List

Romanesque artists

Gothic artists

Renaissance to Rococo

Nineteenth century to present

See also

References

1. ^Prather-Moses, Alice Irma (1981).The international dictionary of women workers in the decorative arts: a historical survey from the distant past to the early decades of the Twentieth Century. Scarecrow Press.ISBN 978-0-8108-1450-9. Retrieved2009-07-08.AGNES fl. 12th century German miniaturist and engraver. Daughter of the Margrave .
2. ^Bryan, Michael (1925).Bryan's dictionary of painters and engravers. G. Bell. Retrieved2009-07-08.Agnes Meissen abbess Quedlinburg 1184.
3. ^Ragioneri, Giovanna (1989).Duccio. Florence: Cantini.ISBN 978-88-7737-058-7. 1989.
4. ^"Course notes by Jane Campbell Hutchison of the University of Wisconsin System". Archived fromthe original on 2015-05-02. Retrieved2013-04-18.
5. ^"The Scrovegni Chapel". Archived fromthe original on 2005-04-07. Retrieved2005-11-28.
6. ^Museo del Prado (Spanish)
7. ^Giorgi, Rosa (2005).Angels and Demons in Art. Getty Publications. p. 219.ISBN 978-0-89236-830-3.
8. ^Levey, Michael (1993).Painting and Sculpture in France, 1700-1789. Yale University Press. pp. 101–105.ISBN 978-0-300-06494-0.
9. ^Tuscan Sculptors by Charles Callahan Perkins, pgs 21-23 and 36
10. ^Herbermann, Charles, ed. (1913)."Fra Guglielmo Agnelli" .Catholic Encyclopedia. New York: Robert Appleton Company.
11. ^Women Artists in All Ages and Countries by Elizabeth Fries Ellet, pg 82
12. ^Puglisi, Catherine; Francesco Albani (1999).Francesco Albani. Yale University Press.
13. ^"National Gallery of Art, Washington". Archived fromthe original on 2016-03-04. Retrieved2013-04-20.
14. ^Chisholm, Hugh, ed. (1911)."Albertinelli, Mariotto" .Encyclopædia Britannica. Vol. 1 (11th ed.). Cambridge University Press.
15. ^Hertel, Christiane; Günther, Ignaz (2011).Pygmalion in Bavaria: The Sculptor Ignaz Günther and Eighteenth-century Aesthetic Art Theory. Penn State Press. pp. 35,36–38, 92, 98, 100.ISBN 978-0-271-03737-0.
16. ^Site linked to the Bavarian State Library (German)
17. ^The Malta Independent
18. ^Hans Aurenhammer (1965)Martino Altomonte. Herold, Vienna
19. ^Metropolitan Museum of Art
20. ^RODRÍGUEZ G. DE CEBALLOS, Alfonso:Antonio y Andrés de Paz y la escultura de la primera mitad del siglo XVII en Salamanca, Boletín de Arte y Arqueología, Universidad de Valladolid, 1979, pp. 347–416.
21. ^Keutner, Herbert (1969).Sculpture: Renaissance to Rococo. New York Graphic Society. p. 339.ISBN 978-0-8212-0181-7.
22. ^Beck, James H. (September 1965). "Niccolo dell'Arca: A Reexamination".Art Bulletin.47 (3):335–344.doi:10.2307/3048280.JSTOR 3048280.
23. ^Gnudi, Cesare (1973).Nuove ricerche su Niccolo dell'Arca. Rome.{{cite book}}: CS1 maint: location missing publisher (link)
24. ^White, John; White, John Reeves (1993).Art and Architecture in Italy 1250-1400. Yale University Press. pp. 495-504 and 595.ISBN 978-0-300-05585-6.
25. ^ This article incorporates text from a publication now in thepublic domain: Herbermann, Charles, ed. (1913). "Alberto Arnoldi".Catholic Encyclopedia. New York: Robert Appleton Company.
26. ^Forster, Marc R. (2001).Catholic Revival in the Age of the Baroque: Religious Identity in Southwest Germany, 1550–1750. Cambridge University Press. p. 76.ISBN 978-1-139-43180-4.
27. ^European art of the eighteenth century by Daniela Tarabra, pgs 223-224
28. ^Herbermann, Charles, ed. (1913)."Jean Denis Attiret" .Catholic Encyclopedia. New York: Robert Appleton Company.
29. ^Felder, Peter (1970). Gesellschaft für Schweizerische Kunstgeschichte (ed.).Johann Baptist Babel 1716-1799. Ein Meister der schweizerischen Barockplastik. Beiträge zur Kunstgeschichte der Schweiz. Basel: Birkhäuser.ISBN 978-3-7643-0521-5.
30. ^List of Catholic artists in theGerman National Library catalogue
31. ^Vatican
32. ^The Art Institute of Chicago
33. ^A. Moreno Mendoza, E. Pareja López, M.J. Sanz Serrano, and E. Valdivieso,Museo de Bellas Artes de Sevilla, Ed. Galve, Seville 1993.ISBN 84-604-6685-X.
34. ^The Way of St James by Alison Raju, pg 291
35. ^Chisholm, Hugh, ed. (1911)."Bandinelli, Bartolommeo" .Encyclopædia Britannica (11th ed.). Cambridge University Press.
36. ^Cecchi, Emilio,Sienese Painters of the Trecento, London, F. Warne, 1931.
37. ^Painting in Florence and Siena After the Black Death by Millard Meiss
38. ^Lisot, Elizabeth A. (2009).Passion, Penance and Mystical Union: Early Modern Catholic Polemics in the Religious Paintings of Federico Barocci, excerpt from Univ. of Texas, Dallas, Ph.D. Dissertation.
39. ^Federico Barocci: allure and devotion in late Renaissance painting by Stuart Lingo
40. ^Herbermann, Charles, ed. (1913)."Federigo Baroccio" .Catholic Encyclopedia. New York: Robert Appleton Company.
41. ^Chisholm, Hugh, ed. (1911)."Barocci, Federigo" .Encyclopædia Britannica (11th ed.). Cambridge University Press.
42. ^Painting in Renaissance Florence, 1500-1550 by David Franklin
43. ^Italian Paintings by Federico Zeri and Elizabeth E. Gardner, pg 33-35
44. ^Pompeo Batoni by Bowron, Edgar Peters, and Peter Björn Kerber
45. ^Diocesan Museum of Mantua (In Italian)Archived 2012-02-04 at theWayback Machine
46. ^Some Unpublished Paintings by Giuseppe Bazzani, Chiara Perina The Art Bulletin (1964); p 227-231.
47. ^Pedro Rubiales, Gaspar Becerra y Los Pintores Españoles en Roma, 1527-1600 by Gonzalo Redín Michaus (Spanish)
48. ^Chisholm, Hugh, ed. (1911)."Becerra, Gaspar" .Encyclopædia Britannica (11th ed.). Cambridge University Press.
49. ^Franciscans and Preaching: Every Miracle from the Beginning of the World ... edited by Timothy Johnson, pg 463
50. ^Court, Cloister, and City by Thomas DaCosta Kaufmann, pg 359
51. ^Prague Panoramas by Cynthia Paces, pgs 59, 62, and 90
52. ^Epple, Alois (ed.) (1988). Johann Georg Bergmüller, 1688–1762. Zur 300. Wiederkehr seines Geburtsjahres. Ausstellung im Schloß Türkheim. Weißenhorn: A.H. Konrad.ISBN 3-87437-268-5.
53. ^Philadelphia Museum of Art
54. ^Web Gallery of Art
55. ^Alonso Berruguete: a Re-examination of the Polychrome Lunettes Adorning the Archbishop's Choir Stall in the Cathedral of Toledo by Karen Leslie Silberman (University of Maryland, 1976)
56. ^Herbermann, Charles, ed. (1913)."Alonso Berruguete" .Catholic Encyclopedia. New York: Robert Appleton Company.
57. ^Boyer, Jean, "The One and Only Trophime Bigot",The Burlington Magazine, Vol. 130, No. 1022 (May, 1988), pp. 355-357,JSTOR
58. ^"Judith Cutting Off the Head of Holofernes".The Walters Art Museum.
59. ^Bryan, Michael (1886). Robert Edmund Graves (ed.).Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 131.
60. ^European Drawings 3 edited by J. Paul Getty Museum et alia, pg 250
61. ^The Grove Encyclopedia of Northern Renaissance Art, pg 456
62. ^Baroque in Poland by Mariusz Karpowicz, pgs 20 and 286
63. ^St. Peter's Basilica site
64. ^The Jesuit Series, Part 3 edited by Peter Maurice Daly and G. Richard Dimler, pg 131
65. ^Allgemeine Deutsche Biographie.
66. ^Giovanni Careri,Bernini:Flights of Love, the Art of Devotion, translated by Linda Lappin (University of Chicago 1995), p. 53.
67. ^Friedrich Wilhelm Heinrich Hollstein,Dutch and Flemish etchings, engravings and woodcuts c. 1450 – 1700 (1949–)
68. ^A Concise History of the Catholic Church by Thomas Bokenkotter, pg 246
69. ^The Age of Caravaggio edited by Metropolitan Museum of Art (New York, N.Y.)
70. ^European Art of the Seventeenth Century by Rosa Giorgi, pgs 176, 256, and 324
71. ^Scholars Resource
72. ^Studies in the Religious Paintings of Sandro Botticelli by Andrew Charles Blume
73. ^Herbermann, Charles, ed. (1913)."Sandro Botticelli" .Catholic Encyclopedia. New York: Robert Appleton Company.
74. ^Italian Paintings by the Metropolitan Museum of Art, pgs 125-127
75. ^Getty
76. ^The Oxford Dictionary of Art edited by Ian Chilvers, pg 723
77. ^Seventeenth-century Art and Architecture by Ann Sutherland Harris, pg 263
78. ^Bomford, David; Roy, Ashok; Smith, Alistair. "The Techniques of Dieric Bouts: Two Paintings Contrasted".The National Gallery Technical Bulletin. Volume 10, No 1, January 1986. 39–57
79. ^Borchert, Till-Holger. "Collecting Early Netherlandish Paintings in Europe and the United States". in Ridderbos, Bernhard, Van Buren, Anne, Van Veen, Henk (eds).Early Netherlandish Paintings: Rediscovery, Reception and Research. Amsterdam: Amsterdam University Press, 2005ISBN 978-90-5356-614-5
80. ^The Vatican Collections by Metropolitan Museum of Art, pgs 42-43
81. ^Renaissance Sculpture of Rome with Special Reference to Andrea Bregno by Sterling Adolph Callisen
82. ^Herbermann, Charles, ed. (1913)."Charles Lebrun" .Catholic Encyclopedia. New York: Robert Appleton Company.
83. ^Michel Gareau, Charles LeBrun First Painter To King Louis XIV, Abrams NY, 1992
84. ^King, Ross (2000).Brunelleschi's Dome. Walker Publishing (Penguin Books in 2001).ISBN 978-0-14-200015-1.
85. ^Millon, Henry A., ed. (1994).Italian Renaissance Architecture: from Brunelleschi to Michelangelo. London:Thames and Hudson.ISBN 978-0-500-27921-2.
86. ^Suro, Roberto (28 July 1987)."Cracks in a Great Dome in Florence May Point to Impending Disaster (Published 1987)".The New York Times.Archived from the original on 2021-03-08.
87. ^"Home page of the Cathedral (in English)". Archived fromthe original on 2018-01-18. Retrieved2013-04-29.
88. ^Hamnett, Brian R. A concise history of Mexico. Cambridge: Cambridge University Press, 1999, pg 97
89. ^El pintor Miguel Cabrera.; Abelardo Carrillo y Gariel; México, Instituto Nacional de Antropología e Historia, 1966.OCLC 2900831
90. ^15th and 16th Century Italian Drawings in the Metropolitan Museum of Art edited by Jacob Bean, pg 143
91. ^Guglielmo Caccia detto il MoncalvoArchived 2016-03-03 at theWayback Machine, a short biography taken from Alberto Cottino,Guglielmo Caccia detto il Moncalvo - Un pittore del '600, 1997.
92. ^Nuns by Silvia Evangelisti, pg 218
93. ^Italian women artists byJordana Pomeroy and the National Museum of Women in the Arts (U.S.), pgs 214-219
94. ^Keith Sciberras (Ed.),Melchiorre Cafà. Maltese Genius of the Roman Baroque, Valletta 2006 (individual entries in English or Italian)
95. ^Earth and Fire edited by Bruce Boucher and Peta Motture of the Victoria and Albert Museum, pgs 214-217
96. ^Getty-Museum CampagnaArchived 2014-01-03 at theWayback Machine
97. ^Herbermann, Charles, ed. (1913)."Girolamo Campagna" .Catholic Encyclopedia. New York: Robert Appleton Company.
98. ^Retratos by Elizabeth P. Benson, pgs 102-113
99. ^"Museum of Fine Arts of Rennes". Archived fromthe original on 2016-04-24. Retrieved2013-04-29.
100. ^Herbermann, Charles, ed. (1913)."Bernardino Campi" .Catholic Encyclopedia. New York: Robert Appleton Company.
101. ^National Gallery Catalogues (new series):The Fifteenth Century Netherlandish Paintings, Lorne Campbell, 1998,ISBN 1-85709-171-X
102. ^Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of LiègeArchived 2008-04-16 at theWayback Machine
103. ^Herbermann, Charles, ed. (1913)."Alonzo Cano" .Catholic Encyclopedia. New York: Robert Appleton Company.
104. ^The Irish Metropolitan Magazine, Volume 3, pgs 87-92
105. ^Sánchez, Alfonso Emilio Pérez; Spinosa, Nicola (1992).Jusepe de Ribera, 1591-1652 / Alfonso E. Pérez Sánchez and Nicola Spinosa. New York: The Metropolitan Museum of Art.ISBN 9780870996474. Retrieved2013-07-13.
106. ^Pacelli, Vincenzo (August 1978). "Caracciolo Studies".The Burlington Magazine.20 (905):493–497, 499.JSTOR 879326.
107. ^Wittkower, Rudolf (1980).Art and Architecture Italy, 1600-1750. Penguin Books. pp. 356–358.
108. ^Leonetti Rodinò, M.G. (1991).Il Pio Monte della Misericordia la storia la chiesa la quadreria. Naples.{{cite book}}: CS1 maint: location missing publisher (link)
109. ^Caravaggio: The Art of Realism vy John L. Varriano and Michelangelo Merisi, pgs 41 and 57
110. ^A Biographical and Critical Dictionary of Painters and Engravers by Michael Bryan, pg 145
111. ^Court, Cloister, and City by Thomas DaCosta Kaufmann, pgs 346 and 364
112. ^From Filippo Lippi to Piero Della Francesca: Fra Carnevale and the Making of a Renaissance Master by Keith Christiansen of the Metropolitan Museum of Art
113. ^Drawings by the Carricci: From British Collections edited by Clare Robertson,Catherine Whistler
114. ^Herbermann, Charles, ed. (1913)."Carracci" .Catholic Encyclopedia. New York: Robert Appleton Company.
115. ^European Drawings edited by J. Paul Getty Museum, pg 256
116. ^Herbermann, Charles, ed. (1913)."Juan Carreno de Miranda" .Catholic Encyclopedia. New York: Robert Appleton Company.
117. ^European Art of the Fourteenth Century by Sandra Baragli, pg 290-291
118. ^Jaume Cascalls by Ma. Cristina Pérez Jimeno
119. ^NPM
120. ^Concise Dictionary of Women Artists edited by Delia Gaze
121. ^Rome edited byMarcia B. Hall, pg 291
122. ^Trent by John W. O'Malley, PT 144
123. ^The ancient art of emulation edited by Elaine K. Gazda, pgs 64-68
124. ^Picturing the Bible edited by Jeffrey Spier, pg 207
125. ^Antiquity Restored by Seymour Howard, pg 149
126. ^My Life by Benvenuto Cellini
127. ^The 100 Most Influential Painters and Sculptors of the Renaissance by Britannica Educational Publishing, pgs 292-296
128. ^"The Counter-Reformation and the End of the Century" by Steven F. Ostrow inRome edited by Marcia B. Hall
129. ^Becoming Neapolitan by John A. Marino, pg 145
130. ^The Vatican - All the Paintings by Anja Grebe, pg 123
131. ^Ainsworth, Maryan W. (1994).Petrus Christus: Renaissance master of Bruges. New York: The Metropolitan Museum of Art.ISBN 9780870996948.
132. ^Fifteenth and Sixteenth Century Italian Drawings in the Metropolitan Museum of Art, pgs 61-62
133. ^New York Magazine Sep 27, 1982
134. ^Art and architecture in Italy by John White, pgs 175-198
135. ^Catalogue of the Collection of Casts by Metropolitan Museum of Art (New York, N.Y.), Edward Robinson, pg 275
136. ^William Rufus by Frank Barlow, pg 116
137. ^Matteo Civitali: Four Major Sculptural Programmes by Steven C. Bule
138. ^Flemish Paintings in the Metropolitan Museum of Art, Volume 1 by Metropolitan Museum of Art, pg 119
139. ^The Cult of the Virgin Mary in Early Modern Germany by Bridget Heal, pgs 234-236
140. ^Hand, John Oliver (2005).Joos Van Cleve: The Complete Paintings. Yale University Press. p. 1.ISBN 978-0-300-10578-0.
141. ^The Life and Works of Giorgio Giulio Clovio, Miniaturist by John William Bradley
142. ^Vision and the visionary in Raphael by Christian K. Kleinbub, pgs 87-89
143. ^Manet/Velázquez by Gary Tinterow, pgs 407-408
144. ^A Record of Spanish Painting by Catherine Gasquoine Gallichan, pgs 262-264
145. ^Baroque Painting in Madrid: The Contribution of Claudio Coello, with a Catalogue Raisonné of His Work by Edward J. Sullivan
146. ^Art in Renaissance Italy, 1350-1500 by Evelyn S. Welch, pg 72
147. ^Howell Jolly, Penny (2004).Jan van Eyck and St. Jerome: a study of Eyckian influence on Colantonio and Antonello da Messina in Quattrocento Naples. Ann Arbor: University of Michigan.
148. ^The History of the Church in Art by Rosa Giorgi, pg 111
149. ^Christ at the Garden of Gesthemane at Vactican pinacoteca.
150. ^Herbermann, Charles, ed. (1913)."Sebastiano Conca" .Catholic Encyclopedia. New York: Robert Appleton Company.
151. ^McClintock, John and Strong, James.Cyclopædia of Biblical, Theological, and Ecclesiastical Literature. New York, Arno Press, 1969, pg 113
152. ^Bryan, Michael (1886). Robert Edmund Graves (ed.).Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 308.
153. ^Bryan, Michael (1886). Robert Edmund Graves (ed.).Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. pp. 308–309.
154. ^Adani, Giuseppe (2007).Correggio pittore universale.Correggio: Silvana Editoriale.
155. ^Carolyn Smith,Correggio's Frescoes in Parma Cathedral, Princeton University, 1997
156. ^D. Ekserdjian, Correggio, Yale University Press (1997), pp.193-212.
157. ^Merz, Jörg Martin (2008).Pietro da Cortona and Roman Baroque Architecture. New Haven; London: Yale University Press.ISBN 9780300111231.
158. ^Herbermann, Charles, ed. (1913)."Pietro Berrettini" .Catholic Encyclopedia. New York: Robert Appleton Company.
159. ^Manoel da Costa Ataı́de by Adalgisa Arantes Campos (Portuguese)
160. ^Portugal and Brazil in Transition edited by Raymond S. Sayers, pg 293-294
161. ^Patrons and Painters by Francis Haskell, pgs 78-80
162. ^The Encyclopædia Britannica of 1910 Volume 7, pgs 329
163. ^The Seventh Window edited by Wim de Groot, pg 251
164. ^The Dutch Republic in the Seventeenth Century by Maarten Prak, pg 213
165. ^Flemish Art and Architecture by Hans Vlieghe, pgs 68-70
166. ^Herbermann, Charles, ed. (1913)."Gaspar de Crayer" .Catholic Encyclopedia. New York: Robert Appleton Company.
167. ^Seventeenth Century Italian Drawings in the Metropolitan Museum of Art edited by Jacob Bean, pg 97
168. ^R. W. Lightbown,Carlo Crivelli (Yale University Press) 2004
169. ^The Place of Narrative by Marilyn Aronberg Lavin, pg 369
170. ^Farquhar, Maria (1855). R.N. Wornum (ed.).Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder, Angel Court. p. 53.
171. ^Land of the Winged Horsemen by Thomas DaCosta Kaufmann, pgs 236-237
172. ^The Polish Biographical Dictionary by Sokol, Stanley S., pgs 85-86
173. ^Sacrilege and Redemption in Renaissance Florence by William J. Connell and Giles Constable
174. ^Chisholm, Hugh, ed. (1911)."Baccio d'Agnolo" .Encyclopædia Britannica (11th ed.). Cambridge University Press.
175. ^Locating Renaissance Art, Volume 2 edited by Carol M. Richardson, pgs 97-98
176. ^The Structural Conservation of Panel Paintings edited by Kathleen Dardes and Andrea Rothe
177. ^The Lives of the Artists, pgs 198-199
178. ^Painting and Illumination in Early Renaissance Florence edited by Laurence B. Kanter, pg 153
179. ^Bryan, Michael (1886). Robert Edmund Graves (ed.).Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 392.
180. ^Realm of the Black Mountain by Elizabeth Roberts, pgs 101-102
181. ^Croatia put out by frances lincoln ltd
182. ^Love Beyond Death edited by Rudolph Binion
183. ^ This article incorporates text from a publication now in thepublic domain: Herbermann, Charles, ed. (1913). "Marco D'Oggione".Catholic Encyclopedia. New York: Robert Appleton Company.
184. ^Herbermann, Charles, ed. (1913)."Carlo Dolci" .Catholic Encyclopedia. New York: Robert Appleton Company.
185. ^Getty MuseumArchived 2006-09-19 at theWayback Machine
186. ^Glyndebourne family to sell Old Master for £10 million, London Evening Standard, 9 Sept 2009
187. ^'Saved' Domenichino painting loaned to National Gallery, Guardian, 18 May 2010
188. ^Brigstocke, Hugh; Italian and Spanish Paintings in the National Gallery of Scotland, 2nd Edn, 1993, National Galleries of Scotland,ISBN 0903598221
189. ^Luigi Serra,Domenico Zampieri detto il Domenichino, Rome, 1909.
190. ^Domenichino, 1581–1641, exh. cat. with entries on the paintings by Richard E. Spear, Rome, 1996.
191. ^Bluffton University
192. ^Munman, Robert (1985).Optical Corrections in the Sculpture of DonatelloAmerican Philosophical Society,ISBN 9780871697523
193. ^Pope-Hennessy, John,Italian Renaissance Sculpture. London:Phaidon, 1996.
194. ^St. Peter's by Keith Miller, pg 105
195. ^Painting in Spain by Jonathan Brown, pg 98
196. ^Pérez Sánchez, Alfonso E. (2000).Jerónimo Jacinto de Espinosa (1600–1667). Valencia: Museo de Bellas Artes, catálogo de la exposición.ISBN 84-482-2563-5. (Spanish)
197. ^Sacred Spain by Ronda Kasl and Indianapolis Museum of Art, pgs 75-76
198. ^Andrea De Marchi,Gentile da Fabriano. Un viaggio nella pittura italiana alla fine del gotico, Federico Motta, 2006 (I ed. 1992).
199. ^Diego Velazquez and his works by William Stirling-Maxwell, pg 17
200. ^Sacred Spain: art and belief in the Spanish world, Ronda Kasl and the Indianapolis Museum of Art, pg 290
201. ^Pietro Da Cortona And Roman Baroque Architecture by Jörg Martin Merz and Pietro (da Cortona), pg 193
202. ^Creating Augustine by E. L. Saak, pg 185
203. ^Cosimo Fanzago and Seventeenth Century Neapolitan Marble Decortion (Vol. 1.2.) by Fred Brauen and Cosimo Fanzago
204. ^Asia in the Making of Europe, Volume 2, Part 1 by Donald Frederick Lach, pg 69
205. ^Martín González, Juan José,El escultor Gregorio Fernández. Madrid. Ministerio de cultura. 1980.
206. ^Otero Túñez, Ramón,Evolución estilística de Gregorio Fernández, in Boletín de la Universidad de Santiago. 1957.
207. ^Río y de la Hoz, Isabel del,Gregorio Fernández y su escuela. Cuadernos de Arte Español. Madrid. Historia 16. 1991
208. ^Sacred Realism by Noël Maureen Valis, pgs 58-59
209. ^European Art of the Sixteenth Century by Stefano Zuffi, pg 292
210. ^Gaudenzio Ferrari by Ethel Halsey
211. ^Roman Baroque Sculpture byJennifer Montagu
212. ^Earth and Fire edited by Bruce Boucher and Peta Motture of the Victoria and Albert Museum
213. ^ Herbermann, Charles, ed. (1913)."Domenico Feti".Catholic Encyclopedia. New York: Robert Appleton Company.
214. ^Art UK "Your Paintings"
215. ^Sheltering Art by Rochelle Ziskin, pg 23
216. ^Historical Dictionary of Rococo Art by Jennifer D. Milam, pg 106
217. ^Joseph Anton Feuchtmayer by Ulrich Knapp (Stadler, 1996) (German)
218. ^Page on Juan de Flandes at the National Gallery of Art in Washington
219. ^The Renaissance in the North by the Metropolitan Museum of Art, pg 43
220. ^Bryan's dictionary of painters and engravers, Volume 2 by Michael Bryan and George Charles Williamson, pgs 171-172
221. ^ This article incorporates text from a publication now in thepublic domain: Herbermann, Charles, ed. (1913). "Bertholet Flemael".Catholic Encyclopedia. New York: Robert Appleton Company.
222. ^National Museum of Women in the Arts
223. ^A History of Sculpture by Harold North Fowler, pg 343
224. ^Spain by Peter Edward Russell, pg 230
225. ^Chisholm, Hugh, ed. (1911)."Foucquet, Jean" .Encyclopædia Britannica (11th ed.). Cambridge University Press.
226. ^Herbermann, Charles, ed. (1913)."Jehan Fouquet" .Catholic Encyclopedia. New York: Robert Appleton Company.
227. ^Institute for Advanced Studies web site
228. ^Zuggi, Stefano (1991).Piero della Francesca. Milan.{{cite book}}: CS1 maint: location missing publisher (link)
229. ^The Sienese Trecento Painter Bartolo Di
230. ^Bryan, Michael (1886). Robert Edmund Graves (ed.).Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 88.
231. ^National Gallery UK
232. ^Santa Croce Church and Museum information
233. ^Fede Galizia article from the Virtual Library on The Ringling Museum of Art
234. ^The Sistine Chapel by Paul Schubring, pg 19
235. ^From Filippo Lippi to Piero Della Francesca edited by Keith Christiansen of the Metropolitan Museum of Art, pg 280
236. ^Italian Art, 1500-1600 by Robert Klein and Henri Zerner, pg 76
237. ^Martini, Alberto,The Early Work of Bartolomeo della Gatta, The Art Bulletin, Vol. 42, No. 2 (Jun., 1960), 133-141.
238. ^"Getty Museum biography on Gatti". Archived fromthe original on 2013-10-29. Retrieved2013-10-26.
239. ^Painters of Reality edited by Andrea Bayer and Mina Gregori in association with the Metropolitan Museum of Art, pgs 149-150, 203, and 238
240. ^University of Southern California siteArchived 2012-02-06 at theWayback Machine
241. ^The National Gallery (UK)
242. ^Bissell, R. Ward. Artemisia Gentileschi and the Authority of Art, Penn State Press, 2001ISBN 0-271-02120-9
243. ^Rome by Christopher Woodward, pg 60
244. ^Antonio Gherardi, painter and architect of the late baroque in Rome by Thomas C. Pickrel and Antonio Gherardi
245. ^The Gates of Paradise by Gary M. Radke and Andrew Butterfield
246. ^The Feud That Sparked the Renaissance by Paul Robert Walker
247. ^Cathedral and Civic Ritual in Late Medieval and Renaissance Florence by Marica Tacconi, pgs 159-161
248. ^Herbermann, Charles, ed. (1913)."Lorenzo di Cione Ghiberti" .Catholic Encyclopedia. New York: Robert Appleton Company.
249. ^Christian Rome by J. W. Cruickshank and A. M. Cruickshank, pg 157
250. ^Santi, Bruno (2001). "Ghirlandaio". I protagonisti dell'arte italiana. Florence: Scala.
251. ^Dictionary of Women Artists, Volume 1, pgs 584-585
252. ^Passeri, Giovanni Battista (1742).Vite de pittori, scultori ed architetti: che anno lavorato in Roma, morti dal 1641 fino al 1673. Natale Bariellini, Mercante di Libri a pasquino.
253. ^Northern Renaissance Art, 1400-1600 edited by Wolfgang Stechow, pgs 15-18
254. ^Early Netherlandish Paintings, pgs 100-134
255. ^Campbell, Lorne.The Fifteenth-Century Netherlandish Paintings. London, National Gallery. New Haven: Yale University Press, 1998.ISBN 0-300-07701-7
256. ^Baroque New Worlds edited by Lois Parkinson Zamora and Monika Kaup, pg 78
257. ^de Figueiredo, José, "O Pintor Nuno Gonçalves", Lisbon, J. Figueiredo, 1910, volume 1.
258. ^The Museums of Florence - Magi Chapel
259. ^ This article incorporates text from a publication now in thepublic domain: Chisholm, Hugh, ed. (1911). "Gozzoli, Benozzo".Encyclopædia Britannica (11th ed.). Cambridge University Press.
260. ^"Grunewald Gallery". Archived fromthe original on 2016-03-03. Retrieved2013-04-18.
261. ^St. Peter's Basilica
262. ^Christiane Hertel,Pygmalion in Bavaria: The Sculptor Ignaz Günther and Eighteenth-Century Aesthetic Art Theory (University Park, PA, 2011).
263. ^The Letters of Peter Damian, footnote on pg 55
264. ^^abChristianity and Revolutionary Europe, 1750-1830 by Nigel Aston, pg 46
265. ^Passionate Possessions of Faith: The Jacob Guenther Family, 1725-1994 by Robert Glen Guenther, pg 4
266. ^The Story of Seville by Walter Matthew Gallichan and Catherine Gasquoine Hartley, pg 96
267. ^The Oxford Dictionary of Art edited by Ian Chilvers, pg 336
268. ^ This article incorporates text from a publication now in thepublic domain: Herbermann, Charles, ed. (1913). "Francisco Herrera".Catholic Encyclopedia. New York: Robert Appleton Company.
269. ^Early Netherlandish Painting by John Oliver Hand
270. ^Durer to Veronese by Jill Dunkerton, Susan Foister, and Nicholas Penny, pg 80
271. ^Flemish Art and Architecture by Hans Vlieghe, pg 80
272. ^"Jan Janssens on vlaamsekunstcollectie.be". Archived fromthe original on 2014-11-10. Retrieved2013-11-19.
273. ^The dictionary of biographical reference by Lawrence Barnett Phillips, pg 40
274. ^Bryan's dictionary of painters and engravers, Volume 1 by Michael Bryan and George Charles Williamson, pg 36
275. ^Catholic Encyclopedia
276. ^Pygmalion in Bavaria by Christiane Hertel and Ignaz Günther, pg 14
277. ^Balthasar Neumann, Abteikirche Neresheim by Christian Norberg-Schulz and Peter Walser
278. ^The Cult of the Virgin Mary in Early Modern Germany by Bridget Heal, pg 67
279. ^Herbermann, Charles, ed. (1913)."Adam Krafft" .Catholic Encyclopedia. New York: Robert Appleton Company.
280. ^Seventeenth Century Italian Drawings in the Metropolitan Museum of Art edited by Jacob Bean, pgs 194-197
281. ^Herbermann, Charles, ed. (1913)."Giovanni Lanfranco" .Catholic Encyclopedia. New York: Robert Appleton Company.
282. ^The Iconography and Iconology of Georges de La Tour's Religious Paintings, 1624-1650, Volume 31 by Stuart McClintock
283. ^Thuilier, Jacques.Georges de La Tour, Flammarion, 1992
284. ^"Francesco Laurana."Grove Art, Oxford University Press. Web. 16 May. 2011.
285. ^"Francesco Laurana."Encyclopædia Britannica. Encyclopædia Britannica Online. Encyclopædia Britannica, 2011. Web. 16 May. 2011.
286. ^"LAURANA, Francesco."Treccani, il portale del sapere. Web. 16 May. 2011.
287. ^The Bible and its Rewritings by Piero Boitani, pg 76
288. ^The Vatican Collections by the Metropolitan Museum of Art, pg 216
289. ^Cruelty and Utopia, pg 59
290. ^A Gift of Angels by the University of Arizona Press, pg 115
291. ^Gerhard Bissell,Pierre Le Gros 1666–1719, Reading (Si Vede) 1997 (in German),ISBN 0-9529925-0-7
292. ^Rome in the Age of Enlightenment by Hanns Gross, pgs 332, 335, 339-341, 354, and 357
293. ^Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.).Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 52.
294. ^Herbermann, Charles, ed. (1913)."Filippo Lippi" .Catholic Encyclopedia. New York: Robert Appleton Company.
295. ^Fra Filippo Lippi by Megan Holmes, pgs 10-11
296. ^Herbermann, Charles, ed. (1913)."Filippino Lippi" .Catholic Encyclopedia. New York: Robert Appleton Company.
297. ^The Place of Narrative by Marilyn Aronberg Lavin, pgs 222-226
298. ^Museo del Prado page on him (Spanish)
299. ^Radiating Austerity by Melisa Jeanette Ramos-Palermo, pg 31
300. ^El pintor Alejandro de Loarte by Antonio Méndez Casal (Spanish)
301. ^"National Museum of Women in the Arts". Archived fromthe original on 2011-06-25. Retrieved2013-05-01.
302. ^The journey of the Magi by Richard C. Trexler, pg 134
303. ^Raising an empire edited by Ondina E. Gonzâalez and Bianca Premo, pgs 17-18
304. ^Frugoni, Chiara (2010). Pietro e Ambrogio Lorenzetti. Florence: Le Lettere.
305. ^The Persistence of Allegory byJane K. Brown, pgs 19-24 and 36-37
306. ^Renaissance to Rococo edited by Eric Zafran, pg 140
307. ^Lorenzo Lotto: Rediscovered Master of the Renaissance, by David Alan Brown, Peter Humfrey, and Mauro Lucco, with contributions by Augusto Gentili et al. Washington, D.C.: Catalogue of the exhibition in the National Gallery of Art; New Haven: Yale University Press, 1997.
308. ^Berenson, Bernard -Lorenzo Lotto; The Phaidon Press
309. ^Humfrey, Peter -Lorenzo Lotto; New Haven, Yale University Press, 1997;ISBN 0-300-06905-7
310. ^"Bernardino Luini | The Virgin and Child with Saint John | NG3935 | The National Gallery, London". Nationalgallery.org.uk. Archived fromthe original on 2009-06-19. Retrieved2013-07-23.
311. ^Herbermann, Charles, ed. (1913)."Bernardino Luini" .Catholic Encyclopedia. New York: Robert Appleton Company.
312. ^ This article incorporates text from a publication now in thepublic domain: Herbermann, Charles, ed. (1913). "Benedetto da Majano".Catholic Encyclopedia. New York: Robert Appleton Company.
313. ^The Renaissance Portrait edited by Keith Christiansen and Stefan Weppelmann
314. ^BENEDETTO DA MAIANO: A FLORENTINE SCULPTOR AT THE THRESHOLD OF THE HIGH RENAISSANCE by Doris Carl)
315. ^Cendali, Lorenzo (1926).Giuliano e Benedetto da Maiano. Sancasciano.{{cite book}}: CS1 maint: location missing publisher (link)
316. ^von Fabriczy, Cornelius (1903). "Giuliano da Maiano".Jahrbuch der Preußischen Kunstsammlungen.24.
317. ^Painting in Spain by Jonathan Brown, pg 88
318. ^A Record of Spanish Painting by Catherine Gasquoine Gallichan, pg 256
319. ^Gelfand, Laura D.;Fifteenth-century Netherlandish devotional diptychs; Origins and function, 1994,PhD dissertation^{[permanent dead link]}, Case Western Reserve University.
320. ^Snyder, James;Northern Renaissance Art, 1985, Harry N. Abrams,ISBN 0-13-623596-4
321. ^Kleiner, Fred S. Gardner's Art Through the Ages, 13th edition
322. ^Working Space by Frank Stella, pg 43
323. ^Herbermann, Charles, ed. (1913)."Carlo Maratta" .Catholic Encyclopedia. New York: Robert Appleton Company.
324. ^Juan Martínez Montañés; Sevillian sculptor byBeatrice Gilman Proske (Hispanic Society of America, 1967)
325. ^Lima by James Higgins, pg 59
326. ^Seville, Cordoba, and Granada by Elizabeth Nash, pg 22
327. ^Herbermann, Charles, ed. (1913)."Juan Martínez Montañés" .Catholic Encyclopedia. New York: Robert Appleton Company.
328. ^Herbermann, Charles, ed. (1913)."Simone Martini" .Catholic Encyclopedia. New York: Robert Appleton Company.
329. ^John T. Spike, Masaccio, Rizzoli libri illustrati, Milano 2002ISBN 88-7423-007-9
330. ^Painterly Enlightenment by Thomas DaCosta Kaufmann
331. ^Giorgi, Rosa (2006).Saints: A Year in Faith and Art. Harry N. Abrams.
332. ^Renaissance Art by Geraldine A Johnson, pgs 41-42
333. ^Olson, Roberta J. M. (1992).Italian Renaissance Sculpture. Thames and Hudson.ISBN 9780500202531.
334. ^Renaissance to Rococo edited by Eric Zafran and Joseph Baillio, pg 56
335. ^Herbermann, Charles, ed. (1913)."Pietro Francesco Mazzuchelli" .Catholic Encyclopedia. New York: Robert Appleton Company.
336. ^Herbermann, Charles, ed. (1913)."Hans Memling" .Catholic Encyclopedia. New York: Robert Appleton Company.
337. ^de Vos, Dirk (1994).Hans Memling: The Complete Works. Harry N Abrams.ISBN 978-0-8109-3649-2.
338. ^Early Netherlandish Paintings, pgs 135-143
339. ^Florence Museums
340. ^Pedro de Mena, seventeenth-century Spanish sculptor by Janet A. Anderson and Pedro de Mena
341. ^Post, Chandler Rathfon (1921).A History of European and American Sculpture from the Early Christian Period to the Present Day. Harvard University Press. pp. 75–76.
342. ^Panorama of the Enlightenment by Dorinda Outram, pg 310
343. ^Herbermann, Charles, ed. (1913)."Anthon Rafael Mengs" .Catholic Encyclopedia. New York: Robert Appleton Company.
344. ^Juan de Mesa: escultor de imaginería, 1583–1627 by José Hernández Díaz (Excma. Diputación Provincial de Sevilla, 1983)
345. ^Sacred Spain by Ronda Kasl and the Indianapolis Museum of Art
346. ^Barbera, Giocchino (2005).Antonello da Messina, Sicily's Renaissance Master (exhibition catalogue). New York: Metropolitan Museum of Art Yale University Press.
347. ^Children of the Promise by Lorenzo Polizzotto, pgs 104-105
348. ^“The” History of the Church in Art by Rosa Giorgi, pg 122
349. ^Graham-Dixon, Andrew (2008). Michelangelo and the Sistine Chapel. London: Weidenfeld & Nicolson.ISBN 978-0-297-85365-7.
350. ^Herbermann, Charles, ed. (1913)."Michelozzo di Bartolommeo" .Catholic Encyclopedia. New York: Robert Appleton Company.
351. ^Caplow, Harriet McNeal.Michelozzo, 2 vols. New York: Garland, 1977.
352. ^Passeri, Giovanni Battista (1742).Vite de pittori, scultori ed architetti: che anno lavorato in Roma, morti dal 1641 fino al 1673. Natale Bariellini, Mercante di Libri a pasquino.
353. ^Sacred Power, Sacred Space by University of Minnesota, pg 106
354. ^Der Maler Josef Ignaz Mildorfer 1719–1775. [Illustr.] - [Innsbruck 1967.] II, 156, XXIV Bl. 4° [Maschinschr.] by Elisabeth Payer (German)
355. ^Painterly Enlightenment by Thomas DaCosta Kaufmann, pg 24
356. ^Saint Peter's Basilica site
357. ^Kenneth Kreitner (1995), "Music in the Corpus Christi Procession of Fifteenth-Century Barcelona",Early Music History,14, 199.
358. ^Andrea de Marchi (2003), "The Mystical Crucifixion at Princeton and Evidence for the Sienese Education of Joan Rosató",Record of the Art Museum, Princeton University,62, 40.
359. ^Lorenzo Monaco by Angelo Tartuferi and Daniela Parenti
360. ^Florence and Her Treasures by Herbert Millingchamp Vaughan, pgs 115, 120, 229, and 232
361. ^Fusco, Peter. "Pierre-Etienne Monnot's Inventory after Death",Antologia de Belle Arti, new series33/34, 1988.
362. ^Pierre-Etienne Monnot (1657–1733) : l’itinéraire d’un sculpteur franc-comtois de Rome à Cassel, au XVIIIe siècle,. Exhibition catalogue, Musée des Beaux-Arts, Lons-le-Saunier (June–September 2001)
363. ^Enggass, Robert. 1976.Early Eighteenth Century Sculpture in Rome, an Illustrated Catalogue Raisonné (Pennsylvania State University Press)
364. ^The Architecture of the Italian Renaissance by Jacob Burckhardt, pgs 245 and 267-268
365. ^Historical Handbook of Italian Sculpture by Charles Callahan Perkins
366. ^Raffaello Borghini's Il Riposo
367. ^"Link to on-line biography of Baccio and Raffaello da Montelupo from Vasari'sVite". Archived fromthe original on 2007-06-09. Retrieved2013-06-22.
368. ^The Controversy of Renaissance Art by Alexander Nagel, pg 143
369. ^Blake Wilk, Sarah (1987). "Review of Sheila ffolliott, Civic Sculpture in the Renaissance: Montorsoli's Fountains at Messina [book review]".Renaissance Quarterly:114–116.
370. ^Painting in Spain by Jonathan Brown, pgs 44-45
371. ^Herbermann, Charles, ed. (1913)."Luis de Morales" .Catholic Encyclopedia. New York: Robert Appleton Company.
372. ^The Glora of Venice edited by Jane Martineau and Andrew Robinson, pg 469
373. ^Honour, Hugh: The Companion Guide to Venice (2nd edition. London. 1977)
374. ^Semenzato, Camillo: La scultura veneta del seicento e del settecento (Alfieri, Venice. 1966) (See pp. 62–5 & figs 202-15 on G M Morlaiter and p. 63 & fig 205 on the church)
375. ^Giovanni Maria Morlaiter: ein venezianischer Bildhauer des 18. Jahrhunderts by Anton Ress and Saskia Ress-Durian
376. ^Herbermann, Charles, ed. (1913)."Bartolomé Esteban Murillo" .Catholic Encyclopedia. New York: Robert Appleton Company.
377. ^The life of Bartolomé E. Murillo by Bartolomé Esteban Murillo and Edward Davies
378. ^Chisholm, Hugh, ed. (1911)."Muziano, Girolamo" .Encyclopædia Britannica (11th ed.). Cambridge University Press.
379. ^Rome edited by Marcia B. Hall, pg 263
380. ^Sicily by Dana Facaros and Michael Pauls, pg 39
381. ^Sicilia by Andrea Caizzi
382. ^Smith, Robert C. (1973)Nicolau Nasoni (1691–1773); Livros Horizonte, Lisbon.
383. ^Portuguese Institute for Architectural Heritage (Portuguese)Archived 2012-03-17 at theWayback Machine
384. ^Portugal and Brazil in Transition edited by Raymond S. Sayers, pgs 274-275
385. ^Deaf History Unveiled edited by John V. Van Cleve, pg 9
386. ^Stories of the Spanish Artists Until Goya by Sir William Stirling Maxwell, pgs 18-28
387. ^Juan Fernández Navarrete, El Mudo (1540–1579): Court Painter to Philip II of Spain by Carmen T. Ruiz-Fischler
388. ^Herbermann, Charles, ed. (1913)."Juan Fernández Navarrete" .Catholic Encyclopedia. New York: Robert Appleton Company.
389. ^The Collector's Cabinet by the University of Massachusetts Press, pgs 94-96
390. ^The Jesuits II by John W. O'Malley, pg 158
391. ^Frans Baudouin, "Neefs [Neeffs],"Grove Art Online,Oxford University Press, [accessed 26 November 2007].
392. ^Farquhar, Maria (1855),Ralph Nicholson Wornum (ed.),Biographical catalogue of the principal Italian painters, London: Woodfall & Kinder, p. 112
393. ^Painting by Patrizia Cavazzini, pg 41
394. ^Bailey, Gauvin A. “Creating a global artistic language in late renaissance Rome: artists in the service of the overseas missions, 1542–1621”, p.21
395. ^Ancient and Modern Furniture and Woodwork in the South Kensington Museum edited by South Kensington Museum, pg 234
396. ^Condorelli, Adele,Precisazioni su Dello Delli e su Nicola Fiorentino, Commentari 19/3 (1968), 197-211.
397. ^Josefa de Obidos; National Museum of Women in the Arts (U.S.) (1997).The sacred and the profane: Josefa de Óbidos of Portugal. Ministério da Cultura, Gabinete das Relações Internacionais.ISBN 978-972-758-005-7. Retrieved2013-03-29.
398. ^Dictionary of Women Artists, Volume 1 edited by Delia Gaze, pg 202-203
399. ^Brooklyn Museum for Vincenzo Onofri
400. ^Rosalba D'Amico,Vincenzo Onofri in San Petronio, in "Strenna Storica Bolognese", XLI, 1991
401. ^Herbermann, Charles, ed. (1913)."Gilles-Marie Oppenordt" .Catholic Encyclopedia. New York: Robert Appleton Company.
402. ^Decorative Games by Jean-François Bédard and Gilles-Marie Oppenord
403. ^A History of Sculpture by Harold North Fowler, pg 340
404. ^Charles Deering and Ramon Casas / Charles Deering Y Ramon Casas by Isabel Coll i Mirabent, pg 149
405. ^Getty Museum - OttoniArchived 2012-10-07 at theWayback Machine
406. ^Annotated picture of his statue of St. Jude at Georgia Regents UniversityArchived 2010-07-16 at theWayback Machine
407. ^"The" Oxford History of Western Art edited by Martin Kemp, pg 232
408. ^Priscilla E. Muller,Francisco Pacheco (Hispanic Society of America)
409. ^Painting in Spain by Jonathan Brown, pgs 250-252
410. ^The Art of Fresco Painting in the Middle Ages and the Renaissance byMary Philadelphia Merrifield, pg 69]
411. ^Painting in Renaissance Siena pgs 168-242
412. ^Diana Norman,Painting in Late Medieval and Renaissance Siena, (New Haven: Yale University Press, 2003), 212.
413. ^de Castris, Pierluigi Leone (2003).Parmigianino e il manierismo europeo. Cinisello Balsamo: Silvana editoriale. pp. 236–237.ISBN 978-88-8215-481-3.
414. ^Hooper, John (6 January 2010)."Enigmatic smile of Leonardo da Vinci's Mona Lisa a sign of ill health".The Guardian.
415. ^Anello, Laura (5 January 2010)."Il colesterolo di Monna Lisa".La Stampa. Archived fromthe original on 1 March 2012. Retrieved4 May 2013.
416. ^Garibaldi, Vittoria (2004). "Perugino". Pittori del Rinascimento. Florence: Scala.
417. ^Herbermann, Charles, ed. (1913)."Baldassare Peruzzi" .Catholic Encyclopedia. New York: Robert Appleton Company.
418. ^St. Peter's in the Vatican edited by William Tronzo, pgs 83-85
419. ^Signs and Symbols in Christian Art by G. Ferguson
420. ^Florence edited by Gene A. Brucker, pg 46
421. ^The Grove Encyclopedia of Decorative Arts, Volume 2 edited by Gordon Campbell, pg 204
422. ^Art and Architecture in Italy, 1600-1750, Volume 3 by Rudolf Wittkower, pgs 88-89
423. ^The Glory of Venice edited by Jane Martineau and Andrew Robison, pg 473
424. ^"Isabella Piccini and Angela Baroni, 18th-century engravers".Graphic Arts. 9 November 2017. Retrieved4 December 2018.
425. ^The Grove Encyclopedia of Decorative Arts, Volume 2 edited by Gordon Campbell, pgs 211-212
426. ^Herbermann, Charles, ed. (1913)."Pichler" .Catholic Encyclopedia. New York: Robert Appleton Company.
427. ^Italian Paintings by Federico Zeri and Elizabeth E. Gardner, pgs 81-83
428. ^Painting in Renaissance Siena 1420-1500 by the Metropolitan Museum of Art, pgs 138-167
429. ^Vienna by Nicholas Parsons, pgs 24 and 147
430. ^European Art of the Sixteenth Century by Stefano Zuffi, pgs 8-9
431. ^"Siena Cathedral site". Archived fromthe original on 2011-11-03. Retrieved2013-04-28.
432. ^Western Decorative Arts edited by Rudolf Distelberger, pgs 124-125
433. ^The National Gallery (UK)
434. ^Renaissance Rivals by Rona Goffen, pgs 227-262
435. ^A Biographical Dictionary by Joseph Strutt
436. ^The Paintings of Giacomo Del Po by Donald Neil Rabiner
437. ^Dictionary of Women Artists, Volume 1 edited by Delia Gaze, pg 61
438. ^Court, Cloister, and City by Thomas DaCosta Kaufmann, pg 270
439. ^Pietas Austriaca by Anna Coreth, pg 53
440. ^European art of the fifteenth century by Stefano Zuffi, pg 339
441. ^The Pollaiuolo brothers by Alison Wright
442. ^Cesati, Franco (2002). Le chiese di Firenze. Rome: Newton Compton.
443. ^1994). Pontormo e Rosso, la "Maniera moderna" in Toscana.
444. ^The Metropolitan Museum of Art
445. ^D’Adda, R. (2004). Pontormo. Milan: Rizzoli/Skira. pp. 98–99.
446. ^BBC article
447. ^Blunt, Anthony (1966).The Paintings of Nicolas Poussin: A Critical Catalogue. London: Phaidon.OCLC 349831
448. ^Gietmann, G. (1913)."Andreas Pozzo" . In Herbermann, Charles (ed.).Catholic Encyclopedia. New York: Robert Appleton Company.
449. ^Official site of the Church
450. ^James Clifton, "Mattia Preti's Frescoes for the City Gates of Naples,"Art Bulletin (1994), 479-501
451. ^Spike, John (1997).Mattia Preti e Gregorio Preti a Taverna. Catalogo completo delle opere. Centro Di.
452. ^Sante Guido, Giuseppe Mantella, "Mattia Preti e la volta della Chiesa Conventuale di San Giovanni Battista a La Valletta: documenti e testimonianze 1661–2011 per il 350° anniversario dell'inizio lavori" in I BENI CULTURALI, v. XIX - 3, n. 3 maggio-giugno 2011 (2011), p. 7-28.
453. ^"Mattia Preti page at the Official website of St John's Co-Cathedral". Archived fromthe original on 2013-10-19. Retrieved2013-10-18.
454. ^Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.).Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 329.
455. ^The Coronation of the Virgin by Enguerrand Quarton by Laura M. McCallum
456. ^Walther, Ingo F. and Wolf, Norbert,Masterpieces of Illumination; pp 360–61; 2005, Taschen, Köln;ISBN 3-8228-4750-X
457. ^Locating Renaissance Art, Volume 2 edited by Carol M. Richardson
458. ^Herbermann, Charles, ed. (1913)."Jacopo Della Quercia" .Catholic Encyclopedia. New York: Robert Appleton Company.
459. ^Bethell, Leslie.The Cambridge History of Latin America, Cambridge University Press (1995), p.742.ISBN 0-521-24516-8.
460. ^Art and Architecture of Viceregal Latin America 1521-1821 by Kelly Donahue-Wallace
461. ^Telč Historical monuments in the town and environs, pg 31
462. ^Czech Jesuit site
463. ^Raphael to Renoir edited by Stijn Alsteens, pgs 24-26
464. ^Roman Baroque Sculpture by Jennifer Montagu
465. ^H. Westin, Robert (1974). "Antonio Raggi's Death of St. Cecilia".The Art Bulletin.56 (3):422–429.doi:10.2307/3049268.JSTOR 3049268.
466. ^Culture and customs of Croatia, pg 205
467. ^Art fact
468. ^The Transfiguration at the Vatican Museum
469. ^Preimesberger, Rudolf (2011).Paragons and Paragone: Van Eyck, Raphael, Michelangelo, Caravaggio, Bernini. Getty Publications.ISBN 9780892369645.
470. ^Cavalli, Gian Carlo (ed.)Guido Reni exh. cat. Bologna 1954
471. ^Guido Reni 1575–1642 (exhibition catalogue Pinacoteca Nazionale, Bologna; Los Angeles County Museum of art; Kimbell Art Museum, Fort Worth) Bologna 1988
472. ^Pepper, Stephen,Guido Reni, Oxford 1984
473. ^Metropolitan Museum of Art
474. ^Brown, Jonathan. (1973).Jusepe de Ribera: prints and drawings; [catalogue of an exhibition] The Art Museum, Princeton University, October–November 1973. Princeton, N.J.: Princeton University.OCLC 781367 the standard work on his prints and drawings.
475. ^Sánchez, Alfonso E. Pérez (1992).Jusepe de Ribera, 1591-1652.The Metropolitan Museum of Art.ISBN 9780870996474.
476. ^Williamson, Mark A. "The Martyrdom Paintings of Jusepe de Ribera: Catharsis and Transformation"; PhD Dissertation, Binghamton University, Binghamton, New York 2000
477. ^Iberia and the Americas edited byJ. Michael Francis, pg 96
478. ^Itaú Cultural site
479. ^The History of the Church in Art by Rosa Giorgi, pg 346
480. ^The Glory of Venice edited by Jane Martineau and Andrew Robison, pgs 71-81
481. ^Osvald Sirén,Giuliano, Pietro and Giovanni da Rimini, Burlington Magazine, 1916.
482. ^Ripanda, Jacopo,Concise Grove Dictionary of Art
483. ^Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.).Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 388.
484. ^Slovenian Ministry of Culture register of national heritage reference number ešd 3502
485. ^Francesco Robba and the Venetian Baroque Sculpture of the Eighteenth Century; Rokus Publishing House Ltd., Ljubljana, Slovenia;ISBN 961-209-160-9
486. ^Luca Della Robbia by L. Burlamacchi (marchesa.)
487. ^Herbermann, Charles, ed. (1913)."Lucia di Simone Robbia" .Catholic Encyclopedia. New York: Robert Appleton Company.
488. ^A History of Art for Beginners and Students by Clara Erskine Clement Waters, pg 220
489. ^Italian and Spanish Sculpture by Peggy Anne Fogelman and Peter Fusco, pgs 344-350
490. ^Collection of Mediaeval And Renaissance Paintings by Fogg Art Museum, pgs 156-158
491. ^Claudio Rendina,Enciclopedia di Roma, Newton Compton, Rome.
492. ^Rome edited by Marcia B. Hall, pgs 64-65 and 83
493. ^High Renaissance Art in St. Peter's and the Vatican by George L. Hersey, pg 36
494. ^Blumenthal, Arthur R. (2001). Cosimo Rosselli Painter of the Sistine Chapel. Winter Park: Cornell Fine Arts Museum.
495. ^Herbermann, Charles, ed. (1913)."Cosimo Rosselli" .Catholic Encyclopedia. New York: Robert Appleton Company.
496. ^Herbermann, Charles, ed. (1913)."Antonio di Matteo di Domenico Rosselino" .Catholic Encyclopedia. New York: Robert Appleton Company.
497. ^Herbermann, Charles, ed. (1913)."Bernardo Rosselino" .Catholic Encyclopedia. New York: Robert Appleton Company.
498. ^The Building of Renaissance Florence by Richard A. Goldthwaite
499. ^Leo Planiscig.Bernardo und Antonio Rossellino, Vienna: Anton Schroll, 1942.
500. ^Art and Architecture in Italy, 1600-1750 by Rudolf Wittkower, pgs 55 and 63
501. ^H. N. Franz-Duhme,Rossi [Rubeis], Angelo de, in:Oxford Art Online
502. ^"Saint Bavo's Cathedral website". Archived fromthe original on 2013-06-13. Retrieved2013-04-28.
503. ^Rynck, Patrick (2005). The Cathedral of Our Lady in Antwerp. Ghent: Ludion.ISBN 90-5544-580-0.
504. ^Rome in the Age of Enlightenment by Hanns Gross, pg 358
505. ^Enggass, Robert (1974). "Rusconi and Raggi in Sant'Ignazio".The Burlington Magazine:258–63.
506. ^Judaism and Christian Art edited by Herbert L. Kessler and David Nirenberg, pg 97
507. ^A History of Sculpture by Harold North Fowler, pg 253
508. ^Guillem Sagrera by Joana Ma Palou I Sampol and Joana Ma Palou I Sampol (Ajuntament de Palma, 1985)
509. ^Bryan's dictionary of painters and engravers, Volume 5 by Michael Bryan and George Charles Williamson, pgs 9-10
510. ^Francisco Salzillo by Enrique Pardo Canalís
511. ^Gospel Figures in Art by Stefano Zuffi, pg 262
512. ^"Polish-language source". Archived fromthe original on 2015-09-23. Retrieved2013-04-18.
513. ^European art of the seventeenth century by Rosa Giorgi, pg 322
514. ^Spanish towns and Spanish pictures by Marguerite Tollemache, pg 180
515. ^Florence by Michael Levey, pg 261
516. ^Chisholm, Hugh, ed. (1911)."Sansovino, Andrea Contucci del Monte" .Encyclopædia Britannica. Vol. 24 (11th ed.). Cambridge University Press. p. 183.
517. ^Huntley, George Haydn (1971).Andrea Sansovino, sculptor and architect of the Italian Renaissance. Greenwood Press.ISBN 978-0-8371-5609-5.
518. ^Italian Sculpture of the Renaissance by Lucy Jane Freeman, pgs 137-141
519. ^Rendina, Claudio (2000). La grande enciclopedia di Roma. Rome: Newton Compton.
520. ^Deborah Howard. Jacopo Sansovino Architecture and Patronage in Renaissance Venice. Yale University Press 1975.
521. ^Inka Bodies and the Body of Christ by Carolyn Dean, pgs 77-78
522. ^Baroque New Worlds edited by Lois Parkinson Zamora and Monika Kaup, pg 231
523. ^The Age of Caravaggio edited by Metropolitan Museum of Art, pg 188
524. ^Carlo Saraceni, his life and works by Eve Borsook
525. ^Herbermann, Charles, ed. (1913)."Andrea del Sarto" .Catholic Encyclopedia. New York: Robert Appleton Company.
526. ^Painting in Renaissance Florence, 1500-1550 by David Franklin, pgs 127-152
527. ^Painting in Late Medieval and Renaissance Siena, 1260-1555 by Diana Norman
528. ^Machtelt Israels, ed.Sassetta: The Borgo San Sepolcro Altarpiece. 2 vols. Florence: Villa I Tatti, 2009, p 302.
529. ^Herbermann, Charles, ed. (1913)."Giovanni Battista Salvi da Sassoferrato" .Catholic Encyclopedia. New York: Robert Appleton Company.
530. ^Page 699 in Russell, F.(1977). Sassoferrato and his Sources: a Study of Seicento Allegiance. The Burlington Magazine, CXIX pp 694-700.
531. ^An edition of On Sunspots by Galileo Galilei and Christoph Scheiner
532. ^Christoph Thomas Scheffler, Ein Asamschüler. Beiträge Zu Seinem Malerischen Werk. Mit 26 Abbildungen
533. ^British Museum
534. ^Der Maler Martin Johann Schmidt by Anton Mayer
535. ^Herbermann, Charles, ed. (1913)."Martin Schongauer" .Catholic Encyclopedia. New York: Robert Appleton Company.
536. ^Chisholm, Hugh, ed. (1911)."Schongauer, Martin" .Encyclopædia Britannica (11th ed.). Cambridge University Press.
537. ^"Siena Cathedral website". Archived fromthe original on 2013-05-06. Retrieved2013-04-28.
538. ^Roman baroque sculpture by Jennifer Montagu, pgs 187-192
539. ^Hans Vlieghe (1998).Flemish Art and Architecture, 1585-1700. Pelican History of Art. New Haven: Yale University Press.ISBN 0-300-07038-1
540. ^Back to Nature by Robert N. Watson, pg 195: "Gerard Seghers, whose works often reflect devout Catholicism"
541. ^Sensuous Worship by Jeffrey Chipps Smith, pgs 183, 190, and 232
542. ^The Culture of Flowers by Jack Goody, pg 175
543. ^Art and Architecture in Italy, 1600-1750 by Rudolf Wittkower, pgs 70-71
544. ^The Cornucopian Mind and the Baroque Unity of the Arts by Giancarlo Maiorino, pgs 110-111
545. ^Giacomo Serpotta and the stuccatori of Palermo, 1560–1790 by Donald Garstang
546. ^Riess, Jonathan B. (1995).Luca Signorelli: The San Brizio Chapel, Orvieto (Great Fresco Cycles of the Renaissance). George Braziller.ISBN 978-0-8076-1312-2.
547. ^James, Sara Nair (2003).Signorelli and Fra Angelico at Orvieto: Liturgy, Poetry, and a Vision of the End-time. Aldershot: Ashgate Publishing.ISBN 978-0-7546-0813-4.
548. ^Diego Siloé: homenaje en el IV centenario de su muerte by Manuel Gómez-Moreno
549. ^Art and Architecture in Italy, 1600-1750 by Rudolf Wittkower, pgs 118-119
550. ^Brooklyn Museum article
551. ^Elisabetta Sirani: Her Life, Her Influence, and Her Legacy by Nancy Baker (University of Cincinnati, Division of Research and Advanced Studies, 1995)
552. ^Mänd, Anu; Risthein, Helena (2001). Tiina Abel (ed.).Michel Sittow, 1469-1525: The Artist Connecting Estonia with the Southern Netherlands. Eesti Kunstimuuseum (Estonian Art Museum).ISBN 978-9985-78-255-2.
553. ^Getty Museum profile of Michael SittowArchived 2010-05-29 at theWayback Machine
554. ^Frish, Teresa G.;Gothic Art 1140-c. 1450: Sources and Documents, University of Toronto Press, 1987,ISBN 0-8020-6679-8
555. ^DrSusie Nash,Claus Sluter's 'Well of Moses' for the Chartreuse de Champmol Reconsidered: part I, The Burlington Magazine, December 2005, pp. 798–809. Dr Nash's later findings were published as two further articles in The Burlington Magazine; July 2006, pp. 456–67 (as Part II) and November 2008, pp. 724–741 (as Part III)
556. ^The Age of Caravaggio edited by Metropolitan Museum of Art, pgs 179 and 181
557. ^The Cathedrals and Churches of Northern Italy by Thomas Francis Bumpus, pg 459
558. ^Artemisia Gentileschi and the Authority of Art by R. Ward Bissell
559. ^Massimo Stanzione by Mattia Galta and the Courtauld Institute of Art
560. ^Pygmalion in Bavaria by Christiane Hertel
561. ^The Oxford Dictionary of Art edited by Ian Chilvers
562. ^Gavazza, E. et al., eds.,Bernardo Strozzi, Genova 1581/82-Venezia 1644 (exhibition catalogue, Palazzo Ducale, Genoa), Milan, 1995
563. ^Spicer, J., ed.,Bernardo Strozzi: Master Painter of the Italian Baroque (exhibition catalogue, Walters Art Museum, Baltimore), Baltimore 1995
564. ^Painting and Sculpture in France by Michael Levey, pg 183
565. ^Liechtenstein by Metropolitan Museum of Art, pg 77
566. ^The Baroque in Central Europe by Manlio Brusatin and Gilberto Pizzamiglio, pgs 9, 70, and 158
567. ^Stucco and decorative plasterwork in Europe by Geoffrey W. Beard, pgs 65, 68, and 99
568. ^Barcham, William L. (1992).Giambattista Tiepolo. Thames and Hudson.ISBN 978-0-500-08054-2.
569. ^Giambattista Tiepolo by Jon L. Seydl of Getty Publications
570. ^Nichols, Tom.Tintod Identity. Redaktion Books, 1999.
571. ^Herbermann, Charles, ed. (1913)."Il Tintoretto" .Catholic Encyclopedia. New York: Robert Appleton Company.
572. ^The Italian Garden by John Dixon Hunt
573. ^Herbermann, Charles, ed. (1913)."Benvenuto Tisio da Garofalo" .Catholic Encyclopedia. New York: Robert Appleton Company.
574. ^Jaffé, David (ed),Titian, The National Gallery Company/Yale, London 2003,ISBN 1-85709-903-6
575. ^"The Life of Titian" by Carlo Ridolfi, translated by Julia Conaway Bondanella andPeter E. Bondanella
576. ^Titian's Portraits Through Aretino's Lens by Luba Freedman and Pietro Aretino
577. ^Bellini, Giorgione, Titian, and the Renaissance of Venetian Paintings by David Alan Brown
578. ^ART AND THEORY IN BAROQUE EUROPE by Christopher L. C. E. Witcombe
579. ^The Medici, Michelangelo, & the Art of Late Renaissance Florence edited by Cristina Acidini Luchinat, Detroit Institute of Arts, pg 173
580. ^Saints and Signs by Massimo Leone, pgs 205-206
581. ^Enggas, Robert; Brown, Jonathan (1992).Italian and Spanish Art, 1600-1750: Sources and Documents. Northwestern University Press. p. 183.ISBN 978-0810110656.
582. ^The Spanish Masters by Emelyn W. Washburn, pgs 62-63
583. ^Aschenbrenner, Wanda; Gregor Schweighofer (1965).Paul Troger: Leben und Werk (in German). Salzburg: Verlag St. Peter. p. 266.OCLC 08529536.
584. ^Schrenzel, Maja (1985).Paul Troger . Maler der Apokalypse (in German). Vienna: Österreichischer Bundesverlag. p. 184.ISBN 978-3-215-05247-7.
585. ^Romanus, Jacobs (1930).Paul Troger (in German). Vienna: Krystallverlag. p. 155.ISBN 978-3-215-05247-7.{{cite book}}:ISBN / Date incompatibility (help)
586. ^Reichenauer, Berta (1997).Paul Troger in der Stiftskirche Altenburg (in German). Verlag Haus Thaur. p. 120.ISBN 978-3-85400-056-3.
587. ^Prosperity and Plunder by Derek Edward Dawson Beales, pg 174
588. ^Paolo Uccelo | Saint George and the Dragon | NG6294,The National Gallery, London.
589. ^Borsi, Franco & Borsi, Stefano.Paolo Uccello. London: Thames & Hudson, 1994.
590. ^Carli, Enzo.All the Paintings of Paolo Uccello. The Complete Library of World Art. London: Oldbourne, 1963.
591. ^"A Complete Handbook to the Naples Museum", pg 127
592. ^Spanish Paintings by Oxford University Press, pgs 112-115
593. ^Dhanens, Elisabeth.Hubert and Jan van Eyck. New York: Tabard Press. 1980.ISBN 0-914427-00-8
594. ^Rothstein, Bret. Sight and Spirituality in Early Netherlandish Painting. Cambridge University Press, 2005.ISBN 0-521-83278-0, pg 49
595. ^Harbison, Craig.Jan van Eyck: the play of realism. London: Reaktion Books, 1997.ISBN 0-948462-79-5
596. ^Jan Van Eyck by J. R. J. Van Asperen De Boer
597. ^A Biographical and Critical Dictionary of Painters and Engravers by Michael Bryan, pgs 835-836
598. ^Cities and Sea-Coasts and Islands by Arthur Symons, pgs 34-35 and 37
599. ^Art UK slideshow
600. ^Giorgio Vasari by Patricia L. Rubin
601. ^Art and Architecture of Viceregal Latin America, 1521-1821, pgs 132 and 152
602. ^Juan Bautista Vázquez el Viejo en Castilla y América Editorial CSIC - CSIC Press, Jan 1, 1990 (Spanish)
603. ^Jane Turner (Editor).Grove Dictionary of Art (1996, 34 vols.).ISBN 1-884446-00-0
604. ^Women and Faith edited by Lucetta Scaraffia and Gabriella Zarri, pg 75
605. ^Catholic World, Volume 95, pg 775
606. ^National Gallery (UK) page
607. ^Velázquez, Catálogo de la Exposición. Museo del Prado. 1990.
608. ^Sassetta edited by Machtelt Israëls, pg 256
609. ^The Sensuous in the Counter-Reformation Church edited by Marcia B. Hall and Tracy E. Cooper, pg 270
610. ^Frangi, Francesco (1994), "Giuseppe Vermiglio tra Caravaggio e Federico Borromeo", in Miklós Boskovits (ed.),Studi di storia dell'arte in onore di Mina Gregori (in Italian), Milan, pp. 161–9{{citation}}: CS1 maint: location missing publisher (link)
611. ^Paolo Veronese by Richard Cocke and Il Veronese
612. ^Simons, Marlise (July 11, 1992)."Veronese Masterpiece Damaged at the Louvre".The New York Times. Retrieved2008-02-13.
613. ^P.B. Barcilon and P.C. Marinin,Leonardo University of Chicago Press, 1999.
614. ^Santa Maria delle Grazie website(in Italian)
615. ^Herbermann, Charles, ed. (1913)."Daniele da Volterra" .Catholic Encyclopedia. New York: Robert Appleton Company.
616. ^European Drawings by J. Paul Getty Museum, Nicholas Turner, and Gloria Williams, pg 262
617. ^Art UK "Your Paintings"
618. ^Bausteine lebendigen Glaubens by Helmuth Lauf, PDF (German)^{[permanent dead link]}
619. ^de Vos, Dirk (2000). Rogier van der Weyden: The Complete Works. Harry N Abrams.ISBN 0-8109-6390-6
620. ^Jonathan Chaves, SINGING OF THE SOURCE: NATURE AND GOD IN THE POETRY OF THE CHINESE PAINTER WU LI (University of Hawaii Press, 1992)
621. ^Museo Nacional del Prado page (Spanish)
622. ^Colonial Saints edited by Allan Greer and Jodi Bilinkof, pg 6
623. ^the new cambridge modern history by R. B. (Richard Bruce) Wernham, pg 169
624. ^Architecture of Viceregal Latin America, 1521-1821 by Kelly Donahue-Wallace, pgs 143 to 146
625. ^The Linguistic Legacy of Spanish and Portuguese by J. Clancy Clements, pg 162
626. ^Mary In Our Life by Nicholas J. Santoro, pg 309
627. ^"Vatican News Site". Archived fromthe original on 2016-04-08. Retrieved2013-05-09.
628. ^"Universidad Católica Boliviana (Spanish)". Archived fromthe original on 2016-03-04. Retrieved2013-05-09.
629. ^Catholic News Agency
630. ^Wuffarden, Luis E. "La plenitud barroca y el arte mestizo: Arte y Arquitectura."Enciclopedia Temática del Perú. Lima: El Comercio, 2004.ISBN 9972-752-15-1.
631. ^"Juan Zariñena Brief Bio (Spanish)". Retrieved2013-01-17.
632. ^es:Portal:Comunidad Valenciana/Artículo Importante del mes
633. ^Constant von Wurzbach: Zeiler, Johann Jakob. In: Biographical Dictionary of the Empire, Austria. 59th band Publisher L. C. Zamarski, Vienna 1890, pp. 279 et seq
634. ^Alois, Harbeck (1966),Die Fresken von Januarius Zick in Wiblingen und die Problematik illusionistischer Deckengestaltung, Diss, Philosophische Fakultät der Universität München.
635. ^Kupferschmied, Thomas Johannes (1995),Stucco finto oder der Maler als Stukkator: von Egid Schor bis zu Januarius Zick. Der fingierte Stuck als Leitform der barocken Deckenmalerei in Altbayern, Schwaben und Tirol, Frankfurt am Main: Lang,ISBN 978-3-631-48205-6
636. ^Metzger, Othmar (1981),Januarius Zick. Datierte und datierbare Gemälde, München:Deutscher Kunstverlag,ISBN 978-3-422-00733-8
637. ^Wandschneider, Andrea (2001),Januarius Zick. Gemälde und Zeichnungen. Ausstellung der Städtischen Galerie in der Reithalle, Paderborn, Paderborn: Städtische Galerie in der Reithalle, Paderborn- Schloß Neuhaus,ISBN 978-3-929507-11-9
638. ^Art and Architecture in Italy, 1600-1750 by Rudolf Wittkower, pg 27
639. ^In the Heel of Italy by Martin Shaw Briggs, particularly pgs 260-261, 332, 336, and 350
640. ^The Classical Tradition edited by Anthony Grafton, Glenn W Most, and Salvatore Settis, pg 64
641. ^European Art of the Eighteenth Century by Daniela Tarabra, pg 138
642. ^Catholic Revival in the Age of the Baroque by Marc R. Forster, pg 76
643. ^Pygmalion in Bavaria by Christiane Hertel and Ignaz Günther
644. ^Zurbarán byJeannine Baticle.
645. ^Museu Nacional d'Art de Catalunya
646. ^The Works of Eminent Masters, in Painting, Sculpture, Architecture by John Cassell, pgs 179-182
647. ^Herbermann, Charles, ed. (1913)."Francisco Zurbaran" .Catholic Encyclopedia. New York: Robert Appleton Company.
648. ^"Zuccaro, Federigo" .Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
649. ^Florence by Michael Levey, pg 370
650. ^Baltimore Architecture Foundation
651. ^Brother Cajetan Baumann, O.F.M.Archived 2011-05-27 at theWayback Machine,St. Bonaventure University, (Accessed 10 February 2012)
652. ^Temples for a Modern God by Jay M. Price, pg 38
653. ^Temples for a Modern God by Jay M. Price, pg 41
654. ^Dorothy Day and the "Catholic Worker" by Nancy L. Roberts, pgs 56-57
655. ^The Catholic Worker Movement by Mark Zwick and Louise Zwick, pgs 190-191
656. ^St. Catherine University Page About Ade BethuneArchived 2008-03-17 at theWayback Machine
657. ^Work by Ade Bethune
658. ^William Henry James Weale, in:Building News, XXXVI, 1879, p. 350
659. ^Historism and Cultural Identity in the Rhine-Meuse Region, pg 373
660. ^Gilbert R. Blount (1819-1876), Architectural Archives of the University of PennsylvaniaArchived 2006-07-18 at theWayback Machine
661. ^Malta Independent
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663. ^Art and History of Seville by José María de Mena, pgs 80 and 95
664. ^Manila Standard - September 6, 1992
665. ^Philippines' President's site on Pedro Calungsod's canonizationArchived 2013-08-02 atarchive.today
666. ^Philippine Daily Inquirer
667. ^Cézanne's Early Imagery by Mary Tompkins Lewis
668. ^Christianity, Art and Transformation by John W. de Gruchy, pg 240
669. ^the Albertine Brothers
670. ^Great Pictures as Moral Teachers by Henry Ezekiel Jackson, pgs 221-231
671. ^History of Modern Italian Art by Ashton Rollins Willard, pgs 616-617
672. ^from the Liverpool University Press series, Public Sculpture of Great BritainArchived 2011-06-10 at theWayback Machine
673. ^Hillstream
674. ^The Cambridge Companion to the Pre-Raphaelites edited by Elizabeth Prettejohn, pg 72
675. ^Aspects of the Emblem by Karl J. Höltgen, pg 147
676. ^Image JournalArchived 2012-05-31 at theWayback Machine
677. ^"Jean-Georges Cornélius, un peintre ami du Christ".fr.aleteia.org. Aleteia. Retrieved13 March 2025.
678. ^Encyclopaedia Itaú Cultural - Visual Arts
679. ^Time Magazine (1949)
680. ^Luigi Crosio e gli artisti ad Acqui Terme tra '800 e '900 by Lorenzo Zunino (Italian)
681. ^Encyclopedia Of Catholic Devotions And Practices by Ann Ball, pg 521
682. ^Teaching the Tradition edited by John J. Piderit and Melanie M. Morey, pgs 234-235
683. ^Obituary at the Scotsman
684. ^Society of Catholic Artists website
685. ^Conservative Echoes by Michael A. Marlais
686. ^Maritain Factor edited by Rajesh Heynickx and Jan de Maeyer, pg 79
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689. ^Grove Art Online
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691. ^ABS-CBN
692. ^The Telegraph
693. ^A Holy Life: The Writings of Saint Bernadette of Lourdes by Saint Bernadette and Patricia Mceachern, Ph.D., pg 55
694. ^Famous Wisconsin Artists And Architects by hannah heidi Levy, pgs 164-166
695. ^Making Modern Paris by Christopher Curtis Mead and Victor Baltard, pg 129
696. ^Modern Catholic Social Teaching edited by Kenneth R. Himes and Lisa Sowle Cahill, pg 111
697. ^Herbermann, Charles, ed. (1913)."Jean-Hippolyte Flandrin" .Catholic Encyclopedia. New York: Robert Appleton Company.
698. ^Catholic Herald for 22 January 1985
699. ^The Slovak Spectator
700. ^Arthur Fleischmann website
701. ^Guide to the Archive of Art and Design edited by Elizabeth Lomas, pg 96-97
702. ^Moira Forsyth Obituary in the Catholic Herald
703. ^Glory in a Line by Phyllis Birnbaum, pg 292
704. ^Sarasota Journal - August 25, 1966
705. ^Herbermann, Charles, ed. (1913)."Michael Sigismund Frank" .Catholic Encyclopedia. New York: Robert Appleton Company.
706. ^The Society for Art of Imagination
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713. ^Historic Environment Scotland."Wishaw, Young Street, St Ignatius Roman Catholic Church including Boundary Wall and Gate Pier (Category A Listed Building LB47975)". Retrieved2019-03-21.
714. ^Lions Club, Matthias Laurenz Gräff
715. ^www.corrigenda.online, Als Katholiken und Protestanten lernten nebeneinander zu leben
716. ^Pfarre Peter und Paul, Rheingau
717. ^very important lot. Vanitas
718. ^"Philosophie et poésie : le Livre de l'Ecclésiaste".www.prixm.org.
719. ^Church of Our Lady of Esperanza: Descriptive Book by Crescent Armanet, pg 60
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721. ^"Diocese of Salford". Archived fromthe original on 2013-03-31. Retrieved2013-04-29.
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723. ^The Architectural Achievement of Joseph Aloysius Hansom by Penelope Harris
724. ^The Isle of Wight by David Wharton Lloyd and Nikolaus Pevsner, pg 51
725. ^The Catholic Church in New York by John Talbot Smith, pg 535
726. ^Boston Evening Transcript - April 8, 1911
727. ^Selected Letters of William Michael Rossetti edited by Roger W. Peattie, pg 8
728. ^Art in an Age of Counterrevolution, 1815-1848 by Albert Boime, pg 648-649: Herbert actively campaigned for the Catholics with a series of Pre-Reformation themes in the 1840s
729. ^Turpin, John (1979)."John Hogan and the Catholic Religious Revival".The Maynooth Review.5 (1):64–70.JSTOR 20556929.
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731. ^Albert Gleizes by Peter Brooke
732. ^Catechism Of The Catholic Church Revised, pg 396
733. ^Berta Hummel museum
734. ^"Virtual Saskatchewan (Count Berthold Von Imhoff)". Retrieved2012-12-07.
735. ^"Imhoff Gallery". Archived fromthe original on 2014-08-27. Retrieved2012-12-07.
736. ^Herbermann, Charles, ed. (1913)."Franz Ittenbach" .Catholic Encyclopedia. New York: Robert Appleton Company.
737. ^Modern Catholic Social Teaching edited by Kenneth R. Himes and Lisa Sowle Cahill, pg 110
738. ^'God's Little Artist' Gwen John at the BBC
739. ^Tate Gallery
740. ^David Jones by Davis Blamires
741. ^Gothic Pride by Brian Regan, pgs 21-23
742. ^Raised by the Church by Edward Rohs and Judith Estrine, pg 31
743. ^Adam Kossowski: Murals and Paintings with contributions byBenedict Read, Tadeusz Chrzanowski, Martin Sankey, Adam Kossowski, Tymon Terlecki, and Andrew Borkowski. London: Armelle Press, 1990.
744. ^UkrweeklyArchived 2005-12-30 at theWayback Machine
745. ^Ehrhardt, Ingrid (2000).Kingdom of the soul: symbolist art in Germany, 1870–1920. p. 132.ISBN 3-7913-2338-5.
746. ^Sacred games by Bernhard Lang, pgs 439-440
747. ^The American Catholic Quarterly Review, Volume 37, pg 532
748. ^U.P. Diliman by Narita Gonzalez & Gerardo Los Baños, pgs 123-125
749. ^Obituary in the Philippine Daily Inquirer of January 3, 2000
750. ^Beaver County Times for July 30, 1960
751. ^"The Coloradoan for 2001". Archived fromthe original on 2013-11-05. Retrieved2013-11-05.
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753. ^Szlezak, Emeric; Murphy, Tom; Nagle, Pamela; Gasnick, Roy; St. Anthony of Padua Fraternity (Winter 2009)."Tributes to Fred McCarthy"(PDF).Secular Franciscan Order, Five Franciscan Martyrs Region, newsletter. Archived fromthe original(PDF) on 2016-03-09. Retrieved2011-01-06.
754. ^America's Church by Thomas A. Tweed, pg 123
755. ^Huygens Institute for Dutch History
756. ^Sculptor Mengelberg
757. ^Smithsonian Institution Research Information System
758. ^America's Church by Thomas A. Tweed, pg 54
759. ^Making a nation, breaking a nation by Andrew Wachtel, pgs 108-117
760. ^Edgar Moroder:Die Moroder, Ein altladinisches Geschlecht aus Gröden-Dolomiten. Vom 14. bis zum 20. Jahrhundert. Ursprung – Geschichte – Biographien – Anhang. Beitrag zur tirolischen Familienforschung. Eigenverlag St. Ulrich in Gröden 1980, pages 246-249. (German)
761. ^St. Aloysius Chapel at St. Aloysius CollegeArchived 2010-12-23 at theWayback Machine
762. ^Schier, Tracy;Cynthia Eagle Russett (2002).Catholic women's colleges in America. The Johns Hopkins University Press. pp. 116–117.ISBN 978-0-8018-6805-4.
763. ^"Welcome to... / Bienvenue à..." Archived fromthe original on 2000-09-20. Retrieved2014-09-23.
764. ^Profile at Halmstadgruppens Museum
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766. ^Francis Petre, 1847-1918 by Philippe Hamilton
767. ^"Indiana State University". Archived fromthe original on 2013-01-30. Retrieved2013-04-29.
768. ^Sisters of Providence of Saint Mary-of-the-Woods page on herArchived 2015-06-10 at theWayback Machine
769. ^Jože Plečnik 1872 - 1957 by Damjan Prelovšek
770. ^Prague Panoramas by Cynthia Paces, pgs 140-148
771. ^Lehmann, Karl (2010). "Grußwort". In Plum, Anne-Madeleine (ed.).Glauben im Licht der Offenbarung. Pneuma. pp. 3–4.ISBN 978-3-942013-05-5.
772. ^David W. Dunlap, From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship (New York City: Columbia University Press, 2004)
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776. ^Herbermann, Charles, ed. (1913)."Augustus Welby Northmore Pugin" .Catholic Encyclopedia. New York: Robert Appleton Company.
777. ^God's Architect by Rosemary Hill
778. ^Dictionary of Scottish Architects for E. W. Pugin
779. ^"Dictionary of Scottish Architects for Peter Paul Pugin". Archived fromthe original on 2017-02-13. Retrieved2013-04-29.
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784. ^Dyrness, William A.Rouault Grand Rapids, Michigan: William B. Eerdmans, 1971.
785. ^Getlein, Frank and Dorothy Getlein.George Rouault's Miserere, 1964
786. ^Jazz Age Catholicism by Stephen Schloesser, pgs 213-244
787. ^Locating Renaissance Art, Volume 2 edited by Carol M. Richardson, pgs 143-144
788. ^The American Catholic Quarterly Review, Volume 41, pgs 312-313
789. ^Religious art in the nineteenth century in Europe and America, Book 1 by Thomas Buser, pg 61
790. ^Gietmann, Gerhard (1912)."Friedrich Wilhelm Schadow" . In Herbermann, Charles (ed.).Catholic Encyclopedia. Vol. 13. New York: Robert Appleton Company.
791. ^Steven J. Schloeder. Architecture in Communion: Implementing the Second Vatican Council through Liturgy and Architecture (San Francisco: Ignatius Press 1998); Catholic Architecture (London: Catholic Truth Society, 2013)
792. ^Robert F. Meade and Joann M. Kump. The Centennial History of Loyola School: 1900–2000 (New York: [self-published], 2000), p.4-5.
793. ^Herbermann, Charles, ed. (1913)."Alexander Maximilian Seitz" .Catholic Encyclopedia. New York: Robert Appleton Company.
794. ^The Spirit of Collaboration by Justine Grace (PDF)
795. ^Futurism edited by Christine Poggi and Laura Wittman, pg 286
796. ^ This article incorporates text from a publication now in thepublic domain: Herbermann, Charles, ed. (1913). "Joseph Sibbel".Catholic Encyclopedia. New York: Robert Appleton Company.
797. ^K of C Council #13455Archived 2013-11-02 at theWayback Machine
798. ^The American Magazine, Volume 7, Issue 2, pg 153
799. ^The Turn to Transcendence by Glenn Olsen, pg 147
800. ^Faces of Holiness II by Ann Ball, pg 79
801. ^Illinois Historical Art Project - List of Illinois ArtistsArchived 2016-03-04 at theWayback Machine
802. ^The Veiled Virgin at Newfoundland and Labrador Heritage
803. ^The Rough Guide to Canada by Phil Lee and Tim Jepson, pg 513
804. ^Mary Immaculate CollegeArchived 2013-01-08 atarchive.today
805. ^Aosdana bio
806. ^Stanley S. Sokol; Sharon F. Mrotek Kissane; Alfred L. Abramowicz (1992).The Polish Biographical Dictionary: Profiles of Nearly 900 Poles who Have Made Lasting Contributions to World Civilization. Bolchazy-Carducci Publishers. p. 393.ISBN 978-0-86516-245-7.
807. ^Hearst's International. International Publications, Incorporated. 1905. pp. 275–282.
808. ^The Princely Collection of Liechtenstein
809. ^Saint Peter's Basilica
810. ^Pietro Tenerani (1789–1869) by Stefano Grandesso
811. ^Catholic Italy, its institutions and sanctuaries by Charles Isidore Hemans, pgs 551-553
812. ^The Polish Biographical Dictionary by Stanley S. Sokol, pg 405
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814. ^Wentworth, Michael. "James Tissot." Oxford: Clarendon Press, 1984.
815. ^Brooklyn Museum on James Tissot
816. ^Herbermann, Charles, ed. (1913)."James Tissot" .Catholic Encyclopedia. New York: Robert Appleton Company.
817. ^The Jewish MuseumArchived 2012-09-18 atarchive.today
818. ^St John and the Victorians by Michael Wheeler, pgs 185-187
819. ^"VADS". Archived fromthe original on 2017-04-02. Retrieved2013-05-30.
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821. ^Sacramento and the Catholic church by Steven M Avella, pgs 148 and 150
822. ^"Missouri Folklore Society biography". Archived fromthe original on 2015-05-01. Retrieved2013-05-22.
823. ^Cr Ashbee by Alan Crawford, pg 130
824. ^Originality and initiative by Mary Greensted and Sophia Wilson, pgs 61-67