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K. C. Kesava Pillai

From Wikipedia, the free encyclopedia
Indian composer and poet (1868–1914)

K. C. Kesava Pillai
Born(1868-02-04)February 4, 1868
Travancore (present-dayParavur,Kerala, India)
DiedSeptember 2, 1914(1914-09-02) (aged 46)[1]
Kerala, India
OccupationTeacher, poet, musician
NationalityIndian
Notable works
  • Kesaviyam
  • Adimalarina
  • Asanna Marana Chitha Sathakam
  • Sadarama
  • Bhashanarayaniyam
SpouseKalyani Amma
Nanikutty Amma
RelativesValiyavelichathu Veettil Raman Pillai (father)
Desathu Lakshmy Amma (mother)
R. Narayana Panickar

Kanakku Chembakaraman Kesava Pillai (1868–1914) was an Indian composer ofCarnatic music and a poet ofMalayalam literature. He was the Poet Laureate ofTravancore and was known forKesaveeyam, amahakavya in Malayalam, twoattakathas and severalbhajans andkirtans. He also translated theSanskrit text,Narayaniyam, into Malayalam under the title,Bhashanarayaniyam.

Biography

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K. C. Kesava Pillai[note 1] was born on February 4, 1868, inTravancore kingdom to Valiyavelichathu Veettil Raman Pillai and Desathu Lakshmy Amma.[2] His early schooling was at Paravur Malayalam School where he studied up to 5th standard and followed it up with Sanskrit studies under the tutelage of Paravur Kesavan Asan and grammar studies under Enakkattu Rajaraja Varma.[3] As a boy, Pillai regularly watchedKathakali and learnt the basics ofKathakali literature, costumes andmudras, besides gaining proficiency in music. Aged 15, he wrote his firstattakadha,Prahladacharitham.[4] Simultaneously, he studied English with the help of a few friends while working as a Sanskrit teacher at a Vaidya School. In 1897, he joined as a Sanskrit teacher at a Malayalam school in Kollam but shifted to an English school in 1901 before moving toThiruvananthapuram in 1901 as the teacher of Velayudhan Thampi, the son ofSree Moolam Thirunal, the thenMaharajah of Travancore.[2]

Pillai married Kalyani Amma in 1890 but she died after two years. He married again in 1894; Nanikutty Amma, his father's niece, was the bride. A close associate ofPandalam Kerala Varma andA. R. Raja Raja Varma, Pillai died on September 4, 1913, at the age of 45 years.[4] On account of his musical and poetical achievements, he was awarded the title ofSarasa Gayaka Kavimani byKerala Varma Valiya Koil Thampuran.[5] Noted writer and Sahitya Akademi Award winner,R. Narayana Panickar, was his son-in-law.[6] Dr.Sreenath.P.R, Neurosurgeon at KMCIMS is his relative.[7]

Legacy

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Literary work

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Kesava Pillai's body of literary work, written in Sanskrit and Malayalam languages, comprises an epic, threeattakathas forKathakali, twoThullal songs, eleven short poems, sixkhandakavyas, four plays, two stories and four commentaries.[8] He wrotePrahlaada Charitham, later renamed,Hiranyasuravadham, the first of this three attakathas, when he was only 15. It was reported that Pillai, with his advice, assistedA. R. Rajaraja Varma in writingVritha Manjari.[2] His plays, such asLakshmikalyanam, were reported to portray the social life of the Nair community of his times.[9]Kesaviyam, amahakavya andKerala Varma Vilasam, a poem on the life ofKerala Varma Valiya Koil Thampuran are two of his major works.[10]Kesaviyam has been written without observing thedvitīyākṣara prāsa (second syllable rhyming), which was in vogue during those times.[11]

Music

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Pillai composed six compositions, includingGanamalika, which has two volumes, besides over 100 songs.[8]Sadarama, one of his compositions,[12][13] is composed in the form of aGeya nataka, whileSangitamalika is an ensemble of 42 songs. The majority of his songs are devotional and are composed in ragas such asTodi,Sankarabharanam,Mohanam,Kapi,Kalyani andPantuvarali.[4][14] One of his songs, 'Omanappennallayo... has been reworked by the Malayalam music director,M. Jayachandran, for the 2010 film,Kadaksham.[15]

Bibliography

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Attakadha

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  • Prahlaada Charitham, later renamed,Hiranyasuravadham
  • Soorapadmasuravadham
  • Sreekrishnavijayam

Poetry

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  • Asanna Marana Chinta Satakam (Reflections of a Dying Man) although written for a competition, is a touching lyrical monologue with a predominant elegiac tone and anticipates the Khandakavyas or shorter poems of the poets of the renaissance. It has an underground connection with C. S. Subramanian Potti's Oruvilapam (A Lament: 1903),V. C. Balakrishna Panicker's Oruvilapam (A Lament:1908) and evenKumaran Asan'sVeena Poovu (A Fallen Flower:1907) which may be thought of an elegy in disguise.
  • Adimalarina: A ragamalika in four languages:Malayalam,Tamil,English andSanskrit.
  • Satya Swaroopavibho inragaSankarabharana
  • Bhajikka Nee Ramane inMohanam
  • Koti Divakara inDhanyasi
  • Nana Jaathikal inKambhoji
  • Vande Maatharam inSindhubhairavi
  • Vande Maatharam inKuntalavarali
  • Kamalanatha inThodi
  • Sree vasudeva inKāpi
  • Sreemoolarajavijayam, 1894, submitted toSree Moolam Thirunal Maharaja.
  • Aasannamaranachintasatakam: a work consisting of 104slokas (songs inCarnatic music or Indian music praising God) in Saardoolavikriditham.
  • Kerala Bhashaa Narayaneeyam: a translation of Narayaneeyam in Malayalam.
  • Subhashitha Ratnakaram
  • Abhinayamalika
  • Kesaviyam: A mahakavya modeled on the Sanskrit pattern, adhering to the rules of structure and style of the classical rhetorician, Dandi.[16]
  • Sadarama (A popularTamil musical play)
  • A selection of attakkathas.

Plays

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  • Lekshmi Kalyanam
  • Raghava Madhavam
  • Vikramorvaseeyam
  • Sadaarama

Other works

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Musical compositions

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  • Sangeetha manjari andSthavaratnavali: both containkritis andbhajan songs
  • Sangeethamaalika and
  • Eswarasthothranga
  • Sthavaratnamalika
  • K. C. Kesava Pillai.Maya Gopala Bala (in Sanskrit). Raaga. Archived fromthe original on 21 March 2019. Retrieved8 March 2019.Raaga : Kaapi, Thaala: Aadi thala

Works on Kesava Pillai

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Notes

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  1. ^K. C. stands forKanakku Chembakaraman, a title given to Pillai's maternal family by theMaharajah of Travancore

References

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  1. ^The Journal of the Music Academy, Madras. Music Academy. 2001. p. 180.
  2. ^abc"Biography on Kerala Sahitya Akademi portal".Kerala Sahitya Akademi portal. 7 March 2019. Retrieved7 March 2019.
  3. ^"K. C. Kesava Pillai - Veethi profile".veethi.com. 7 March 2019. Retrieved7 March 2019.
  4. ^abc"A comprehensive website on the life and music of Swathi Thirunal".www.swathithirunal.in. 7 March 2019. Retrieved7 March 2019.
  5. ^Jayakumar Vijayalayam (1987).Sarasa gayaka kavimani K C Kesava Pillai. Kottayam: National.
  6. ^"Biography of R. Narayana Panikkar".Biography on Kerala Sahitya Akademi portal. 9 April 2019. Retrieved9 April 2019.
  7. ^https://www.drkmcims.com/profiles/dr-sreenath-p-r/
  8. ^ab"List of works".Kerala Sahitya Akademi portal. 7 March 2019. Retrieved7 March 2019.
  9. ^K. M. George (1972).Western Influence on Malayalam Language and Literature. Sahitya Akademi. pp. 147–.ISBN 978-81-260-0413-3.
  10. ^T. K. Krishna Menon (1990).A Primer of Malayalam Literature. Asian Educational Services. pp. 63–.ISBN 978-81-206-0603-6.
  11. ^K. M. George (1992).Modern Indian Literature, an Anthology: Surveys and poems. Sahitya Akademi. pp. 238–.ISBN 978-81-7201-324-0.
  12. ^Sisir Kumar Das (2005).History of Indian Literature. Sahitya Akademi. pp. 274–.ISBN 978-81-7201-006-5.
  13. ^Amaresh Datta (1988).Encyclopaedia of Indian Literature: Devraj to Jyoti. Sahitya Akademi. pp. 1083–.ISBN 978-81-260-1194-0.
  14. ^A D Madhavan (25 January 2011).Core of Karnatic Music. DC Books. pp. 4–.ISBN 978-93-81699-00-3.
  15. ^"Omanappennallayo ... (Kadaaksham - 2010)".www.malayalachalachithram.com. 8 March 2019. Retrieved8 March 2019.
  16. ^"kesaveeyam".keralaliterature.com. Retrieved8 March 2019.[permanent dead link]

Further reading

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