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La Fura dels Baus (Catalan pronunciation:[ləˈfuɾəðəlzˈβaws]) is a Spanish theatrical group founded in 1979 inMoià,Barcelona (Spain), known for their urban theatre, use of unusual settings and blurring of the boundaries between audience and actor. "La Fura dels Baus" in Catalan means "Theferret from Els Baus" (Els Baus is a toponym from the birthplace of two of the founders,Moià).[1][2] According to a 1985 review of their London performance, published inNME, the group "create a kind of adult adventure playground of fun, danger, slapstick and fantasy".[3]
La Fura dels Baus was founded in 1979.[4] Since the early 1990s, it has diversified its creative efforts, moving into the fields of written drama,digital theatre andstreet theatre, performing contemporary theatre and opera, and producing major corporate events. La Fura performed a section of theopening ceremony of the1992 Summer Olympics in Barcelona, which was broadcast and watched live by more than 3.5 billion viewers. Since this first large show, companies such as Pepsi, Mercedes Benz, Peugeot, Volkswagen, Swatch, Airtel, Microsoft, Absolut Vodka, Columbia Pictures, Warner Bros, the Port of Barcelona, Telecom Italia and Sun Microsystems have commissioned it to produce large promotional shows for them around the world.
From 2000 to 2010, La Fura dels Baus performed street theatre, evolving towards a concept of theatre that combines a wide range of stage resources, based on the classical idea of an all-round show. The main contribution of La Fura was to approach its shows by encouraging the audience to take an active part in areas traditionally reserved for the public, and adapting its stage work to the architectural characteristics of the spaces in which each performance takes place. This blend of techniques and disciplines came to be known asllenguatge furer ("Furan language"), a term that has also been used to describe the work of other theatre companies.
The particular concept of shows designed by La Fura dels Baus is seen in its large scale performances such as:L’home del mil.leni (2000), to celebrate the new millennium, which drew an audience of more than 20,000 in Barcelona; theDivine Comedy, performed inFlorence in front of more than 35,000 spectators;La Navaja en el Ojo, which opened the Biennial of Valencia, and which attracted an audience of more than 20,000; andNaumaquia 1 – Tetralogía Anfíbia – El Juego Eterno, which drew an audience of more than 15,000 spectators at the Forum de les Cultures in Barcelona.
A number of courses and workshops have trained actors in the "Furan language".Accions (1984) was the first show to use it, followed bySuz/O/Suz (1985),Tier Mon (1988),Noun (1990),MTM (1994),Manes (1996),ØBS (2000),Matria 1 – Tetralogía Anfíbia – La Creación (2004) andOBIT (2004). The company has made use of new technologies, for example inWork in Progress 97, an on-line show that put on simultaneous performances in different cities in a digital theatre environment.
In 2011 La Fura attracted controversy for performing for the 35th birthday party of the Chechen dictator,Ramzan Kadyrov.[5]
La Fura dels Baus create immersive theatrical productions that rely on resources such as video and other image-based media to create interactive stage-sets that force the audience to shift and move as they experience the performance. Formed by eight people in 1979, they first worked on the street, creating guerrilla theatre in Barcelona.[6] The techniques they learned from street work were applied "three years later while creating [their] first shows."[6] The experience of working on the street taught them that "the more multidisciplinary we were in our performances, the more money we got from the audience."[6] Performance scholar Antonio Sánchez has discussed their work in relation to the artistic legacy ofAntonin Artaud, arguing that "that LFdB’s theatrical productions ... signal the aesthetic completion of the avant-garde theatre dreamt of by Antonin Artaud half a century earlier."[7]
Their official theatrical debut wasAccions (Actions) (1984), which brought them attention on the European theatre scene.[8] Founding member Carlus Padrissa identifiesAccions as "the moment when [La Fura] discovered who we were in terms of art."[6]
Debuted in Madrid in 1985,Suz/o/Suz brought La Fura dels Baus to international acclaim. It was the recipient of the Ciutat de Barcelona, a prestigious cultural award, and since its debut has toured internationally.[9]
La Fura dels Baus has worked in the unconventional and risky areas of written drama or Italian style theatre, for example in:F@ust 3.0, a show that examines the classical work of Goethe;Ombra, a reinterpretation of various texts byFederico García Lorca; andXXX, a version of de Sade'sPhilosophy in the Bedroom,[10] its international tour, which closed October 2000 after almost 3 years.
2001Euripides tragedyThe Trojan Women, co-directed byIrene Papas, music byVangelis and design bySantiago Calatrava inSagunt in September
2004Obit, a performance about life and death. (October)
2005Metamorphosis première in Japan (September)
2006 the Design Fair in Milan
2007Imperium, to mark the celebrations of the Spanish Year in China (1 May)
2008Boris Godunov[11] (March)
These shows have the characteristics that have traditionally defined the work of La Fura dels Baus from the beginning: use of unconventional venues, music, movement, application of natural and industrial materials, including new technologies and the active participation of the audience in the show. This approach to theatre has attracted audiences that are not usually theatre-goers.
Fausto 5.0 (2001), co-directed withIsidro Ortiz, was awarded theGolden Méliès (2002) for the best European film in the fantastic genere. Although it is its first film. La Fura has already been involved in the cinema in the past, for example inGoya in Bordeaux (1999) byCarlos Saura.
La Fura dels Baus has created its own record label, with a catalogue of 14 recordings; it has also published its work on other labels, including Dro, Virgin and Subterfuge.
Music is used in all the company's work, to such an extent that it has sometimes provided the framework for the show itself. Each new stage production by La Fura dels Baus generates a parallel musical project that eventually leads to a record being produced.
TheNaumon is a floating cultural art center that has been toBarcelona,Sardinia,Portugal,Beirut,Taipei,Newcastle (2007),Haifa andDuisburg, carrying various artistic, educational and cultural containers,[clarification needed] including the showsNaumaquia,Sub,Terramaquia andMatria. It was 60m-long Norwegian ship built to break through Arctic ice, built in 1965 in a Norwegian shipyard located 200 miles from theArctic Circle. La Fura dels Baus bought the Naumon in July 2003. In 2019, La Fura dels Baus commemorates the 500th anniversary since the beginning ofFerdinand Magellan's world journey.
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