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Malagasy mythology

From Wikipedia, the free encyclopedia

Malagasy mythology is rooted inoral history and has been transmitted bystorytelling (angano, "story"), notably the Andriambahoaka epic, including theIbonia cycle. At least 6% ofMadagascar are adherents of the religion, which is known asFomba Gasy, and surveys show it is likely at least half practice some aspects of it. Adherence to Fomba Gasy is high amongst theSakalava people (up to 80%), as they are reluctant to convert to faiths of foreign origin.[1]

Traditionalmythology in Madagascar tells of acreator deity referred to asZanahary, and the division ofHeaven andEarth between Zanahary and his son,Andrianerinerina, a rebellioushero and frequent theme of their worship as the son of God,[2] or between Zanahary and earth deities such asRatovantany whichcrafted human bodies from clay; in these myths Zanahary gave life to humans, and their souls return to him on the sky or on the sun while their bodies return to the earth deities.[3] In contrast to Andrianerinerina, the wordAndriamanitra (theMerina term for "Fragrant Lord") is used to refer torevered ancestors.[4] Malagasy cultures were generallypolytheistic, and worshiped a variety of entities that straddled the line between god and revered ancestor.[5][6]

Role of ancestors

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In traditional Malagasy culture, thefamadihana burial tradition plays an integral role in spiritual life.

Ancestors are generally viewed as a benevolent force in the life of the living, but among some Malagasy it is believed that the spirits of ancestors may becomeangatra (ghosts of the dead) if they are ignored or abused.[7] Angatra are believed to haunt their own graves and bring disease and misfortune to those living who offended them. A particular type of angatra is thekinoly: beings which look like people but have red eyes and long fingernails and disembowel living people.[7]

Rituals such as thefamadihana—rewrapping the bodies of the dead every 5–10 years in freshlamba (handmade cloth)—are believed by some to preventkinoly due to the traditional association of the lamba withhasina, the mystical and sacred life force.[7] Beliefs relating to the powers and activities of the ancestors vary greatly from community to community within Madagascar.

Fady (cultural taboos)

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The declarations or actions of ancestors are often the source offady (taboos) that shape the social life of Malagasy communities.[citation needed] Across Madagascar,lemurs are often revered and protected by fady. In all of the origin myths of theIndri (inBetsimisaraka dialect: Babakoto), there is some connection of the lemur with humanity, usually through common ancestry. There are numerous accounts of the origin of theIndri in particular, but all characterizelemurs as sacred, and not to be hunted or harmed.

Vazimba veneration

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Malagasy mythology portrays apygmy-like people called theVazimba as the original inhabitants. Some Malagasy believe that these original inhabitants still live in the deepest recesses of the forest. In certain communities (and particularly in the Highlands), the practice ofveneration of the dead can extend back to veneration of the Vazimba as the most ancient of ancestors. The kings of some Malagasy tribes claim a blood kinship to the Vazimba, including theMerina dynasty that eventually ruled over all of Madagascar. The Merina claim Vazimba ancestry through the royal line's founder, KingAndriamanelo, whose mother, QueenRafohy, was of the Vazimba.

List of mythological figures

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Folklore

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References

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  1. ^"The Possessed and the Dispossessed".publishing.cdlib.org. Retrieved2020-06-26.
  2. ^Ottino, Paul (1983). "Ancient Malagasy Dynastic Succession; The Merina Example".History in Africa.10:247–292.doi:10.2307/3171698.JSTOR 3171698.S2CID 161413103.
  3. ^abc"Madagascar Creation Myth"(PDF).www.scilt.org.uk. Archived fromthe original(PDF) on 2025-06-18. Retrieved2025-10-18.
  4. ^"Malagasy Dictionary and Madagascar Encyclopedia : Andriamanitra".
  5. ^abLee Haring (2007).Stars and Keys: Folktales and Creolization in the Indian Ocean, Indiana University Press.[page needed]
  6. ^Virginia Thompson, Richard Adloff (1965).The Malagasy Republic: Madagascar Today, Stanford University Press.[page needed]
  7. ^abcLittleton, C. Scott (2005).Gods, goddesses, and mythology. Marshall Cavendish. p. 74.ISBN 9780761475590. Retrieved2010-06-19.
  8. ^Cotterell, Arthur (1979).A Dictionary of World Mythology.[page needed]
  9. ^Zoë Crossland (2014).Ancestral Encounters in Highland Madagascar: Material Signs and Traces of the Dead, Cambridge University Press.[page needed]

Selected literature

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  • Bonnefoy, Yves;, Doniger, Wendy (1993).Asian Mythologies. University Of Chicago Press. pp. 187–201.ISBN 978-0-226-06456-7.
  • Dandouau, A. (1922).Contes Populaires Des Sakalava Et Des Tsimihety.
  • Ferrand, Gabriel.Contes populaires malgaches. Paris: Ernest Leroux, 1893.
  • Haring, Lee (1980). "The Classification of Malagasy Narrative".Research in African Literatures.11 (3):342–355.JSTOR 3818280.
  • Haring, Lee (1994).Ibonia: Epic of Madagascar. Bucknell University Press.ISBN 978-0-8387-5284-5.
  • Haring, Lee (2009). "Verbal Charms in Malagasy Folktales".Charms, Charmers and Charming. pp. 246–259.doi:10.1057/9780230583535_17.ISBN 978-1-349-36250-9.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy".The Folk-Lore Journal.1 (1):1–15.JSTOR 1252493.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy [Continued]".The Folk-Lore Journal.1 (2):33–40.JSTOR 1252581.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy [Continued]".The Folk-Lore Journal.1 (3):65–77.JSTOR 1252576.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy [Continued]".The Folk-Lore Journal.1 (4):97–106.JSTOR 1252714.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy. [Continued]".The Folk-Lore Journal.1 (6):169–174.JSTOR 1252670.
  • Junior, James Sibree; Pickersgill, W. C. (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy [Continued]".The Folk-Lore Journal.1 (7):201–211.JSTOR 1252662.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy [Continued]".The Folk-Lore Journal.1 (8):233–243.JSTOR 1252626.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy [Continued]".The Folk-Lore Journal.1 (9):273–279.JSTOR 1252792.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy [Continued]".The Folk-Lore Journal.1 (10):305–316.JSTOR 1252772.
  • Junior, James Sibree (1883). "The Oratory, Songs, Legends, and Folk-Tales of the Malagasy. [Concluded]".The Folk-Lore Journal.1 (11):337–343.JSTOR 1252722.
  • De Longchamps, Jeanne.Conte Malgaches. Paris: Editions Erasme. 1955.
  • McElroy, Colleen J. (1999).Over the Lip of the World: Among the Storytellers of Madagascar.ISBN 978-0-295-97824-6.
  • Ottino, Paul (1982). "Myth and History: The Malagasy Andriambahoaka and the Indonesian Legacy".History in Africa.9:221–250.doi:10.2307/3171607.JSTOR 3171607.S2CID 161793408.
  • Randriamanantena, Didier.Le Roi et Ifara (graphic novel retelling the legend of Razafimbolamena, the prodigal son).
  • Renel, Charles.Contes de Madagascar. Paris: Ernest Leroux, 1910.
  • Renel, Charles.Contes de Madagascar. Paris: Ernest Leroux, 1930.
  • Tyson, Peter (2000).The Eighth Continent: Life, Death and Discovery in the Lost World of Madagascar.ISBN 978-0-380-97577-8.

Further reading

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  • Haring, Lee (1982). Folklore Fellows (ed.).Malagasy Tale Index. FF communications. Suomalainen Tiedeakatemia.ISBN 9789514104251.ISSN 0014-5815.
  • Карташова, Людмила Алексеевна (2017)."Contes merveilleux de Madagascar".Историческая и социально-образовательная мысль (in French).9 (6–1):67–75. Access date: 06.09.2024.

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