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Joseph Addison

From Wikipedia, the free encyclopedia
British writer and politician (1672–1719)
For the 20th-century ambassador, seeJoseph Addison (diplomat). For the general, seeJoseph Edward Addison.
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Joseph Addison
Born(1672-05-01)1 May 1672
Milston, Wiltshire, England
Died17 June 1719(1719-06-17) (aged 47)
Kensington, Middlesex, England
Alma materThe Queen's College, Oxford
Occupations
  • Writer
  • journalist
  • politician
Political partyWhigs
FatherLancelot Addison
RelativesGulston Addison (brother)
Writing career
Language
  • English
  • Latin
Periodfrom 1693
Genre
  • Poetry
  • playwright
  • libretto
  • essay
  • editorial
  • translation
Literary movementClassicism
Notable worksCato, a Tragedy
Member of Parliamentfor the borough ofLostwithiel
In office
1708–1709
Secretary of State for the Southern Department
In office
12 April 1717 – 14 March 1718
Signature

Joseph Addison (1 May 1672 – 17 June 1719) was a British writer and politician. He was the eldest son ofLancelot Addison. His name is usually remembered alongside that of his long-standing friendRichard Steele, with whom he foundedThe Spectator magazine. His simple prose style marked the end of the mannerisms and conventional classical images of the 17th century.[1]

Early life and education

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Addison was born inMilston, Wiltshire, but soon after his birth his father,Lancelot Addison, was appointedDean of Lichfield and the family moved into thecathedral close. His father was a scholarly English clergyman. Joseph was educated atCharterhouse School, London, where he first met Richard Steele, and atThe Queen's College, Oxford.[2] He excelled in classics, being specially noted for hisNeo-Latin verse, and became afellow ofMagdalen College.

In 1693, he addressed a poem toJohn Dryden, and his first major work, a book of the lives of English poets, was published in 1694. His translation ofVirgil'sGeorgics was published in the same year. Dryden,Lord Somers andCharles Montague, 1st Earl of Halifax, took an interest in Addison's work and obtained for him a pension of £300 a year to enable him to travel to Europe with a view to diplomatic employment, all the time writing and studying politics.

While, in Switzerland, in 1702, he heard of the death ofWilliam III, an event which lost him his pension, as his influential contacts, Halifax and Somers, had lost their employment with the Crown.[citation needed]

Career

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When All Thy Mercies, O My God!

When all thy mercies, O my God!
    My rising soul surveys,
Transported with the view, I’m lost
    In wonder, love, and praise.

Thy Providence my life sustained,
    And all my wants redresed,
When in the silent womb I lay,
    And hung upon the breast.

When in the slippery paths of youth
    With heedless steps I ran,
Thine arm unseen conveyed me safe,
    And led me up to man.

Through hidden dangers, toils, and deaths,
    It gently cleared my way,
And through the pleasing snares of vice, -
    More to be feared than they.

Ten thousand thousand precious gifts
    My daily thanks employ;
Nor is the least a cheerful heart,
    That tastes those gifts with joy.

Through every period of my life
    Thy goodness I’ll pursue;
And after death, in distant worlds,
    The glorious theme renew.

When nature fails, and day and night
    Divide thy works no more,
My ever-grateful heart, O Lord,
    Thy mercy shall adore.

Through all eternity to thee
    A joyful song I’ll raise;
For O, eternity’s too short
    To utter all thy praise!

From the "When All Thy Mercies, O My God!" poem by Joseph Addison[3]

Political career

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Addison returned to England at the end of 1703. For more than a year he remained unemployed, but theBattle of Blenheim in 1704 gave him a fresh opportunity to distinguish himself. The government, specificallyLord Treasurer Godolphin, commissioned Addison to write a commemorative poem about the battle, and he producedThe Campaign, which was received with such satisfaction that he was appointed Commissioner of Appeals in Halifax's government.[4]

His next literary venture was an account of his travels in Italy,Remarks on several parts of Italy, &c., in the years 1701, 1702, 1703, published in 1705 byJacob Tonson.[5]

In 1705, with theWhigs in power, Addison was made Under-Secretary of State and accompanied Lord Halifax on a diplomatic mission to Hannover, Germany. A biography of Addison states: "In the field of his foreign responsibilities Addison's views were those of a good Whig. He had always believed that England's power depended upon her wealth, her wealth upon her commerce, and her commerce upon the freedom of the seas and the checking of the power of France and Spain."[6]

In 1708 and 1709, Addison was a Member of Parliament for the borough ofLostwithiel. He was soon appointed secretary to the newLord Lieutenant of Ireland,Lord Wharton. Under the direction of Wharton, he was an MP in theIrish House of Commons forCavan Borough from 1709 until 1713. In 1710, he representedMalmesbury, in his home county ofWiltshire, holding the seat until his death in 1719.[citation needed]

Magazine founder

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Addison wrote the popular churchhymn "The Spacious Firmament on High", publishing it inThe Spectator in 1712. It is sung either to the tune known as "London (Addison's)" by John Sheeles, written c. 1720, or to "Creation" byJoseph Haydn, 1798.[7]

Joseph Addison: engraving after the Kneller portrait

He metJonathan Swift in Ireland and remained there for a year. Later, he helped form theKitcat Club and renewed his friendship with Richard Steele. In 1709, Steele began to publish theTatler, and Addison became a regular contributor. In 1711, they beganThe Spectator; its first issue appeared on 1 March 1711. This paper, which was originally a daily, was published until 20 December 1714, interrupted for a year by the publication ofThe Guardian in 1713. His last publication wasThe Freeholder, a political paper, in 1715–16.[8]

Plays

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He wrote thelibretto forThomas Clayton's operaRosamond, which had a disastrous premiere in London in 1707.[9] In 1713 Addison's tragedyCato was produced, and was received with acclamation by both Whigs andTories. He followed this effort with a comedic play,The Drummer (1716).

Cato

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The actorJohn Kemble, in the role of Cato, revived at Covent Garden in 1816, drawn byGeorge Cruikshank
Main article:Cato, a Tragedy

In 1712, Addison wrote his most famous work,Cato, a Tragedy. Based on the last days ofMarcus Porcius Cato Uticensis, it deals with conflicts such as individual liberty versus government tyranny,Republicanism versusMonarchism, logic versus emotion, and Cato's personal struggle to retain his beliefs in the face of death. It has a prologue written byAlexander Pope and an epilogue bySamuel Garth.[10]

The play was a success throughout the British Empire. It continued to grow in popularity, especially in America, for several generations. It is cited by some historians as a literary inspiration for theAmerican Revolution, being known to many of theFounding Fathers. GeneralGeorge Washington sponsored a performance of Cato for theContinental Army during the difficult winter of 1777–78 atValley Forge. According toJohn J. Miller, "no single work of literature may have been more important thanCato" for the leaders of the American revolution.[11]

Scholars have identified the inspiration for several famous quotations from the American Revolution inCato. These include:

(Supposed reference to Act II, Scene 4:"It is not now time to talk of aught/But chains or conquest, liberty or death.").[12]
  • Nathan Hale's valediction: "I regret that I have but one life to give for my country."
(Supposed reference to Act IV, Scene 4:"What a pity it is/That we can die but once to serve our country.").[12]
  • Washington's praise forBenedict Arnold in a letter: "It is not in the power of any man to command success; but you have done more – you have deserved it."
(Clear reference to Act I, Scene 2:"'Tis not in mortals to command success; but we'll do more, Sempronius, we'll deserve it.").

In 1789,Edmund Burke quoted the play in a letter to Charles-Jean-François Depont entitledReflections on the revolution in France, saying that the French people may yet be obliged to go through more changes and "to pass, as one of our poets says, 'through great varieties of untried being,'" before their state obtains its final form.[13] The poet referred to is Addison and the passage quoted is fromCato (V.i. II): "Through what variety of untried being, through what new scenes and changes must we pass!"

Though the play has fallen from popularity and is now rarely performed, it was popular and often cited in the eighteenth century, with Cato being an example of republican virtue andliberty, for example inCato's Letters (although there is no direct evidence of the play inspiring the titling of the letters).

The action of the play involves the forces of Cato atUtica, awaiting the attack of Caesar immediately following his victory atThapsus (46 BC). The noble sons of Cato, Portius and Marcus, are both in love with Lucia, the daughter of Lucius, an ally of Cato. Juba, prince ofNumidia, one of Cato's warriors, loves Cato's daughter Marcia. Meanwhile, Sempronius, a senator, and Syphax, a general of the Numidians, are conspiring secretly against Cato, hoping to prevent the Numidian army from supporting him. In the final act, Cato commits suicide, leaving his followers to make their peace with the approaching army of Caesar – an easier task after Cato's death, since he was Caesar's most implacable enemy.

Hymn

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Marriage and death

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Addison in 1719, the year he died

The later part of Addison's life was not without its troubles. In 1716, he married Charlotte, Dowager Countess of Warwick, after working for a time as a tutor for her son. He then lived atBilton Hall inWarwickshire.[14] His political career continued, and he served asSecretary of State for the Southern Department from 1717 to 1718. His political newspaperThe Freeholder was much criticised. His wife was arrogant and imperious; his stepson,Edward Rich, was an unfriendly rake. Addison's shyness in public limited his effectiveness as a member of Parliament. He eventually fell out with Steele over thePeerage Bill.

In 1718, Addison was forced to resign as Secretary of State because of his poor health, but he remained an MP until his death atHolland House, London, on 17 June 1719 (aged 47). He was buried inWestminster Abbey. After his death, an apocryphal story circulated that Addison, on his deathbed, had sent for his wastrel stepson to witness how a Christian man meets death.

On 6 April 1808, Middletown, a town in upstate New York, was renamedAddison in his honour.Addison Road in West Kensington was also named after him.

Contribution

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It is as an essayist that Addison is remembered today. He began writing essays quite casually. In April 1709, his childhood friend Richard Steele started theTatler. Addison contributed 42 essays to theTatler, while Steele wrote 188. Regarding Addison's help, Steele remarked, "when I had once called him in, I could not subsist without dependence on him".[15] TheTatler was discontinued on 2 January 1711.The Spectator began publication on 1 March of that year, and it continued – being issued daily, and achieving great popularity – until 6 December 1712. It exercised an influence over the reading public of the time, and Addison soon became the leading partner in it, contributing 274 essays out of a total of 635; Steele wrote 236. Addison also assisted Steele withThe Guardian, which began in 1713. Addison is the originator of the quote, "Reading is to the mind what exercise is to the body". The quote can be found in Issue 147 of theTatler.[16]

The breezy, conversational style of the essays later prompted BishopRichard Hurd to reprove Addison for what he called an "Addisonian Termination", orpreposition stranding, a grammatical construction that ends a sentence with a preposition.[17]Alexander Pope in his 1735Epistle to Dr Arbuthnot made Addison an object of derision, naming him "Atticus", and comparing him to anadder, "willing to wound, and yet afraid to strike".

He wrote an essay entitledDialogues on Medals which was translated into French by eighteenth-century priest and journalistSimon-Jérôme Bourlet de Vauxcelles (1733–1802). His essay "Adventures of a Shilling" (1710) is a brief, early example of anit-narrative or object narrative, a genre that would become more common later in the century.[18] He also left an incomplete work,Of the Christian Religion.

Timeline

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Addison, by Kraemer

Albin Schram letters

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In 2005, an Austrian banker and collector namedAlbin Schram died, and in a file cabinet next to his laundry room a collection of a thousand letters was found, some of them of interest to historians. Two of them were written by Joseph Addison.

The first reported on a debate in the House of Commons about a grant toJohn Churchill, 1st Duke of Marlborough, and his heirs, following theBattle of Ramillies. The letter was written on the day of the debate, probably toGeorge Stepney.

Addison explains that the motion was opposed by Misters Annesley, Ward, Casar, and Sir William Vevian.

One said that this was showing no honour to His Grace but to a posterity that he was not concern'd in. Casar ... hoped ye Duke tho he had ben Victorious over the Enemy would not think of being so over a House of Commons: wch was said in pursuance to a Motion made by some of the Craftier sort that would not oppose the proposition directly but turn it off by a Side-Wind pretending that it being a money affaire it should be refer'd to a Committee of the whole House wch in all probability would have defeated the whole affaire....[citation needed]

Following the Duke of Marlborough's successful campaign of 1706, the Duke and George Stepney became the first English regents of the Anglo-Dutch condominium for governing the southern Netherlands. It was Stepney who formally took possession of the principality of Mindelheim in the Duke's name on 26 May, after the Battle of Ramillies. Upon Marlborough's return to London in November, Parliament accepted the Duke's request that a grant of £5,000 'out of ye Post-Office' be made in perpetuity to his heirs.

A second letter, written to Richard Steele, was also found, concerning theTatler and other matters.

I very much liked your last paper upon the Courtship that is usually paid to the fair sex. I wish you had reserved the Letter in this days paper concerning Indecencies at Church for an entire piece. It wd have made as good a one as any you have published. Your Reflections upon Almanza are very good.

The letter concludes with references to impeachment proceedings against Addison's friendHenry Sacheverell ("I am much obliged to you for yor Letters relating to Sackeverell"), and the Light House petition:

I am something troubled that you have not sent away ye Letters received from Ireland to my Lord Lieutenant, particularly that from Mr Forster [the Attorney General] with the Enclosed petition about the Light House, which I hope will be delivered to the House before my Return.

Analysis

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Addison's character has been described as kind and magnanimous, albeit somewhat cool and unimpassioned, with a tendency for convivial excess. His appealing manners and conversation contributed to his general popularity. He often put his friends under obligations for substantial favours, but he showed great forbearance toward his few enemies. His essays are noted for their clarity and elegant style, as well as their cheerful and respectful humour.

Lord Macaulay wrote this generous tribute to Addison, which was published in 1866, seven years after Macaulay's death in 1859:

As a man, he may not have deserved the adoration which he received from those who, bewitched by his fascinating society, and indebted for all the comforts of life to his generous and delicate friendship, worshiped him nightly, in his favourite temple atButton's. But, after full inquiry and impartial reflection, we have long been convinced that he deserved as much love and esteem as can be justly claimed by any of our infirm and erring race. Some blemishes may undoubtedly be detected in his character; but the more carefully it is examined, the more it will appear, to use the phrase of the old anatomists, sound in the noble parts, free from all taint of perfidy, of cowardice, of cruelty, of ingratitude, of envy. Men may easily be named, in whom some particular good disposition has been more conspicuous than in Addison. But the just harmony of qualities, the exact temper between the stern and the humane virtues, the habitual observance of every law, not only of moral rectitude, but of moral grace and dignity, distinguish him from all men who have been tried by equally strong temptations, and about whose conduct we possess equally full information."[19]

See also

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References

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  1. ^Norwich, John Julius (1990).Oxford Illustrated Encyclopedia of the Arts. USA: Oxford University Press. pp. 5.ISBN 978-0198691372.
  2. ^"Addison, Joseph" .Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
  3. ^A Library of Poetry and Song: Being Choice Selections from The Best Poets. With An Introduction by William Cullen Bryant, New York, J.B. Ford and Company, 1871, p. 279.
  4. ^Deighton, Ken (ed.).Coverley Papers from The Spectator. New York, 1964: Macmillan.
  5. ^Addison, Joseph (1767).Remarks on Several Parts of Italy, &c. in The Years 1701, 1702, 1703. London: J. and R. Tonson. Retrieved23 April 2013 – via Internet Archive.
  6. ^Peter Smithers,The Life of Joseph Addison (Oxford: Clarendon Press, 1954), p. 382.
  7. ^"The Spacious Firmament on High".Hymn Time. Archived fromthe original on 4 March 2016. Retrieved29 November 2015.
  8. '^Smith, Adam James.A Certain Design': The Partisan Strategy of Joseph Addison's The Free-Holder." PhD diss., University of Sheffield, 2014.
  9. ^McGeary, Thomas (1998)."Thomas Clayton and the Introduction of Italian Opera to England",Philological Quarterly, Vol. 77(subscription required)
  10. ^Joseph Addison,Cato: A Tragedy, and Selected Essays. ed. Christine Dunn Henderson & Mark E. Yellin. Indianapolis: Liberty Fund, 2004.ISBN 0-86597-443-8.
  11. ^John J. Miller, "On Life, Liberty, and Other Quotable Matters",Wall Street Journal, 2 July 2011.
  12. ^abRichard, Carl J. (2009).Greeks & Romans Bearing Gifts: How the Ancients Inspired the Founding Fathers, p. 151. Rowman & Littlefield Publishers.
  13. ^Burke, Edmund (1872)Reflections on the revolution in France, and on the proceedings of certain societies in London relative to that event, p. 232. Seeley, Jackson, and Halliday.
  14. ^"Parishes: Bilton". British History Online.
  15. ^Memoirs of the Life and Writings of Sir Richard Steele, p. 148. Haskell House Publishers, first published 1865.
  16. ^Steele, Sir Richard; Addison, Joseph (18 March 1710),"No. 147 Saturday, March 18, 1710",The Tatler, Vol. 2, Oxford University Press, pp. 331–335,doi:10.1093/oseo/instance.00044641,ISBN 978-0-19-818533-8{{citation}}:ISBN / Date incompatibility (help)
  17. ^William Rose Benet,The Reader's Encyclopedia,s.v. "Addisonian Termination".
  18. ^Bellamy, Liz (2007)."It-Narrators and Circulation: Defining a Subgenre". In Blackwell, Mark (ed.).The Secret Life of Things: Animals, Objects, and It-narratives in Eighteenth-century England. Cranbury, NJ: Rosemont. p. 119.ISBN 9780838756669.
  19. ^"Essay on the Life and Writings of Addison",Essays vol. V (1866) Hurd and Houghton

External links

[edit]
EnglishWikisource has original works by or about:
Wikiquote has quotations related toJoseph Addison.
Political offices
Preceded byChief Secretary for Ireland
1708–1710
Succeeded by
Preceded byChief Secretary for Ireland
1714–1715
Succeeded by
Preceded bySecretary of State for the Southern Department
1717–1718
Succeeded by
Parliament of Great Britain
Preceded byMember of Parliament forLostwithiel
1708–1709
With:James Kendall
Succeeded by
Preceded byMember of Parliament forMalmesbury
1710–1719
With:Thomas Farrington 1710–1713
Sir John Rushout, Bt 1713–1719
Succeeded by
Parliament of Ireland
Preceded byMember of Parliament forCavan Borough
1709–1713
With:Thomas Ashe
Succeeded by
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