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Marina Poplavskaya

From Wikipedia, the free encyclopedia
Russian opera singer (born 1977)
Not to be confused withMarina Poplavska.
head and shoulders view
Marina Poplavskaya during theSalzburg Festival in 2008

Marina Poplavskaya (Russian:Марина Поплавская; born September 1977) is a Russianoperaticsoprano. Her repertoire includes leading roles in operas of theRomantic era;[1] she is particularly known for her performances in the operas ofVerdi.[2]

Early life and training

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Born inMoscow and educated at the Ippolitov-Ivanov State Music Institute there with professor Peter Tarasov,[1] she sang in the children's chorus of theBolshoi Theatre from the age of 10.[3] She became a soloist at Moscow'sNovaya Opera Theatre,[4] where she performed during 1996–98,[1] and where she was mentored by its founderYevgeny Kolobov.[4]

Career

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Poplavskaya performed as a soloist during 2001–2004 at theStanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre, and debuted at the Bolshoi Theatre in 2003 as Ann Truelove inStravinsky'sThe Rake's Progress; the next year at the Bolshoi she sang Maria inTchaikovsky'sMazeppa.[1]

In 2005 her association with theRoyal Opera, London began when she joined its Young Artists Programme,[1] and in 2006 she received critical acclaim when she sang the title role of Rachel in a London concert performance ofHalévy'sLa Juive.[2]

At the Royal Opera she went on to greater success from 2007, when she performed as Donna Anna inMozart'sDon Giovanni, when as part of the young artists program she was an understudy cover in this production and had to step in for an ailingAnna Netrebko,[2] and Elisabeth de Valois inNicholas Hytner's new production of Verdi'sDon Carlo, which premiered in London in June 2008.[3]

In August 2008, she performed Desdemona in Verdi'sOtello at theSalzburg Festival withRicardo Muti conducting. Richard Fairman, reviewing the performance of 10 August forOpera, wrote "... Marina Poplavskaya’s Desdemona properly fitted the bill, looking a mere slip of a girl and sounding lovely."[5]

In December 2007 after a successful debut at theMetropolitan Opera as Natasha inProkofiev'sWar and Peace.[3] she was invited back in 2009 as Liù inPuccini'sTurandot,[2] and in 2010 as Elisabetta, when Hytner's production ofDon Carlo was taken to New York, and as Violetta inLa traviata, in the New York staging ofWilly Decker's production,[3] in which she had sung the role atDe Nederlandse Opera in 2009 and won The Artist of the Year prize for the best performer.[6] In2009 she also sang Violetta with great success at theLos Angeles Opera.[7]

She secured the role of Violetta at the Met in 2010 after Anna Netrebko dropped out.[3] In June 2011 Poplavskaya joined the tour at short notice to sing Elisabetta inDon Carlo, afterBarbara Frittoli vacated the role in order to replace Netrebko as Mimì in Puccini'sLa bohème.[8] In the 2011–2012 season Poplavskaya performed Marguerite inGounod'sFaust, including in theMet's HD simulcast on 10 December 2011,[9] and in the fall of 2013 she sang five performances as Tatiana in the Met's new production of Tchaikovsky'sEugene Onegin.[10] Vivian Schweitzer, reviewing the performance forThe New York Times, wrote that "Poplavskaya lacks the voluptuous sound of Anna Netrebko, who sang the role of Tatiana on opening night, but offered a more arresting portrayal dramatically."[11]

In October 2014, Poplavskaya withdrew from the Met's productions ofThe Marriage of Figaro andLa traviata.[12] The Met's general manager,Peter Gelb, stated that Poplavskaya "is a wonderful performer, but I know she’s been having some vocal difficulties in recent months."[13]Operabase shows no engagements for her after 2014.[14]

According to a 2020 portrait in Operawire, Poplavskaya was struggling with her voice after her pregnancy in 2014, but has returned to performing and recording, now as a mezzo-soprano, since 2019.[15]

Videos

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Notes

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  1. ^abcde"LA Opera – Marina Poplavskaya". Retrieved12 December 2010.
  2. ^abcdDavid Belcher (December 2010)."Independent Streak".Opera News. Retrieved12 December 2010.
  3. ^abcdeGurewitsch, Matthew (24 December 2010)."Want to Be a Star? Take Your Lumps".The New York Times. Retrieved23 July 2011.
  4. ^abDuchen, Jessica (27 February 2008)."Marina Poplavskaya: At full throttle".The Independent on Sunday. Retrieved23 July 2011.
  5. ^abReview of the SalzburgOtello performance of 12 August 2008: Richard Fairman,Opera, October 2008, p. 1189.
  6. ^"Marina Poplavskaya".Operabase. Retrieved24 July 2011.
  7. ^"La Traviata Production Information".Los Angeles Opera. Retrieved18 December 2010.
  8. ^Wakin, Daniel J. (31 May 2011)."Met Stars Back Out of Tour to Japan".The New York Times. Retrieved30 July 2011.
  9. ^Anthony Tommasini,"Music Review: This Faust Builds Atom Bombs (He Still Sings)",The New York Times, 30 November 2011, she also played the soprano role in theBBC proms 2011 performance ofVerdi's requiem.Met Opera Archive;streaming video available at Met Opera on Demand.
  10. ^Met Opera Archive (Netrebko sang performances 136–143, Poplavskaya, 144–148).
  11. ^Vivian Schweitzer,"Opera Review: After Recovery, a Return Fit for Longing and Loss",The New York Times, 27 November 2013.
  12. ^Michael Cooper,"Yoncheva to Replace Poplavskaya in Met's 'La Traviata'",The New York Times, 30 October 2014.
  13. ^Zachary Woolfe,"A Ruckus Offstage, Then On",The New York Times, 17 September 2014.
  14. ^"Marina Poplavskaya, Soprano".operabase.com. 28 June 2014. Retrieved22 March 2018.
  15. ^Salazar, David (4 October 2020)."A New Direction - Mezzo-Soprano Marina Poplavskaya on the Evolution & Relaunching of Her Career".Opera Wire. Retrieved18 November 2020.
  16. ^Don Carlo (1886 version; Royal Opera, 2008): Films for the Humanities and Science (2010), 3 DVDs,OCLC 670480074; EMI Classic (2010), 2 DVDs (all region),OCLC 841844898; Opus Arte (2008), e-video,OCLC 956369529.
  17. ^Otello (Salzburg, 2008): C Major Entertainment, Blu-ray (2010),OCLC 823697270; Unitel, DVD (2012),OCLC 849517903.
  18. ^Don Giovanni (Royal Opera, 2008): Opus Arte, Blu-ray (2009),OCLC 648264640; DVD (2009),OCLC 964825592.
  19. ^Turandot (Met Opera, 2009,CID:353162): Met Opera on Demand, HD video,UPC:811357013151; Decca, DVD (2011),ASIN B004QP44MK.
  20. ^Simon Boccanegra (1881 version; Royal Opera, 2010): EMI Classics, DVD (2010),OCLC 702155696.
  21. ^DVD review: Mike Ashman,"Who Let the Doge Out?",Gramophone, February 2011, p. 95.
  22. ^Carmen (Liceu, 2010): Unitel, Blu-ray (2011),OCLC 937790661.
  23. ^Don Carlo (1886 version; Met Opera, 2010,CID:353676): Met Opera on Demand, HD video,UPC:811357013984; EMI Classics (2010), 2 DVDs,OCLC 890285204,886602683.
  24. ^Faust (Met Opera, 2011,CID:354203): Met Opera on Demand, HD video,UPC:811357015018; Decca, Blu-ray (2014),ASIN B00DPMFEQA.
  25. ^Il trovatore (Monnaie, 2012): Bel Air Classiques, Blu-Ray (2014),OCLC 1081075832; DVD (2014),OCLC 930927532,1252596596.
  26. ^Performance review: Stephen J. Mudge,"Il Trovatore, Brussels, Théâtre Royal de la Monnaie, 6/24/12",Opera News, vol 77, no. 3 (September 2012).
  27. ^DVD review: Mike Ashman,Verdi,Il trovatore,Gramophone, February 2015, p. 94.
  28. ^Robert le diable (Royal Opera, 2012): Opus Arte, Blu-ray (2013),OCLC 853795076; DVD (2012)OCLC 853794284.
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