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Lens mount

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Interface between a camera body and lens
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Male mount ofMinolta MC-Rokkor 58mm 1:1.4 lens with female lens mount of anMinolta XD-7
Lenses sold per year by mount type

Alens mount is an interface – mechanical and often also electrical – between a photographiccamera body and a lens. It is a feature of camera systems where thebody allows interchangeable lenses, most usually therangefinder camera,single lens reflex type, single lens mirrorless type or anymovie camera of16 mm or highergauge. Lens mounts are also used to connect optical components in instrumentation that may not involve a camera, such as the modular components used in optical laboratory prototyping which join viaC-mount orT-mount elements.

Mount types

[edit]

A lens mount may be a screw-threaded type, abayonet-type, or abreech-lock (friction lock) type. Modern still camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body. Screw-threaded mounts are fragile and do not align the lens in a reliable rotational position, yet types such as the C-mount interface are still widely in use for other applications like video cameras and optical instrumentation.

Bayonet mounts generally have a number of tabs (often three) around the base of the lens, which fit into appropriately sized recesses in the lens mounting plate on the front of the camera. The tabs are often "keyed" in some way to ensure that the lens is inserted in only one orientation, often by making one tab a different size. Once inserted the lens is fastened by turning it a small amount. It is then locked in place by a spring-loaded pin, which can be operated to remove the lens.

Lens mounts of competing manufacturers (Sony, Nikon, Canon, Contax/Yashica, Pentax, etc.) are almost always incompatible. In addition to the mechanical and electrical interface variations, theflange focal distance from the lens mount to the film or sensor can also be different. Many[who?] allege that these incompatibilities are due to the desire of manufacturers to "lock in" consumers to their brand.[citation needed]

In movie cameras, the two most popular mounts in current usage on professionaldigital cinematography cameras areArri'sPL-mount andPanavision'sPV-mount. The PL-Mount is used both on Arri andRED digital cinematography cameras, which as of 2012[update] are the most used cameras forfilms shot in digital. The Panavision mounts are exclusively used with Panavision lenses, and thus are only available on Panaflex cameras or third-party cameras "Panavised" by a Panavision rental house, whereas the PL-mount style is favored with most other cameras andcine lens manufacturers. Both of these mounts are held in place with locating pins and friction locking rings. Other mounts which are now largely historical or a minority in relation to current practices are listed below.

List of lens mounts

[edit]
Mount nameFlange focal distanceFrame sizeThroat or thread diameterMount thread pitchMount typePrimary useCamera lines
Kinor 16SP52 mm[1]16 mm43 mmBreech lockCinematographyKinor 16SP,Krasnogorsk-1, -2, -3[2][3] 16mm movie cameras
Kinor 16SX52 mm[4]16 mm43 mmBreech lockCinematographyKinor 16SX-1M,-2M 16mm movie camera
OST/OCT-1968 mm[4]35 mm61 mmBreech lockCinematographyKonvas-2M, Kinor-35H 35mm movie cameras
Kiev-16U31 mm[5]16 mm32 mm0.5 mmScrewCinematographyKiev-16U/UE 16mm movie cameras
Kiev-16C17.35 mm[5]16 mm27 mm0.75mmScrewKiev-1C 16mm movie camera
Canon SV32.00 mmBayonetPhotography (Digital)Canon RC-701 & 760
Argus C340.3 mm35 mm34 mm20 TPIScrewPhotographyArgus C3
Canon EX20 mm1/2"BayonetPhotography
Canon FL42 mm35 mm48 mmBreech lockPhotography
Canon FD42 mm35 mm48 mmBreech lockPhotographyCanonF series,A series, andT series SLRs
Canon FDn (a.k.a. "New FD")42 mm35 mm48 mmBayonetPhotographycompletely interchangeable with earlier FD lenses
Canon EF44.00 mm35 mm54 mm[6]BayonetPhotographyCanon EOS35mm film SLR, Full Frame & APS-H DSLR
Canon EF-S44.00 mmAPS-C54 mmBayonetPhotography (Digital)Canon EOSAPS-C DSLR
Canon EF-M18 mmAPS-C47 mmBayonetPhotography (Digital)Canon EOS M series MirrorlessAPS-C Cameras
Canon RF20 mm35 mm andAPS-C54 mmBayonetPhotography (Digital)Canon EOS R series full-frame and APS-C mirrorless cameras; lenses designated as RF-S are optimized for APS-C sensors, but will mount on full-frame bodies
Nikon S34.85 mm35 mm34 mm[7]BayonetPhotographyNikon Rangefinder
Nikon F46.5 mm35 mm44 mm[8]BayonetPhotographyNikon F35mm film SLR, Full Frame &APS-C DSLR
Nikon 117 mm13.2 x 8.8mm40 mmBayonetPhotography (Digital)Nikon 1 series
Nikon Z16 mm35 mm55 mmBayonetPhotography (Digital)Nikon Z - Mirrorless Full Frame,APS-C, & video
Sony Mavica57 mmBayonetPhotography (Digital)
Sony E | FE18 mm35 mm andAPS-C46.1 mm (1.815 inch)BayonetPhotography (Digital)Sony E/FE Mount Alpha Mirrorless Full Frame / APS-C| Sony NEX Mirrorless APS-C
Minolta SR43.50 mm35 mm44.97 mmBayonet (54°)PhotographyMinolta SR/MC/MD
Minolta V38.00 mmAPS-H39.7 mmBayonetPhotographyMinolta Vectis
Minolta A44.50 mm35 mm andAPS-C49.7 mm (1.939 inch)Bayonet (54°)PhotographyMinolta DSLR AF/Alpha/Dynax/Maxxum
Sony DSLR Alpha (α) A Mount
Pentax Auto 11027 mm110 film19.5 mmBayonetPhotographyPentax Auto 110 and Auto 110 Super
Pentax Q9.2 mm1/2.3", 1/1.7"31 mmBayonetPhotography (Digital)
Pentax K45.46 mm35 mm andAPS-C44 mmBayonetPhotographyUsed also by Ricoh, Chinon, Agfa, Vivitar and KMZ Zenit cameras
Leitz Visoflex I91.3 mm35 mmM3926TPIScrewPhotography
Leitz Visoflex II/III67.8 mm35 mm44 mmBayonet (Leica M)Photography
Leica M27.80 mm35 mm44 mmBayonetPhotographyLeica M series
Leica CL
Minolta CLE
Leica R47.00 mm35 mm49 mmBayonetPhotography
Leica L20 mm35 mm andAPS-C51.6 mmBayonetPhotography (Digital)L-Mount Alliance (Leica, Panasonic, Sigma, DJI and Blackmagic Design cameras)
Contax RF34.85 mm35 mm44 mmDouble bayonetPhotographyContax I, II, III, IIa, IIIa
Kiev rangefinders
Contax G29.00 mm35 mm44 mmBreech lockPhotography
Contax N48 mm35 mm55 mmBayonetPhotography
Contax/Yashica45.5 mm35 mm48 mmBayonetPhotographyYashica/Contax
Yashica MA~45.8 mm35 mmBayonetPhotographyKyocera Yashica 230 AF etc.
Fujica X43.5 mm35 mm49 mmBayonetPhotographyFujica-X
Fujifilm X17.7 mmAPS-C44 mmBayonetPhotography (Digital)Fujifilm X series mirrorless
Olympus Pen F28.95 mm35 mm half-frameBayonetPhotography
Olympus OM46 mm35 mm46 mmBayonetPhotography
Four Thirds38.67 mm17.3 mm × 12.98 mm~44 mm[A]BayonetPhotography (Digital)Olympus E
Panasonic Lumix DMC-L
Leica Digilux
Micro Four Thirds19.25 mm17.3 mm × 12.98 mm~38 mm[A]BayonetPhotography (Digital)Olympus Pen & OM-D series
Panasonic G, GF, GX & GH Series
Blackmagic Design Cinema Camera
KM28 mm (27.80 mm?)35 mm44 mmBayonetPhotographyKonica Hexar RF
Konica F40.50 mm35 mm40 mmBayonetPhotographyKonica F
Konica AR40.50 mm35 mm47 mmBayonetPhotographyKonica Autoreflex
Samsung NX mini6.95 mm1"38 mmBayonetphotography (Digital)
Samsung NX25.5 mmAPS-C42 mmBayonetPhotography (Digital)
Samsung Kenox44.5 mm35 mmBayonetPhotographyManual focus only; there is only one compatible camera -Samsung Kenox GX-1/Samsung SR4000.
DJI DL16.84 mm[9]35 mm andAPS-C58 mm[9]BayonetPhotography (Digital), CinematographyFor aerial drone and gimbal use;DJI Zenmuse X7,X9 andDJI Ronin 4D X9 cameras.
Icarex BM48.00 mm35 mmBreech lockPhotographyIcarex 35S
D12.29 mm8 mm15.88 mm (0.625 inch)32TPIScrewCinematography
CS12.526 mm[10]1/3", 1/2"25.40 mm (1 inch)32TPIScrewCinematography / Industrial
C17.526 mm (0.69 inches)1/2",16 mm, 2/3", 1"25.40 mm (1 inch)32TPIScrewCinematography / Industrial / Machine Vision
S (a.k.a. M12)N/A. Screw mount must be adjusted manually for back focus. Back focal distance from <1mm to 12mm.1/6" to 1"12 mm0.5 mm pitchScrewCCTV,PCBEdmund Optics μ-Video
Bolex Bajonet23.22 mm16 mmBreech lockCinematographyeffective focal distance17.526 mm (0.69 inches) due to beam splitter behind mount flange (accepts C-mount lenses with adapter)
1/3" bayonet mount25 mm1/3" (5.24x2.94)BayonetVideoJVC professional video cameras
M39 (a.k.a. L-Mount, LTM)28.80 mm35 mmM3926TPIScrewPhotographyLeica M39 screw mount
Narciss28.8 mm16 mmM241 mmScrewPhotography
1/2" bayonet mount37.80 mm1/2" (6.97x3.92)BayonetVideoNon-Sony professional video cameras
Alpa37.80 mm35 mm42 mmBayonetPhotography
Sony 1/2" Video38 mm1/2" (6.97x3.92)BayonetVideoSony professional video cameras
Aaton universal40 mm16 mm50 mmBreech lockCinematography
Miranda bayonet/M4441.5 mm35 mm andAPS-CBayonetPhotographyMiranda Camera Company
Petriflex43.5 mm35 mmBreech lockPhotography
Sigma SA44.00 mm35 mm44 mmBayonetPhotographySigma SA
Paxette44 mm35 mmM391 mmScrewPhotography
Praktiflex44 mm35 mmM401 mmScrewPhotography
Praktica44.40 mm35 mm42 mmBayonetPhotography
Exakta44.7 mm35 mm46 mmBayonetPhotographyExakta,Topcon Super
Zenit M3945.2 mm35 mmM391 mmScrewPhotography
M3745.46 mm35 mm37 mm1 mmScrewPhotographyAsahiflex
M4245.46 mm35 mm42 mm1 mmScrewPhotographyPraktica,[11] Pentax, Zenit
B4-mount48 mm2/3" (9.6x5.4)BayonetVideoProfessional and broadcast video cameras
Praktina50 mm35 mm46 mmBreech lockPhotography
T-Thread (Very earliest type)50.7 mm35 mmM370.75mmScrewPhotographyTamron
Adapt-A-Matic50.7 mm35 mm54 mmBayonetPhotographyTamron
Adaptall & Adaptall-250.7 mm35 mm54 mmBayonetPhotographyTamron
Arri standard52 mm35 mm and16 mm64 mmTab lockCinematography
Arri bayonet52 mm35 mm and16 mm64 mmBayonetCinematography
Arri PL52 mm35 mm and16 mm54 mmBreech lockCinematography
Arri LPL44 mmArri LF62 mmBreech lockCinematography
Arri Maxi PL52 mm70 mm64 mmCinematography
T55 mm35 mm42 mm0.75 mmScrewPhotographyTamron
YS Auto T-Thread55 mm35 mm42 mm0.75 mmScrewPhotographySigma Corporation
T-thread55 mm35 mm47 mm0.75 mmScrewPhotographyTokina
H-Mount55 mm35 mm47 mm0.75 mmScrewPhotographyHanimex (rebranding of Tokina M47)
Panavision PV57.15 mm35 mm49.5 mmBreech lockCinematography
B3-mount58 mm2/3"Reverse bayonetVideoIkegami
Mitchell BNCR61.468 mm35 mm68 mmBreech lockCinematography
Zeiss Panflex 5522/23 for Contax RF64.50 mm35 mmDouble bayonetPhotography
Kowa Six/Super 6679 mm6×6Breech lockPhotography
Hasselblad74.9 mm6×669 mmBayonetPhotography
Hasselblad Xpan34.27 mm35 mm panoramic46 mmBayonetPhotography
Bronica ETR69 mm6×4.5BayonetPhotography
Bronica RF6×4.5BayonetPhotography
Bronica SQA101.7 mm6×657 mmBayonetPhotography
Bronica GS185 mm6×780.5 mmBayonetPhotography
Mamiya 64563.3 mm6×4.562 mmBayonetPhotography
Mamiya 656.2 mm (approx.)[12]6×6BayonetPhotography
Mamiya 7/7II59 mm (approx.)6×749 mm[13]BayonetPhotography
Mamiya RZ67105 mm6×760 mmBayonetPhotography
Mamiya RB67112 mm6×760 mmBayonetPhotography
Mamiya ZE45.5 mm35 mmBayonetPhotography
Mamiya/Sekor E43.5 mm35 mm49 mmBayonetPhotography
Pentax 64570.87 mm6×4.561.2 mmBayonetPhotography
Pentax 6x784.95 mm6×772 mmBayonetPhotography
Pentacon Six74.1 mm6×660 mmBreech lockPhotography
Fujifilm G26.7 mm43.8x32.9 mm65 mm[14]BayonetPhotography (Digital)Fujifilm GFX series
Rolleiflex SL66102.8 mm6×6BayonetPhotography
Rolleiflex SL3544.46 mm35 mm46 mmBayonetPhotography
RMS thread, society thread150/180 mm0.8", Whitworth36 tpiScrewMicroscopeolder microscopes
Leica
Nikon Biological
UnknownM250.75 mmScrewMicroscope
BD MountUnknownM260.7 mmScrewMicroscopeMitutoyo
Olympus BD
Nikon BD
ZeissUnknownM270.75 mmScrewMicroscope
TFL[15]17.526 mm28 mmM350.75 mmScrewMachine Vision
TFL II[15]17.526 mm35 mmM480.75 mmScrewMachine Vision
Pentax Auto 11027 mm[16]110 Film20.6 mm[17]BayonetPhotographyAuto 110

For small camera modules, used in e.g.CCTV systems andmachine vision, a range of metric thread mounts exists. The smallest ones can be found also in e.g. cellphones and endoscopes. The most common by far is the M12x0.5, followed by M8x0.5 and M10x0.5.[18]

  • M4.2x0.2 (1/7" sensors)
  • M4.6x0.25 (1/5", 2.4mm, 3.8mm sensors, industrial endoscopes)
  • M5x0.35 (1/6", 1/5" sensors)
  • M5.5x0.35 (1.7", 1/5.8", 1/5", 1/4" sensors)
  • M6x0.35 (1/4", 5.2mm, 4.85mm sensors)
  • M6.4x0.25 (1/3" sensors)
  • M7x0.35 (1.8", 1.7", 1/6", 1/5", 1/4", 1/3.6", 1/3.2", 1/2.7", 4.85mm sensors)
  • M8x0.35 (1/4", 1/3" sensors)
  • M8x0.5 (1/5", 1/4", 1/3" sensors; sometimes occurs in diode laser modules)
  • M9x0.5 (1/2.7", 1/3", 1/3.2" sensors; also commonly encountered in diode laser modules)
  • M10x0.5 (1/4", 1/3" sensors)
  • M12x0.5 (the S-mount, listed in the table)
  • M22x0.5 (1/1.2" sensors)

Focusing lens mount

[edit]

The axial adjustment range for focusingUltra wide angle lenses and someWide-angle lenses inlarge format cameras is usually very small.

So some manufacturers (e.g.Linhof) offered special focusing lens mounts, so-calledwide-angle focusing accessories for their cameras.With such a device, the lens could be focused precisely without moving the entire front standard.

Secondary lens mount

[edit]
A teleconverter attached between a camera and its objective

Secondary lens refers to a multi-element lens mounted either in front of a camera's primary lens, or in between the camera body and the primary lens.

(D)SLR camera & interchangeable-lens manufacturers offer lens accessories likeextension tubes and secondary lenses liketeleconverters, which mount in between the camera body and the primary lens, both using and providing a primary lens mount. Various lensmakers also offer optical accessories that mount in front of the lens; these may includewide-angle,telephoto,fisheye, andclose-up ormacro adapters.

Canon PowerShot A andCanon PowerShot G cameras have a built-in or non-interchangeable primary (zoom) lens, and Canon has "conversion tube" accessories available for someCanon PowerShot camera models which provide either a 52mm or 58mm "accessory/filter" screw thread. Canon's close-up, wide- (WC-DC), and tele-conversion (TC-DC) lenses have 2, 3, and 4-element lenses respectively, so they are multi-element lenses and not diopter "filters".

Lens mount adapters

[edit]
This lens adapter is a passive adapter designed for mounting a Nikon F mount lens to a Micro Four Thirds camera.
Main article:Lens adapter

Lens mount adapters are designed to attach a lens to a camera body with non-matching mounts. Generally, a lens can be easily adapted to a camera body with a smaller flange focal distance by simply adding space between the camera and the lens. When attempting to adapt a lens to a camera body with a larger flange focal distance, the adapter must include a secondary lens in order to compensate. This has the side effect of decreasing the amount of light that reaches the sensor, as well as adding acrop factor to the lens. Without the secondary lens, these adapters will function as anextension tube and will not be able to focus to infinity.[19]

See also

[edit]

Notes

[edit]

^ A: The authoritative normative source for 4/3 standards information is Four-Thirds.Org and not 3rd-party reviews.

4/3's published facts:

  • "Size of the 4/3-type Sensor: The standard diagonal length of the sensor is 21.63 millimetres (0.852 in). It is half that of 35-mm film format (36 millimetres (1.4 in) x 24 millimetres (0.94 in) = 43.27 millimetres (1.704 in)) Theimage circle of the interchangeable lens is specified based on this diagonal length. The focal length is about a half that of a 135 film camera lens assuming the same angle of view."[20]
  • "The foundation for the high picture quality of the Four Thirds system is the lens mount, which is about twice the diameter of the image circle."[21]
  • "Differences between Four Thirds System mount and Micro Four Thirds System mount: Mount diameter reduction; As a result of research aimed at facilitating the design of compact, lightweight lenses while maintaining the current strength, the outer diameter of the lens mount has been reduced by approx. 6 millimetres (0.24 in). ... the Micro Four Thirds System ... specifies the optimum flange back length required to reduce camera size and thickness, assuming the omission of the mirror box. The flange back length has been reduced to about 1/2 that of the Four Thirds System."[22]

So:

NOTE:Some published reviews of 4/3 instead cite the (female) "outside diameter" of the lens or mount as ~50mm (and micro-4/3 as ~44mm),[23] and not the appropriatemajor diameter (D) ~44mm which is the camera body's female mount inside-diameter and the lens's male mount outside-diameter (micro-4/3 ~38mm).

References

[edit]
  1. ^"Krasnogorsk-2 lens mount".rafcamera.com. Retrieved2024-05-20.
  2. ^"Seeking knowledge and user experiences with the Kinor SP16".Cinematography.com. 2006-11-21. Retrieved2024-05-20.
  3. ^"K-3 bayonet question".Cinematography.com. 2010-02-07. Retrieved2024-05-20.
  4. ^ab"Kinor 16CX-2M lens mount question".Cinematography.com. 2011-01-28. Retrieved2024-05-20.
  5. ^abLens mounts and flange focal distances(PDF). p. 3.
  6. ^"Camera Story – 1987–1991 EOS".Canon. Archived fromthe original on 2008-07-24. Retrieved2008-07-22.
  7. ^"Debut of Nikon F".Nikon. Retrieved2024-04-14.
  8. ^"Debut of Nikon F".Nikon.Archived from the original on 2020-08-12. Retrieved2020-10-26.
  9. ^ab"DJI DL mount lenses".iso3200.org. Retrieved2024-09-09.
  10. ^Hornberg, Alexander (2007-02-27).Handbook of Machine Vision. John Wiley & Sons.ISBN 9783527610143.
  11. ^The M42 (Praktica) mount is sometimes referred to as a "P" thread. See, e.g.,"Questar Corporation: Photographic Camera Adapters "P" Thread". Retrieved2017-03-01.
  12. ^"Mamiya 6".www.kenrockwell.com.
  13. ^"Camera Mounts Sorted by Register".www.graphics.cornell.edu. Retrieved2018-08-23.
  14. ^"FUJIFILM GFX 50S, Features".Fujifilm. Retrieved2018-05-23.
  15. ^ab"Lens Mounts".Edmund Optics.
  16. ^"Pentax Auto 110 Lenses".pages.mtu.edu. Retrieved2024-11-26.
  17. ^Bremdebrommer (16 December 2023)."Pentax auto 110 to Sony E / FE adapter".Thingiverse. Retrieved26 November 2024.
  18. ^"cctvopticallens-m12 and cs mount lens provider".www.cctvopticallens.com. Archived from the original on September 30, 2017. Retrieved3 April 2018.
  19. ^"Lens mount compatibility chart". Retrieved2016-11-29.
  20. ^"About Four Thirds, Standard, Whitepaper (Summary of Standard)".Four Thirds System. Archived fromthe original on 2009-03-07. Retrieved2008-08-11.
  21. ^"About Four Thirds, Standard, Benefits of Four Thirds".Four Thirds System. Archived fromthe original on 2010-07-25. Retrieved2008-08-11.
  22. ^"Micro Four Thirds, Standard, Whitepaper (Summary of Standard)".Four Thirds System. Archived fromthe original on 2012-10-20. Retrieved2008-08-11.
  23. ^"Olympus and Panasonic announce Micro Four Thirds". Digital Photography Review.

Sources

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External links

[edit]
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