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Maria Versfelt

From Wikipedia, the free encyclopedia
Dutch author and stage actress

Maria Versfelt (Ida Saint-Elme)

Maria Johanna Elselina Versfelt (27 September 1776 – 19 May 1845), also known asIda Saint-Elme,Elzelina van Aylde Jonghe, and by her pseudonymLa Contemporaine, was a Dutchcourtesan and author celebrated for her tumultuous life alongside French generals ofGrande Armée. Her travels through Italy, Egypt and the Mediterranean are chronicled in her highly popular yet largely fictitious and unreliablememoirs.[1][2] Additionally, she is credited with "possibly the earliest satirical magazine produced by a woman."[3]

Life

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Versfelt was born inLith to the portrayal in her fabricated memoirs, which erroneously claim an Tuscan origin.[4][5] Her parents were Gerrit Versfelt (1735–1781), a vicar, and Alida de Jongh (1738–1828).[6] and not Léopold-Ferdinand de Tolstoy and Van Aylde Jonghe, a corruption of her mother's name. After the death of her father, the family moved to Amsterdam and lived atGroenburgwal. In May 1792, at the age of 17, she married Jan Claasz Ringeling (1768–1801) the son of a helmsman fromBuiksloot,[7] with whom she resided atNieuwendijk and not in Lille, that was Louise Fusil. They had two children; one of whom died in April 1796.[8] In December 1795 they divorced on ground of adultery,[6] as she became the mistress of French GeneralJean Victor Marie Moreau,[2] with whom, she claims, she had an affair till 1799. He stopped seeing her when it became clear she was having an affair withMichel Ney as well. Although she claims to have married Alfred Saint Elme in Paris in 1802, no official record supports this claim.

In herPicaresque novels she maintains that General Ney was the love of her life, but he marriedAglaé Auguié and left hastily to become ambassador in theHelvetic Republic in 1802. She alleges to have accompanied him on his military campaigns across Europe. In thebattle of Eylau she claims to have fought as a soldier and sustained injuries. Then she claims to have been a reader forElisa Bonaparte. According to her memoirs she joined theFrench invasion of Russia in 1812 and witnessed theFrench occupation of Moscow" but gives superficial details.[9] It questionable if she took part in the disastrous retreat of the French army from Russia in 1812 being accompaniedEtienne-Maurice Gerard.

Works

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She published her memoirs with the help ofArmand Malitourne,Amédée Pichot andCharles Nodier in eight volumes from 1827 to 1828,Mémoires d'une Contemporaine,[5][10] which made her famous. Many prominent individuals (Julie Talma,Louise Fusil andTheresa Cabarrus) and events appear in her memoirs. The front piece of the book showed a marble sculpture of Versfelt "representing her at the age of 19, lying naked on an ancient Greco-Roman bed." In the words of one outraged reviewer, she was the "indiscreet and immoral confidante of the men of theDirectoire, the Empire and even the Restoration… and from each of these personalities, as a skillful courtesan, she had known how to extract things which should have died with the man and gone with him to his tomb."[11] Jehan d'Ivray recounts that Versfelt told the story of how the French diplomat and Minister of financeTalleyrand used thousand franc bills to roll locks of her hair into curls one night, while she pointed out to him the ones he had missed.[2] This was one of the classic 'kiss and tell' books of the 19th century and competed with other memories of women. It was an instant bestseller in France.

In 1831 Versfelt published her second book,La Contemporaine en Egypte,[12] an account of her travels through France, Egypt, and the Mediterranean. "Give me the great highway, the pleasures and dangers of the road!"[12] she says. Her trip is remarkable when we realize that she was more than 50 years old, and travel to Egypt in the 1820s was not easy. She is graciously thankful to the people who are nice to her and those she finds admirable, but she roasts with exquisite sarcasm those whom she finds ungracious, sanctimonious bigoted or unkind. She tempts her audience with veiled descriptions of the sexual attraction she feels for a traveling companion who is twenty years younger.[12] Although Versfelt is clearly a French nationalist and aBonapartist, this book often seems to go against thecolonialist consensus: It presents very sympathetic portraits of Egyptians and Turks, appalling descriptions of the misery of the Egyptian people, and bitter criticism of the European community in Egypt and the flood of Europeans whom she sees arriving, "adventurers, swindlers and people with no talent whatsoever."[12] After further travels around the Mediterranean, Versfelt managed to get onto an official French ship on which she returned in triumph to Marseille, where her editor was waiting.[2]

Versfelt tried to repeat her success again in London with "possibly the earliest satirical magazine written, illustrated and published by a woman," according to an entry in the Princeton University graphic arts acquisitions catalogue it was calledLa Caricature francaise. Journal sans abonnees et sans collaborateurs (French caricature. A journal without subscribers and without collaborators). It was published in London to avoid censorship in France.[3][13] However, when Versfelt published embarrassing letters supposedly written by KingLouis Philippe of France, she was prosecuted for libel. She was not convicted because "the court could not prove that the published letters were actually falsified."[2] She died, aged 68, inBrussels, in thehospice of the Ursuline sisters.[2]

References

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  1. ^Ragan, John David (2000).A fascination for the Exotic: Suzanne Voilquin, Ismayl Urbain, Jehan d'Ivray and the Saint-Simonians: French Travelers in Egypt on the Margins (Ph.D. dissertation, New York University, Graduate School of Arts and Science). UMI. pp. 405–418.
  2. ^abcdefd'Ivray, Jehan (October 1936). "Une Aventuriere sous l'Empire".Les Oeuvres Libres.184:175–206,201–202,183–184, 197, 205.
  3. ^ab"Ida Saint-Elme, the Female Casanova / Graphic Arts/ La caricature francaise".Acquisitions, Caricatures and satire, Illustrated books, prints and drawings of the Graphic Arts Collection, Special Collection, Firestone Library, Princeton University. 2 October 2020.
  4. ^"Four Men and a Woman: Remarkable Dutch Experiences during the Russian Campaign of Napoleon in 1812".
  5. ^abSamplonius, Evert J.M."Ida Saint-Elme: girl power anno 1800" (in Dutch). Archived fromthe original on 26 December 2008.
  6. ^ab"Digitaal Vrouwenlexicon van Nederland".Resources.huygens.knaw.nl. 4 October 2018. Retrieved18 January 2019.
  7. ^"Bruilofts-zang, op het huwelijk van den heere Jan Ringeling Claasz., en mejuffrouw Johanna Maria Elzelina Versveld".
  8. ^"[Versfelt, Maria Elselina Johanna], Nieuw Nederlandsch biografisch woordenboek. Deel 7".DBNL.
  9. ^Strachey, Lionel; Saint-Elme, Ida (1 August 2008).Memoirs of a Contemporary. Wildside Press LLC.ISBN 978-1-4344-7378-3 – via Google Books.
  10. ^Saint-Elme, Ida (1827–1828).Memoires de la Contemporaine (in French) (CreateSpace Independent publishing platform 2017 ed.). Ladvocat.
  11. ^"Book sale catalogue extract pasted inside the cover of Ida Saint-Elme, La Contemporaine en Egypte (Paris: Ladvocat, 1831) found in the Jesuit Sainte Famille Library in Cairo, Egypt".Book Sale Catalogue Extract.
  12. ^abcdSaint-Elme, Ida (1831).La Contemporaine en Egypte (in French) (Adamant Media Corporation 2002 ed.). Ladvocat. pp. 1:X, 1:46, 1:91–92, 2:9–10.
  13. ^Goldstein, Robert (1989).Censorship of Political Caricature in Nineteenth Century France. Kent, Ohio, USA: Kent State University Press.ISBN 0-87338-396-6.

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