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Life in Cold Blood

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2008 British TV series or programme
Life in Cold Blood
Life in Cold Blood DVD cover
Region 2 DVD cover
GenreNature documentary
Presented byDavid Attenborough
ComposersDavid Poore
Ben Salisbury
Country of originUnited Kingdom
Original languageEnglish
No. of episodes5
Production
Executive producerSara Ford
ProducersMiles Barton
James Brickell
Hilary Jeffkins
Adam White
Running time50 minutes
Production companyBBC Natural History Unit
Original release
NetworkBBC One
Release4 February (2008-2-4) –
3 March 2008 (2008-3-3)
Related

Life in Cold Blood is aBBCnature documentary series written and presented byDavid Attenborough, first broadcast in the United Kingdom from 4 February 2008 onBBC One.[1]

A study of the evolution and habits ofamphibians andreptiles, it is the sixth and last of Attenborough's specialised surveys following his major trilogy that began withLife on Earth, hence a ninth part for the eight series inThe Life Collection.

The series comprises five 50-minute programmes, each one followed byUnder the Skin, a 10-minute section that features Attenborough interviewing the scientists whose work has led to the sequences included in the main programme. It also examines the challenges faced by the crew and reveals some of the techniques used to film the series.[2]

The series was produced by theBBC Natural History Unit in co-production withAnimal Planet andThe Open University. The executive producer is Sara Ford and the series producer is Miles Barton. TheUnder the Skin segments were produced by James Brickell in collaboration with theOpen University.[2] The score for the main films was composed byDavid Poore and Ben Salisbury, whilst the music forUnder the Skin was written and performed by Tony Briscoe.

The series won the2009 BAFTA Television Award in the Specialist Factual category.[3] Within David Attenborough's 'Life' series, it is preceded byLife in the Undergrowth (2005).

Background

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Filming began in the early part of 2006 and, as with Attenborough's previous series, the production team travelled the world to photograph the required sequences. In May 2006, Attenborough celebrated his 80th birthday in theGalápagos Islands while filminggiant tortoises, one of which, calledLonesome George, was thought to be the same age.[4] Lonesome George died on 24 June 2012; he was believed to have been more than 100 years old.

Several innovative techniques were used to capture footage.Thermal imaging cameras were used to demonstrate the creatures' variable body temperatures, probe cameras allowed access to underground habitats and even a matchbox-sized one was attached to the shell of atortoise.[5]

Expert scientists helped the producers to film animal behaviour that is rarely seen. The team 'staked out' radiotaggedtimber rattlesnakes in order to witness one of them despatching its prey. However, for Attenborough's close encounter with a spittingcobra, a captive snake that was used to being handled was placed in a natural setting and the presenter wore a face visor. Other examples of 'pets' being used were for sequences depicting the lassoing tongue of achameleon (which had to befilmed at ultra-high speed) and the digestive system of apython (which was enhanced bycomputer-generated imagery).[5]

Life in Cold Blood is Attenborough's last major series and also represents the final study in his 'Life' series, which comprises 79 programmes. In a 2008 interview, he stated:

The evolutionary history is finished. The endeavour is complete. If you'd asked me 20 years ago whether we'd be attempting such a mammoth task, I'd have said 'Don't be ridiculous'. These programmes tell a particular story and I'm sure others will come along and tell it much better than I did, but I do hope that if people watch it in 50 years' time, it will still have something to say about the world we live in.[6]

However, although Attenborough was 81 years old at the time of the series' broadcast, he continued to assist the BBC Natural History Unit by providing narration for projects such asNature's Great Events,Life andFrozen Planet.[7]

Attenborough confirmed on the penultimate edition ofParkinson, broadcast on 16 December 2007, that he did not intend to retire completely and would still make occasional single documentaries, rather than any more series.

Episodes

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"Reptiles and amphibians are sometimes thought of as primitive, dull and dimwitted. In fact, of course, they can be lethally fast, spectacularly beautiful, surprisingly affectionate and very sophisticated."

— David Attenborough's opening words
No.TitleOriginal release date
1"The Cold Blooded Truth"4 February 2008 (2008-2-4)

The first episode discusses the keys to success of reptiles and amphibians, looking atthermoregulation, parental care and the time-scales on which reptiles operate. Attenborough begins in theGalápagos Islands, usingthermal imaging to demonstrate howmarine iguanas warm their bodies by basking in the sun before feeding. Meanwhile, thelizard inhabitants of aMenorcan island have a relationship with its indigenousdead horse arum plants. Attenborough visitsDassen Island to witness one of the world's greatest concentrations oftortoises – around 5,000 of them. Few reptiles are active at night, butcrocodiles can rely on water that retains much of its daytime temperature. Conversely, amphibians' moist skin would be damaged by the sun and so most are nocturnal. An exception is thewaxy monkey leaf frog, which can deal with sunlight by covering its body in a wax secretion. Apuff adder illustrates the relative inactivity of reptiles compared tomammals: one large meal can last up to a year. When it hatches at the onset of winter, the youngpainted turtle stays underground, near frozen until the spring when it can emerge. Attenborough wonders if thedinosaurs' immense size allowed them to maintain warm blood. Theleatherback turtle is able to retain body heat due to its large size and insulating body fat.

Under the Skin looks at the hunt for thepygmy leaf chameleon, filmed inMadagascar.[8]
2"Land Invaders"11 February 2008 (2008-2-11)

The second programme explores the world ofamphibians, of which there are some 6,000 known species. Attenborough visits Australia to illustrate how they became the first back-boned creatures to colonise land: thelungfish, which is capable of breathing air, and whose ancestors became the first amphibians. The largest of them is theJapanese giant salamander and two are shown wrestling for territory. InNorth America, themarbled salamander spends most of its life on land, yet is still able to retain the necessary moisture in its skin through the dampleaf litter. A femalecaecilian is filmed with her young, whose rapid growth is discovered to be the result of eating their mother's skin – re-grown for them every three days. The most successful amphibians arefrogs andtoads. Their calls are most active during the breeding season: females are impressed by both volume and frequency. However, gestures are sometimes needed and the poisonousPanamanian golden frog uses a conspicuous form of 'semaphore'. Most other frogs rely oncamouflage and theSouth American red-eyed tree frog is an example. AnAfrican bullfrog is shown defending its exposed tadpoles by digging a canal for them. Meanwhile, the malemarsupial frog keeps its young moist by carrying them in its skin pouches.

Under the Skin examines the filming of the last population of Panamanian golden frogs, which is threatened by a fungal disease.[9]
3"Dragons of the Dry"18 February 2008 (2008-2-18)

The third instalment takes a look at the immense diversity, social skills and displays of thelizards. While they are highly adept at camouflage, occasionally there is a need to break cover in order to ward off rivals. Attenborough holds up a mirror to ananole and causes it to extend its colourful throat flap as a warning sign. Madagascar is host to over 60 species ofchameleon but one of the largest, Meller's chameleon, is native toMalawi and two rival males are shown jousting. A femaleSouth African dwarf chameleon demonstrates its ability tochange colour when communicating to a potential mate, and the chameleon's muscular tongue is depicted lassoing its prey. In southern Australia, Attenborough uses a baited fishing rod to attract the attention of a rarepygmy bluetongueskink, thought to have been extinct for over thirty years until it was rediscovered in 1992.Shinglebacks are among the most devoted lizards and breeding pairs can reunite each year for up to two decades. Alongside South Africa'sOrange River, large groups offlat lizards feed on the swarms ofblack flies, but the males also use the occasion to indulge in social squabbling. TheMexican beaded lizard is one of the few with a poisonous bite, but males do not employ it when wrestling each other. Finally, Attenborough comes face to face with aperentie, Australia's largestmonitor lizard.

Under the Skin focuses on filming in Australia.[10]
4"Sophisticated Serpents"25 February 2008 (2008-2-25)

The fourth episode focuses on the most modern reptiles, thesnakes, exploring how they have managed to become successful despite their elongated body shape. Attenborough explains how they evolved from underground burrowers to surface hunters, losing their limbs in the process. With the aid of infrared cameras, atimber rattlesnake is shown lying in wait for a mouse and sensing its repeated path before despatching and eating it. A snake's constantly flickering tongue is used to gather and evaluate the molecules of its surroundings, and Attenborough visitsCarnac Island to witness a population of blindtiger snakes, which feed on the chicks of nestinggulls. He also confronts aMozambique spitting cobra, which quickly spraysvenom over the presenter's protective face visor. The similarities in colouration between the harmlesskingsnake and potentially lethalcoral snake are highlighted. An example of a snake that can tackle unusual prey is theQueen snake, which almost exclusively hunts newly-moultedcrayfish. A pair of rival maleKing cobras are seen battling and infantcobras are shown hatching: their venom is immediately as fatal as that of their parents. InArgentina, ayellow anaconda evades nearbycaimans to give birth to live young. Finally a turtle-headedsea snake feeds not on fish, but on their eggs laid on acoral reef.

Under the Skin discusses the filming of timber rattlesnakes during inclement weather.[11]
5"Armoured Giants"3 March 2008 (2008-3-3)

The final programme covers the most ancient of the reptiles: thecrocodiles andturtles. In theGalápagos Islands, among thegiant tortoises, Attenborough explains how the creatures came to develop theirshells as a defence against predators. This is demonstrated by theeastern box turtle, whose shell includes a hinged 'drawbridge'. The aquaticpig-nosed turtle is unusual in that its eggs need to be submerged before hatching, whereas those of other species would drown; Attenborough illustrates this by dropping an egg into a jar of water: it immediately hatches. In the open ocean, malesea turtles attempt to separate a rival from its mate by attacking and overwhelming the pair, stopping them from taking in air. In northern Australia, Attenborough observes a large gathering ofcrocodiles at a flooded coastal road: they time their arrival to ambush migratingmullet. The complex communication and body language of theAmerican alligator is investigated and in Argentina, the calls of young caimans help their mother locate and lead them to a nursery pool. The mother's maternal instinct extends to releasing unhatched babies by gently crushing their eggs in its jaws. InVenezuela, a femalespectacled caiman in charge of an entire crèche leads the infants from a drying river bed on a trek to permanent water.

Under the Skin explores filming on the Galápagos Islands and Attenborough's meeting withLonesome George.[12]

"Reptiles and amphibians are sometimes seen as simple, primitive creatures. That's a long way from the truth. The fact that they are solar-powered means that their bodies require only 10% of the energy that mammals of a similar size require. At a time when we ourselves are becoming increasingly concerned about the way in which we get our energy from the environment and the wasteful way in which we use it, maybe there are things that we can learn from 'Life in Cold Blood'."

— David Attenborough, in closing

DVD and book

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A 2-disc DVD set of the series (BBCDVD2553) was released on 25 February 2008.[13] The accompanying 288-page book,Life in Cold Blood by David Attenborough (ISBN 0-563-53922-4), was published byBBC Books on 7 December 2007, in advance of the television series.[14]The Region 1 DVD was released on 5 August 2008 (S.R.P. $34.98) through Warner Home Video.

References

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Citations

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  1. ^RadioTimes.com:Life in Cold Blood
  2. ^abBBC Press Office:Life in Cold Blood
  3. ^"Television Awards Winners in 2009".British Academy of Film and Television Arts. 26 April 2009. Archived fromthe original on 21 November 2010. Retrieved23 October 2009.
  4. ^BBC David Attenborough biography
  5. ^abBBC Science and Nature:Life in Cold Blood filming techniques
  6. ^Radio Times 26 Jan–1 Feb 2008: "The Last Word", interview with Jeremy Paxman
  7. ^Guardian: David Attenborough returns for two BBC natural history series
  8. ^Writer David Attenborough, Director Scott Alexander, Producer Miles Barton (4 February 2008). "The Cold Blooded Truth".Life in Cold Blood. BBC. BBC One.
  9. ^Writer David Attenborough, Director Scott Alexander, Producer Hilary Jeffkins (11 February 2008). "Land Invaders".Life in Cold Blood. BBC. BBC One.
  10. ^Writer David Attenborough, Director Scott Alexander, Producer Miles Barton (18 February 2008). "Dragons of the Dry".Life in Cold Blood. BBC. BBC One.
  11. ^Writer David Attenborough, Director Scott Alexander, Producer James Brickell (25 February 2008). "Sophisticated Serpents".Life in Cold Blood. BBC. BBC One.
  12. ^Writer David Attenborough, Director Scott Alexander, Producer Adam White (3 March 2008). "Armoured Giants".Life in Cold Blood. BBC. BBC One.
  13. ^BBC Shop:Life in Cold Blood DVD
  14. ^BBC Shop:Life in Cold Blood book

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