For the French municipality known asLimós in Occitan, seeLimoux. For the plural oflimo, seelimousine. For the Greek island, seeLimnos.
InGreek mythology,Limos (Ancient Greek:Λιμός,romanized: Līmós,lit.'Famine, Hunger, Starvation')[1] is the personification of famine or hunger. Of uncertain sex, Limos was, according to Hesiod'sTheogony, the offspring ofEris (Strife), with no father mentioned.[2] Like all of the children of Eris given by Hesiod, Limos is a personified abstraction allegorizing the meaning of the Greek wordlimos, and represents one of the many harmful things which might be thought to result from discord and strife, with no other identity.[3]
Limos was held in particular regard atSparta. The name ofFames, a figure inRoman mythology, is a translation ofLimos.[4]
Ancient Greek is a gendered language, and the gender of the Greek wordlimos can be either masculine or feminine.[5] The same gender uncertainty applied also to the personification, which could be considered as either a man or a woman. AtByzantium there was a statue of Limos as a man, while there was a painting of Limos as a woman atSparta.[6]
In Hesiod'sWorks and Days, Limos is presented as the antithesis ofDemeter (the goddess of grain).[7] According to Hesiod, in contrast to Demeter, who loves the hard-working man, filling his "granary with the means of life", Limos hates him, and "is ever the companion of a man who does not work".[8] The GreekIambic poetSemonides (c. seventh century BC), describes Limos as "a hostile housemate, enemy of the gods".[9] These archaic descriptions of Limos as a "companion" and "housemate" seemingly regard Limos as a being able to enter one's house and dwell there.[10]
Limos was one of seven abstractions respected, and possibly deified, at Sparta. The other six werePhobos (Fear),Aidos (Modesty or Reserve),Hypnos (Sleep),Thanatos (Death),Gelos (Laughter), andEros (Love). These were all abstractions associated with physical states of the body, or psychological states with physical manifestations.[11] Also at Sparta, there was a painting of Limos (as mentioned above) at the temple ofApollo[12] "in the form of a woman"[13] and described as "a woman pale, and emaciated, with her hands tied behind her."[14]
^'Limos' is variously translated as 'Famine' (Hard,p. 31; Gantz, p. 10), 'Hunger' (Most,p. 21) or 'Starvation' (Caldwell,p. 42 on 212–232); compareLSJ s.v.λιμός.
^Richer p.102 n. 26;Polyaenus,2.15. Polyaenus is relating the same anecdote aboutHippodamas as Callisthenes, and so is presumably describing the same painting, although according Polyaenus, the painting "hung in the temple of Chalcioecus", presumably referring to the sanctuary of Athena Chalkiokos at Sparta.
Farone, Christopher, A., "Boubrôstis, Meat Eating and Comedy: Erysichthon as Famine Demon in Callimachus’ Hymn to Demeter" inGods and Religion in Hellenistic Poetry, edited by M.A. Harder, R.F. Recruit, G.C. Walker, Peeters Publishers, 2012.ISBN978-9042924840.
Giuseppetti, Massimo, "Two Poets for a Goddess: Callimachus’ and Philicus’ Hymns to Demeter" inGods and Religion in Hellenistic Poetry, edited by M.A. Harder, R.F. Recruit, G.C. Walker, Peeters Publishers, 2012.ISBN978-9042924840.
Hard, Robin (2004),The Routledge Handbook of Greek Mythology: Based on H.J. Rose's "Handbook of Greek Mythology", Psychology Press, 2004,ISBN9780415186360.Google Books.
Richer, Nicolas, "Aidōs at Sparta" inSparta: new perspectives, edited by Stephen Hodkinson, and Anton Powell, 1999, London: Duckworth.ISBN978-1-910589-32-8.