Lin Yutang | |||||||||||||||||||||||||
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林語堂 | |||||||||||||||||||||||||
 Lin photographed in 1939 byCarl Van Vechten | |||||||||||||||||||||||||
| Born | (1895-10-10)October 10, 1895 | ||||||||||||||||||||||||
| Died | March 26, 1976(1976-03-26) (aged 80) | ||||||||||||||||||||||||
| Education | |||||||||||||||||||||||||
| Occupation(s) | Linguist, novelist, philosopher, translator | ||||||||||||||||||||||||
| Spouse | Lin Tsui-feng (née Liao) | ||||||||||||||||||||||||
| Children | Adet Lin Lin Tai-yi Lin Hsiang-ju | ||||||||||||||||||||||||
| Chinese name | |||||||||||||||||||||||||
| Traditional Chinese | 林語堂 | ||||||||||||||||||||||||
| Simplified Chinese | 林语堂 | ||||||||||||||||||||||||
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Lin Yutang (10 October 1895 – 26 March 1976) was a Chinese writer, linguist, and inventor. A prolific bilingual writer in both Chinese and English, he was celebrated for pioneering a humorous prose style in modern Chinese literature and for serving as a cultural bridge between China and the West, most notably throughMy Country and My People (1935) and his English translations ofChinese classics. As a linguist, he compiled a series ofESL textbooks for Chinese learners in the 1930s and later produced an English–Chinese dictionary in the 1970s. As an inventor, he designed a Chinese typewriter, which was patented in the United States in 1952, though it was never mass-produced. From 1940 to 1973, Lin received six nominations for theNobel Prize in Literature.[1]
Lin was born in 1895 in the town ofBanzai, Fujian. His father was a Christian minister. His journey of faith fromChristianity toTaoism andBuddhism, and back to Christianity in his later life was recorded in his bookFrom Pagan to Christian (1959).
Lin studied for his bachelor's degree atSt. John's University, a Christian university in Shanghai. Then he received a half-scholarship to continue study for a doctoral degree atHarvard University. He later wrote that in theWidener Library he first found himself and first came alive, but he never saw aHarvard–Yale game.[2]
In financial difficulty, he left Harvard early and moved to work with theChinese Labour Corps in France and eventually to Germany, where he completed his requirements for a doctoral degree in Chinese philology at theUniversity of Leipzig. From 1923 to 1926, he taught English literature atPeking University.
Enthusiastic about the success of theNorthern Expedition, he briefly served in the newNationalist government, but soon turned to teaching and writing. He found himself in the wake of theNew Culture Movement which criticized certain ancient traditions as feudal and harmful. Instead of accepting this charge, Lin immersed himself in the Confucian texts and literary culture which his Christian upbringing and English language education had denied him.[3]
His humor magazineThe Analects Fortnightly (Lunyu Banyuekan, 1932–1940, 1945–1949) featured essays by writers such asHu Shih,Lao She,Lu Xun, andZhou Zuoren. He was one of the figures who introduced the Western concept ofhumor. In 1924, Lin invented the termyoumo (幽默), aphono-semantic match with the English wordhumor. Lin used theAnalects to promote his conception of humor as the expression of a tolerant, cosmopolitan, understanding and civilized philosophy of life.[4][5]
In 1933, Lu Xun attacked theAnalects for being apolitical and dismissed Lin's 'small essays' (小品文;xiǎopǐn wén) as "bric a brac for the bourgeoisie". Lu Xun nevertheless continued to write for the magazine.[6]
Lin's writings in Chinese were critical of the Nationalist government to the point that he feared for his life. Many of his essays from this time were later collected inWith Love and Irony (1940). In 1933, he metPearl Buck in Shanghai, who introduced him and his writings to her publisher and future husband,Richard Walsh, head of theJohn Day Company.[7][8]
Lin's relation with Christianity changed over the years. His father was a second-generation Christian, but at Tsinghua, Lin asked himself what it meant to be a Christian in China. Being a Christian meant acceptance of Western science and progress, but Lin became angry that being a Christian also meant losing touch with China's culture and his own personal identity.
On his return from study abroad, Lin renewed his respect for his father, yet he plunged into study of Confucianism, Taoism, and Buddhism and did not identify himself as Christian until the late 1950s.[9]
After 1935, Lin lived mainly in the United States, where he was a writer of Chinese philosophy and way of life.[10] Lin wroteMy Country and My People (吾國與吾民) (1935) andThe Importance of Living (生活的藝術) (1937) in English. Others includeBetween Tears and Laughter (啼笑皆非) (1943),The Importance of Understanding (1960, a book of translated Chinese literary passages and short pieces),The Chinese Theory of Art (1967). The novelsMoment in Peking (1939),A Leaf in the Storm (1940), andThe Vermilion Gate (朱門) (1953) described China in turmoil whileChinatown Family (1948) presented the lives of Chinese Americans in New York. Partly to avoid controversial contemporary issues, Lin in 1947 publishedThe Gay Genius: The Life and Times of Su Tungpo, which presented the struggle between twoSong dynasty figures,Su Shi andWang Anshi, as parallel to the struggle between Chinese liberals and totalitarian communists.
Lin's political writings in English sold fewer copies than his cultural works and were more controversial.Between Tears and Laughter (1943) broke with the genial tone of his earlier English writings to criticize Western racism and imperialism, going against the advice of his Western patrons and publisher. He vehemently criticised Churchill for refusing to extend the right to self-determination to Britain's colonies under theAtlantic Charter and also quipped that 'all you need to do to make an Englishman a gentleman again is to ship him back west of the Suez Canal'.[11]
Following theattack on Pearl Harbor, Lin traveled in China and wrote favorably of the war effort andChiang Kai-shek inVigil of a Nation (1944). AmericanChina Hands such asEdgar Snow criticized the works.[12]
Lin was interested in mechanics. Since Chinese is a character-based rather than an alphabet-based language, with many thousands of separate characters, it was difficult to employ modern printing technologies. However, Lin worked on this problem for decades using a workableChinese typewriter, brought to market in the middle of thewar with Japan.
The Ming Kwai ('clear and quick') Chinese typewriter played a pivotal role in the Cold War machine translation research.[13][14]
From 1954 to 1955, Lin served briefly and unhappily as president ofNanyang University, which was newly established inSingapore by Chinese business interests to provide tertiary education in Chinese studies in parallel with the English-mediumUniversity of Singapore. However, according toCIA agent, Joseph B. Smith, Lin clashed with founderTan Lark Sye and the board of trustees on the direction of the new university. Smith quoted Lin as saying "They want to indoctrinate the students not only with a love of China, that would be fine, I too love China, but they also want to concentrate all teaching on a love of Mao Tse-tung. Mao's teachings are to be the core curriculum of this college. I won't have it. I am going back to New York."[15]
The faculty rejected Lin's plans to demolish and rebuild the new school building (which though grand, was not "Western" enough), his demands to have sole control over finances, and a budget clearly beyond its means.[16] Lin accepted a dismissal fee of $305,203, entirely contributed byTan Lark Sye, to prevent depleting the university's funds.[citation needed]
After he returned to New York in the late 1950s, Lin renewed his interest in Christianity. His wife was a devout believer, and Lin admired her serenity and humility. After attending services with her atMadison Avenue Presbyterian Church for several months, he joined the church and announced his return to the faith.[9]
Lin presided over the compilation of a Chinese-English dictionary,Lin Yutang's Chinese-English Dictionary of Modern Usage (1972), which contains an English index to definitions of Chinese terms. The work was undertaken at the newly foundedChinese University of Hong Kong.[citation needed]
He continued his work until his death in 1976. Lin was buried at his home inYangmingshan, Taipei. His home has been turned into a museum, which is operated by Taipei-basedSoochow University. The town of Lin's birth, Banzai, has also preserved the original Lin home and turned it into a museum.[citation needed]
Although his major books have remained in print, Lin was a thinker whose place in modernChinese intellectual history has been overlooked.[17] Lin themed conventions have been organized in Taiwan and Lin's native Fujian, and in December 2011, the International Conference on the Cross-cultural Legacy of Lin Yutang in China and America was held at City University of Hong Kong, with professional and private scholars from mainland China, Hong Kong, Taiwan, Japan, Malaysia, the United States, Germany and Slovakia. The organizer of the conference was Dr. Qian Suoqiao, author of the book,Liberal Cosmopolitan: Lin Yutang and Middling Chinese Modernity (Leiden; Boston: Brill, 2010).[18]
The first full-length academic study of Lin in English is Diran John Sohigian's "The Life and Times of Lin Yutang" (Columbia University Ph.D. diss., 1991). Jing Tsu,Sound and Script in Chinese Diaspora (Cambridge, MA: Harvard University Press, 2010) and Thomas S. Mullaney,The Chinese Typewriter: A History (Cambridge, MA: The MIT Press, 2017)give a detailed accounts of Lin Yutang in the context of late 19th century script reform, Chinese national language reform in the early twentieth century andmachine translation research during theCold War.
His wife, Lin Tsuifeng (née Liao)(廖翠鳳), was also an author, who, along with her daughter Lin Hsiang Ju, wrote three cook books which popularizedChinese cuisine in the English speaking world; Yutang wrote the introductions.[19]
His first daughterAdet Lin (1923–1971) was a Chinese-American author who used the pseudonym Tan Yun. Adet Lin later committed suicide by hanging herself.[citation needed] Lin Yutang is the father-in-law ofMatthew Broderick’s uncle.
His second daughterLin Tai-yi (1926–2003) was also known as Anor Lin in her earliest writing and had the Chinese name Yu-ju (玉如). She was an author and the editor-in-chief of Chinese edition of theReader's Digest from 1965 until her retirement in 1988. She also wrote a biography of her father in Chinese (林語堂傳).
His third daughterLin Hsiang-ju (林相如; born 1930), was referred to as Meimei in childhood. She graduated with aDoctor of Science (DSc) in Biochemistry from Harvard University[20][21] and later co-authored Chinese cookbooks with her Mother includingChinese Gastronomy[22] for which her father wrote the foreword. Working as a biochemist, she became the Department Head of Pathology at the University of Hong Kong(HKU) and later as a medical researcher at the Baylor College of Medicine in Houston, Texas.[23]
Works by Lin in Chinese or published in China to 1935 include:[24]
Works by Lin in English include:[24]
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