Karl Geiringer (April 26, 1899 – January 10, 1989)[1] was anAustrian-Americanmusicologist, educator, and biographer ofcomposers. He was educated inVienna but at the beginning of the Nazi years he emigrated to England and ultimately the United States, where he had a lengthy and distinguished career at several universities. He was a noted authority onBrahms,Haydn, and theBach family, and a prolific author.
Geiringer was born inVienna, the son of Louis and Martha (nee Wertheimer) Geiringer.[2][3] He studied music history at theUniversity of Vienna underGuido Adler andCurt Sachs, and studied composition underHans Gál. He also studied at theUniversity of Berlin underCurt Sachs.[3] He received his Ph.D. in musicology from the University of Vienna in 1923.[3] The topic of his doctoral thesis was the musical instruments appearing in Renaissance painting.[1] Following his degree he worked as an editor for Adler's journalDenkmäler der Tonkunst in Österreich; he remained on the editorial board of this publication for the rest of his life.[3]
In 1930 he won a top position in the musicological field, as the curator of the archives at theGesellschaft der Musikfreunde in Vienna, a position previously held by his mentorEusebius Mandyczewski and other distinguished scholars.[3] The job gave Geiringer access to much valuable primary source material on Western music, which he used extensively in his scholarship. An unusual responsibility Geiringer bore at the Gesellschaft archives was the curatorship ofJoseph Haydn's skull, which had been stolen from his grave in 1809. In the first English edition of his Haydn biography (1946), Geiringer reminisced about bringing forth the skull to show to visitors; seeHaydn's head.
In 1938, Austria was incorporated intoNazi Germany in theAnschluss. With the Nazi occupation, the Gesellschaft was closed.[4] Geiringer, although he had been baptized a Roman Catholic, was the child of Jewish parents;[4] hence he and his family were in grave danger, and they fled the country.[3] He first went to London, where he taught at theRoyal College of Music and served as a broadcaster for theBBC. He also worked extensively as an editor for theGrove Dictionary of Music and Musicians; according to his later colleagues he was "in all but name a co-editor".[3]
In 1940, Geiringer moved to America,[3] becoming an American citizen in 1945.[5] He taught first for a year as a visiting professor atHamilton College in Clinton, N.Y.[3] The following year he took up a professorial appointment atBoston University, where he directed the graduate program and remained for 21 years. Among his students wasH. C. Robbins Landon.[3] His final academic appointment began in 1962, when he moved to theUniversity of California at Santa Barbara, in order to establish the graduate program in musicology.[3] Throughout this time, he continued to publish extensively.
In 1973 he became anemeritus professor, but continued to be very active: his colleagues said of him, "His 'retirement' ... proved to be more of a technicality than a reality—his teaching and research continued unabatedly and were interrupted only by death itself."[3] He died in Santa Barbara at the age of 89 of complications from injuries sustained in a fall.[1]
Geiringer was twice married. His first wife, and longtime coauthor, was Irene Geiringer (1899–1983).[2][6][7] He was later married to Bernice Geiringer (née Abrams, 1918–2001), a concert pianist and student ofArnold Schoenberg.[8] He had twin sons, Martin and Ludwig.[9]
Geiringer served twice as president of theAmerican Musicological Society. In 1959 he was elected to theAmerican Academy of Arts and Sciences. His last university, UC Santa Barbara, established a lecture program in his name in 1994[10] and named a concert hall in his honor.[11]
As Crutchfield notes, "It was Mr. Geiringer's habit to take on the largest topics".[1] His work included extensive biographies ofBrahms,Haydn, and of theBach family, which went through multiple editions. He also wrote many scholarly articles. He was responsible for the rediscovery of minor works by Brahms and byHugo Wolf that had gone missing.
Following his death, his colleagues assessed his research as follows:
[His] prolific scholarly output, when viewed in its totality, is remarkable for its great scope and depth. His writings and editions span practically the complete range of music history and all carry the mark of a discipline he must have possessed as a student and an excellence we know he had as a teacher. His most significant achievements, if they can at all be pinpointed, lay in the areas of Bach and Haydn research, in his studies of these two masters written, revised and enlarged over a period of a halfcentury in collaboration with his brilliant first wife, Irene, and in his lifelong effort to see that a collected edition of Haydn's works be realized for the first time in our century.[3]
Geiringer himself assessed his career as follows: "It seems to me that, as far as my fate allowed it, I have made adequate use of the modest resources with which nature endowed me".[12]
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