| Madonna videography | |
|---|---|
_(2)_(cropped).jpg) Madonna performing "Bitch I'm Madonna" at theRebel Heart Tour (2015–2016). The song's music video became her first clip to cross 100 million views onplatformVevo.[1] | |
| Music videos | 83 |
| Concert tour videos | 11 |
| Documentary videos | 2 |
| Music video compilations | 4 |
| Music video box sets | 2 |
| Promotional video albums | 4 |
| Video singles | 4 |
American singerMadonna has released 83 music videos, elevenconcert tour videos, twodocumentary videos, fourmusic video compilations, twomusic video box sets, fourpromotional videos, and fourvideo singles.Nicknamed as the "Queen of Videos" or "Queen ofMTV",[2][3][4][5] her music videos were often considered by critics asworks of art, depicting various social issues. Her early videos also received a significantacademic attention. Madonna has won 20MTV Video Music Awards, including the 1986Video Vanguard Award for which she became the first female honoree.[6] In 2003, MTV named her "The Greatest Music Video Star Ever", saying "Madonna's innovation, creativity and contribution to the music video art form" is what puts her at the top of the list.[7] In 2020,Billboard ranked her at the top of their list "100 Greatest Music Video Artists of All Time".[8]
Madonna's first video, "Everybody" (1982), was a low-budget work. Her first video to receive attention onMTV was "Borderline", followed by "Lucky Star" and "Like a Virgin", which popularized Madonna's image and fashion among the younger generation.[9][10] Her early videos were released commercially onMadonna (1984), which became the best-selling videocassette of 1985.[11] With thetitle track from her third studio albumTrue Blue (1986), Madonna's impact on MTV and popular music was established when a contest entitledMaking My Video, was held to create a music video for the song.[12] "La Isla Bonita" and "Who's That Girl", both released in 1987, showed Madonna's fascination with Hispanic culture and religious symbolism.[13] In 1989, the video of "Like a Prayer" portrayed her dancing in front of burning crosses, receivingstigmata, kissing a black saint and having sex with him in a church altar. It faced strong reaction from religious groups and media.[14] "Express Yourself" released the same year was critically appreciated for its positive feminist themes.[15]
In 1990, Madonna released the video for the song "Vogue", showing the underground gay subculture dance routine calledvoguing, and the glamorous look of golden era Hollywood.[16] She released her second video compilation,The Immaculate Collection (1990) to accompany thegreatest hits album of the same name. She featured overtly sexual undertones with the videos of "Justify My Love" (1990) and "Erotica" (1992), which met with huge backlash.[17] By this point, Madonna had sold between 3 and 4 million copies worldwide of her video releases.[18][19] A toned down image of the singer appeared in the video for "Secret" fromBedtime Stories (1994).[20] Inspired by paintings ofFrida Kahlo andRemedios Varo, the music video of "Bedtime Story" is permanently displayed at theMuseum of Modern Art in New York City.[21][22] Madonna incorporated Asian culture in the videos of "Frozen" and "Nothing Really Matters" from her 1998 albumRay of Light.[23] The video for itstitle track was ahigh-speed one, portraying Japanese people going through their daily lives, interspersed with Madonna in black denim dancing to the music.[24] Most of her 1990s videos were released onThe Video Collection 93:99.
Madonna reinvented her image as acowgirl on the videos for "Music" and "Don't Tell Me" from her eighth studio album,Music (2000).[25] Violence and vandalism were the themes of subsequent releases, "What It Feels Like for a Girl" (2001), "Die Another Day" (2002) and "American Life" (2003), the latter being pulled from release due to theIraq war of 2003.[26][27][28] "Hung Up", lead single fromConfessions on a Dance Floor (2005) was a tribute toJohn Travolta and his movies.[29] Madonna's videos for "Celebration" (2009), "Girl Gone Wild" (2012), and "Living for Love" (2015) were received favorably for paying homage to her past videos and a return to her dance roots.[30][31]
Madonna's music videos continued to garner commercial interest in thestreaming anddigital eras. In 2019, "Vogue" became Madonna's fourth music video to reach over 100 million views onYouTube across four different decades, following "Bitch I'm Madonna" (2015), "Hung Up" (2005) and "La Isla Bonita" (1987), making her the first female artist in history to achieve this feat within the streaming era.[32] In April 2025, "La Isla Bonita", her most viewed music video on YouTube, surpassed 1 billion views.[33]
| Title | Year | Director(s) | Description | Ref. |
|---|---|---|---|---|
| "Everybody" | 1982 | Ed Steinberg | An in-house video featuring Madonna singing with a group of dancers against a neon-lit background | [34] [35] |
| "Burning Up" | 1983 | Steve Barron | The video portrays Madonna, in a white dress, writhing on a road, singing the song about her lover, who drives a car around. | [34] [36] |
| "Holiday" | 1984 | Unknown | The video features the footage of Madonna performing atSolid Gold in 1984. | [37] [38] |
| "Lucky Star" | 1984 | Arthur Pierson | The video portrays Madonna in her boy-toy image, dancing in front of a white background, flanked by two dancers, one of whom is her brother,Christopher Ciccone. There are 2 versions of the video, a 4-minute and a 5-minute version. | [34] [39] |
| "Borderline" | 1984 | Mary Lambert | The video portrays Madonna as a young woman who is dancing in the streets when she catches the eye of a professional photographer. She leaves her boyfriend and goes with the photographer. After accidentally spray painting the photographer's car during a photo shoot, he yells at her and she returns to her boyfriend. | [34] [40] |
| "Like a Virgin" | 1984 | Mary Lambert | In the video, Madonna roams around the streets of Venice and through marble-pillared rooms wearing a white wedding dress; this clip is interspersed by images of a lion and a man wearing a lion mask. There is an alternate edit of the video with slight changes. | [34] [41] |
| "Material Girl" | 1985 | Mary Lambert | Pictured as a video-within-a-video, Madonna sings the song dressed up in a pink sleeveless gown, flanked by boys in black coats. The video imitatedMarilyn Monroe's version of "Diamonds Are a Girl's Best Friend" from the 1953 filmGentlemen Prefer Blondes. | [34] [42] |
| "Crazy for You" | 1985 | Harold Becker | The music video consists of scenes from the filmVision Quest. | [34] [43] |
| "Angel" | 1985 | Warner Bros. Records (compilator) | The music video consists of scenes music videos of "Burning Up", "Borderline", "Lucky Star", "Like a Virgin" and "Material Girl". | [44] |
| "Into the Groove" | 1985 | Susan Seidelman | The music video consists of scenes from the filmDesperately Seeking Susan. There is an "Extended Version" of the video. | [34] |
| "Dress You Up" | 1985 | Daniel Kleinman | To promote theMadonna Live: The Virgin Tour release, filmed inDetroit, the song's performance was released as music video. | [45] |
| "Gambler" | 1985 | Harold Becker | The music video consists of scenes from the filmVision Quest. | [34] [43] |
| "Live to Tell" | 1986 | James Foley | The video portrays Madonna with a new pale and subtle look, her shoulder-length hair is wavy andgolden blond.[46] Footage from the filmAt Close Range is interspersed, with Madonna appearing to speak for the character. | [47] [48] |
| "Papa Don't Preach" | 1986 | James Foley | In this video, Madonna adopts thegamine look portrayed byShirley MacLaine andAudrey Hepburn during the 1950s.[49] She portrays atomboy who wants to tell her father about her pregnancy. Interspersed with scenes of a sexier Madonna with a toned body, wearing a black bustier. | [47] [50] |
| "True Blue" | 1986 | James Foley | The American version fromMTV's "Make My Video Contest" was directed by Ángel Gracia and Cliff Guest, where Madonna does not appear. The international release directed by Foley portrays Madonna and her friends in an all-blue coloreddiner. | [47] [51] |
| "Open Your Heart" | 1986 | Jean-Baptiste Mondino | The video pays homage to actressesLiza Minnelli andMarlene Dietrich. Madonna plays an exotic dancer in a peep-show club who befriends a little boy and escapes from there. There is an edit of the video with an alternate ending. | [52] [53] |
| "La Isla Bonita" | 1987 | Mary Lambert | Madonna plays a woman living in a Spanishbarrio. She portrays two characters: a boyishly-dressed Catholic woman and a colorful Flamenco dancer. The video portrays Madonna's fascination with Hispanic culture and the inclusion of religious symbolism. | [54] |
| "Who's That Girl" | 1987 | Peter Rosenthal | The video portrays Madonna dressed in Spanish style as a young lady in search of a treasure. It includes scenes from the filmWho's That Girl. | [55] |
| "The Look of Love" | 1987 | James Foley | The music video consists of scenes from the filmWho's That Girl. | [56] |
| "Like a Prayer" | 1989 | Mary Lambert | The video portrays Madonna to be a witness of an interracial murder and goes to pray in a church. Various scenes like Madonna kissing a black saint, receivingstigmata, scantily dressed and dancing in front of burning crosses are shown. In the end, she helps to free the man who is falsely accused of murder. | [57] [14] |
| "Express Yourself" | 1989 | David Fincher | Inspired by the filmMetropolis, the video portrays Madonna as the leader of a company, and later as a glamorous lady and chained masochist. Muscular men act as her workers. In the end, Madonna picks one of them to be herdate. The music video for "Express Yourself" was the most expensive video at the time of its release with production cost of $5 million. There are 2 versions of the video, the original uses the Shep Pettibone House Remix, while a later version released on DVD uses anotherShep Pettibone remix similar to the album version. | [58] |
| "Cherish" | 1989 | Herb Ritts | A black-and-white video showing Madonna playing on the beach withmermen and merchild. In the end she falls in love with one of the mermen. | [59] |
| "Oh Father" | 1989 | David Fincher | A black-and-white video portraying the death scene of a young mother and the tempestuous relationship that ensues between the husband and the daughter. Years later Madonna, as the grown-up daughter, reconciles with the father at the woman's grave. There are censored and uncensored versions. | [60] |
| "Dear Jessie" | 1989 | Derek Hayes | Ananimated video featuring Madonna as an animatedfairy. Madonna does not appear in the video. The video was released in limited territories only outside the United States. | [44] |
| Title | Year | Director(s) | Description | Ref. |
|---|---|---|---|---|
| "Vogue" | 1990 | David Fincher | A black-and-white video recreating the glamorous look of oldHollywood with men in suits and Madonna dressed in gowns. It also displays the dance form calledvogue. | [16] [61] |
| "Justify My Love" | 1990 | Jean-Baptiste Mondino | A black-and-white video portraying Madonna coming to a hotel room to satisfy her sexual fantasy. Scenes ofsadomasochism,voyeurism andbisexuality are also portrayed. Censored and uncensored versions of the video exist. | [62] |
| "This Used to Be My Playground" | 1992 | Alek Keshishian | The video is a walk-through of Madonna singing about the old days, as the viewer flips through a photo album featuring moving images of a singing Madonna as well as images from the filmA League of Their Own. | [63] |
| "Erotica" | 1992 | Fabien Baron | Madonna is portrayed as a masked dominatrix with a golden tooth and a whip. Montages of sexual imagery are shown that are shot during the photography of Madonna'sSex book. It is a montage of sexually charged images, designed to shock the audience. Censored and uncensored versions of the video exist. | [17] |
| "Deeper and Deeper" | 1992 | Bobby Woods | Madonna portraysWarholprotégéEdie Sedgwick. She goes to a disco and looks for something which ends with a man releasing the balloons she is carrying. Interspersed with scenes of Madonna being photographed and she and her friends watching a man dancing in underwear. Censored and uncensored versions of the video exist. | [64] |
| "Bad Girl" | 1993 | David Fincher | The video opens and closes with shots of a murdered Madonna, who, having lived a life of promiscuous sex, presumably joins her dead lover and guardian angel, portrayed by actorChristopher Walken. Censored and uncensored versions of the video exist. | [65] |
| "Fever" | 1993 | Stéphane Sednaoui | The video portrays Madonna as aBalinese idol with red hair and another shot of her being silver painted. Interspersed with scenes of a man in thongs, his body painted gold. The audio used in the video is the "Edit One" remix instead of the original album version. | [66] |
| "Rain" | 1993 | Mark Romanek | The video portrays Madonna with short cropped, black hair, recording the song in a studio. Interspersed with scenes of Madonna kissing a man behind a glass on which water falls. | [67] [68] |
| "I'll Remember" | 1994 | Alek Keshishian | Madonna singing the song in a recording studio, while being directed by an androgynous version of herself. The video is interspersed with clips from the filmWith Honors. | [69] |
| "Secret" | 1994 | Melodie McDaniel | A black-and-white video featuring Madonna as a blues singer singing in a club. Scenes ofrebirth,transvestites anddamnation are interspersed with Madonna walking down a street to her home. | [20] |
| "Take a Bow" | 1994 | Michael Haussman | Madonna portrays the mistress of a Spanish bullfighter. Their affair ends after Madonna is being abused by the fighter. Religious imagery forms the backbone of the video. | [70] |
| "Bedtime Story" | 1995 | Mark Romanek | A surreal dream sequence arising from some sort of controlled experiment on a prostrate Madonna, lying in a blue spaceship-like room. The production cost of the video was $5 million, making it one of the costliest videos. | [71] [72] [73] |
| "Human Nature" | 1995 | Jean-Baptiste Mondino | Madonna and her dancers in front of a white background, wearing black, PVC catsuits, perform a number ofS&M-inspired dance moves. | [71] |
| "I Want You"(withMassive Attack) | 1995 | Earle Sebastian | Madonna in an apartment and on a bed, longing for whomever, but not daring to phone him. A very slow black-and-white video. | [71] |
| "You'll See" / "Veras" | 1995 | Michael Haussman | A sequel to the "Take a Bow" music video. Madonna leaves the bullfighter but he still chases her around the world. Ultimately she sets herself free from him. A Spanish version of the video released in Latin countries, "Veras" uses much of the same footage, but adds scenes of Madonna recording that version of the song in the studio. | [70] [74] |
| "Love Don't Live Here Anymore" | 1996 | Jean-Baptiste Mondino | The "single-shot"sepia-colored video shows Madonna in the middle of an emptysuite of an abandoned hotel. | [75] |
| "You Must Love Me" | 1996 | Alan Parker | Madonna was pregnant with her daughter Lourdes at the time of shooting the video. Her stomach was hidden behind a piano in the video. Interspersed with clips from the filmEvita. | [43] |
| "Don't Cry for Me Argentina" | 1996 | Alan Parker | The music video consists of scenes from the filmEvita. | [76] |
| "Frozen" | 1998 | Chris Cunningham | An all-blue video shot in the middle ofMojave Desert. Dressed in black clothing from head to foot, her long hair colored black and straight andmehndi on her hands, Madonna portrays a mystical creature and a witchy persona who sometimes turns into a dog, sometimes into a bird and sometimeslevitates from the ground. | [77] |
| "Ray of Light" | 1998 | Jonas Åkerlund | A high-speed video, showing ordinary people doing their daily routines. In between Madonna, dressed in casual jeans and flowing golden hair, dances to the song, ultimately falling asleep on a dance floor. | [70] [24] |
| "Drowned World/Substitute for Love" | 1998 | Walter Stern | Portrays Madonna running away from the paparazzi in a car. After reaching home, she takes her daughter in her arms. | [65] |
| "The Power of Good-Bye" | 1998 | Matthew Rolston | Madonna and her lover play chess, and Madonna wins. After her lover reprimands her, Madonna goes out to the beach and starts walking along the shore, where she possibly commits suicide. There is an alternate version of the video. | [78] |
| "Nothing Really Matters" | 1999 | Johan Renck | Japanese-themed video, featuring Madonna as ageisha wearing a red kimono and white clad Swedes of Asian heritage performingbutoh dance moves. | [79] |
| "Beautiful Stranger" | 1999 | Brett Ratner | Shot for the filmAustin Powers: The Spy Who Shagged Me, the video features Madonna dancing in a club and actorMike Myers asAustin Powers trying to seduce her; his plan ultimately backfiring. | [80] |
| Title | Year | Director(s) | Description | Ref. |
|---|---|---|---|---|
| "American Pie" | 2000 | Philipp Stölzl | Madonna sings the song in front of a giantflag of the United States. Interspersed with scenes which are characteristic of the American life. ActorRupert Everett makes an appearance. There is a version of the video with scenes fromThe Next Best Thing and a version without film footage. | [81] [82] |
| "Music" | 2000 | Jonas Åkerlund | Madonna and her friends board a limousine which takes them to a strip-club and disco. The strippers are brought over in the limousine by Madonna and her friends. Ananimated section is present where Madonna fights with some goons. A short and long version of the video was released. | [83] |
| "Don't Tell Me" | 2000 | Jean-Baptiste Mondino | The video shows Madonna walking on aconveyor belt in front of a video screen where cowboys are shown dancing. They join Madonna in front of the screen near the end of the video. | [84] |
| "What It Feels Like for a Girl" | 2001 | Guy Ritchie | Madonna picks up an old woman from an old-age home and speeds down the streets with her in a car. While driving she commits a number of crimes, including theft, destruction of property and murder. The audio used in the video is theAbove & Beyond remix instead of the original album version. | [26] |
| "Die Another Day" | 2002 | Traktor | Features a heavily beaten-up Madonna being brought to be executed in agas chamber. Interspersed with scenes of a white-dressed and black-dressed Madonna sword fighting. In the end Madonna escapes from the execution. The former's video was the second most expensive video, production cost being around $6 million. | [85] [27] |
| "American Life" | 2003 | Jonas Åkerlund | Original video showed Madonna among military-garbed models at a fashion show. Interspersed with shots of the catwalk was footage of explosions and planes dropping bombs. The regular version of the video ends with Madonna throwing what appears to be a grenade into the lap of aGeorge W. Bush lookalike, but in the "Director's Cut" the grenade is just thrown onto the catwalk. However, due to its controversy, Madonna cancelled the premiere and made the edited version of the video that features her singing in front of theworld's flags. | [86] [28] |
| "Hollywood" | 2003 | Jean-Baptiste Mondino | Madonna portrays some ofHollywood's former actresses and the upheaval of a glamorous life. | [87] |
| "Me Against the Music" (Britney Spears featuring Madonna) | 2003 | Paul Hunter | Britney Spears and Madonna are shown in a club, playing opposite characters with Britney in the dark and Madonna in the white. A cat-and-mouse like chase ensues; Spears catches up to Madonna in the end. Two remix versions of the video were used for promotional purposes only. | [88] |
| "Love Profusion" | 2004 | Luc Besson | Madonna walks on the sky and on the water with fairies, fishes, flowers and clouds surrounding her. | [89] |
| "Hung Up" | 2005 | Johan Renck | The video portrays Madonna clad in a pink leotard dancing alone in a ballet studio and concludes at a gaming parlour where she dances with her backup troupe. Interspersed are scenes of people displaying their dancing skills in a variety of settings. | [29] |
| "Sorry" | 2006 | Jamie King | A continuation from the "Hung Up" music video. Madonna and her troupe go around the town in a white van and dance in a skating arena. There is a "Director's Cut" version of the video. | [90] |
| "Get Together" | 2006 | Eugene Riecansky | The video shows Madonna singing the song among graphical visuals portraying volcanoes erupting and a cityscape. Another animated "European Version" of the video was also released. | [91] |
| "Jump" | 2006 | Jonas Åkerlund & Brett Capseed | The video features Madonna in a blond bob wig and singing the song in front of several neon signs. The video also features dancers performing the physical disciplineparkour. | [92] |
| "Hey You" | 2007 | Madonna &Johan Söderberg | Devastating images of people being displaced by climate change to inspire action. First shown on the backdrop screen of Madonna'sLive Earth performance, then released on her YouTube channel. | [93] |
| "4 Minutes" (featuringJustin Timberlake andTimbaland) | 2008 | Jonas & François | Madonna and Timberlake sing and run away from a giant black screen that devours everything in its path. At the end of the video, Madonna and Timberlake are consumed by the screen. | [94] |
| "Give It 2 Me" | 2008 | Tom Munro Nathan Rissman | Madonna in retro-makeup look dancing in a photography studio in various garments. Cameo appearance byPharrell Williams. | [95] |
| "Miles Away" | 2009 | Nathan Rissman | Live performance fromSticky & Sweet Tour inBuenos Aires, mostly footage of the fans and stadium before and during the show. Originally unreleased, but finally included on theDVD releaseCelebration: The Video Collection. | [96] |
| "Celebration" | 2009 | Jonas Åkerlund | A simple dance video featuring Madonna and her dancers doing thepopping andlocking style of dancing against black-and-white backgrounds. The audio used in the video is theBenny Benassi remix instead of the original album version. The alternate "Fan Version" of the video has a cameo by Madonna's daughter,Lourdes Leon. | [30] |
| Title | Year | Director(s) | Description | Ref. |
|---|---|---|---|---|
| "Give Me All Your Luvin'" (featuringNicki Minaj andM.I.A.) | 2012 | Megaforce | The video shows Nicki Minaj and M.I.A. (who are featured in the song), in cheerleader outfits cheering on Madonna, who wears a black outfit for most of the video. It then leads into a scene where Madonna, Minaj, and M.I.A. are all dressed asMarilyn Monroe. | [97] |
| "Girl Gone Wild" | 2012 | Mert and Marcus | The black-and-white video opens with Madonna with a retro-glam look, followed by scenes of her against a stark white background, erotic scenes with shirtless / nude male models (Sean O'Pry,Simon Nessman,Jon Kortajarena), and a dance sequence with heeled male dancers (Kazaky). Censored and uncensored versions of the video exist. | [98] [99] |
| "Turn Up the Radio" | 2012 | Tom Munro | After a successful escape from the paparazzi, Madonna rides throughFlorence,Italy, picking up the best looking men on the roadside. Censored and uncensored versions of the video exist. | [100] |
| "Living for Love" | 2015 | J.A.C.K. | Madonna dressed as a bullfighter performs a battle inspired choreography where she confronts and tames a number of male minotaurs. | [101] |
| "Ghosttown" | 2015 | Jonas Åkerlund | Set in a post-nuclear destroyed city, the video shows Madonna as a survivor searching through the destruction, when she meets another man, played by actorTerrence Howard. | [102] |
| "Bitch I'm Madonna" (featuringNicki Minaj) | 2015 | Jonas Åkerlund | The "one-shot" colorful video shows Madonna in a party, dancing and interacting with the partygoers. Many celebrities appear in the video, some in the real footage (Rita Ora,Diplo,Chris Rock,Alexander Wang and Madonna's sons Rocco and David), while others (Katy Perry,Miley Cyrus,Beyoncé andKanye West) were added separately.Nicki Minaj appears on a screen at the party while she is rapping. | [103] |
| "Medellín" (withMaluma) | 2019 | Diana Kunst and Mau Morgó | Madonna, as her persona Madame X, is aCha-cha dance instructor who teaches Maluma in a class and is then shown dancing on a table at a Latin-style celebration. The video also features horseback riding, a chase sequence, and Madonna with Maluma in bed drinking Champagne. | [104] |
| "Crave" (withSwae Lee) | 2019 | Nuno Xico | After releasing pigeons from the roof of a New York City housing block, Madonna comes to meet Swae Lee. The two reach out to each other's hands which are surged with electricity. | [105] |
| "Dark Ballet" | 2019 | Emmanuel Adjei | Mykki Blanco, asJoan of Arc, is imprisoned and burned alive by religious authorities. One scene sees him dancing the "dark ballet" while wearing a cone bra. | [106] |
| "God Control" | 2019 | Jonas Åkerlund | On the same day of a fictional school shooting in Arizona, at night Madonna goes to a disco party with her friends atStudio 54. They are having fun dancing until they become dead victims from a mass shooting in which the gunman shoots himself after he commits his crime. The plot is narrated inreverse order. News footage of gun control protests and gun shows are shown intertwined at the end of the video, and a message of demanding immediate gun control is conveyed. | [107] |
| "I Rise" | 2019 | Peter Matkiwksy | Madonna partnered withTime Studios to create amusic video for the song. Madonna herself does not appear in the video, but it instead shows footage of the Stoneman Douglas High School shooting survivors,LGBTQ supporters, women's rights protesters, Olympic gymnastAly Raisman's testimony about sexual abuse, Filipino journalistMaria Ressa's arrest, among other social justice movements. | [108] [109] |
| "Batuka" | 2019 | Emmanuel Adjei | Madonna and The Batukadeiras Orchestra sing and dance together next to the sea. The video references the slave ships which are believed to have brought the first slaves to Cape Verde in the 16th century. The distant ghost slave ships disappear as the women pray them away with the storm. | [110] |
| Title | Year | Director(s) | Description | Ref. |
|---|---|---|---|---|
| "Levitating" (The Blessed Madonna remix) (Dua Lipa featuring Madonna andMissy Elliott) | 2020 | Will Hooper | Numerous people getting obsessed with a maze-like symbol while under the influence of a mysterious glowing planet. Madonna does not appear in the music video. | [111] |
| "Frozen" (Fireboy DML Remix) | 2022 | Ricardo Gomes | Madonna andFireboy DML dance and sing in front of backdrop screen videos, representing respectively ice and fire. "Frozen" was remixed by Sickick. | [112] |
| "Frozen" (featuring070 Shake) | 2022 | Ryan Drake Ricardo Gomes | Madonna and070 Shake dance and sing in a factory. "Frozen" was remixed by Sickick. | [113] |
| "Hung Up on Tokischa" (featuringTokischa) | 2022 | Sasha Kasiuha | Madonna andTokischa dance and sing in front an altar, at a house party and outside in the city. Madonna wears a flowing pink tracksuit with ginger hair as a nod to the original video. | [114] |
| "Popular" (withthe Weeknd andPlayboi Carti) | 2024 | Cliqua | The video's shots mix betweenThe Weeknd dancing and drinking inHatfield House,Madonna dancing and rolling around on a sofa in a high-rise apartment.Playboi Carti sits and dances around an expensive car. The video premiered exclusively on the streaming gaming platformFortnite. | [115][116] |
| Title | Artist | Year | Director(s) | Description | Ref. |
|---|---|---|---|---|---|
| "God Is a Woman" | Ariana Grande | 2018 | Dave Meyers | In between several religious imagery, Madonna appears voice-only as God and delivers a modified Ezekiel 25:17 quote from the 1994 filmPulp Fiction, with Ariana Grande miming the words and throwing a hammer to break the ceiling of a grand hall. | [117] |
| "Gang Signs" | Snoop Dogg | 2021 | 4rAx | Madonna briefly appears, smoking and blowing the smoke of her cigarette into the camera, whilst dancing in her room. | [118] |
| "Nothing Lasts Forever" | Sevdaliza &Grimes | 2023 | Willem Kantine | Accompanied byA$AP Ferg,Julia Fox and the track artists, Madonna's face is cropped onto a muscular woman's body. In a warehouse, Madonna's character flexes her muscles and goes on the computer. | [119] |
| Title | Release details | Peak chart positions | Certifications | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| US [120] | AUS [121] | BRA [122] | FRA [123] | GER [124] | NLD [125] | SPA [126] | SWE [127] | SWI [128] | UK [129] | |||
| Madonna Live: The Virgin Tour |
| 1 | — | — | — | — | — | — | — | — | 1 | |
| Who's That Girl: Live in Japan[132] |
| — | — | — | — | — | — | — | — | — | — | |
| Ciao Italia: Live from Italy |
| 1 | — | — | — | — | — | 9 | — | — | 1 |
|
| Blond Ambition: Japan Tour 90[133] |
| — | — | — | — | — | — | — | — | — | — | |
| Blond Ambition World Tour Live[134] |
| 2[a] | — | — | — | — | — | — | 17 | — | — | |
| The Girlie Show: Live Down Under |
| 3 | — | — | — | — | — | 8 | — | — | 1 | |
| Drowned World Tour 2001 |
| 1 | 4 | — | — | — | 1 | 5 | 3 | 6 | 1 | |
| The Confessions Tour |
| 1 | 1 | — | — | — | 1 | 1 | 1 | 1 | — | |
| Sticky & Sweet Tour |
| 1 | 3 | — | — | — | — | — | — | — | — | |
| MDNA World Tour |
| 1 | 1 | 1 | 1 | — | 1 | 1 | 1 | 1 | 1 |
|
| Rebel Heart Tour |
| 2 | 1 | — | 1 | 2 | 1 | 1 | 1 | 1 | 1 |
|
| Title | Release details | Peak chart positions | Certifications | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| US [120] | AUS [121] | BRA [122] | FRA [123] | GER [124] | NLD [142] | SPA [126] | SWE [127] | SWI [128] | UK [129] | |||
| Madonna: Truth or Dare (akaIn Bed with Madonna) |
| 6[a] | — | — | — | — | — | — | — | — | 6 | |
| I'm Going to Tell You a Secret |
| 1 | 1 | — | — | — | 2 | 1 | 1 | — | 1 | |
| Title | Release details | Peak chart positions | Certifications | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| US [120] | AUS [144] | BRA [122] | FRA [123] | GER [124] | NLD [145] | SPA [126] | SWE [127] | SWI [146] | UK [129] | |||
| Madonna |
| 1 | — | — | — | — | — | — | — | — | 1 | |
| The Immaculate Collection |
| 1 | — | — | — | — | — | — | — | — | 1 | |
| The Video Collection 93:99 |
| 3 | — | — | — | — | — | 14 | — | — | 1 | |
| Celebration: The Video Collection |
| 1 | 1 | — | — | — | 1 | 1 | 1 | 1 | 23 | |
| Title | Release details | Peak positions | Certifications | ||
|---|---|---|---|---|---|
| SPA [149] | SWI [150] | UK [129] | |||
| The Ultimate Collection |
| 5 | 4 | 4 | |
| The Madonna Collection[152] |
| — | — | — | |
| Title | Release details |
|---|---|
| It's That Girl[154] |
|
| She's Breathless[155] |
|
| Rays of Light[156] |
|
| GHV2[157] |
|
| Title | Release details | Peak positions | Certifications | ||
|---|---|---|---|---|---|
| US [158] | AUS [159] | UK [129] | |||
| "Justify My Love" |
| 2 | — | — | |
| "Ray of Light" |
| 4 | — | — | |
| "Music" |
| 3 | — | 1 | |
| "What It Feels Like for a Girl" |
| 2 | 10 | 1 | |
3 milioni di copie delle sue cinque collezioni di video
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite web}}: CS1 maint: bot: original URL status unknown (link)| Studio albums | |
|---|---|
| Soundtrack albums | |
| Live albums | |
| Compilation albums | |
| Limited releases | |
| Video releases | |
| Concerts and tours | |
| Films directed | |
| Documentaries | |
| Television | |
| Books authored | |
| Companies and brands | |
| Works about Madonna |
|
| Impact and legacy | |
| Related articles | |
