Miles Davis played inCharlie Parker 's band during thebebop era and personally influenced the birth ofcool jazz ,modal jazz andjazz fusion . Standards composed by him include "Donna Lee " (1947), "Milestones " (1958) and "So What " (1959).Jazz standards aremusical compositions that are widely known, performed and recorded byjazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one majorfake book publication or reference work.
Modal jazz recordings, such asMiles Davis 'sKind of Blue All Blues " and "So What " (both 1959),John Coltrane 's "Impressions " (1963) andHerbie Hancock 's "Maiden Voyage " (1965). Later, Davis's "second great quintet", which included saxophonistWayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints " (1966) andEddie Harris 's "Freedom Jazz Dance " (1966).
InBrazil , a new style of music calledbossa nova evolved in the late 1950s. Based on Braziliansamba as well as jazz, bossa nova was championed byJoão Gilberto ,Antonio Carlos Jobim andLuiz Bonfá . Gilberto andStan Getz started a bossa nova craze in the United States with their 1963 albumGetz/Gilberto Manhã de Carnaval " (1959),Marcos Valle 's "Summer Samba " (1966), and numerous Jobim songs, including "Desafinado " (1959), "The Girl from Ipanema " (1962) and "Corcovado " (1962).
Thejazz fusion movement fused jazz with other musical styles, most famouslyfunk androck . Its golden age was from the late 1960s to the mid-1970s. Top fusion artists, such asWeather Report ,Return to Forever , Herbie Hancock and theMahavishnu Orchestra , achieved cross-over popularity, although public interest in the genre faded at the turn of the 1980s. Fusion's biggest hits, Hancock's "Chameleon " (1973) andJoe Zawinul 's "Birdland " (1977), have been covered numerous times thereafter and are sometimes considered modern jazz standards.
Sonny Rollins played inThelonious Monk 's andMiles Davis 's bands in the 1950s before starting a successful solo career. With Davis, he composed the standards "Airegin ", "Doxy " and "Oleo ".Herbie Hancock emerged as an influential pianist in the 1960s both as a leader and as part ofMiles Davis 's "second great quintet". Later he became one of the most popularjazz fusion artists. Standards composed by him include "Watermelon Man " (1963), "Cantaloupe Island " (1964), "Maiden Voyage " (1965) and "Chameleon " (1973).Wayne Shorter 's compositions that have become standards include "Mahjong " (1964), "Speak No Evil " (1965) and "Footprints " (1966).^a b c d e f g h i j k l m n o p q r s t u v w Listed inNew Real Book, Volume I ^a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab Listed inThe Real Vocal Book ^ If I Were a Bell atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume II ^a b c d e f g h i j k l m n o p q r s t u v w x y z aa Listed inThe Real Jazz Book ^ Au Privave atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ The Real Book, Volume I ^ The New Real Book, Volume II ^ Night Train atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Straight No Chaser atjazzstandards.com , retrieved on April 24, 2009^ The Real Book, Volume I ^ Bag's Groove atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume II ^ Lullaby of Birdland atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ My One and Only Love atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ That's All atjazzstandards.com , retrieved on February 20, 2009^ The New Real Book, Volume II ^ When I Fall in Love atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ Here's That Rainy Day atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Jordu atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The New Real Book, Volume II ^ The Real Book (6th ed.). Milwaukee, WI: Hal Leonard Pub. Corp. 2004. p. 273.ISBN 978-0634060380 ^ Satin Doll atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Airegin atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ All of You atjazzstandards.com , retrieved on May 7, 2009^ The Real Book, Volume I ^ Blue Monk atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Django atjazzstandards.com retrieved on September 7, 2018^ The Real Book, Volume I ^ Doxy atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume II ^ Fly Me to the Moon (in Other Words) atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume II ^ The New Real Book, Volume II ^ Four atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ Joy Spring atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ Misty atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Oleo atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Solar atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ In Your Own Sweet Way atjazzstandards.com , retrieved on August 7, 2020^ Canadian Sunset atjazzstandards.com , retrieved on February 20, 2009^ Con Alma atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Nica's Dream atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ The New Real Book, Volume II ^ St. Thomas atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume II ^ Waltz for Debby atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ The New Real Book, Volume II ^ Whisper Not atjazzstandards.com , retrieved on August 31, 2018^ The Real Book, Volume II ^ The Real Book, Volume I ^ I Remember Clifford atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Ratliff, Ben (December 06, 2002) "Mal Waldron, 77, Composer Of the Jazz Ballad 'Soul Eyes'"New York Times ^ The Real Book, Volume I ^ Milestones atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume III ^ Morrison, Nick (October 13, 2009) "Art Blakey: Jazz Messenger, Jazz Mentor"npr music. Accessed July 31, 2013. ^ "Vishnu" .Amazon UK .^ Afro Blue atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ All Blues atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The Best Is Yet to Come atjazzstandards.com , retrieved on February 20, 2009^ Blue in Green atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ See page 20 of the Fall 1993 issue of Letter from Evans (http://www2.selu.edu/orgs/34skid/html/23.pdf ) where Earl Zindars says "I know that it is [100-percent Bill's] because he wrote it over at my pad where I was staying in East Harlem, 5th floor walkup, and he stayed until 3 o'clock in the morning playing these six bars over and over." ^ https://www.npr.org/2010/10/08/92185496/bill-evans-on-piano-jazz 35m30s, On being asked about the issue by the interviewer (Marian McPartland), Evans said "The truth is I did [write the music]... I don't want to make a federal case out of it, the music exists, and Miles is getting the royalties"^ Desafinado atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The Real Book, Volume I ^ Giant Steps atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The New Real Book, Volume II ^ Goodbye Pork Pie Hat atjazzstandards.com , retrieved on April 24, 2009^ A Felicidade atjazzstandards.com , retrieved on February 20, 2009^ Killer Joe atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume II ^ The New Real Book, Volume II ^ The Real Book, Volume I ^ The Real Book, Volume I ^ My Favorite Things atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Naima atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The New Real Book, Volume II ^ The Real Book, Volume I ^ Sidewinder atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ So What atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Take Five atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ At the Half Note Cafe ^ Impressions atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The New Real Book, Volume II ^ Once I Loved atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ One Note Samba atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Stolen Moments atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Corcovado (Quiet Nights of Quiet Stars) atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ Days of Wine and Roses atjazzstandards.com , retrieved on February 20, 2009^ Meditation atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The Real Book, Volume I ^ The Real Book, Volume I ^ The Real Book, Volume I ^ The Girl from Ipanema atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ How Insensitive atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The Real Book, Volume I ^ The Real Book, Volume II ^ The Real Book, Volume I ^ The Real Book, Volume III ^ The Real Book, Volume I ^ Watermelon Man atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume III ^ The Real Book, Volume II ^ The Real Book, Volume I ^ The New Real Book, Volume III ^ The Real Book, Volume I ^ The Real Book, Volume I ^ The New Real Book, Volume II ^ The Real Book, Volume I ^ The New Real Book, Volume II ^ The Real Book, Volume I ^ The New Real Book, Volume III ^ Dindi atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume II ^ Dolphin Dance atjazzstandards.com , retrieved on April 29, 2009^ The Real Book, Volume I ^ The New Real Book, Volume III ^ The Real Book, Volume I ^ The New Real Book, Volume III ^ The Real Book, Volume II ^ The Real Book, Volume I ^ The New Real Book, Volume III ^ Rosenthal 1993, p. 68 ^ The Real Book, Volume I ^ Footprints atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The Real Book, Volume I ^ The New Real Book, Volume III ^ The Real Book, Volume II ^ The Real Book, Volume I ^ The Real Book, Volume I ^ The New Real Book, Volume II ^ The Real Book, Volume II ^ Triste atjazzstandards.com , retrieved on February 20, 2009^ The Real Book, Volume I ^ The Real Book, Volume I ^ The Real Book, Volume I ^ The New Real Book, Volume II ^ The Real Book, Volume I ^ The Real Book, Volume I ^ The New Real Book, Volume II ^ The Real Book, Volume I ^ The Real Book, Volume II ^ The Real Book, Volume II ^ Send in the Clowns Archived 2012-03-06 at theWayback Machine atjazzstandards.com , retrieved on February 20 * 1974–2009^ The Real Book, Volume I ^ The New Real Book, Volume II ^ https://www.jazzstandards.com/compositions-6/thepeacocks.htm atjazzstandards.com ^ The Real Book, Volume II ^ 8:30 review onAllmusic , retrieved on March 27, 2009Rosenthal, David H. (1993).Hard Bop: Jazz and black music 1955–1965 . Oxford University Press US.ISBN 0-19-508556-6
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