Livia Drusilla (30 January 59 BC – AD 29) wasRoman empress from 27 BC to AD 14 as the wife ofAugustus, the firstRoman emperor. She was known asJulia Augusta after her formaladoption into theJuliagens in AD 14.
Livia was the daughter of senatorMarcus Livius Drusus Claudianus and his wifeAlfidia. She marriedTiberius Claudius Nero around 43 BC, and they had two sons,Tiberius andDrusus. In 38 BC, she divorced Tiberius Claudius Nero and married the political leader Octavian. The Senate granted Octavian the titleAugustus in 27 BC, effectively making him emperor. In her role as Roman empress, Livia served as an influential confidant to her husband and was rumored to have been responsible for the deaths of several of his relatives, including his grandsonAgrippa Postumus.
After Augustus died in AD 14, Tiberius was elevated, and Livia continued to exert political influence as the mother of the emperor until her death in AD 29. She was grandmother of the emperorClaudius, great-grandmother of the emperorCaligula, and great-great-grandmother of the emperorNero. Livia wasdeified by Claudius in AD 42, bestowing her the titleDivaAugusta.
Birth and first marriage to Tiberius Claudius Nero
Livia Drusilla was born on 30 January 59 BC as the daughter ofMarcus Livius Drusus Claudianus by his wifeAlfidia. The diminutiveDrusilla often found in her name suggests that she was not her father's first daughter.[2][3] She may have had a brother named Gaius Livius Drusus who had two daughters named Livia Pulchra and Livilla.[4][5] Her father also adoptedMarcus Livius Drusus Libo.
After peace was established between the Triumvirate and the followers of Sextus Pompeius, a general amnesty was announced, and Livia returned to Rome, where she was personally introduced to Octavian in 39 BC. At this time, Livia already had a son, the future emperorTiberius, and was pregnant with the second,Nero Claudius Drusus (also known as Drusus the Elder). Legend said that Octavian fell immediately in love with her, despite the fact that he was still married toScribonia.[8] Octavian divorced Scribonia on 30 October 39 BC, the very day Scribonia gave birth to his only biological child, daughterJulia the Elder.[9]
Seemingly around that time, when Livia was six months pregnant with her second child, Tiberius Claudius Nero was persuaded or forced by Octavian to divorce Livia. She gave birth on 14 January; three days later Octavian married Livia after waiving the traditional waiting period. On the day of his wedding to Livia, Octavian received a supposed omen of an eagle dropping a white hen with a laurel branch in its mouth into Livia's lap. This omen was interpreted as being an indication toward Livia's fertility, as she had given birth to two sons in her short two years of marriage to Nero.[10] This was ironic because her first pregnancy by Augustus ended in a stillbirth, and she was unable to ever conceive another child.[10] Tiberius Claudius Nero was present at the wedding, giving her in marriage "just as a father would."[11] The importance of the patrician Claudii to Octavian's cause, and the political survival of the Claudii Nerones are probably more rational explanations for the tempestuous union. Nevertheless, Livia and Augustus remained married for the next 51 years, despite the fact that they had no children apart from the single stillbirth. She always enjoyed the status of privileged counselor to her husband, petitioning him on the behalf of others and influencing his policies, an unusual role for a Roman wife in a culture dominated by thepater familias.[8]
Sculpture of Livia in Egyptianbasanite, c. 31 BC,Louvre, Paris
After Mark Antony's suicide following theBattle of Actium in 31 BC, Octavian returned to Rome triumphant; on 16 January 27 BC, the Senate bestowed upon him the honorary title ofAugustus ("honorable" or "revered one"). Augustus rejected monarchical titles, instead choosing to refer to himself asPrinceps Civitatis ("First Citizen of the State") orPrinceps Senatus ("First among the Senate"). He and Livia formed the role model for Roman households. Despite their wealth and power, Augustus' family continued to live modestly in their house on thePalatine Hill. Livia would set the pattern for the noble Romanmatrona. She wore neither excessive jewelry nor pretentious costumes; she took care of the household and her husband (often making his clothes herself), always faithful and dedicated. In 35 BC, Octavian gave Livia the unprecedented honor of ruling her own finances and dedicated a public statue to her. She owned and effectively administered copper mines in Gaul, estates ofpalm groves inJudea, and dozens ofpapyrus marshes inEgypt. She had her own circle of clients and pushed many protégés into political offices, including the grandfathers of the later emperorsGalba andOtho.[8]
With Augustus being the father of only one daughter (Julia by Scribonia), Livia revealed herself to be an ambitious mother and soon started to push her own sons, Tiberius and Drusus, into power.[8] Drusus was a trusted general and married Augustus' favorite niece,Antonia Minor, having three children: the popular generalGermanicus,Livilla, and the future emperorClaudius. Drusus was killed in a riding accident only a few years later, dying in 9 BC.[10] This was also the same year in which Livia was honored by the dedication of theAra Pacis Augustae as a birthday present.[10] Tiberius married Augustus' daughter Julia in 11 BC and was ultimately adopted as Augustus' heir in AD 4.
Rumor had it that Livia was behind the death of Augustus' nephewMarcellus in 23 BC.[12] After Julia's two elder sons byMarcus Vipsanius Agrippa, whom Augustus had adopted as sons and successors, had died, the one remaining son,Agrippa Postumus, was adopted at the same time as Tiberius, but later Agrippa Postumus was sent into exile and finally killed.Tacitus charges that Livia was not altogether innocent of these deaths[13] andCassius Dio also mentions such rumours.[14] There are also rumors mentioned by Tacitus and Cassius Dio that Livia brought about Augustus' death by poisoning fresh figs, although modern historians view this as unlikely.[15][16] Augustus' granddaughter wasJulia the Younger. Sometime between AD 1 and 14, her husbandLucius Aemilius Paullus was executed as a conspirator in a revolt.[17] Modern historians theorize that Julia's exile was not actually for adultery but for involvement in Paullus' revolt.[18] Tacitus alleged that Livia had plotted against her stepdaughter's family and ruined them. Julia died in AD 29 on the island to which she had been sent in exile twenty years earlier.[19]
Sardonyxcameo of Livia with the bust of the Divus Augustus (Vienna)
Augustus died on 19 August AD 14, beingdeified by thesenate shortly afterward. In his will, he left one third of his property to Livia, and the other two thirds toTiberius. In the will, he also adopted her into theJulian family and granted her the honorific title ofAugusta. These dispositions permitted Livia to maintain her status and power after her husband's death, under the new name ofJulia Augusta. Tacitus and Cassius Dio wrote that rumours persisted that Augustus was poisoned by Livia, but these are mainly dismissed as malicious fabrications spread by political enemies of the dynasty. The most famous of these rumors was that Livia, unable to poison his food in the kitchens because Augustus insisted on only eatingfigs picked fresh from his garden, smeared each fruit with poison while still on the tree to preempt him.[20] In Imperial times, a variety of fig cultivated in Roman gardens was called theLiviana, perhaps because of her reputed horticultural abilities, or as atongue-in-cheek reference to this rumor.[21]
For some time, Livia and her sonTiberius, the new emperor, appeared to get along with each other. Speaking against her became treason in AD 20, and in AD 24 he granted his mother a theater seat among theVestal Virgins. Livia exercised unofficial but very real power in Rome. Eventually, Tiberius became resentful of his mother's political status, particularly against the idea that it was she who had given him the throne. At the beginning of his reign Tiberius vetoed the unprecedented titleMater Patriae ("Mother of the Fatherland") that the Senate wished to bestow upon her, in the same manner in which Augustus had been namedPater Patriae ("Father of the Fatherland")[8] (Tiberius also consistently refused the title ofPater Patriae for himself).
The historians Tacitus and Cassius Dio depict an overweening, even domineering dowager, ready to interfere in Tiberius’ decisions. The most notable instances were the cases ofUrgulania, grandmother of Claudius's first wifePlautia Urgulanilla, who correctly assumed that her friendship with the empress placed her above the law;[22][23] andMunatia Plancina, suspected of murderingGermanicus and saved at Livia's entreaty.[24] (Plancina committed suicide in AD 33 after being accused again of murder after Livia's death.) A notice from AD 22 records that Julia Augusta (Livia) dedicated a statue to Augustus in the center of Rome, placing her own name even before that of Tiberius.
Ancient historians give as a reason for Tiberius' retirement toCapri his inability to endure his mother any longer.[22][25] Until AD 22 there had, according to Tacitus, been "a genuine harmony between mother and son, or a hatred well concealed;"[26] Dio tells us that at the time of his accession already Tiberius heartily loathed her.[27]
In AD 22 she had fallen ill, and Tiberius hastened back to Rome in order to be with her.[26] But in AD 29 when she finally fell ill and died, he remained on Capri, pleading pressure of work and sendingCaligula to deliver the funeral oration.[28][29][30] Suetonius adds the macabre detail that "when she died... after a delay of several days, during which he held out hope of his coming, [she was at last] buried because the condition of the corpse made it necessary...". Divine honors he also vetoed, stating that this was in accord with her own instructions. Later he vetoed all the honors the Senate had granted her after her death and cancelled the fulfillment of her will.[30]
It was not until 13 years later, in AD 42 during the reign of her grandsonClaudius, that all her honors were restored and her deification finally completed. She was namedDiva Augusta (The Divine Augusta), and an elephant-drawn chariot conveyed her image to all public games. A statue of her was set up in theTemple of Augustus along with her husband's, races were held in her honor, and women were to invoke her name in their sacred oaths. Her and Augustus' tomb was later sacked at an unknown date.
While reporting various unsavory hearsay, the ancient sources generally portray Livia as a woman of proud and queenly attributes, faithful to her imperial husband. Dio records two of her utterances: "Once, when some naked men met her and were to be put to death in consequence, she saved their lives by saying that to a chaste woman such men are in no way different from statues. When someone asked her how she had gained respect from Augustus, she answered that it was by being scrupulously chaste herself, doing gladly whatever pleased him, not meddling with any of his affairs, and, in particular, by pretending neither to hear nor to notice the favourites of his passion."[32]
With the passage of time, however, some thought that with widowhood a haughtiness and an overt craving for power and the outward trappings of status came increasingly to the fore.[citation needed] Livia had always been a principal beneficiary of the climate of adulation that Augustus had done so much to create, and which Tiberius despised ("a strong contempt for honours", Tacitus,Annals 4.37). In AD 24, whenever she attended the theatre, a seat among the Vestals was typically reserved for her (Annals 4.16), but this may have been intended more as an honor for the Vestals than for her (cf. Ovid,Tristia, 4.2.13f,Epist. ex Ponto 4.13.29f).
Livia played a vital role in the formation of her children Tiberius and Drusus. Attention focuses on her part in the divorce of her first husband, father of Tiberius, in 39/38 BC. Her role in this is unknown, as well as in Tiberius's divorce ofVipsania Agrippina in 12 BC at Augustus's insistence: whether it was merely neutral or passive, or whether she actively colluded in Caesar's wishes.
Dupondius probably depicting Livia asSalus Augusta.Historical picture in the direction of the vineyards by the sea between Prosecco andBarcola where the Empress' favorite wine was grown
The ancient sources all agree that Livia was Augustus' best confidant and counselor, but the extent of her influence remained disputed due to the numerous attempts by her political enemies to defame her dynasty. According to Suetonius, who had access to imperial records, Augustus would write down lists of items to be discussed with Livia, and then take careful notes of her replies to be consulted again later.[34]
In Tacitus'Annals, meanwhile, Livia is famously depicted as having great influence, to the extent where she "had the aged Augustus firmly under control—so much so that he exiled his only surviving grandson to the island of Planasia";[35] Tacitus goes on to call her "a real catastrophe to the nation as a mother, and to the house of the Caesars as a stepmother" and "a compliant wife, but an overbearing mother".[36]
Livia's image appears in ancient visual media such as coins and portraits. FollowingOctavia the Younger,Cleopatra and possiblyFulvia, she was the third (or fourth) woman to appear on provincial coins in 16 BC. On official Roman coinage, she was probably portrayed asSalus Augusta on thedupondius of Tiberius.[37] Her portrait images can be chronologically identified partially from the progression of her hair designs, which represented more than keeping up with the fashions of the time as her depiction with such contemporary details translated into a political statement of representing the ideal Roman woman. Livia's image evolves with different styles of portraiture that trace her effect on imperial propaganda that helped bridge the gap between her role as wife to the emperor Augustus, to mother of the emperor Tiberius. Becoming more than the "beautiful woman" she is described as in ancient texts, Livia serves as a public image for the idealization of Roman feminine qualities, a motherly figure, and eventually a goddesslike representation that alludes to her virtue. Livia's power in symbolizing the renewal of the Republic with the female virtuesPietas andConcordia in public displays had a dramatic effect on the visual representation of future imperial women as ideal, honorable mothers and wives of Rome.[38] Livia also restored the temple of theBona Dea.[10]
Livia is mentioned byPliny the Elder, who describes the vines of the Pulcino wine ("Vinum Pucinum" - today at best "Prosecco"). This then special and rare wine from the sunny slopes northeast ofBarcola in the direction of the place Prosecco orDuino (near the historic place Castellum Pucinum) was according to Pliny the favorite wine of the Empress Livia. She is said to have loved this Vinum Pucinum for its medicinal properties and at the end of her long life (she was 87) she attributed her old age to its consumption and commended it to everyone as an "elixir for a long life".[39][40][41]
In the popular fictional workI, Claudius byRobert Graves—based on Tacitus' innuendo—Livia is portrayed as a thoroughlyMachiavellian, scheming political mastermind. Determined never to allow republican governance to flower again, as she felt they led to corruption and civil war, and devoted to bringing Tiberius to power and then maintaining him there, she is involved in nearly every death or disgrace in theJulio-Claudian family up to the time of her death. On her deathbed she only fears divine punishment for all she had done, and secures the promise of future deification by her grandson Claudius, an act which, she believes, will guarantee her a blissful afterlife. However, this portrait of her is balanced by her intense devotion to the well-being of the Empire as a whole, and her machinations are justified as a necessarily cruel means to what she firmly considers a noble aspiration: the common good of the Romans, achievable only under strict imperial rule.[42][43]InJohn Maddox Roberts's short story "The King of Sacrifices," set in hisSPQR series, Livia hires Decius Metellus to investigate the murder of one ofJulia the Elder's lovers. InAntony and Cleopatra byColleen McCullough, Livia is portrayed as a cunning and effective advisor to her husband, whom she loves passionately.Luke Devenish's "Empress of Rome" novels,Den of Wolves (2008) andNest of Vipers (2010), have Livia as a central character in a fictionalized account of her life and times.Livia plays an important role in two Marcus Corvinus mysteries by David Wishart,Ovid (1995) andGermanicus (1997). She is mentioned posthumously inSejanus (1998).
Her marriage with Augustus produced only one pregnancy, which miscarried. However, through her sons by her first husband, Tiberius andDrusus, she was a direct ancestor of all of theJulio-Claudian emperors as well as most of the extended Julio-Claudian imperial family.
^For Livia's portraiture and representations, see: Rolf Winkes,Livia, Octavia, Iulia – Porträts und Darstellungen, Archaeologia Transatlantica XIII, Louvain-la-Neuve and Providence, 1995.
^Chrystal, Paul (2017). "5: Livia Drusilla (58 BC–AD 29)".Roman Women: The Women who influenced the History of Rome. Fonthill Media.
^Istituto italiana per la storia antica (1968).Miscellanea Greca e Romana. Studi pubblicati dall'Istituto italiano per la storia antica. Vol. 2–3. Rome: University of Wisconsin - Madison. pp. 352–353.
^Pinsent, John (1976).Liverpool Classical Monthly. Vol. 1–2. Indiana University. p. 2.
^Livia, First Lady of Imperial Rome byAnthony A. Barrett, Yale University Press.
^Cassius DioRoman History. 48.34.3. (Vol. VI, Loeb Classical Library edition, 1917. Harvard University Press. Translation by Earnest Cary)
^abcdeFlory, Marleen B. “Livia and the History of Public Honorific Statues for Women in Rome.”Transactions of the American Philological Association, vol. 123, [Johns Hopkins University Press, American Philological Association], 1993, pp. 287–308,doi:10.2307/284333.
^Chow, John K. (1992).Patronage and Power: A Study of Social Networks in Corinth. The Library of New Testament Studies 75. Bloomsbury Publishing. p. 44.ISBN9780567111869.
^Suetonius. "Life of Augustus"; "Life of Tiberius"; "Life of Claudius," in The Twelve Caesars. Translated by Robert Graves, 1957. Revised by Michael Grant, 1979. NY: Viking Penguin, 1986.
^I Claudia II: Women in Roman art and society. Edited by Diana E. E. Kleiner and Susan B. Matheson Yale University Art Gallery. Austin: University of Texas Press, 2000.
^Pliny "The natural history of Caius Plinius Secundus" (approx. AD 77), third volume, 14th book.
^Zeno Saracino, „Pompei in miniatura“: la storia di „Vallicula“ o Barcola", In: Trieste All News, 29 September 2018.
^PLIN. Nat. XIV, 6: Iulia Augusta LXXXVI annos vitae Pucino vino rettulit acceptos, non alio usa. Gignitur in sinu Hadriatici maris non procul a Timavo fonte, saxoso colle, maritimo adflatu paucas coquente anforas … nec aliud aptius medicamentis indicatur.
Dennison, Matthew (2011).Livia, Empress of Rome: A Biography. New York: St. Martin's Press.ISBN978-0312658649.
Minaud, Gérard (2012). "La vie de Livie, femme d'Auguste" [The life of Livia, wife of Augustus].Les vies de 12 femmes d'empereur romain – Devoirs, Intrigues & Voluptés [The Lives of 12 Roman Emperor's Wives - Duty, Intrigue & Pleasure] (in French). Paris: L’Harmattan. pp. 13–38.ISBN978-2-336-00291-0.
Kunst, Christiane (2009). "Das Liviabild im Wandel" [The image of Livia in flux]. In Losemann, Volker (ed.).Alte Geschichte zwischen Wissenschaft und Politik: Gedenkschrift Karl Christ [Ancient history between science and politics: Gedenkschrift Karl Christ]. Philippika: Marburger altertumskundliche Abhandlungen (in German). Vol. 29. Wiesbaden: Harrassowitz. pp. 313–336.ISBN978-3-447-05905-3.
Winkes, Rolf (1995).Livia, Octavia, Iulia: Porträts und Darstellungen [Livia, Octavia, Iulia: portraits and representations]. Archaeologia transatlantica (in German). Vol. 13. Providence & Louvain-la-Neuve: Brown University.OCLC37599354.
Italics indicates a consort to a junior co-emperor,underlining indicates a consort to an emperor variously regarded as either legitimate or a usurper, andbold incidates an empress regnant.