Literature of Kashmir has a long history, the oldest texts having been composed in theSanskrit language. Early names includePatanjali, the author of theMahābhāṣya commentary onPāṇini's grammar, suggested by some to have been the same to write theHindu treatise known as theYogasutra, and Dridhbala, who revised theCharaka Samhita ofAyurveda.
In medieval times, philosophers ofKashmir Shaivism includeVasugupta (c. 800),Utpala (c. 925),Abhinavagupta,Kshemaraja, andAnandavardhana. Within contemporary Kashmir literature there are many poets, including Asif Tariq Bhat[1][2] Tashi Shah,[3] Akeel Mohiuddin Bhat,[4] Omair Bhat[1][2] and Zeeshan Jaipuri.[5]
The below listed table marksKashmiri language poets in chronological order as per the book—A History of Kashmiri literature by Trilokinath Raina.[6]
| Name | Years | Birthplace | Period | Remarks |
|---|---|---|---|---|
| Lal Ded | 1320–1392 | Pandrethan, or Padmanpore (modern Sempore,Pampore) | Kashmir Shaivism | She was the Kashmirimystic poet credited with pioneering theVaakh/Vatsun, or the Shurkh genre of Kashmiri literature. |
| Nund Reshi | 1377–1438 | Qaimoh,Kulgam | Sufism | Nund Reshi was among the founders of theRishi order, aSufi tradition of the region. His well-known disciples from this order include-Dehat Ded,Behat Ded,Shanga Bibi, Sham Ded and Ganga Bibi. |
| Hazrat Shaikh Yaqub Sarfi | 1521–1595 | Zainkadal,Srinagar | Sufism | Popularly known as "Ishan sa'eb", Sarfi was a Kashmiri Sufi Shaikh of theKubrawi Hamadani order. He became aHafiz Quran at the age of seven. He has manyVaakhs to his credit. |
| Habba Khatoon | 1554–1609 | Chandhur,Pampore | Lyricism | She is known to lyricize her wailing cries for lost time. Thequeen poet was popularly known as the "Nightingale ofKashmir". |
| Jumma Bibi | N/A | Nowhatta, Srinagar | Sufism and Lyricism | She was the daughter of aKandur (baker), and was quite close to Mirza Akmal ud Din Badakshi. HerVaakhs are mostly inspired by mystical subjects. She had also composed aKashir marsiya (Kashmiri elegy) on the death of Mirza Kamal. |
| Khawaja Habibullah Ganai Nowshehri | 1555–1617 | Nowshera, Srinagar | Sufism | He was the mainKhulafa (successor) toHazrat Shaikh Yaqub Sarfi and wasHafiz Quran, and very much fond of singing. He had written some notableVaakhs too. |
| Rupa Bhawani | 1621–1721 | Khanqah-i-Shokta, Nawakadal (Srinagar at present) | Kashmir Shaivism andIslamic Sufism | HerVaakhs reveal the influence of bothKashmir Shaivism andIslamic Sufism. |
| Sahab Kaul | b. 1629 | Habba Kadal, Srinagar | Kashmir Shaivism | His 'Krishna Avtaar Charit' is the firstKashmiri poem ofLeela (Divine play) genre. |
| Nunda Dar | d. 1774 | Village Kaathyul | Sufism | He andMir Syed Ullah Shahabadi are the only two poets who attempted theGhazal writing successfully beforeMahmud Gami. |
| Arnimal | 1738–1778 | Palhalan,Pattan | Lyricism | She is the second poet afterHabba Khatoon in the field of lyricism. |
| Mir Abdulla Behaqi | d. 1798 | N/A | Sufism | He is the first Kashmiri poet to adoptMathnavi (rhyming couplets) as his medium in poetry. |
| Shah Gafoor | N/A | Village Choon,Budgam | Lyricism | His well-known works include'Rosh Paan Havtam Kashvaniye','Sorui Chu Panai Be Vanai Kya', and'Kya Gov Malaal tes Yarsei' among others. |
| Momin Shah sa'eb | d. 1800 | Buried atBabgom,Pulwama | Sufism | To him belongs the honour of writing the first well-receivedMathnavi inKashmiri, titled 'Mantaq-al-tayyar' based onPersian mathnavi of the same title byAttar. |
| Swocha Kral | 1774–1854 | Village Koil,Pulwama (buried at Yendregam, Pulwama) | Sufism | He was known to be themureed (disciple) of Momin sa'eb. His poetry is an exposition of the philosophy ofWahdat-al-Wajood. |
| Khwaja Hussain Mir | d. 1826 | Habak,Magam, buried at Gund Khawja Qasim | Devotional | Hussain Mir is regarded as the founder of the Classical Age inKashir Marsiya, known as'Muqam Band'. |
| Parmananda | 1791–1864 | Village Seer, Martand (Mattan at present) | Mysticism | His most notable works include'Radha Swayamvara'. |
| Pandit Mirza Kak | N/A | Hangulgund,Kokernag,Anantnag | Mysticism | He had authored'Shiv Puraan' inKashmiri language. |
| Shah Qalandar | d. 1850 | Haigam, or Wahthora,Chadoora dist.Budgam | Lyricism | Known for his popularmathnavi'Adam ta Guljaan' (love-story of faqir Adam and Princess Guljaan). |
| Mahmud Gami | 1765–1855 | Village Aravaer (modern Mahmudabad),Dooru Shahabad,Anantnag | Lyricism | Popularly known asJami of Kashmir, he had also translatedNizami'sLayla Majnun into Kashmiri titled 'Lael Majnun'. |
| Rahim Sa'eb | 1775–1850 | Telwaen mohallà,Sopore | Sufism | He belonged to theQadri order of Sufism and was significantly influenced byLal Ded andNund Reshi. He is specifically known for usingSanskritShastra words in his poetry. |
| Mulla Munshi Mohammad Yusuf Baba | 1798-1885 | Babapora, Habba Kadal,Srinagar | Devotional | He is best known for his portal of human loss and grief inKashmiri Marsiya. Munshi Yusuf remains one of the most popularKashmiri Marsiya writers. |
| Mulla Hakim Muhammad Azim | 1803-1852 | Babapora, Habba Kadal, Srinagar | Devotional | He is known for introducing visual imagery inKashmiri Marsiya and repositioning it in the urban, Persianate high culture associated withSrinagar city. |
| Mirza Aboul Qasim | d. 1853 | Gund Khawja Qasim, buriedKarbala,Iraq | Devotional | The most prolific and popularMarsiya writer ofKashmir Marsiyas, his works reflects deep understanding of traditional Muslim knowledge both literary as well as religious. |
| Munshi Safdar Khan | d. 1850s | Awadh,Uttar Pradesh | Devotional | He worked in the court of Nawab Wajid Ali Shah and is said to have been poisoned in his late 20's. He is the first poet who introduced the genre of writing'bey-nuqta' (verses withouts any diacritical marks) inKashmiri Marsiya, in a marsiya of bearing the same name. |
| Wali Ullah Motoo | d. 1858 | Wuhan,Beerwah dist.Budgam | Sufism | He has written aMathnavi based on the legend ofHemal and Nagrai. |
| Nyam sa'eb | 1805–1865 | Agh hamaamHabba Kadal, Srinagar | Lyricism | He is best known for his lyricalghazals that have been sung by generation of Kashmiris. HisTaelib (tutee) named Rasul Shah Haaqsa was themurshid (spiritual guide) toShamas Faqir. |
| Abdul Ahad Nazim | 1807–1865 | N/A | Sufism and Lyricism | He was also known as 'Waiz Shah Nur-ud-din', considered the finestNa'at writer of Kashmir. He had penned the famous Sufi song-Yim Zaar Vanahas Bardar. |
| Lakshman Joo Raina Bulbul | 1812–1898 | Malapora,Ganderbal | Lyricism | Wrote the well-known razmiamathnaviSaamnaama, translation ofFirdausi's ClassicShahnaama. |
| Karam Buland | d. 1899 | Haanz Gund, WahthoraBudgam | Lyricism | He had great love of music, theatre and organizing musical sessions. The NGO- Karam Buland Folk Theatre Group in Budgam is also named after him. |
| Maqbool Shah Kralwaer | 1820–1877 | Kralwara, NagamBudgam | Sufism | He is best known for hismathnavi 'Gulrez'. A mathnavi, many claim as finest descriptive poetry of the 19th-century Kashmiri literature. |
| Ahmad Batwaer | 1838–1918 | Batawara, Soura,Srinagar | Sufism | His well known works include'Az Boaz Saeni Mudda', 'Yendraaz Zyeni Darbaar', 'Bedaar Cheshmov Dedaar' and many others. |
| Rasul Mir | 1840–1870 | Dooru Shahabad,Anantnag | Romanticism | He is popularly known as theJohn Keats of Kashmir. Rasul Mir formally inauguratedGhazal into Kashmiri poetry. Gazals with rivers, valleys, birds, fruits and imagery of Kashmir are his forte. |
| Abdul Ahad Nadim | 1842–1911 | Bandipora | Lyricism | Had written the social satireShahar'ashob. |
| Wahab Khar | 1842–1912 | Khrew,Pampore,Pulwama | Sufism | He came from a lineage of poets: his father and grandfather, both blacksmiths by profession, were also veneratedSufi poets. |
| Wahab Parray | 1845–1914 | Khos mohallà,Hajin,Bandipora | Sufism | He had translatedFirdausi's 'Shahnaama' fromPersian toKashmiri in the year 1900. |
| Pandit Govind Kaul | 1846–1899 | Srinagar | Mysticism | As a profound Kashmiri scholar he had helpedAurel Stein in translatingKalhana'sRajatarangini. |
| Rahman Dar | d. 1897 | Safa Kadal, Srinagar | Sufism | He is best known for hisMathnaviSheeshrang. |
| Shamas Faqir | 1849–1904 | Zaindar, Srinagar | Sufism | He belonged to theQadriya silsila ofSufism and had also written the mathnaviMehrajnaama, recounting the Islamic prophetMuhammad'sMehraj (spiritual journey) to Allah. |
| Aga Sayyid Muhammad Safvi | d. 1932 | Mirgund,Budgam | Religious Prose | A religious scholar by training he wrote 'Minhaj ul Salah wa Miraj al Falah', popularly known as 'Kashir Kitab' (c.1888), one of the first works in Kashmiri prose. |
| Pir Ghulam Mohammad Hanfi | 1849–1937 | N/A | Sufism | He is said to have translatedQuran intoKashmiri. Some scholars believe that theKashmiri translation ofQuran which was published under the name of Maulvi Yusuf Shah was actually done by Hanfi. |
| Krishan Joo Razdan | 1850–1925 | Wanpoh,Anantnag | Kashmir Shaivism | He is known for hisShiv Puraan andShiv Lagan. |
| Mulla Hakim Habib ul Lah | 1852-1904 | Babapora, Habba Kadal,Srinagar | Devotional Mysticism | In addition to his Persian poetry is known for hisKashmiri Marsiya, especiallyYusuf. HisSahlab Nama is devoted to the tragic floods of 1903 which devastated Kashmir. |
| Aziz Ullah Haqqani | 1854–1919 | Narparistan, Srinagar | Sufism and Romanticism | He is remembered as a prominentNa'at writer. His best knownmathnavi is'Mumtaaz Benazir', which had attained the same popularity asMaqbool Shah Kralwari'sGulrez. |
| Saif-ud-din Ariz | N/A | Pulwama | Lyricism | Hismathnavi titledNav Bahaar, had been translated into Persian. Though, the manuscript remains undiscovered so far. |
| Asad Parray | 1862–1930 | Hajin,Bandipora | Mysticism | He was highly influenced byHindu mythology and had written works in praise of LordRama and LordShiva. |
| Hakim Hassan Ali | 1870–1915 | Babapora, Habba Kadal,Srinagar | Devotional | A respectedMarsiya writer, his Bey-Nuqta (Dotless) is considered a literary feat because in 25 verses it avoids the use of letters with any diacritical markings (nuqta). |
| Haji Mohammad Alyaas | 1881–1941 | Tsrar Sharief, Budgam | Romanticism | He had been inspired by Aziz Ullah Haqqani, and wrote his rendering of themathnaviMumtaaz Benazir. |
| Mohammad Ismail Nami | 1884–1940 | Kavador, Srinagar | Lyricism | He was an extensive traveller ofTibet and had writtenTibet Safarnama andNizami'sSheerenFarhad inKashmiri. |
| Prakash Ram Bhat | d. 1885 | Devsar dist.Kulgam | Mysticism | He is the author of the firstRazmia (war)mathnavi inKashmiri literature, 'Ramavtaar Charit', based onRamayana. |
| Akbar Bhat | d. 1910 | Anantnag | Sufism | He roamed as afakir all over the valley for two years and after this peregrination wrote the poemSaalgah. |
| Kaefi Shah | d. 1910 | Kothar dist.Udhampur | Romanticism | Wrote a romanticmathnavi, 'Qissa Behraam Shah' |
| Abdul Rahim Aima | d. 1911 | Nagam,Banihal | Sufism | His mathnavi 'Gulbadan' is a translation of Muhammad Ali Murad'sUrdumathnavi of the same title. |
| Pir Mohi-u-din Miskeen | d. 1915 | Kulgam | Sufism | Had written 6 masnavis, including Yusuf Zuleikha, Zeba Nigaar and Laal Majnoon. He had also translated the popular tragic romance ofPunjab, Pakistan-Sohni Mahiwal intoKashmiri. |
| Prakash Kurgami | N/A | Kurigam,Qazigund | Mysticism | He had translated Ramayana to Kashmiri language. |
| Vishna Kaul | d. 1917 | Kulgam | Mysticism | He had translatedValmiki'sRamayana intoKashmiri |
| Haji Mohi-ud-din Miskin | d. 1921 | Srinagar | Sufism | Hismathnavi 'Zeba Nigaar' has been credited toRasul Mir byAbdul Ahad Azad inKashmiri zuban aur shairi vol.II |
| Asad Mir | d. 1930 | Hakura Badasgam,Anantnag | Lyricism | He had written the popularghazalYeli Janaan Ralem. He has numerous ghazals to his credit that have been sung by generations of Kashmiris. |
| Abdul Qaadir Faarig | N/A | N/A | Sufism | He was the father of ex-chief minister,Ghulam Mohammad Sadiq. |
| Ahad Zargar | 1882–1984 | Narvara,Srinagar | Sufism | His well known masnavis including-'Kaefir Sapdith Korum Iqraar', expressing the philosophyWahadat-al-Wajood. |
| Zinda Kaul | 1884–1965 | Madanyar,Srinagar | Lyricism | He was the first Kashmiri writer who had won theSahitya Akademi award, 1956 for his volumeSumaran (The Rosary). |
| Mahjoor | 1887–1952 | Mitrigam,Pulwama | Lyricism | Being a revolutionary poet, he is famously known asShair-e-Kashmir. |
| Samad Mir | 1892–1959 | Haar Nambal, NarwaraSrinagar | Sufism | His'Aka Nandun' is the Kashmiri rendering of the legend of prophetIbrahim and his sonIsmael. |
| Lassa Khan Fida | 1898–1965 | Qazi mohallà,Anantnag | Sufism | At the age of 21, he wrote his first book 'Gulbakwal' which was later adapted into a TV serial. |
| Abdul Qadoos Rasa Javidani | 1901-1980 | Bhaderwah | Lyricism | He had published hisKashmiri poems under the title 'Nairang-e-Gazal'. He had also representedKashmir at the National Mushaira in 1961. He had also penned the famous song-Mashravthas Janaan sung by Faheem Abdullah. |
| Abdul Ahad Zargar | b. 1908 | Srinagar | Sufism | Being a disciple of Samad Mir, his expression was also multi-lingual that assimilatedArabic,Sanskrit andPersian languages and brewed them withKashmiri language. |
| Dina Nath Wali Almast | 1908–2006 | Badyar Bala, Srinagar | Progressive movement | His collection of poetry includeBala Yapair (This side of Mountains, 1955) andSahaavukh Posh (Desert Flowers, 1981). |
| Abdul Ahad Azad | 1909–1948 | Rangar,Chadoora,Budgam | Lyricism | He had written the essayKashmiri zuban aur shairi. |
| Mir Ghulam Rasool Nazki | 1910–1998 | Mader,Bandipora | Sufism | His well known works includeNamrodnama, a collection of 200 quatrains published in 1964. |
| Ali Mohammad Gilkar | d. 1976 | Nowhatta, Srinagar | Sufism | He was a great spiritual leader and a greatSufi saint, and popular among masses asWoast bab orDassil bab. He is best known for his book 'Kaleed Ludni'. |
| Mirza Ghulam Hassan Beg Arif | 1910–2005 | Anantnag | Progressive movement | Known for his satirical pieceAawaaz-i-dost. He had also translated 100 quatrains ofOmar Khayyam, andRabindranath Tagore's 'Cycle of Spring' intoKashmiri. |
| Dina Nath Nadim | 1916–1988 | Habba Kadal, Srinagar | Progressive movement | He had penned the famous folksong 'Bumbro Bumbro'. He had also written the anti-war poem'Mae Chhum aash paghich'. |
| Fazil Kashmiri | 1916–2004 | Srinagar | Progressive movement | As a versatile poet he had proven his command or mastery in all genres of poetry –Ghazal,Nazm,Rubai, Qata,Marsiya, Munajat,Na'at, Manqabat,Leela etc. |
| Mohiuddin Hajni | 1917–1993 | Hajin,Bandipora | Progressive movement | His play'Grees Sund Ghar' is the first play inKashmiri language. He had translated 'Alif Layla' (One Thousand and One Nights) in Kashmiri. During his career, he criticised the political doctrine ofSheikh Abdullah, 3rd chief ministers and 2nd prime minister of Jammu and Kashmir. |
| Noor Mohammad Roshan | b. 1919 | Khanyar,Srinagar | Progressive movement | He had translatedMunshi Premchand'sGodaan in Kashmiri. |
| Lal Aragami | 1923–1988 | ChattibandayAragam,Bandipora | Sufism | His well known works includeSareth Rahbar Lobum Moula. |
| Abdul Khaliq Tak Zainageri | 1924–1989 | Hardishiva,ZaingeerSopore | Sufism | It was in 1972 that he laid the foundation of the J & K Yateem Trust. He has also written poems for children, depicting his love for the orphans and the weak. |
| Sarwananda Koul Premi | 1924–1990 | Soaf Shalli,KokernagAnantnag | Progressive movement | Mahjoor gave him the name "Premi" (meaning Lover) because his poetry was full of love for Kashmir. |
| Amin Kamil | 1924–2014 | Kaprin,Shopian | Progressive movement | His notable works include the collectionsBeyi Sui Paan andPadis Pod Tshaayi. |
| Arjan Dev Majboor | 1924–2015 | Zainpora,Pulwama | Progressive movement | He had translatedKalidas'sMeghadootam intoKashmiri. |
| Janbaz Kishtwari | 1925-1990 | Kishtwar | Progressive movement | He is known for his collection of poetry 'Phalwin Sangar'. |
| Rehman Rahi | 1925–2023 | Wazpora,DowntownSrinagar | Progressive movement | His 'Navroz-e-Saba' had won theSahitya Akademi award, 1961. His other notable work is a poetic collection titled 'Siyah Rood Jaeren Manz'. |
| Pran Kishore Kaul | 1925–present | Srinagar | Modern-age | He had written the screenplay for the popularDoordarshan Television series 'Gul Gulshan Gulfaam'. |
| Vasudev Reh | b. 1926 | Sopore | Progressive movement | He is known for his collection of poetry 'Shab Gardun' (The Night Watchman). |
| Vishwanath Vishwas | b. 1926 | Sopore | Progressive movement | His well known poems include 'Anaady Haanz' (The Foolish Boatman). |
| Pushkar Bhan | 1926–2008 | N/A | Progressive movement | As a playwright he had collaborated 3 times withSom Nath Sadhu. |
| Ali Mohammed Lone | 1927–1987 | Drogjan,Dal Gate Srinagar | Progressive movement | He was a prominent dramatist ofKashmiri language and had written the playsTe Vyeth Rooz Pakaan, andSuyya. |
| Ghulam Nabi Nazir | 1927–2015 | Yaripora,Kulgam | Progressive movement | His well known works include 'Kashir Lukh Baath'. He had also translatedShakespeare'sOthello toKashmiri. |
| Ghulam Nabi Firaq | 1927–2016 | Naushera, Srinagar | Progressive movement | Adapted playDoctor Faustus byChristopher Marlowe intoKashmiri language. |
| Akhtar Mohiuddin | 1928–2001 | Battamalyun, Srinagar | Resistance literature | He had written the first novel inKashmiri language, titled DodDag (1957), and was a prominent short story writer in Kashmiri. |
| Ghulam Rasool Santosh | 1929–1997 | Chinkral,Habba Kadal Srinagar | Kashmir Shaivism | As a poet he had been the recipient ofSahitya Akademi award for his poemBe Soakh Rooh (1978). |
| Bansi Nirdosh | 1930-2001 | Badyar Bala,Srinagar | Progressive movement | He was a prolific writer who wrote inUrdu,Hindi, andKashmiri. He had written over 100 plays including 'Daenther' (Branch of pomegranate tree) and 'Vaav, Naav te Dariyaav'. As a short story writer, his well-known short stories include-Yutamat Naal Votum Damanas Tal. |
| Rashid Nazki | 1931–2016 | Bandipora | Sufism | He was the founding president ofAdbee Markaz Kamraz. He had won the Sahitya Akademi award for 'Vahraat' in 1999. He had written the biography ofMuhammad inKashmiri. He had also translated SirAllama Iqbal'sAsrar-i-Khudi to Kashmiri. |
| Hamidi Kashmiri | 1932–2018 | Srinagar | Progressive movement | He had won the Sahitya Akademi award for 'Yath Miani Joye' in 2005. He had also won thePadma Shri in 2010. |
| Moti Lal Kemmu | 1933–2018 | Srinagar | Progressive movement | Being a multi-faceted artist, he had worked as a choreographer forDina Nath Nadim'sBombur Yembarzal, andHimal Nagrai. |
| Naji Munawar | 1933–2021 | Kaprin,Shopian | Modern-age | Best known for his collectionMwokhta lar, a book of stories for children. Alongside Shafi Shauq, he had compiled the history of Kashmiri literature in a book in theKashmiri language. |
| Autar Krishen Rahbar | 1934–2020 | Fatehkadal,Downtown Srinagar | Modern-age | He was a dramatist, and had written the famous playBadshah. |
| Zeba Zeenat | 1934–present | Nadihal,Bandipora | Sufism | She is a mystic poet whose work is based on self-exploration. |
| Hari Kishan Kaul | 1934–2009 | Srinagar | Modern-age | He is a well-known playwright and short story writer in Kashmiri. He is best known for his playYeli Watan Khur Chu Yevan. |
| Ghulam Nabi Gauhar | 1934–present | Charar-e-Sharief,Budgam | Modern-age | He had written the second novel inKashmiri language, titledMujrim (1971). |
| Muzaffar Aazim | 1934–2022 | Gotlipora,Tangmarg | Modern-age | His notable works include three poetry books in Kashmiri and one in Urdu in addition to playsHavas ta Haasil andNai Mout. He created the firstKashmiri Narqalam font andGulmarg Nastaliq font. |
| Som Nath Sadhu | 1935–1982 | N/A | Modern-age | Apart from being a significant playwright, he had also won thePadma Shri (fourth highest Indian civilian award) in 1974. |
| Taj Begum Renzu | 1935–2015 | Srinagar | Modern-age | She is the first Kashmiri female fiction writer and journalist. |
| Ghulam Nabi Tak Naazir | 1935-2015 | Yaripora,Kulgam | Modern-age | He had won theSahitya Akademi award for 'Achhre Tsange' in 1991. |
| Bashir Bhaderwahi | 1935–present | Bhaderwah | Modern-age | He had won the Sahitya Akademi award for his literary criticism 'Jamis Ta Kasheeri Manz Kashir Natia Adbuk Tawareekh' in 2015. |
| Mohammad Yousuf Taing | 1935–present | Shopian | Modern-age | His work,Mahjoor Shinasi (A criticism onMahjoor) won him the Sahitya Akademi Award in 1998. |
| Makhan Lal Kanwal | 1936-2016 | Sangrama,Sopore | Modern-age | He had won theSahitya Akademi award for 'Yath Aangnas Manz' in 2012. |
| Mushtaq Kashmiri | 1936-2022 | Kav mohallà, Khanyar, Srinagar | Resistance literature | His book 'Tohfa-e-Shaheed' is written in the memory of his son, Ahmad ul Islam, who was amilitant. |
| Moti Lal Saqi | 1936–1999 | Bijbehara,Anantnag | Modern-age | He received theSahitya Akademi award in 1981 forMansar. |
| Sajood Sailani | 1936–2020 | Nowgam, Srinagar | Modern-age | He served as a member ofSahitya Akademi's advisory board from 1973 to 1977 and in 1990. |
| Chaman Lal Chaman | 1937–1999 | N/A | Romanticism | He had represented Kashmir at the National Conference of poets in 1960. |
| Hakeem Manzoor | 1937-2006 | Akhoon Sahib, Gojwara,Srinagar | Modern-age | Though a prominentUrdu writer, he had written some works inKashmiri language includingMea Chu Vartav Tai (1998) andDopmai Baale Yaaras (1998). |
| Ayoub Sabir | 1937–present | Bugam,Kulgam | Modern-age | He is a well known Satirist. For his famed book Gulalan Shaadmani, Sabir was awarded children's best literature award by Sahitya Academy New Delhi in 2013. |
| Mishal Sultanpuri | 1937–2020 | Sultanpur,Baramulla | Modern-age | In 2009 he got the Sahitya Akademi award for his bookVont on literary criticism. |
| Marghoob Banihali | 1937–2021 | Bankoot,Banihal | Modern-age | He had returned hisSahitya Akademi award in 2015, for hisPartavistan (1979), a collection of poetry. |
| Hriday Kaul Bharti | 1937–2020 | Sopore | Modern-age | He is best known for his contemporary short stories including-Doan athan hinz dastaan. |
| Rattan Lal Shant | 1938–present | Srinagar | Modern-age | He had won the Sahitya Akademi award for his short story 'Tshen' in 2007. He is also the recipient of President's Gold medal and Nehru award. |
| Bashar Bashir | N/A | N/A | Moden-age | He had won the Sahitya Akademi award for'Yiman Padan Mye Yetsaar Gotshuy' in 2010. |
| Ghulam Nabi Khayal | 1938–present | Shal mohallà,Srinagar | Resistance literature | He became the first Kashmiri writer to return theSahitya Akademi award in 2015, for hisGashik Minaar (Luminaries), 1975. |
| Ali Mohammad Shahbaz | 1939–1996 | Shathgund,Handwara | Resistance literature | His literary work pictured and voiced the agony ofKashmir conflict. |
| Rasool Pampur | 1940–2015 | Hassenpora,Bijbehara | Sufism | He was very much inspired by the Sufi compositions ofLal Ded andSheikh-Ul-Alam. |
| Farooq Nazki | 1940–present | Bandipora | Modern-age | He is the son ofGhulam Rasool Nazki. |
| Pyarelal Handoo | 1941-2014 | Chandapora,Habba Kadal,Srinagar | Modern-age | As a prominent theatre actor he is regarded as the 'Father of Monologues' in Kashmiri theatre. He has directed and produced around 3000 programmes which include a number of short films and documentaries. |
| Shafi Shaida | 1941–2015 | Akilmir Khanyar, Srinagar | Modern-age | As a prominent dramatist, he scripted 26 episodes of Habba Khatoon- the firstUrdu drama from Kashmir which was broadcast onDD Kaeshur. |
| Omkar Nath Koul | 1941–2018 | Kulgam | Modern-age | He was a prominent linguist ofKashmiri language. |
| Zareef Ahmad Zareef | 1943–present | Aali kadal,Downtown Srinagar | Modern-age | He is best known for hissatirical poetry and efforts to highlight various social and political problems. He had won theSahitya Akademi award for his work'Tchoonch poot' (a compilation of poems and prose for children). |
| Somnath Zutshi | 1944-2014 | Srinagar | Modern-age | He had won theSahitya Akademi award for his short story 'Yeli Fol Gaash' in 2003. He had also written a Kashmiri drama forRadio Kashmir titled 'Viji Vaav'. As a translator he had translatedFranz Kafka'sThe Trial andNikolai Gogol'sThe Inspector General toKashmiri. He was awarded the Soviet Land Nehru award for Gogol's translation in 1974. |
| Anis Hamadani | N/A | N/A | Modern-age | He is particularly known for his short stories- 'Wajood te Chhai' (Existence and Shadow), 'Radio Aelaana Petha Az Taam', 'Wajoodas Nakha Chhaai', 'Su Yeli Wuchhan Oas', 'Po'z S'ad'ar te Akh Kath' and 'Buth te Zaath'. |
| Gulshan Majeed | 1947–present | Ganderbal | Modern-age | He had written the literary criticism on Wahab Parray, Lassa Khan Fida and Lakhimanjoo Bulbul titledNa'gdi Shqar. He had also translatedAlbert Camus' 'The Fall' toKashmiri. |
| Shahnaz Rasheed | 1947–present | Nowpora,Sopore | Modern-age | He released his first bookDoad Khatith Guldanan Manz (Pain concealed in flower vases) in 2006, and was highly acclaimed by critics. |
| Abdul Ahad Hajini | 1948–present | Hajin,Bandipora | Modern-age | He had won theSahitya Akademi award for his collection of short stories 'Akh Yaad Akh Qayamat' in 2019. |
| M. K. Raina | 1948-present | Srinagar | Modern-age | M. K. Raina has contributed to the Kashmiri language as a lexicographer, editor, writer and translator since 1989. He has written short story collections likePatsch (2004),Pentachord (2005) andTsók Módúr (2014). |
| Rafiq Raaz | 1950–present | Srinagar | Modern-age | He is the author ofArooz Kashir Zaban (Prosody ofKashmiri language). |
| Shafi Shauq | 1950–present | Srinagar | Modern-age | He is the author ofKaesher Lugaat (Dictionary ofKashmiri language). He translatedLeo Tolstoy's short novel 'The Death of Ivan Ilych' to Kashmiri. |
| Mohi-ud-Din Reshi | 1951–present | Srinagar | Modern-age | He won the Sahitya Akademi award for his collection of short stories 'Aina Aatash' in 2013. |
| Naseem Shafaie | 1952–present | Srinagar | Modern-age | She is the first Kashmiri women to win theSahitya Akademi award for her work'Na Thsay Na Aks' (Neither Shadow Nor Reflection) in 2009. She also won the Tagore literature award in 2009 for this work. |
| Basheer Asrar | 1953–2021 | Malaknag,Anantnag | Modern-age | He is the founder of'The District Cultural Association Anantnag' |
| Bashir Dada | 1953–present | Anantnag | Modern-age | He is a prominent theatre actor, screenwriter and poet. His notable literary works inKashmiri language include 'Zarum Na Doorer' and 'Kar Mokli Safar'. He had also represented Kashmir in National Symposium of Poets 2009, Bhubaneshwar with his Kashmiri poem titled 'Yath Varee Andar'. |
| Wali Mohd Aseer Kashtawari | 1954–present | Berwar,Kishtwar | Modern-age | He had won theSahitya Akademi award for his literary criticism'Tawazun' in 2021. |
| Yaqoob Dilkash | 1954–2023 | Shishgari Mohalla, Khanyar,Srinagar | Modern-age | He was an eminent Radio playwright, director and actor. His notable works include 'Mallekhush watte zaroor', 'Band Makanas Manz', 'Ratte Mongul', 'Zulmaat' etc. |
| Ghulam Ahmad Najar | 1954–present | Najar Mohalla, Tekipora,Lolab Valley,Kupwara | Sufism | He has many Sufism books to his credit, but notably his book "Jaam-i-Arifayan" is the most comprehensive collection. |
| Piarey Hatash | N/A | Anantnag | Modern-age | He is particularly known for hisNazm 'Aes Bayo Naeb Nishanay Rov' that had featured in the documentaryJashn-e-Azadi: How We Celebrate Freedom (2007) bySanjay Kak. He has also translated many short stories fromDogri language toKashmiri. |
| Shad Ramzan | 1956–present | Kulgam | Modern-age | He had won the Sahitya Akademi award for 'Kore Kaakud Gome Pushrith' (2014). |
| Aadil Mohi-ud-din | N/A | Sumbal, Bandipora | Modern-age | He had received the Sahitya Akademi award for his literary criticism titled-Zol Dith Sadras (2016). |
| Aziz Hajini | 1957–2021 | Hajin,Bandipora | Modern-age | He was the former Secretary ofJammu Kashmir Academy of Art Culture and languages (JAACL). |
| Shamshad Kralwari | N/A | Kralwara, Nagam,Budgam | Modern-age | He is a distinguished Kashmiri poet, broadcaster, and translator. He had served as the former director ofRadio Kashmir Srinagar. As a translator, he had done the translation ofFyodor Dostoevsky's 'Crime and Punishment' in Kashmiri titled—Jurm te Saza (2015). |
| Majrooh Rashid | 1958–present | Arwani,VejibrorAnantnag | Modern-age | Being a poet, he also a critic and translator. He has authored the books- 'Asri Kashir Shairi' (1995), 'Zaban Te Adab' (2007), 'Kashiri Shairi Hund Intikhab' (2010) etc. He is also the author of the monographs on Asad Mir and Lassa Khan Fida published by theSahitya Akademi. As a translator he had translatedFranz Kafka's 'The Judgement' intoKashmiri. |
| Mushtaq Ahmad Mushtaq | 1961–present | Budgam | Modern-age | He had won the Sahitya Akademi Award for his collection of short stories 'Aakh' in 2018. |
| Farooq Fayaz | N/A | N/A | Modern-age | He had won theSahitya Akademi award for his literary criticism 'Zael Dab' in 2022. |
| Sajad Inquilabi | 1964–present | Khudwani,Kulgam | Modern-age | His debut collection of poetry was 'Poushgound' (Bucket of Flowers). When he wrote this, he was just 14. |
| Madhosh Balhami | 1965–present | Balhama,PamporePulwama | Resistance literature | He is particularly known for his recitation of elegies composed for the funerals ofmilitants in Kashmir. On 15 March 2018, he lost his house and thirty years of written poetry to a fire in the middle of a gun battle betweenIndian Army and Militants. |
| Gulab Saify | 1966–present | Kishtwar | Triyout literature | Being a poet, he is also a critic. He is particularly known as thetakhleeqkaar (pioneer) ofTriyout genre of literature fromJammu and Kashmir, and the only writer who writes in this genre from the state. His well known works from this genre include 'Lal Chowk', 'Haar' etc. The well known Kashmiri song 'Taqdeer' sung by Ishfaq Kawa has also been penned by him. |
| Zareefa Jan | 1966–present | Poshwari, SonawariBandipora | Sufism | Her poetic world is as fascinating as her mystifying appearance. Her poetry treasure includes a few of her notebooks filled with circles. Those circles or codes can be read by her only. |
| Riyaz Anzoo | N/A | Bijbehara, Anantnag | Modern-age | His notableghazals include- 'Myon Dill Wadnovthan' and 'Watan Waalyo Watan Wapas Tarakhna'. |
| Sunita Raina Pandit | 1967–present | Anantnag | Modern-age | Her well known works include "T'chhopi Hindi Aalaw" (The Call of Silence). Her other publishedKashmiri books are 'Rihij Yaad', 'Suanzal', 'Pott Zooni Vathith', 'Mann Sar Tsyunum', 'Lalli Hindi Maaline Zaayun Lob' and 'Shuri Lyye'. |
| Haleema Qadri | 1972–present | Churmujur,Budgam | Sufism | In 2015, she had self-published her collection of poetry, titledIshq-e-Nabi. |
| Arshad Mushtaq | 1974–present | Srinagar | Modern-age | He is considered as a prominent director inKashmiri language theatre. His well known adaptations of foreign plays or literary works include-Su Yee; based onSamuel Beckett'sWaiting for Godot, andAalav; based onJohn Millington Synge'sRiders to the Sea. He wrote his first original play-Be'chus Shahid (I am witness) in remembrance ofAgha Shahid Ali. |
| Shabir Hussain Shabir | 1975—present | Khairkoot, Nowgam,Banihal | Modern-age | His collection of poetry include-Gash Paghuk,Warqan Chikhrith Gaash, andWadi-e-Chenab tehzeeb-o-saqafat. |
| Nisar Azam | 1977–present | Dangiwotsh,RafiabadBaramulla | Modern-age | He released his first bookPatti Leji Zoon Daras (Then the Moon's eyes froze), for which he bagged his first Sahitya Akademi Award in 2011. He has also translated many books and his works have been highly acclaimed by critics. |
| Nighat Sahiba | 1983–present | Anantnag | Modern-age | She had won the Sahitya Akademi Yuva Puraskar for herZard Paniek Daer (2017). |
| Shabir Magami | 1984–present | Magam,Budgam | Modern-age | Being a poet, he is also a translator and critic. Some of his well knownGhazals that have been sung byGrammy award nominee Qaiser Nizami include-'Maani Sir Saev Preth Isharan Manz','Mae Chu Phairan Choan','Phyur Loag Soacha Siparan' etc. |
| Sofi Ghulam Mohd | 1986–present | Charari Sharief | Modern-age | A critic, short-story writer, translator. He is also the author of'Sadre Tchakis tal','Wande Bavath','Sari Harf','Pragash' etc. |
| Rumuz-e-Bekhudi | N/A | Srinagar | Modern-age | As soon as she devoted herself to poetry writing, her verses reflected self-reliance, empowerment, and struggle amidst the valley's strife backdrop. |
| Asif Tariq Bhat | 2000–present | Duderhama,Ganderbal | Modern-age | He is the author ofKashmiri novel 'Khawaban Khayalan Manz' (2022). |
The use of theKashmiri language began with the workMahānaya-Prakāsha[7] by Rājānaka Shiti Kantha (c.1250),[8] and was followed by the poetLalleshvari or Lal Ded (14th century), who wrote mystical verses in thevaakh or four-line couplet style.[9] Another mystic of her time equally revered in Kashmir and popularly known asNund Reshi wrote powerful poetry. Later cameHabba Khatun (16th century) with her own style. Other major names areRupa Bhavani (1621–1721), Paramananda (1791–1864),Arnimal (d. 1800),Mahmud Gami (1765–1855),Rasul Mir (d. 1870),Maqbool Shah Kralawari (1820–1877). Also, theSufi poets likeShamas Faqir,Wahab Khar,Soch Kral,Samad Mir, and Ahad Zargar. Among modern poets areGhulam Ahmad Mahjoor (1885–1952),Abdul Ahad Azad (1903–1948), andZinda Kaul (1884–1965).
During the 1950s, a number of well educated youth turned to Kashmiri writing, both poetry and prose, and enriched modern Kashmiri writing by leaps and bounds. Among these writers areDinanath Nadim (1916–1988),Amin Kamil (1923–2014),[10]Sarwanand Kaol Premi (1924–1990),Rehman Rahi (born 1925),Ghulam Nabi Firaq (1927–2016), Ali Mohammed Lone[11] (1928–1987),Akhtar Mohiuddin (1928–2001),Ali Mohammad Shahbaz, Avtar Krishen Rahbar (born 1933),Sajood Sailani, Som Nath Zutshi,Muzaffar Aazim.[12] Some later day writers are Hari Kishan Kaul, Majrooh Rashid, Rattanlal Shant, Hirdhey Kaul Bharti,Omkar N Koul, Roop Krishen Bhat,Rafiq Raaz, Tariq Shehraz, Shafi Shauq, Showkat Shehri, M.H Zaffar, G.M Azad, Anis Hamdani, Barkat Nida, Shafi Sumbli, Bashar Bashir, Shenaz Rashid, Shabir Ahmad Shabir, Shabir Magami, Tariq Ahmad Tariq,[13] andMoti Lal Kemmu.
Contemporary Kashmiri literature appears in such magazines as "Sheeraza" published by the Jammu & Kashmir Academy of Art, Culture and Languages, "Anhar" published by the Kashmiri Department of the Kashmir University, and an independent magazines/portals like "The Kashmir Tales".[14] "Mountain Ink", Inverse JournalNeab International Kashmiri Magazine[15] published from Boston,Vaakh (published by All India Kashmiri Samaj, Delhi) andKoshur Samachar (published by Kashmiri Sahayak Sammiti, Delhi).
After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of Persian culture by theMughals, Persian became the literary language also of the region. Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperorMuhammad Shah (1131-61/1719-48), alone lists 303 poets".[40] Late scholar fromPakistan,Pir Hassam-ud-Din Rashidi, edited, translated, and enlarged this work later, and had it published by theIqbal Academy.
The most famous of them was Muhammad Tahir Ghani (d. 1669), better known asGani Kashmiri, whose poetry was recently translated into English, for the first time, by Mufti Mudasir Farooqi and Nusrat Bazaz as 'The Captured Gazelle' in the world-renownedPenguin Classics list. Ghani influenced many generations of Persian-and Urdu writing poets in South Asia including Mir Taqi Mir, Ghalib and most importantly,Iqbal. Ghani's "forte" lies in creating delightful poetic images, usually by stating an abstract idea in the first hemistich and following it up with a concrete exemplification in the other. He also stands out for his multi-layered poems, which exploit the double meaning of words.
Another name in the field of Persian-language writers from Kashmir isShaykh Yaqub Sarfi Kashmiri (1521–1595), a 16th-centurySufi poet-philosopher who was internationally acknowledged and who had for students, amongst others, well-known religious scholarAhmad Sirhindi (more particularly, he taught himhadith)[41][42] and Persian-language poet Mohsin Fani Kashmiri (d. 1671 or 1672) (himself the teacher of Ghani Kashmiri and author of the pivotal work ofcomparative religion, theDabestan-e Mazaheb).
Other of the well-known and influential Persian-language poets of Kashmir would include
Despite being a numerically small community, theKashmiri Pandits are influential in their contribution to Urdu literature. One important early example isDaya Shankar Kaul Nasim (1811–1845), a renowned Urdu poet of the 19th century, and hundreds of others followed his path.[43]
Some eminent Urdu literary personalities of Kashmiri origins (from both the Valley and the diaspora) include (inchronological order):
Scholars consider _Mahanayakaprakash_ (Light of the supreme lord) by Shitikantha (c.1250) as the earliest work in Kashmiri language.