Mamoun Hassan (12 December 1937 – 29 July 2022) was a Saudi-born British screenwriter, director, editor, producer and teacher of film who held prominent positions inBritish cinema during the 1970s and 80s, frequently backingexperimental work. He was the first head of production of theBritish Film Institute (BFI) and later managing director of theNational Film Finance Corporation (NFFC).
Mamoun Hassan was born inJeddah, in Saudi Arabia on 12 December 1937.[1] He began his career in film working as an editing assistant withKevin Brownlow.[2] He made his first distributed short film 'The Meeting', in 1965, for which he was awarded a best prize award at the Oberhausen Film Festival.[2] He was the first head of production of theBritish Film Institute from 1971,[3] in which post he instigated the BFI's policy of backing low-budget feature films that charted in new directions;[4] he assisted the directorBill Douglas by securing crew and funding to makeThe Bill Douglas Trilogy (1972–78),[5] and financially supported the production ofWinstanley (1975).[6] Hassan was the first to support film that was made byBlack British filmmakers about their experiences in Britain:Horace Ove'sPressure.[2] After leaving the BFI he taught at theNational Film and Television School atBeaconsfield.[7] In 1979 he wrote a policy paper forAIP (of which he was a founder member) on the future of theNational Film Finance Corporation, which led to him being appointed to the board by the Minister of Trade and Industry.[2] Subsequent to this, he was appointed Managing Director.[2] In this position he backed the filmBabylon (1980),[8]Gregory's Girl,Britannia Hospital, Raymond Briggs'When the Wind Blows and again helped Douglas in the production ofComrades (1986).[2][5][9] When he wasn't able to support film directly, he would use his influence to ensure they were made. These include Merchant Ivory'sHeat and Dust andMerry Christmas Mr Lawrence. Despite the "brave funding choices" and renewed creativity of the NFFC under Hassan, it was abolished in 1985.[8][10] Afterwards he worked as a film producer, screenwriter, consultant, lecturer and teacher in the field of cinema.[11]
Hassan died on 29 July 2022, at the age of 84.[12]
| Year | Film | Credit[1] |
|---|---|---|
| 2019 | Spider | Creative consultant |
| 2012 | My Brother the Devil | Editing consultant |
| 2009 | Bill Douglas: Reflections on His Trilogy | Interviewee |
| 2008 | La Buena Vida | Producer, Screenplay |
| 2006 | Affairs of the House | Special thanks |
| Bill Douglas: Intent on Getting the Image | Cast member | |
| 2004 | Machuca | Producer, Screenplay |
| 1988 | Distant Voices, Still Lives | Special thanks |
| 1986 | When the Wind Blows | Executive Producer - uncredited, Special thanks |
| 1985 | No Surrender | Producer |
| Dance with a Stranger | Executive Producer - uncredited[2] | |
| 1984 | Another Country | Executive Producer - uncredited[2] |
| 1982 | Britannia Hospital | Executive Producer - uncredited[2] |
| 1976 | Some of the Palestinians[dead link] | Director, Editor |
| 1975 | Winstanley | Executive Producer - uncredited,[2] Special thanks |
| 1974 | A Private Enterprise | Executive Producer - uncredited, Special thanks |
| 1971 | Here Are Ladies | Editor |
| 1969 | Wild and Free Twice Daily (Documentary) | Editor |
| 1966 | Turner (Documentary short) | Editor |
| 1964 | The Meeting | Director, Producer, Writer |
| Year | Production | Credit |
|---|---|---|
| 1990 | Movie Masterclass (Series 2) - Program 1: World of Apu | Deviser, Producer, Presenter |
| 1988 | Movie Masterclass (Series 1) - Program 1: Seven Samurai | Deviser, Producer, Presenter |
| 1973 | Cinema Now (TV Series) - Two Young Film Makers | Self |
| 1968 | Contrasts (TV Series) (1 Episode) | Director |
| Living on the Box | Director |
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