Marjorie Perloff | |
|---|---|
| Born | Gabriele Schüller Mintz (1931-09-28)September 28, 1931 Vienna, Austria |
| Died | March 24, 2024(2024-03-24) (aged 92) Los Angeles, California, U.S. |
| Spouse | |
| Children | 2, includingCarey Perloff |
| Academic background | |
| Education | |
| Academic work | |
| Institutions | |
| Main interests | Modern poetry and poetics |
| Notable works |
|
Marjorie Perloff[a] (bornGabriele Mintz; September 28, 1931 – March 24, 2024) was an Austrian-born American poetry scholar and critic, known for her study of avant-garde poetry.[1]
Perloff was a professor atCatholic University, theUniversity of Maryland, College Park, theUniversity of Southern California andStanford University.[2][3]
She wrote books aboutW. B. Yeats,Robert Lowell, andFrank O'Hara and promoted poetry that normally was not discussedin the United States, such as works byLouis Zukofsky,Kenneth Goldsmith, andBrazilian poetry. Perloff was widely considered the most influential critic ofexperimental poetry. She coined the term "unoriginal genius" to reflect the desire of some contemporary poets to create poetry by using other people's words and constraint-based practices rather than inspiration or other personal sources.[4][5]
Perloff was bornGabriele Schüller Mintz on September 28, 1931, into a secularized Jewish family inVienna.[1] Theannexation of Austria byNazi Germany exacerbated Vienneseantisemitism, and so the family emigrated in 1938, when she was six-and-a-half, going first toZürich and then to the United States, settling in theRiverdale section ofthe Bronx, where she attended theEthical Culture Fieldston School.[1] According toAdam Kirsch, "Perloff can be counted as perhaps the youngest of the great wave of European Jewish intellectual refugees who immeasurably enriched American culture."[6] She changed her name to Marjorie when she was a teenager, as she felt it sounded "more American".[1]
After attendingOberlin College from 1949 to 1952, she graduatedmagna cum laude andPhi Beta Kappa fromBarnard College in 1953; that year, she married Joseph K. Perloff, acardiologist focused oncongenital heart disease.[7] She completed her graduate work at theCatholic University of America in Washington, D.C., earning anM.A. in 1956 and aPh.D. in 1965; her dissertation onW. B. Yeats was later published as a book entitledRhyme and Meaning in the Poetry of Yeats in 1970.[8][9]
Perloff taught atCatholic University from 1966 to 1971. She then moved on to become Professor of English at theUniversity of Maryland, College Park (1971–1976) and Professor of English and Comparative Literature at theUniversity of Southern California (1976–1986) andStanford University (1986–1990). Her position was endowed as the Sadie Dernham Patek Professor of Humanities at Stanford (1990—2000; emerita from 2001). She was also Florence Scott Professor of English Emerita at theUniversity of Southern California.[2][3]
Her work has been especially concerned with explicating the writing of experimental andavant-garde poets and relating it to the major currents ofmodernist and, especially,postmodernist activity in the arts, including the visual arts andliterary theory.[10]
The first three books published by Perloff each focused on different poets: Yeats,Robert Lowell, andFrank O'Hara respectively. In 1981, she changed directions withThe Poetics of Indeterminacy, which began her work on avant-gardist poetry, paving the way forThe Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture in 1986 and many subsequent titles.Differentials: Poetry, Poetics, Pedagogy, published in 2004, won theRobert Penn Warren Prize in 2005 as well as Honorable Mention for theRobert Motherwell Prize of theDedalus Foundation.[11]
Perloff did much to promote poetics that are not normally part of the discoursein the United States such as works ofLouis Zukofsky,Kenneth Goldsmith, orBrazilian poetry. She was widely considered the most influential critic ofexperimental poetry. She was credited with coining the term — "unoriginal genius" — to reflect the interest of some contemporary poets in generating their work by citational and constraint-based practices rather than inspiration or other personal sources.[4][5] Her work on contemporary American poetry, and, in particular, poetry associated withLanguage poetry and theObjectivist poets, posits and critiques an "Official Verse Culture" that determines what is and is not worthy of publication, critique and emulation.[12] In 2001, she gave theBritish Academy's Sarah Tryphena Phillips Lecture in American Literature and History, onGertrude Stein's Differential Syntax.[13]
In 2008–09, she was the Weidenfeld Visiting professor of European Comparative Literature inSt Anne's College, Oxford.[14] She was also member of the International Jury of theJanus Pannonius Grand Prize for Poetry Foundation [hu] (an award of theHungarian PEN Club).[15]
Perloff and her husband, who died in 2014, had two daughters,Carey Perloff and Nancy Perloff.[1]
Perloff died at her home inPacific Palisades, Los Angeles, on March 24, 2024, at the age of 92.[1]