| "Man Gave Names to All the Animals" | ||||
|---|---|---|---|---|
 French cover | ||||
| Single byBob Dylan | ||||
| from the albumSlow Train Coming | ||||
| B-side |
| |||
| Released | 1979 | |||
| Recorded | May 4, 1979 Muscle Shoals Sound Studios | |||
| Genre | ||||
| Length | 4:25 | |||
| Label | Columbia Records | |||
| Songwriter | Bob Dylan | |||
| Producers | Jerry Wexler Barry Beckett | |||
| Bob Dylan singles chronology | ||||
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"Man Gave Names to All the Animals" is a song written byBob Dylan that appeared on his 1979 albumSlow Train Coming and was also released as a single in some European countries, becoming a chart hit inFrance andBelgium. It was also released as a promo single in the US.[4][2] However, some have labelled it the worst song Dylan ever wrote.[2] A 2013 reader's poll conducted byRolling Stone magazine, ranked "Man Gave Names to All the Animals" as being the fourth worst Bob Dylan song, behind "Gotta Serve Somebody" (the hit single fromSlow Train Coming) in second place.[5]
"Man Gave Names to All the Animals" has been covered by multiple artists, includingTownes Van Zandt, who covered the song on his 1993 albumRoadsongs.[2] The lyrics were turned into a children's book published byHarcourt in 1999, with illustrations by Scott Menchin.[2]The Singing Kettle covered this song in the second episode of their third BBC television series, whileThe Wiggles covered it on their albumFurry Tales in 2013.
The music to "Man Gave Names to All the Animals" isreggae-inspired.[2][3] The lyrics were inspired by thebiblicalBook of Genesis, chapter 2 verses 19–20 in which Adam named the animals and birds.[2][3] The lyrics have an appeal to children,rhyming the name of the animal with one of its characteristics. So after describing an animal's 'muddy trail' and 'curly tail', Dylan sings that 'he wasn't too small and he wasn't too big' and so that animal was named a pig.[3] Similarly, the cow got its name because Adam 'saw milk comin' out but he didn't know how' and the bear got its name because it has a 'great big furry back and furry hair'.[3]
In the last verse, the lyrics take a more sinister turn.[4]
The verse ends there, with the music hanging and the lyrics avoiding naming the snake.[4][3] In concert, Dylan sometimes elaborated on the meaning of the snake to him at the time.[4] For example, in a concert inPittsburgh in May 1980, Dylan confirmed that the animal in the final verse is the same snake that appeared toAdam and Eve in theGarden of Eden;[4] in Dylan's description that day,Lucifer had put his spirit into that snake, andJesus later died not only for forgiveness of sins but also to destroy the devil's work.[4] Despite the obvious biblical source for the song, Dylan avoids any explicit mention of Adam and Eve, which (to author Oliver Trager) seems to pin the blame for the fall of man solely on the snake.[2] Music critic Michael Gray finds it interesting that Dylan avoids blaming Eve for man's fall, appreciating that he stops 'the song short on a beautifully hungover note at the arrival on the scene of the serpent'.[6]
According to back-up singer Regina Havis Brown, originally Dylan was not sure if he wanted to include "Man Gave Names to All the Animals" onSlow Train Coming.[2] But when Dylan heard Brown's three-year-old son laughing at the identification of the animals, he said 'I'm going to put that on the record.'[2]
Dylan regularly played "Man Gave Names to All the Animals" in concert between 1979 and 1981, and he played it in concert again during his 1987 tour of Europe, in light of the song's popularity there.[4][2] In concert, he often played with the lyrics, switching animals and messing up the rhymes.[2] For example, the line 'he wasn't too small and he wasn't too big' might be followed by identifying the animal as a giraffe rather than a pig.[2][7] Dylan's back-up singers would often hiss to replace the missing line identifying the snake.[2]
Rolling Stone described "Man Gave Names to All the Animals" as being 'clever' but 'not very profound' and that although it 'went over pretty well live', it is 'simplistic' and easy to see 'why it has detractors'.[5] Author John Nogowski calls it 'an embarrassment', 'silly', and 'just awful'.[8] But music critic Michael Gray praised it as one of the stand-out tracks onSlow Train Coming, citing its humor, its quality as a children's song, and the self-mocking contrast to the more fundamentalist tone of the songs Dylan wrote during this period.[6]Cash Box said that the song combines "gospel-tinged theme and backup singing withreggae-inspired rhythmic approach" and that "there is subtle humor here in the lyrical, child-like rhymes."[9]Record World said it "has a light reggae beat with a marvelous recurring keyboard line."[10]
The song has been covered by over a dozen artists. Among the most notable versions are those byTownes Van Zandt,Julie Felix,Tim O'Brien andJason Mraz. French singerHugues Aufray translated the lyrics into French (as "L'homme dota d'un nom chaque animal") and recorded it twice: in a solo version in 1995 and as a duet withAlain Souchon in 2009.Brazilian singer-songwriterZé Ramalho also translated the lyrics into Portuguese, as "O Homem Deu Nome a Todos os Animais", which was covered byAdriana Calcanhotto in her album for children named Adriana Partimpim.[11]
