| L'arlesiana | |
|---|---|
| Opera byFrancesco Cilea | |
 Cilea c. 1910 | |
| Librettist | Leopoldo Marenco |
| Language | Italian |
| Based on | Alphonse Daudet'sL'Arlésienne |
| Premiere | |
L'arlesiana (Italian pronunciation:[larleˈzjaːna]) is anopera in three acts byFrancesco Cilea to an Italianlibretto byLeopoldo Marenco. It was originally written in four acts, and was first performed on 27 November 1897 at theTeatro Lirico inMilan. It was revised as a three-act opera in 1898, and a prelude was added in 1937.[1]
The opera is based on the playL'Arlésienne (1872) byAlphonse Daudet, which was itself inspired by a short story from his collectionLetters From My Windmill (Lettres de mon moulin) and is best known for theincidental music composed byGeorges Bizet.
Three famousarias from this opera are the "Lamento di Federico: È la solita storia del pastore" written for atenor, "Come due tizzi accesi" for abaritone, and for amezzo-soprano, "Esser madre è un inferno".[1] Additionally, in 2011, the aria "Una mattina" from the 4-act version was added to the present score by the publisher.
In 2007, research at theUniversità degli Studi di Pavia placed the aria "Alba novella" ("Una mattina") in the first version ofL'arlesiana.[2] The aria had been cut from the work after the premiere. Cilea did not want to reinsert it in the ensuing years, and it was subsequently forgotten. The Italian tenorGiuseppe Filianoti brought this aria to the attention ofCasa Sonzogno and urged them to reinstate it. They commissioned the Italian composer Mario Guido Scappucci to re-orchestrate the aria, and it was performed for the first time since the opera's premiere in concerts and recordings with thePhilharmonisches Orchester Freiburg in July 2012. The original Act III, scene 4 aria was included in its first staged performance with theWexford Festival Opera in October 2012.[3][4]
| Role | Voice type | Premiere cast, 27 November 1897 Conductor: Giovanni Zuccani[5] |
|---|---|---|
| Federico,madly in love with a woman from Arles (referred to asl'Arlesiana) | tenor | Enrico Caruso |
| Vivetta,in love with Federico | soprano | Matilde Ricci-De Paz |
| Rosa Mamai,Federico's mother | mezzo-soprano | Minnie Tracey |
| L'Innocente,Federico's young brother | mezzo-soprano | Clotilde Orlando |
| Marco,Federico's uncle | bass | Giuseppe Frigiotti |
| Baldassare,an old shepherd | baritone | Lelio Casini |
| Metifio,adrover | baritone | Mario Aristidi |
An old shepherd Baldassarre, tells a story tol'Innocente (a younger son of Rosa Mamai) about a little goat fighting with a hungry wolf all night long ("Come due tizzi accesi"). At the break of dawn the goat collapses and dies.L'Innocente is slightly developmentally delayed and rumour has it that the child brings good fortune to the household.L'Innocente is neglected by everyone in the family except Baldassarre.
Rosa Mamai is worried about her older son, Federico, who is madly in love with a woman from Arles. She asks her brother, Marco, to gather some information about this unknown woman.
Vivetta arrives at the farmhouse. She has always loved Federico but she feels hurt knowing of Federico's obsession forl'Arlesiana. As Rosa and Vivetta are talking, she sees L'Innocente up on the edge of the window. Baldassarre pulls the child back, and Rosa shudders, "If anyone should ever fall from that height!" Federico enters, and shortly afterwards, Marco returns with news from Arles. Marco says Rosa has no choice but to consent to the marriage plans.
While Baldassarre is at the farmyard, he is approached by Metifio, who asks to speak to Rosa. Metifio tells Rosa that he isl'Arlesiana's lover and the girl's parents are aware of their relationship but rejected him when the prospect of marriage with Federico arose. He shows Rosa and Baldassarre two letters to prove his statements. When Metfio leaves, Federico enters. His mother shows him the letters and asks him to read them. Federico is devastated over the treachery of the woman he loves.
Rosa and Vivetta search for Federico in the countryside. He has disappeared from home since the previous day. Rosa counsels Vivetta to behave more seductively with Federico and to distract him from thoughts ofl'Arlesiana. Baldassarre andl'Innocente enter.
L'Innocente discovers Federico has been hiding in the sheepfold. Baldassarre urges Federico to forget his sorrow by helping him with work ("Vieni con me sui monti"). After Baldassarre has gone, Federico pulls out the letters and contemplates them bitterly.L'Innocente falls asleep while repeating a line from the old shepherd's story about the goat, and that leads into Federico's lament ("È la solita storia del pastore").
Vivetta enters and awkwardly tries to follow Rosa's advice as to how to seduce Federico. She tells him that she loves him but Federico rejects her. Vivetta sobs and draws Rosa into the scene. Rosa offers her consent to his marriage withl'Arlesiana. Federico is moved by his mother's offer but he refuses, swearing that he will only give his name to a woman worthy of it. He calls for Vivetta and asks her to help him to forget about the woman he loves.
With preparations for Federico and Vivetta's wedding beginning, Federico affirms that he now only thinks of Vivetta. Metifio enters and runs into Baldassarre. He asks him to return his letters, but Baldassarre says he had delivered the letters to Metifio's father. However, Metifio had not yet received them because he was in Arles. Metifio reveals his plans to kidnapl'Arlesiana. Federico overhears the conversation and is overcome with his old jealousy. Vivetta pleads with him to move on and go with her.
Baldassarre advises Metifio not to ruin his life for the unworthy woman. In a rage, Federico attempts to assault Metifio with a sledgehammer but they are separated by Baldassarre and Rosa. When the situation has calmed down, Rosa remains alone and laments the trials of motherhood ("Esser madre è un inferno").L'Innocente awakes and tells his mother that she can go along to bed. He says he will keep watch over his brother. Rosa kisses him and caresses him as she never has before, but she sends him back to bed.
Federico is half-delirious, repeating the last lines of the shepherd's story about the goat fighting with the wolf all night and falling dead at the break of dawn. He pictures howl' Arlesiana is being carried away on Metifio's horse. Rosa runs to him as Federico heads for the hayloft. He believes he hearsl'Arlesiana's cries and, as his mother tries to stop him, he climbs up to the hayloft and jumps out of the window.
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