| The Death Ray | |
|---|---|
.jpg) | |
| Directed by | Lev Kuleshov |
| Written by | Vsevolod Pudovkin |
| Starring | Porfiri Podobed Vsevolod Pudovkin Vladimir Fogel Aleksandra Khokhlova Leonid Obolensky |
| Cinematography | Aleksandr Levitsky |
Production company | |
Release date |
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Running time | 125 minutes |
| Country | Soviet Union |
| Language | Silent film |
The Death Ray (Russian:Луч смерти,romanized: Luch smerti) is a 1925 Sovietscience fiction film directed byLev Kuleshov.[1][2] The first and last reels of the film have been lost. This film ran at 2 hours, 5 minutes, making this one of the earliest full length science fiction films.Despite the fact that many sources claim the inspiration for the film to be the novelThe Garin Death Ray byAleksei Tolstoy, this is not the case. It is impossible, since the book was published two years after the film, in 1927.[3] Furthermore, the film has many similarities with a book byValentin Kataev, calledLord of Iron, published in 1924.[4] Moreover, the theme of death rays was very popular at the time because of the 1923 claim of British inventorHarry Grindell Matthews to have created a "death ray".
The film takes place in an unspecifiedWesterncapitalist country where afascist government is attempting to suppress asocialist uprising. The revolutionary leader Thomas Lamm is imprisoned by the government but he escapes to theSoviet Union. There he meets the engineer Podobed who invents the "death ray" – a device which explodes gunpowder and fuel mixtures at a distance.
Father Revo, a fascist intelligence agent, steals the invention and brings it back to his country. The government begins using it as an instrument for suppressing labor strikes. However, the workers end up seizing the device and use it to blow upbombers in the air which are sent against them.
The film received negative reviews on its release and did not do well at the box-office. Kuleshov explained the film's failure as the result of its experimental nature and that the main goal of the picture was to merely display that the director was capable of making professional films at a low budget.[5]
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