TheLocarno International Film Festival is a major internationalfilm festival held annually inLocarno,Switzerland. Founded in 1946, the festival screens films in various competitive and non-competitive sections, including feature-length narrative, documentary, short, avant-garde, and retrospective programs. The Piazza Grande section is held in an open-air venue that seats 8,000 spectators.[1][2][3]
The top prize of the festival is theGolden Leopard, awarded to the best film in the International Competition. Other awards include theLeopard of Honour for career achievement, and thePrix du Public, the public choice award.
The Locarno Film Festival was established by the tourist office Pro Locarno and several professionals from the movie industry. As stated by cinema historians, it emerged as a 'grassroots celebration' and mostly oriented on attracting tourists to Locarno, offering various entertainment events such as fashion shows and excursions. The inaugural evening took place on 23 August 1946, at theGrand Hotel of Locarno with the screening of the movieO sole mio directed byGiacomo Gentilomo. The first edition was organized in less than three months with a line-up of fifteen movies, mainly American and Italian, among which wasRome, Open City directed byRoberto Rossellini,And Then There Were None directed byRené Clair (1945),Double Indemnity byBilly Wilder (1944) andThe Song of Bernadette byHenry King (1943). Until the mid-1950s, LFF was allowed to screen only the movies that were commercially distributed in Switzerland. The authorities considered LLF to be a private event and did not support it financially, which is why the festival experienced constant difficulties. The 1951 edition was cancelled due to a lack of funding. In 1953, LFF was downgraded to the D rank inFIAPF classification. In response to such a loss of prestige, in 1954 the government acknowledged LFF as an event of national significance which allowed the festival to send invitations to film-producing countries via diplomatic channels and thus Swiss distributors could finally import movies out of their annual quota specifically for the festival.[4][2]
UnderVinicio Beretta, LFF opened up to national cinematographies, especially those of Eastern Europe. Since 1953, every year the festival has screened features from Eastern Germany, the USSR, etc. Managed mostly by the Pro Locarno tourists office, it strived to offer the visitors an extraordinary entertainment and stood out as an international meeting point in a neutral country. The critics, however, accused the event of communist propaganda, as the anthems of socialist countries were played before the screenings of their films and their flags raised during the ceremony. The accusations made the Swiss intelligence services closely monitor the festival, while the officials insisted on lesser selection of features from theEastern bloc.[4]
In 1956, a commercial dispute between Swiss distributors and foreign producers amidst heavy political tension in connection to therepression of the 1956 Budapest insurrection led to cancellation of the 1956 LFF edition. This caused the Swiss authorities to ask the FIAPF to cease attacks on LFF. In 1959, the festival accessed the A-rank. It shifted to July, to higher tourist season, and introduced retrospectives in collaboration with the Cinemathèque suisse.[4]
UnderVinicio Beretta, LFF director since 1960, the festival finally procured state financial support. By then, the festival had gained a unique reputation as an alternative “to traditional commercial distribution” as it pioneered Italian Neo-Realism, Latin American and Asian Cinema, and especially Polish, Czech, and Hungarian New Waves. Another major scandal occurred when the jury of the 1960 edition awarded the highest prize to the Soviet movieFoma Gordeyev. Political tensions and accusations forced Beretta to accept the creation of a “national” selection commission, offered by the authorities.[4]
The festival's most successful era was underMoritz de Hadeln, who succeeded in internationalizing and stabilizing the LFF during the 1970s.[4] The year 1971 also marked the introduction of one of the Locarno festival's most famous features: the huge open-air theater thePiazza Grande. Each year in the town square the screen is constructed and every year it draws crowds of thousands to watch films outside.[5]
In 2018, the festival welcomedLili Hinstin as its new Artistic Director. Succeeding Carlo Chatrian, she became the second-only female director in the history of LFF (the first was Irene Bignardi). Hinstin actively promoted gender equality and shifted the balance so that more than 40% of features in the 2019 edition line-up were by female filmmakers. She also hired a younger programming team, launched innovative initiatives such as “Locarno 2020 – For The Future of Films”. However, under her lead Locarno’s industry side suffered, more so than its artistic side, which may have played a role in Hinstin's resignation.[6]
2020 was marked with a major change in top positions: after Hinstin's resignation, sales exec Valentina Merli and Industry Days chief Nadia Dresti both stepped down.[6][7]The 73rd edition, scheduled from 5 to 15 August 2020, was cancelled due to theCOVID-19 pandemic, it was cancelled for the first time since 1956;[4] in its place, the special edition called "Locarno 2020 – For the Future of Films" was held. The festival had asked high-profile directors includingLucrecia Martel andLav Diaz to select films from the festival's 74-year history for a retrospective that was screened online and in physical locations.[8][9]
Green Pardo WWF In collaboration withWWF, the Green Pardo WWF is the prize that aims to find the film which best reflects the environmental theme in any of the Festival's competition sections. The award constitutes a Green statue andSFr 20,000 to the director.
There are also two sections for independent films:
Critics' Week (Semaine de la Critique), at which selected international films are screened;[12][13]
Swiss Panorama (Panorama Suisse), in which "Swiss films that have enjoyed success at festivals, found an audience in cinemas, or are currently released in the country" are screened[14]