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L'Absinthe

From Wikipedia, the free encyclopedia
Painting by Edgar Degas
L'Absinthe
ArtistEdgar Degas
Year1875–76
MediumOil on canvas
Dimensions92 cm × 68 cm (36 in × 26.8 in)
LocationMusée d'Orsay,Paris

L'Absinthe (English:The Absinthe Drinker orGlass of Absinthe) is a painting byEdgar Degas, painted between 1875 and 1876.[1] Its original title wasDans un Café,[2] a name often used today.[3]

Other early titles wereA sketch of a French Café andFigures at Café. Then, when exhibited in London in 1893, the title was changed toL'Absinthe, the name by which the painting is now commonly known. It is in the permanent collection of theMusée d'Orsay inParis.

Description

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Painted in 1875–76, the work portrays a woman and man[1] sitting side-by-side, drinking a glass ofabsinthe. They appear lethargic and lonely.[3] The man, wearing a hat, looks to the right off the edge of the canvas, while the woman, dressed more formally in fashionable dress and hat, stares vacantly downward. A glass filled with absinthe is on the table in front of her. The models used in the painting areEllen Andrée, an actress who also appeared inÉdouard Manet's paintingsChez le père Lathuille andPlum Brandy, andMarcellin Desboutin,[3] a painter and etcher.[4] The café where they are taking their refreshment is theCafé de la Nouvelle-Athènes in Paris.[5]

Debonair friend of Degas self portrait in pencil with cafe attire

Reception

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At its first showing in 1876, the picture was panned by critics, who called it ugly and disgusting.[5] It was seen at the third Impressionist exhibition in 1877, but not again until it appeared at auction in 1892, when it was again treated with derision.[5][6] The painting was shown again at theGrafton Gallery in England in 1893, this time entitledL'Absinthe, where it sparked even greater controversy.[3] The people and the absinthe represented in the painting were considered by English critics to be shockingly degraded and uncouth.[7] Many regarded the painting as a blow to morality; this was the general view of such Victorians as SirWilliam Blake Richmond andWalter Crane when shown the painting in London. That reaction was typical of the age, revealing the deep suspicion with which Victorian England had regarded art in France since the early days of theBarbizon School, and the desire to find a morally uplifting lesson in works of art. Many English critics viewed the picture as a warning lesson against absinthe, and the French in general. The comment byGeorge Moore on the woman depicted was: "What awhore!" He added, "the tale is not a pleasant one, but it is a lesson". However, in his bookModern Painting, Moore regretted assigning a moral lesson to the work, claiming that "the picture is merely a work of art, and has nothing to do with drink or sociology."[8] Despite all this, the painting was originally owned in Britain: it was bought in 1876 from the London gallery of dealer Charles Deschamps byBrighton collector Captain Henry Hill. Following his death, it was bought at the February 1892 London auction by Scottish dealerAlexander Reid for his client Arthur Kay, who was, however, ambivalent about the painting and sold it in April 1893 to a Paris dealer.[6]

See also

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References

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  1. ^ab"Edgar Degas: In a Café".Musée d'Orsay. 19 January 2016. Archived fromthe original on 13 December 2013. Retrieved2 October 2018.
  2. ^House, John (2004).Impressionism: Paint and Politics. Yale University Press. p. 124.ISBN 0300102402. Retrieved2016-10-04.
  3. ^abcdLanier, Doris (2016).Absinthe—The Cocaine of the Nineteenth Century: A History of the Hallucinogenic Drug and Its Effect on Artists and Writers in Europe and the United States. McFarland. p. 109.ISBN 978-1476628257.
  4. ^Jill Berk Jiminez (2013).Dictionary of Artists' Models. Routledge. p. 155.ISBN 978-1135959142.
  5. ^abcLanier, Doris (2004).Absinthe--The Cocaine of the Nineteenth Century: A History of the Hallucinogenic Drug and Its Effect on Artists and Writers in Europe and the United States. McFarland. pp. 105–107.ISBN 978-0786419678.
  6. ^abDiscovering Degas. London: Philip Wilson Publishers. 2024. p. 50.ISBN 978-1-78130-129-6.
  7. ^"L'Absinthe in focus: London and Paris 1870–1910".Tate Britain. Retrieved25 September 2018.
  8. ^George Moore,Modern Painting (London: Walter Scott Publishing, 1898), p. 269.

Further reading

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External links

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