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La Mandrágora

From Wikipedia, the free encyclopedia
For other uses, seeMandragora (disambiguation).

La Mandrágora (Spanish forTheMandrake) was aChileanSurrealist group "officially founded" on 12 July 1938 byBraulio Arenas (1913-1988),Teófilo Cid andEnrique Gómez Correa.[1] The group had met inTalca and first started exchanging in 1932.[2] They published an eponymous review (of which 7 issues were edited at a small scale, the last issue being edited in October 1943)[1] and an anthology of poetry,El A, G, C de la Mandrágora, which included works by all founders except Teófilo Cid. Politically, the group supported thePopular Front.

Vicente Huidobro (1893-1948), who had formed theCreationist literary movement, had been one of the main intermediaries of Surrealist thought in Chile, through his yearly travels to Paris.[1]The poetGonzalo Rojas (1917-2011) was also for a short time member of the group, although he harshly disavowed it years laters.[3] Rojas had introduced the youngJorge Cáceres to Braulio Arenas in 1938.[1] Others collaborators to the movement included Cáceres,Fernando Onfray,Gustavo Osorio, Huidobro,Pablo de Rokha, the VenezuelanJuan Sánchez Peláez,[4] as well as the paintersEugenio Vidaurrázaga andMario Urzúa, the musiciansRenato Jara, Alejandro Gaete and Mario Medina, and the artistLudwig Zeller, among others.[1]

References

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  1. ^abcdeLa MandrágoraArchived 2009-07-07 at the Portuguese Web Archive article(in Spanish)
  2. ^Interview of Braulio Arenas byȘtefan Baciu (Entrevista a Braulio Arenas: "La Mandrágora opera con la virtud de una leyenda", por Stefan Baciu)(in Spanish)
  3. ^Gonzalo Rojas, “Vallejo era bueno, sabía balbucear", interview inLa Republica, 3 August 2008.
  4. ^Sobre el surrealismo hispanoamericano: el fin de las habladurias, byOctavio Paz, onȘtefan Baciu'sAntología de la poesía surrealista latinoamericana, Joaquín Mortiz, México, 1974.

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