Knives Out is a 2019 Americanmystery film written and directed byRian Johnson.Daniel Craig leads an eleven-actorensemble cast as Benoit Blanc, a famed private detective who is summoned to investigate the death of the bestselling author Harlan Thrombey (Christopher Plummer). Police rule Harlan's death a suicide but Blanc suspects foul play, and investigates to ascertain the true cause of his death. Johnson producedKnives Out with his longtime collaboratorRam Bergman. Funding came fromMRC and tax subsidies from theMassachusetts state government.
Johnson conceivedKnives Out in the mid-2000s. Wanting to modernize thewhodunit films of the mid-twentieth century, the director was inspired by his interest inmovie adaptations of Agatha Christie's stories. He then refocused on creatingStar Wars: The Last Jedi (2017). Development ofKnives Out resumed the following year, when Johnson wrote the screenplay in six to seven months.Principal photography onKnives Out began in October 2018 on a $40 million budget and ended that December. Location filming took place in suburbanBoston.Nathan Johnson composed the film'sclassical score, which was inspired by his and Rian's favorite symphonic movie scores.Knives Out has been read as a work that investigatesclass warfare, wealth inequality, immigration, and race in contemporary American society.
The family of wealthy mystery novelist Harlan Thrombey attends his birthday party at his estate. The next morning, Harlan's housekeeper Fran discovers him dead with a slit throat. Police detectives Lieutenant Elliot and Trooper Wagner believe Harlan died by suicide, but private detective Benoit Blanc is anonymously hired to investigate Harlan's death. Blanc learns Harlan had strained relationships with his family members, giving several of them plausible motives for murder.
Unbeknownst to Blanc, Harlan's nurse Marta Cabrera believes she injected Harlan with a lethal dose ofmorphine after mixing up his bedtime medications the night of the party. To protect Marta from being blamed for his death, Harlan instructed Marta to create a false alibi before he slit his own throat: she was to be seen leaving the house, sneak back in through a window, and disguise herself as Harlan in order to make it appear that he was alive after she left for the night. Marta cannot lie without vomiting, so she gives accurate but incomplete answers when questioned. She agrees to assist Blanc's investigation and conceals evidence incriminating her. At the reading of Harlan'swill, Marta is bequeathed his entire fortune and property, stunning the Thrombeys. Harlan's grandson Ransom Drysdale helps Marta flee but manipulates her into confessing to him. Ransom offers further assistance in exchange for a portion of Marta's inheritance. Meanwhile, the other Thrombeys unsuccessfully attempt to influence Marta to renounce the inheritance, even threatening to have her undocumented motherdeported.
Marta receives a blackmail note containing a partial photocopy of Harlan'stoxicology report. She and Ransom drive to the medical examiner's office, only to find it burned down. Marta receives an email proposing a meeting with the blackmailer; Blanc and the police spot them, leading to Ransom being arrested. At the meeting, Marta finds that Fran, the blackmailer, has been drugged; she performscardiopulmonary resuscitation on Fran and calls an ambulance. Marta confesses to Blanc, but discovers Ransom has already implicated her. Out of moral obligation, Marta believes she must confess to the Thrombeys, which would invalidate the bequest under theslayer rule.
At the mansion, Marta finds Fran's copy of the full toxicology report, which shows Harlan had only trace amounts of morphine in his blood. Blanc reveals his deductions to the police, Marta, and Ransom. Blanc deduces Harlan told Ransom about his will, prompting Ransom to swap Harlan's medicines to cause Marta to kill him unknowingly. However, Marta actually gave Harlan the correct medication, recognizing it by viscosity without reading the label due to her experience as a nurse; she only believed she had poisoned Harlan after reading the label on the bottle with the switched content, meaning Harlan's death was indeed suicide, and Marta is not guilty of any part in his death. When the death was reported as a suicide, Ransom anonymously hired Blanc to entrap Marta. Fran saw Ransom tampering with the crime scene and sent him the blackmail note. After Ransom realized that Marta was not responsible for Harlan's death but believed she was, he forwarded the blackmail letter to Marta and burned down the medical examiner's office to destroy evidence of her innocence. Ransom then overdosed Fran with morphine, intending for Marta to be caught with Fran's corpse.
The hospital calls; Marta relays that Fran has survived and will implicate Ransom. Ransom insists he will avoid criminal charges because his attempt to kill Fran failed. Marta then vomits on Ransom, revealing she lied: Fran is dead. Realizing he has confessed to the murder, and that the police officers recorded his confession, Ransom grabs a knife from Harlan's collection and attacks Marta, but the knife is a harmless retractable stage knife, and the police promptly arrest him.
Blanc tells Marta he suspected early on that she played a part in Harlan's death, noting a drop of blood on her shoe. He tells Marta her innocence prevailed because she made ethical choices that obstructed Ransom's attempts to incriminate her. As Ransom is taken into custody, Marta watches from the balcony of what is now her mansion, with the Thrombeys gathered outside.
Director Rian Johnson at theStar Wars: The Last Jedi Tokyo premiere in 2017
DirectorRian Johnson first conceived ofKnives Out after the completion of his first feature film, the low-budget thrillerBrick (2005).[4] His idea was influenced byfilm adaptations of books by detective fiction writerAgatha Christie that he enjoyed as a child.[4][5] Johnson referred toAlfred Hitchcock's advice on plot development for guidance, which said conventional whodunits too often relied on formulaic suspense, especially a climacticplot twist, to culminate the story.[6] Once he had determined the story's goal, Johnson began conceiving ideas for the plot structure, mainly a framework of tonal shifts he devised to incite tension in the story.[6][7] The director said his greatest challenge was modernizing a genre studios deemed too antiquated for release.[8]
Johnson planned to draftKnives Out after the release of his science fiction thrillerLooper (2012) but he suspended the project whenLucasfilm hired him to directStar Wars: The Last Jedi (2017).[5][9] His experience witnessing the intenseculture war backlash toThe Last Jedi became another source of inspiration for theKnives Out story.[10] Johnson began scriptwriting by January 2018, immediately after finishing his press tour forThe Last Jedi, in a process lasting between six and seven months, depending on the source.[8][11][12] When Johnson showed a finished draft to friends, he recalled the response was cynical because the director's motivations were poorly understood.[12] Johnson took the film's name from aRadiohead song, saying it was a good title for a murder mystery.[13]
Media coverage ofKnives Out gives conflicting accounts of the film's funding. One report circulated byDeadline saidMRC secured the script in an auction hosted byCreative Artists Agency andFilmNation to investors at the43rd Toronto International Film Festival.[14] Johnson's longtime collaboratorRam Bergman disputed this account; according to him, no auction was held and MRC was always the intended financier because of its sustained success with mass-market films byauteurs—directors who wield significant autonomy over the artistic vision of their projects.[15] MRC financed the film's $40 million budget and generous back-end compensation for Bergman, Johnson, andDaniel Craig, per the condition of their agreement.[14] ForKnives Out's commercial distribution, MRC partnered withLionsgate, which was trying to recover from a year of mediocre box office showings and purchased a partial share of thedistribution rights.[16][17]
Actor Daniel Craig in 2022. Craig had intrigued Johnson for his non-James Bond repertoire.
Employing anensemble cast of established stars was one of Johnson's initial demands. He drew upon the Agatha Christie movies—chieflyPeter Ustinov-starred projects à laDeath on the Nile (1978) andEvil Under the Sun (1982)—for his casting choices because he felt they have a sense of spectacle that was worth replicating.[18] The filmmakers focused on actors who were available in the six week period before filming forKnives Out began. Actors were chosen for their ability to stand out in bit speaking parts and master an exaggerated, but notcaricatured, comic performance.[18] According to Johnson, the film's rapid progress readily facilitated his casting ambitions.[12] Most of theKnives Out ensemble were signed in October and November 2018.[a] Johnson named each of the characters after musicians whose works he enjoyed because it was a simple practice to remember—for example,Joni Mitchell,Richard Thompson, andSteely Dan'sDonald Fagen.[29]
Daniel Craig came to Johnson's attention for his stage work and non-James Bond film roles. Johnson regarded Craig as a versatile actor who wanted to challenge his abilities in a playful comedy role.[12][18] Craig declined the offer due to his contractual obligations toNo Time to Die (2021), which was preparing to film around the same time, but logistical and creative disputes postponed the film's production by three months, giving Craig enough time to accept Johnson's offer.[11][30] Once Craig read his copy of the script, he agreed to join because the writing's tone and humor captivated him.[11][31] The treatment of Blanc was initially a fruitless task for Johnson; his first concept had been aHercule Poirot clone "that was just a bunch of crazy quirks". To distinguish the character, Johnson outlined Blanc as a slightly pompous man with a flamboyantSouthern accent, turning to Craig's ongoing feedback for a unique characterization.[6] Craig undertook speech training with adialect coach for two to three hours per day, studying playwrightTennessee Williams and authorShelby Foote via interview footage fromC-SPAN and theKen Burns-helmed docuseriesThe Civil War (1990) to model Blanc's voice.[32]
Casting director Mary Vernieu was responsible for casting Marta Cabrera. Vernieu and the filmmakers did not favor a particular person for the part, unlike the otherKnives Out characters, and based their search on Johnson's preference for a relatively unknown actor that could exhibit an underdog-like quality.[33][34] They considered several candidates, includingAna de Armas, whose work piqued Vernieu's interest enough to be suggested in casting discussions.[33] Johnson was not familiar with de Armas' repertoire save for her starring role inBlade Runner 2049 (2017).[34] Johnson liked de Armas' acting but believed she appeared too sensual to convincingly portray Cabrera.[33][34] When Johnson met de Armas for her audition, he noticed her ability to emote, saying, "She's got that Audrey Hepburn-type thing, where her eyes just bring you in, and you're instantly on her side, and that's what we needed for the character."[34] De Armas nearly rejected the role because she found Cabrera's original character description clichéd; she was persuaded to accept after reading the complete script, which she found emphasized resilience as a fundamental attribute of Cabrera.[35] Cabrera's immigrant backstory also resonated with de Armas.[36]
For the self-indulgent Ransom Drysdale, Johnson envisionedChris Evans after seeing him in the 2018Broadway revival ofKenneth Lonergan'sLobby Hero, having been impressed with his performance as a contemptible villain.[11][37] Evans was mainly known for his live action role asCaptain America in theMarvel Cinematic Universe, and Johnson aimed to use Evans'everyman persona to create tension between moviegoers and Drysdale, saying: "You've got to see it not as baggage, but as ammunition. If there was someone in that part who the audience inherently wanted to like, that would help the arc overall."[37] Although Evans was preparing to take a hiatus after finishing his work onAvengers: Endgame (2019), he reconsidered when the producers told him they would be filming near his home in Massachusetts.[11]
Toni Collette said her biggest purpose for playing Joni was to find humor in her character.[38]Christopher Plummer, in one of his final film appearances before his death in 2021,[39] described Harlan as a "stern, bright and rough-hewn" father with a crass sense of humor.[40]Michael Shannon did not audition for the role of Walt and was contracted following an arranged lunch with Johnson.[29] For the part of Linda,Jamie Lee Curtis sympathized with her backstory as a woman who is fiercely scrutinized for her privilege. She stated:
I've been an actress for a long time, and I am also the daughter of someone famous, and people have a funny way of taking away anything you do creatively and reduce it to your privilege. Linda is very defensive about the assumption that she was given anything, and I've had the same defense.[4]
To prepare for her performance, Curtis immersed herself in activities she thought befitted her character's position as a matriarch, such as cooking meals.[4][41]
Estate of the Ames Mansion (pictured in 2010), which doubled for the Thrombey residence in interior scenes.
Bergman was assembling the filmmaking crew while Johnson revised the script in early 2018.[4] Johnson instructed the filmmakers to find an estate that exuded Harlan's mystery writing sensibilities, citing the thrillerSleuth (1972) as a reference for recognizable visual elements.[42][43] Bergman scouted several homes with his team before centering the film's production on two sprawling mansions in suburbanBoston: a privately owned nineteenth-centuryGothic Revival manor that was used for exterior shots, and Ames Mansion, a 20-room historic landmark inBorderland State Park inEaston.[43][44]
Most of the interior shots, including intense, confrontational scenes with Harlan and his relatives and conversational scenes of Blanc's investigation, took place in Ames Mansion.[43] The production was challenged by the logistics of the mansions, neither of which had sufficient space in the upper floors to realize Harlan's office or corresponding scenes. The production designerDavid Crank constructed the office set, which included an adjacent hallway, onsoundstages, working closely with Johnson to coordinate the movement of characters with the configuration of the homes and artificial sets.[43]
Knives Out was director of photographySteve Yedlin's fifth project with Rian Johnson. Yedlin and Johnsonstoryboarded their visual composition ideas before principal photography, which did not describe the onscreen universe in depth.[57] Adouble-camera setup was used with twooperators, one a longstanding collaborator of Yedlin. Yedlin described the on-set environment as experimental and visually creative.[55] He filmedKnives Out in standard 1.85:1aspect ratio usingAlexa Mini cameras that were equipped withZeiss Master Prime lenses. The Zeiss Prime'sscaling capability supported the film's use ofwide-angle shots. The filmmakers believed wider camera lenses emphasized theworldbuilding by showing characters in their surroundings.[55] They also usedPanavision's PCZ Primo 19–90 and PZW 15–40zoom lenses becausezooming is customary in Johnson's oeuvre.[55] Yedlin and production members used action-building techniques that centered onRobert Altman's cinematic style, through a complex system ofwhip pans, zooming, andcamera dolly movements. Panavision's Hollywood office loaned the production camera equipment.[55]
Part ofKnives Out's production was devoted to realizing a specialized process ofcolor grading for the film's visual effects, based on qualitative data collected from Yedlin's field research.[55][57] Yedlin's usual strategy prioritized alookup table (LUT) to augment a film's visual palette, and he observedphotochemistry to create his color-grading formula.[55] Yedlin worked withFotoKem to expand properties ofhalation,gate weave, andfilm grain.[55] To illuminate interior mansion scenes, Yedlin fitted the sets with overhead lighting equipment designed byArri SkyPanels and customRGBWW LED strip fixtures—a class of modulated multicolor strip lights that were bundled infoam sheets for light diffusion. Yedlin also used computer software and aspectrometer to gauge the sunlight'schromaticity, its specified color quality, and requisite tones to generate textural variations.[55]
The script contained few details about the design of the Thrombey residence, so the clearest vision of the estate emerged from conversations about aesthetics between Johnson, Crank, and the set decorator David Schlesinger.[58] The design team were drawn to Ames Mansion because the original architectural elements had been preserved, endowing the sets with an aged quality.[42] Crank and Schlesinger handled the sourcing and arrangement of props for the interior mansion sets.[58][59] They located the film's decorative items from a range of businesses, souvenir collectors, and ordinary people in Boston andNew York City.[58][59] The script only specified details for a few objects; for the rest, Schlesinger used Harlan's imaginary oeuvre of mysteries as inspiration for his souvenirs and knick-knacks.[58]
A collection ofautomata, doll-like mechanical devices that imitate human mannerisms, was chief among the artifacts. The automata were costly, fragile and rare to obtain, requiring thorough scouting from the producers, and additional caveats—transportation, storage, rental fees—complicated the expense.[59] Schlesinger inquired at museums and private collectors before contacting theMorris Museum's Murtogh D. Guinness Collection inMorristown, New Jersey, one of the world's largest automata exhibits, but the museum prohibited all non-exhibition uses of its pieces.[59] They instead directed Schlesinger and his prop-makers to a local restorer who owned a private collection to negotiate. Upon approval, the producers hired another local collector to transport the automata and install them on the set.[59] The background props also included large dollhouses, crime scenedioramas, Harlan's library of books, and a stash clock.[42][43][59]
Creation ofKnives Out's most significant prop, the "Wheel of Knives"—a throne chair positioned in front of a ringed display of knives—daunted the art department.[59] The chair was conceived of as a library piece but the script did not explain any correlation to the story; Crank said developing an established cause was "a long process".[42][59] The art department abandoned early concepts until they imagined a design with anarmature and a chain from which to hang the display.[59]
Nathan Johnson recorded theKnives Out score atAbbey Road Studios in London (pictured in 2021).
Rian Johnson pitchedKnives Out to composerNathan Johnson—cousin and another frequent associate—as early as 2009.[60][61] Their first conversation concerned the context of music in the opening scenes, and they sought a score that reflected the film's key events and drama with an abrasiveclassical sound.[60][62] Nathan recorded theKnives Out score with an orchestra atAbbey Road Studios inLondon, UK.[63] To prepare, Nathan Johnson engaged the production while principal photography was ongoing; he visited the set to gain a premise for melodic cues and motifs. This was an uncommon experience as the standard industry practice for composers is to work in post-production after filming has finished.[60] "Knives Out! (String Quartet in G Minor)", the opening string-quartet theme and Nathan's earliest contribution, provided the impetus for the album.[62][64]
Nathan and Rian were inspired forKnives Out's musical direction by their favorite symphonic movie scores, such asDeath on the Nile (1978),Lawrence of Arabia (1962), and the compositions ofBernard Herrmann.[62][64] The use of an orchestra distinguishesKnives Out from other films directed by Rian Johnson, which experimented with cheaper, unconventional instruments.[60] It was Nathan's first large-scale orchestral score, him being solely experienced with small ensembles.[63] Cut Narrative Records released the soundtrack on November 27, 2019, in tandem with the film's theatrical launch.[65]
Knives Out has been read as work that investigatesclass warfare, wealth inequality, immigration, andrace in contemporary American society.[66][67][68] In interviews organized for thepress junket, Bergman, Johnson, and some of the actors expressed candid views of the central themes inKnives Out, allowing multiple interpretations of the film.[37][66][69] Johnson stated the central story neither condemns nor subscribes to a single ideology; rather, it was designed to provoke all moviegoers to contemplate.[66] Johnson regarded whodunits as well suited to scrutinization of institutional power, a belief influenced by Christie's writings, work he considers indicative of an apolitical woman who was attuned to British society throughout her life.[18][66]
Knives Out ranks with other turn-of-the-2020s-decade films, such asReady or Not,Parasite,Hustlers, andJoker (all 2019), in whichclass warfare is the unifying theme.[70][71]Knives Out makes literal class struggle by framing Harlan's death as an explicit tale of good versus evil, and Cabrera emerges as the hero because of her humanity.[66][70] Whereas Cabrera is distraught from the moment Harlan dies, the surviving Thrombeys are fractured by greed that is fueled by their stakes in Harlan's publishing fortune. They are ruthless and oblivious to Harlan's death in a quest for wealth they feel entitled to control and seize by any means.[70][72] In this sense, the Thrombeys, not the elusive suspectper se, represent the true villains.[70] In spite of the family's contempt for her and the working class, Cabrera resists their coercion using her wit and moral convictions.[70][73] Much emphasis is placed on the alternating points of view of Marta's ordeal to reinforce divisions between the classes.[74] According toFast Company's Joe Berkowitz, this device forms the film'sclass consciousness.[74] Professor Eugene Nulman interprets the characters' adversarial relationships as expressions of an allegorical critique ofcapitalism.[75]
Race was also examined in thematic studies of the film.Knives Out concentrates on a critique ofwhite supremacy and liberalpaternalism, comically depicting the Thrombey–Cabrera relationship through condescending affection and running gags about Cabrera's country of origin.[66][68] In his essay forWhite Supremacy and the American Media, Michael Blouin contests the film's analysis of white nationalism. According to Blouin,Knives Out resigns itself toJeffersonian democratic ideals of liberal universalism, pragmatic reasoning, and ana priori sense of justice that support a set of racialized assumptions. In doing so, all expressed antagonism is neutralized, therefore "depoliticizing a crisis that has so far proven to be resistant to the ideal prescribed by many white liberals".[76]
InKnives Out, Johnson experiments with narrative structure to generate suspense. The film begins in a traditional whodunit format that is subverted by two tonal shifts.[7] The first shift arranges the plot as athriller by establishing Cabrera's reckoning with the manner of Harlan's death, her own implication in it, and her quest to evade the investigation's purview as causes of conflict, thus framing Blanc as the antagonist. In the second shift, through plausible deniability, Cabrera's innocence is unequivocal.[7] This posed a significant writing challenge; Johnson intended Cabrera to be a sympathetic character whose behavior was to be perceived as justified. He also wanted to portray the extremes to which an innocent person might go when threatened with incarceration.[7]
Lionsgate supervised the film's advertising campaign; it opened the promotional cycle in April 2019 with a showcasing preview atCinemaCon, where the film's first teaser trailer of the film was revealed. This was followed by another trade-show exhibit atCineEurope that June.[81][82] Aggressivesocial media engagement was a critical part of the marketing campaign. Early tactics focused on feel-good messaging, the film's campy humor, and Thrombey family enterprises—the latter-most featuring Shannon, Collette, and Curtis in character—through video parodies and mock advertisements that were developed using website-building platforms.[15][83] The campaign resumed in the weeks followingKnives Out's late November release, when Ransom's off-white, knittedAran sweater went viral, prompting a brief renaming of the film's officialTwitter account to "Chris Evans' SweaterStan Account"; there was also a merchandise giveaway to maximize publicity.[84] Advertisements for the film mostly intrigued men but showed strong appeal from women of all ages.[85] For licensed artwork, in September 2019, Johnson unveiled a set of colorful, brooding character posters, each with the tagline: "Nothing brings a family together like murder".[86] Johnson also recorded an interactive audio commentary to entice repeated business.[87]
Knives Out opened in theaters in North America and the United Kingdom on November 27, 2019.[80][88] The film's global release expanded to China, France, Australia, Russia, and 49 other territories in the second week.[89] Its final release was in Japan on January 31, 2020.[90] Industry professionals sawKnives Out as a potential hit based on sustained interest from enthusiastic pre-release reviews, the film's uniqueself-referentiality, and the ensemble's star power, especially that of Evans, Craig, and Curtis.[83] The film's success was considered contingent on its ability to attract a broad audience rather than a niche demographic of adults.[15]
Lionsgate releasedKnives Out ondigital formats on February 7, 2020, and onDVD,Blu-ray, and4K on February 25.[91] Physical copies include deleted scenes; a behind-the-scenes featurette; audio commentary from Johnson, Yedlin, andNoah Segan; an eight-part documentary; advertisements; and previously unaired press interviews.[91] It was the second-best-selling DVD and Blu-ray release in its first week of US sales, selling 248,286 copies and earning $4.6 million.[92] By January 2023, the film had sold 1.47 million copies.[93]Knives Out is also available to authenticatedAmazon subscribers via the company'sPrime Video streaming service.[94]
Knives Out endured at the box office as an adult-targeted film in a theatrical season dominated by familyblockbusters such asFrozen 2.[15][95]Knives Out earned $165.4 million in the United States and Canada (52.8% of its earnings), and $147.5 million overseas (47.2%) for a worldwide total of $312.9 million, making it the 29th-highest-grossing film of 2019.[96] Of this amount, $82million was estimated to have been yielded by the MRC–Lionsgate partnership innet profit, factoring in marketing, equipment,royalties, interest, and miscellaneous costs.[95] China was the most lucrative overseas market, and positive press improved the film's performance in that country.[15] The United Kingdom, Germany, Australia, and France provided some of the film's largest takings.[97]
In the US, after securing $2 million from advanced screenings,Knives Out received a wide release in 3,391 theaters.[85][98] The film benefited from a five-day tracking period due to theUS Thanksgiving holiday Thursday. This increased the first week sum to $41.7 million, ahead of the three-week oldFord v Ferrari and second toFrozen II, which was in its second weekend.[83]Knives Out's opening gross nearly doubled the prognosticators' pre-release estimates of $22–25 million.[85]CinemaScore polls that were conducted during the opening night found moviegoers gave the film an average grade of A− on a scale of A+ to F. Screenings attracted mostly men, and approximately 73% were over 25 years of age, 46% were over 35, and 63% were white.[83] On the second weekend,Knives Out took $14.2 million from 3,461 theaters, remaining the number two film, and earnings dropped by about 35% the following week.[99][100] In the fourth weekend, the film slipped to number five with a gross of $6.5 million, its theater count reduced to slightly above 2,500, though box office figures grew by 50% for the Christmas holiday week (seventh, with $9.7 million).[101][102]Knives Out remained one of the top ten highest-grossing films for ten weeks, and the theater count stayed above 2,000 at the end of the year.[15][97] By February 2020, the film's domestic gross exceeded $159 million.[103]
Overseas,Knives Out's overall November 27 week rank was second to that ofFrozen II at $28.3 million.[89] China had the largest portion of the earnings with $13.5 million, which was followed by the UK at $3.8 million from 632 theaters, Russia at $2 million from 1,451 theaters, Australia at $1.9 million from 282 theaters, and France at $1.5 million from 437 theaters.[89]Knives Out sustained its box office momentum in China and the UK into the second weekend, resulting in a 20% drop in revenue in the latter.[104] After four weeks, it had earned $27.9 million in China and $13.7 million in the UK.[105] The film's overseas releases continued into mid-December; key releases were in South Korea (fourth) at $1.7 million from 686 cinemas, Italy (third) at $1.2 million from 362 cinemas, and Mexico (second) at $1.1 million from 871 cinemas.[104] The Christmas period saw reinvigorated ticket sales in France, Australia, and the UK, and in Russia, theNew Year holiday increased the film's box office take by 152% over the previous week.[90][105] In Brazil,Knives Out debuted as the top-grossing movie when it premiered on the weekend of December 12, earning $1.1 million.[106] On its inaugural weekend elsewhere, the film took $2.7 million in Germany and $665,000 in Austria.[90] Within a month,Knives Out's international gross exceeded $100 million.[105]
Knives Out opened to widely positive reviews; by the end of 2019, it was considered one of the year's best films by theAmerican Film Institute,National Board of Review, and the mainstream press in ranked lists.[107][108][109] A routinely discussed aspect in the media was the scriptwriting.Knives Out received notice for its unusual plot structure; reviewers said the film defied expectations by using numerous narrative twists and by satirizing murder-mystery tropes.[c] Film critics had high regard for director Johnson's comic treatment of a traditional detective story;[d] it was described as "enjoyably, wackily serpentine",[116] noted byThe New Yorker for its sardonic humor and "sheen of smugness".[117] Although comparisons to source material based on tenor, humor, craftmanship, and faithfulness varied among professional opinions,[e] the story's play on perspective among the characters produced favorable responses.[f] According toStephanie Zacharek forTime, the squabbling between characters who were avaricious, untrustworthy, and ostensibly driven by the same interest provides the film's most entertaining moments.[116] The writing's political consciousness was cited as among the strengths ofKnives Out,[113][115][121] although the handling of ideas received occasional disapproval from others, such asThe New York Times'Manohla Dargis, andUproxx, for being perceived as too vapid to resonate.[67][120] The least enthusiastic reviews accused the film of being convoluted, self-indulgent, and too reliant on exposition-dense dialogue to advance the story.[67][72][122] In December 2021,Knives Out's screenplay was ranked at number forty-nine on theWriters Guild of America's list of "101 Greatest Screenplays of the 21st Century (So Far)".[123] In 2025, the film ranked number 91 on the "Readers' Choice" edition ofThe New York Times' list of "The 100 Best Movies of the 21st Century."[124]
The actors' performances was another major subject of critiques. TheKnives Out ensemble was warmly received, their work was praised as "outstanding" and "wildly charismatic",[114][125] with a rapportVanity Fair ascribed to a shared conviction of the material.[115] Media somewhat focused on Daniel Craig and Ana de Armas, but also gave individual notices to Jamie Lee Curtis, Toni Collette, Chris Evans, Don Johnson, Michael Shannon, Christopher Plummer, and Noah Segan for their acting.[g] Critics delighted in Craig's portrayal of an eccentric sleuth in expression and appearance,[h] the actor noted for emanating "infectious enjoyment" onscreen.[77] De Armas, whose portrayal was described as "superb" and "wonderful",[126][131] drew similarly strong assessments of her character work from the likes ofSan Francisco Chronicle'sMick LaSalle andThe Atlantic, among others, in what was considered a breakout performance.[114][115][129] Though the two actors were singled out for further praise because of their onscreen chemistry in conversational scenes,[121][126] neither they nor their costars were free of criticism. Dissenting opinions judged Craig's Southern accent harshly,[67][112][118] andUproxx said de Armas's acting skill was at odds with the dramatic depth of her role.[67] A few actors were regarded as underused because of the ensemble's large size, whichUproxx said reduced their interactions to a "constant, white noise-esque drone of overacting".[67][125][126]
On the review aggregation websiteRotten Tomatoes,Knives Out holds an approval rating of 97% based on 474 reviews. The website's critics' consensus reads: "Knives Out sharpens old murder-mystery tropes with a keenly assembled suspense outing that makes brilliant use of writer-director Rian Johnson's stellar ensemble".[132]Metacritic, which uses a weighted average, assigned the film a score of 82 out of 100 based on reviews from 52 critics, indicating "universal acclaim".[133]
Johnson was ideating a sequel toKnives Out while the original film was still in theaters in 2019.[166][167] Lionsgate announced plans to develop the sequel in February 2020, but in March 2021,Netflix acquired the rights for two sequels for $469 million.[168][169] Although the terms of Lionsgate's distribution agreement gave the company bargaining leverage, Johnson and Bergman owned the film'sintellectual property and pursued a new distribution deal following the COVID-19 pandemic, which severely hampered the immediate profitmaking viability of theaters.[170][171]Knives Out was followed byGlass Onion: A Knives Out Mystery, which was released on Netflix on December 23, 2022, after a controversial one weekplatform theatrical rollout the previous November.[172] InGlass Onion: A Knives Out Mystery, Blanc journeys to tech magnate Miles Bron's (Edward Norton) murder-mystery-themed retreat to mingle with his circle of friends but the event goes awry when two partygoers die in suspicious circumstances.[173]Glass Onion fared well in media reviews.[174]
^abcdefghiAllen, Robert (January 24, 2020)."Cutting Edge".British Cinematographer.Archived from the original on May 22, 2022. RetrievedAugust 22, 2023.
^abcdefghiBurg, Karen (December 17, 2019)."Knives Out".Set Decorators Society of America.Archived from the original on September 25, 2022. RetrievedAugust 25, 2023.
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