This articleneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Lament for the Makaris" – news ·newspapers ·books ·scholar ·JSTOR(December 2011) (Learn how and when to remove this message) |

"I that in Heill wes and Gladnes", also known as "The Lament for the Makaris", is a poem in the form of adanse macabre by the Scottish poetWilliam Dunbar. Every fourth line repeats theLatin refraintimor mortis conturbat me (fear of death troubles me), alitanic phrase from theOffice of the Dead.
Apart from its literary quality, the poem is notable for the list ofmakars it contains, some of whom are historically attestable as poets only from Dunbar's testimony in this work. After listingLydgate,Gower andChaucer, the makars invoked are Scottish. All but two are cited as having died by the time of the composition. The two exceptions are thecourtier Patrick Johnston and known poetWalter Kennedy, the latter of whom diedc. 1508. From internal evidence, thelament is generally thought to have been composed c. 1505.
Most of the names can be traced to either the fourteenth or fifteenth centuries.
The list of names in theLament for the Makaris, all of which are from what Dunbar in the poem calls his "facultie", suggests a picture of the Scottish literary culture of the period which is wider than that otherwise handed down to us from the surviving record. In order and form of citation, the makars that Dunbar mourns in 'The Lament' are:
Dunbar offers some small tantalising details beyond customary compliments for the lost poets cited. The title of one poem is given: Clerk of Tranent's "Anteris of Gawane", an otherwise unknown work. Of Mercer, Dunbar extends his critical opinion to say that he "didin luf so lifly write,/ So schort, so quyk, of sentencehie", and the reference to him as a poet of love also accords with the fact that some love poems are attributed to a "Mersar" in theBannatyne MS. Finally, if the lines "That scorpionfell hes done infek,/ Maister Johne Clerk, and James Afflek,/ Frabalat making andtragidie" can be taken to impart literal information, then it might infer that some particular reputation for work with more serious themes attached to these names. At that time in Scotland "tragedy" denoted any "story, play or poem with a disastrous or sorrowful outcome".[5]
(Lament for the Makaris, Lines 17-24)