Notebooks: 1914–1916 (translation, 2022)

Marjorie Perloff[a] (bornGabriele Mintz; September 28, 1931 – March 24, 2024) was an Austrian-born American poetry scholar and critic, known for her study of avant-garde poetry.[1]

Perloff was a professor atCatholic University, theUniversity of Maryland, College Park, theUniversity of Southern California andStanford University.[2][3]

She wrote books aboutW. B. Yeats,Robert Lowell, andFrank O'Hara and promoted poetry that normally was not discussedin the United States, such as works byLouis Zukofsky,Kenneth Goldsmith, andBrazilian poetry. Perloff was widely considered the most influential critic ofexperimental poetry. She coined the term "unoriginal genius" to reflect the desire of some contemporary poets to create poetry by using other people's words and constraint-based practices rather than inspiration or other personal sources.[4][5]

Early life

[edit]

Perloff was bornGabriele Schüller Mintz on September 28, 1931, into a secularized Jewish family inVienna.[1] Theannexation of Austria byNazi Germany exacerbated Vienneseantisemitism, and so the family emigrated in 1938, when she was six-and-a-half, going first toZürich and then to the United States, settling in theRiverdale section ofthe Bronx, where she attended theEthical Culture Fieldston School.[1] According toAdam Kirsch, "Perloff can be counted as perhaps the youngest of the great wave of European Jewish intellectual refugees who immeasurably enriched American culture."[6] She changed her name to Marjorie when she was a teenager, as she felt it sounded "more American".[1]

After attendingOberlin College from 1949 to 1952, she graduatedmagna cum laude andPhi Beta Kappa fromBarnard College in 1953; that year, she married Joseph K. Perloff, acardiologist focused oncongenital heart disease.[7] She completed her graduate work at theCatholic University of America in Washington, D.C., earning anM.A. in 1956 and aPh.D. in 1965; her dissertation onW. B. Yeats was later published as a book entitledRhyme and Meaning in the Poetry of Yeats in 1970.[8][9]

Career

[edit]

Perloff taught atCatholic University from 1966 to 1971. She then moved on to become Professor of English at theUniversity of Maryland, College Park (1971–1976) and Professor of English and Comparative Literature at theUniversity of Southern California (1976–1986) andStanford University (1986–1990). Her position was endowed as the Sadie Dernham Patek Professor of Humanities at Stanford (1990—2000; emerita from 2001). She was also Florence Scott Professor of English Emerita at theUniversity of Southern California.[2][3]

Her work has been especially concerned with explicating the writing of experimental andavant-garde poets and relating it to the major currents ofmodernist and, especially,postmodernist activity in the arts, including the visual arts andliterary theory.[10]

The first three books published by Perloff each focused on different poets: Yeats,Robert Lowell, andFrank O'Hara respectively. In 1981, she changed directions withThe Poetics of Indeterminacy, which began her work on avant-gardist poetry, paving the way forThe Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture in 1986 and many subsequent titles.Differentials: Poetry, Poetics, Pedagogy, published in 2004, won theRobert Penn Warren Prize in 2005 as well as Honorable Mention for theRobert Motherwell Prize of theDedalus Foundation.[11]

Perloff did much to promote poetics that are not normally part of the discoursein the United States such as works ofLouis Zukofsky,Kenneth Goldsmith, orBrazilian poetry. She was widely considered the most influential critic ofexperimental poetry. She was credited with coining the term — "unoriginal genius" — to reflect the interest of some contemporary poets in generating their work by citational and constraint-based practices rather than inspiration or other personal sources.[4][5] Her work on contemporary American poetry, and, in particular, poetry associated withLanguage poetry and theObjectivist poets, posits and critiques an "Official Verse Culture" that determines what is and is not worthy of publication, critique and emulation.[12] In 2001, she gave theBritish Academy's Sarah Tryphena Phillips Lecture in American Literature and History, onGertrude Stein's Differential Syntax.[13]

In 2008–09, she was the Weidenfeld Visiting professor of European Comparative Literature inSt Anne's College, Oxford.[14] She was also member of the International Jury of theJanus Pannonius Grand Prize for Poetry Foundation [hu] (an award of theHungarian PEN Club).[15]

Personal life and death

[edit]

Perloff and her husband, who died in 2014, had two daughters,Carey Perloff and Nancy Perloff.[1]

Perloff died at her home inPacific Palisades, Los Angeles, on March 24, 2024, at the age of 92.[1]

Bibliography

[edit]
This list isincomplete; you can help byadding missing items.(February 2022)

Selected works

[edit]

Critical studies and reviews of Perloff's work

[edit]
Radical artifice

Notes

[edit]
  1. ^Pronounced/ˈpɜːrlɒf/PUR-lof

References

[edit]
  1. ^abcdefRisen, Clay (March 26, 2024)."Marjorie Perloff, Leading Scholar of Avant-Garde Poetry, Dies at 92".The New York Times. RetrievedMarch 26, 2024.
  2. ^abPoetry Foundation Bio
  3. ^abUSC Faculty Profile
  4. ^abAlec Wilkinson. Something Borrowed: Kenneth Goldsmith's poetry elevates copying to an art, but did he go too far? The New Yorker, October 5, 2015.
  5. ^abPerloff, Marjorie.Unoriginal Genius: Poetry by Other Means in the New Century. University of Chicago Press. RetrievedMarch 25, 2024.
  6. ^Kirsch, Adam (June 22, 2017)."Ironists of a Vanished Empire".New York Review of Books.64 (11). RetrievedMarch 25, 2024.
  7. ^Barrosse, Emilia."In memoriam: Dr. Joseph K. Perloff, founder of congenital heart disease center".UCLA. RetrievedOctober 31, 2021.
  8. ^Thomas, Alan (March 26, 2024)."In Memoriam: Marjorie Perloff (1931–2024)".The Chicago Blog.University of Chicago Press. RetrievedMarch 31, 2024.
  9. ^Perloff, Marjorie (1970).Rhyme and Meaning in the Poetry of Yeats. Mouton.ISBN 978-3-11-174839-9.
  10. ^"Entry in Critics encyclopedia". Archived fromthe original on September 20, 2016. RetrievedNovember 19, 2005.
  11. ^Faculty Profile From Stanford
  12. ^Poetic Profile & InterviewArchived July 8, 2011, at theWayback Machine
  13. ^"Sarah Tryphena Phillips Lectures in American Literature and History".The British Academy.text
  14. ^"Weidenfeld Visiting Professorship in Comparative European Literature". July 10, 2023.
  15. ^"Zsűri | Janus Pannonius Költészeti Nagydíj [ Jury | Janus Pannonius Grand Prize for Poetry ]".Janus Pannonius Grand Prize for Poetry. Janus Pannonius Poetry Prize Foundation. Archived fromthe original(web.archive.org) on September 21, 2023.

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