José Ferrer | |
|---|---|
 Ferrer in 1952 | |
| Born | José Vicente Ferrer de Otero y Cintrón (1912-01-08)January 8, 1912 |
| Died | January 26, 1992(1992-01-26) (aged 80) Coral Gables, Florida, U.S. |
| Resting place | Santa María Magdalena de Pazzis Cemetery, San Juan |
| Education | Princeton University (1933,B.Arch) |
| Occupations |
|
| Years active | 1935–1992 |
| Spouses |
|
| Children | 6, includingMiguel Ferrer |
| Relatives |
|
| Awards | National Medal of Arts (1985) |
José Vicente Ferrer de Otero y Cintrón[1] (January 8, 1912 – January 26, 1992) was aPuerto Rican actor and director of stage, film and television. He was one of the most celebrated and esteemedHispanic American actors—or, indeed, actors of any ethnicity—during his lifetime and after, with a career spanning nearly 60 years between 1935 and 1992. He achieved prominence for his portrayal ofCyrano de Bergerac in theplay of the same name, which earned him the inauguralTony Award for Best Actor in a Play in 1947. He reprised the role in a1950 film version and won anAcademy Award for Best Actor, making him both the first Hispanic and the first Puerto Rican–born actor to win anAcademy Award.
His other notable film roles includeCharles VII inJoan of Arc (1948),Henri de Toulouse-Lautrec inMoulin Rouge (1952), defense attorney Barney Greenwald inThe Caine Mutiny (1954),Alfred Dreyfus inI Accuse! (1958), which he also directed; the Turkish Bey inLawrence of Arabia (1962), Siegfried Rieber inShip of Fools (1965), andEmperor Shaddam IV inDune (1984). Ferrer also maintained a prolific acting and directing careeron Broadway, winning a second Best Actor Tony forThe Shrike, andBest Director forThe Shrike,The Fourposter, andStalag 17, Additionally, Ferrer appeared numerous times in the works ofShakespeare, notably asIago inOthello.
Ferrer was the father of actorMiguel Ferrer, the brother ofRafael Ferrer, the grandfather of actressTessa Ferrer, and the uncle of actorGeorge Clooney. His contributions to American theatre were recognized in 1981 when he was inducted into theAmerican Theater Hall of Fame.[2] In 1985, he received theNational Medal of Arts fromPresident Reagan, becoming the first actor so honored.
Ferrer was born inSan Juan, Puerto Rico, the son of Rafael Ferrer, a local attorney and writer, and María Providencia Cintrón, ofYabucoa. His parents were both of Spanish descent. He was the grandson of Gabriel Ferrer Hernández, a doctor and advocate ofPuerto Rican independence fromSpain. He had two younger sisters, Elvira and Leticia.[3]
The family moved to New York in 1914, when Ferrer was two years old. He studied at theSwiss boarding schoolInstitut Le Rosey.[4] He was adept in several languages, including Spanish, English, French, and Italian.
In 1933, Ferrer completed hisbachelor's degree in architecture atPrinceton University, where he wrote his senior thesis on "French Naturalism andPardo Bazán". Ferrer was also a member of thePrinceton Triangle Club and played piano in a band, "José Ferrer and His Pied Pipers". Ferrer then studied Romance languages atColumbia University for 1934–35.[5]
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Ferrer's first professional appearance as an actor was at a "showboat" theater on Long Island in the summer of 1934.
In 1935, Ferrer was the stage manager at the Suffern Country Playhouse, operated byJoshua Logan, whom Ferrer had known at Princeton.Ruth Gordon andHelen Hayes recommended him toJed Harris.
Ferrer made hisBroadway debut in 1935 inA Slight Case of Murder which ran 69 performances.
He could also be seen inStick-in-the-Mud (1935) andSpring Dance (1936). Ferrer's first big success was inBrother Rat (1936–38) which ran for 577 performances.In Clover only ran for three performances.How to Get Tough About It (1938) also had a short run, as didMissouri Legend (1938).
Mamba's Daughters (1939) ran for 163 performances. Ferrer followed it withKey Largo (1939–40) withPaul Muni and directed byGuthrie McClintic, which went for 105 shows and was later turned into a film.
Ferrer had a huge personal success in the title role ofCharley's Aunt (1940–41), partly indrag, under the direction ofJoshua Logan. It went for 233 performances.
Ferrer then replacedDanny Kaye in the musicalLet's Face It! (1943).
Ferrer made his debut on Broadway as director withVickie (1942) in which he also starred. It only had a short run.
He playedIago inMargaret Webster's Broadway production ofOthello (1943–44), which starredPaul Robeson in thetitle role, Webster asEmilia, and Ferrer's wife,Uta Hagen, asDesdemona. That production still holds the record for longest-running repeat performance of aShakespearean play presented in the United States, going for 296 performances (it would be revived in 1945).
Ferrer produced and directed, but did not appear in,Strange Fruit (1945–46), starringMel Ferrer (no relation).
Among other radio roles, Ferrer starred as detectivePhilo Vance in a 1945 series of the same name.[6]
Ferrer may be best remembered for his performance in the title role ofCyrano de Bergerac, which he first played onBroadway in 1946. Ferrer feared that the production would be a failure in rehearsals, due to the open dislike for the play by directorMel Ferrer (no relation), so he called inJoshua Logan (who had directed his star-making performance inCharley's Aunt) to serve as "play doctor" for the production. Logan wrote that he simply had to eliminate pieces of business which director Ferrer had inserted in his staging; they presumably were intended to sabotage the more sentimental elements of the play that the director considered to be corny and in bad taste.[7] The production became one of the hits of the 1946/47 Broadway season, winning Ferrer the first Best ActorTony Award for his depiction of the long-nosed poet/swordsman.
On January 9, 1949, Ferrer made his television debut when he starred inThe Philco Television Playhouse's one-hour adaptation of the play.[8]
Ferrer directed, but did not appear in,As We Forgive Our Debtors (1947), which ran 5 performances. There was another short run forVolpone (1947) which Ferrer adapted and played the title role.[9]
Ferrer made his film debut in the Technicolor epicJoan of Arc (1948) as the weak-willed Dauphin oppositeIngrid Bergman as Joan. Ferrer's performance earned him an Oscar nomination for Best Supporting Actor.
At theCity Center, he acted in revivals ofAngel Street (1948) andThe Alchemist (1948) and directedS. S. Glencairn (1948) andThe Insect Comedy (1948) (also appearing in the latter).[10]
Ferrer had another Broadway hit withThe Silver Whistle (1948–49) which ran for 219 performances.[11] He performed two shows forThe Philco-Goodyear Television Playhouse on TV in 1949: Cyrano, playing the title role, and an adaptation ofWhat Makes Sammy Run?, playing Sammy Glick (adapted byPaddy Chayefsky).
Ferrer returned to Hollywood to appear inOtto Preminger'sWhirlpool (1950), supportingGene Tierney, andRichard Brooks'Crisis (1950), oppositeCary Grant.
Ferrer then played the title role inCyrano de Bergerac (1950), directed byMichael Gordon and produced byStanley Kramer. Ferrer won the Best Actor Oscar, becoming the first actor to win the Oscar for the same role which won him the Tony. The film was widely seen although it lost money.[12] Ferrer donated the Oscar to the University of Puerto Rico, and it was subsequently stolen in 2000.[13]
Ferrer returned to Broadway for a revival ofTwentieth Century (1950–51) which he directed and starred in, oppositeGloria Swanson; it went for 233 performances. Immediately following, he produced and directed, but did not appear in,Stalag 17 (1951–52), a big hit running for 472 performances. Even more popular wasThe Fourposter (1951–53) in which he directedHume Cronyn andJessica Tandy; it ran for 632 performances.
Ferrer returned to cinema screens in the comedyAnything Can Happen (1952), directed byGeorge Seaton, where Ferrer played an immigrant.
More popular wasMoulin Rouge (1952) in which Ferrer played the role ofToulouse-Lautrec underJohn Huston's direction.[14] Ferrer received 40% of the profits[15] as well as his third and final Oscar nomination.
Back on Broadway, Ferrer directed and starred inThe Shrike (1952), which ran for 161 performances.[16]
His next two shows were as director only:Horton Foote'sThe Chase (1952) only had a short run butMy Three Angels (1953–54), went for 344 performances.[17]
Ferrer had another cinema hit withMiss Sadie Thompson (1953) starringRita Hayworth.[18] Ferrer briefly revived some of his shows at the City Centre in 1953: Cyrano,The Shrike,Richard III,Charley's Aunt.[19]
He returned to films withThe Caine Mutiny (1954) for Kramer, co-starring withHumphrey Bogart andVan Johnson, playing defense lawyer Barney Greenwald; the film was a huge hit.[20] Greenwald'sJewish faith, so prominent in the novel that it informed his judgments of the U.S.S.Caine's officers, was downplayed in the film, as Ferrer, being Puerto Rican, was nominallyRoman Catholic.
Also popular wasDeep in My Heart (1955) where Ferrer playedSigmund Romberg, and which made a profit of over $1 million.[21]
Ferrer made his debut as film director at Universal with an adaptation ofThe Shrike (1955), in which he also starred oppositeJune Allyson.
Ferrer then performed Cyrano in an episode ofProducer's Showcase on television, directed by Mel Ferrer and co-starringClaire Bloom.
He went to England to star in and direct a war film forWarwick Productions,The Cockleshell Heroes (1955), alongsideTrevor Howard; it was a success at the British box office.[22][23]
Ferrer co-wrote, directed and starred in the filmThe Great Man (1956), at Universal. He directed and starred in two films for MGM:I Accuse! (1958), where he playedCaptain Alfred Dreyfus, andThe High Cost of Loving (1958) a comedy withGena Rowlands. Both flopped at the box office.
Back on Broadway, Ferrer co-wrote and directed the stage musicalOh, Captain! (1958) withTony Randall, which only had a short run. He directed and starred inEdwin Booth (1958), playing the title role; it was not a success.
In 1958, Ferrer narrated the children's albumTubby the Tuba, which was nominated for theBest Recording For Children at the1st Annual Grammy Awards.[24]
Ferrer took over the direction of the troubled musicalJuno (1959) fromVincent J. Donehue, who had himself taken over fromTony Richardson. The show, which starredShirley Booth, folded after 16 performances and mixed to extremely negative critical reaction.
However, he followed it directing the original stage production ofSaul Levitt'sThe Andersonville Trial (1959–60), about the trial following the revelation of conditions at the infamousCivil War prison. It was a hit and featuredGeorge C. Scott, running for 179 performances.
Around this time, Ferrer also appeared in television in episodes ofGeneral Electric Theater andThe United States Steel Hour.
Ferrer signed a contract with20th Century Fox to direct films. He madeReturn to Peyton Place (1961) andState Fair (1962), both of which were commercial disappointments.[25]
Ferrer had a key support role in the filmLawrence of Arabia (1962) which was a huge success. Although Ferrer's performance was only small he said it was his best on screen.
At Fox, he played an investigating police officer inNine Hours to Rama (1963). He also guest starred onThe Greatest Show on Earth.[26]
Ferrer returned to Broadway to star inNoël Coward's musicalThe Girl Who Came to Supper (1963–64) which ran for 112 performances.[27]
He narrated the first episode of the popular 1964sitcomBewitched, in mock documentary style.
Ferrer went to Germany to makeStop Train 349 (1963) withSean Flynn. He appeared in the 1964 French filmCyrano et d'Artagnan directed byAbel Gance.
Back in Hollywood, Ferrer playedHerod Antipas inThe Greatest Story Ever Told (1965) and was inShip of Fools (1965) for Stanley Kramer.
A notable performance of his later stage career was asMiguel de Cervantes and his fictional creationDon Quixote in the hit musicalMan of La Mancha. Ferrer took over the role fromRichard Kiley in 1966 and subsequently went on tour with it in the first national company of the show. Tony Martinez continued in the role ofSancho Panza under Ferrer, as he had with Kiley.
Ferrer starred inCarl Reiner'sEnter Laughing (1967) and did a production ofKismet (1967) on TV. He went to Europe to doCervantes (1967) and appeared inA Case of Libel (1968) for US TV. He also provided the voice of the evil Ben Haramed in the 1968Rankin/Bass Christmas TV specialThe Little Drummer Boy. In 1968 the IRS sent him a tax bill of $122,000 going back to 1962.[28]
Ferrer appeared in thetelevision filmsThe Aquarians (1970),Gideon (1971) andCrosscurrent (1971) and guest-starred onThe Name of the Game andBanyon.[29]
Ferrer directedThe Web and the Rock (1972) on stage in New York and appeared inThe Marcus-Nelson Murders (1973),Orson Welles Great Mysteries (1973), andColumbo.
Around 1973, he narratedA Touch of Royalty, a documentary on the life and death ofPuerto Rico'sbaseball starRoberto Clemente. Ferrer voiced both versions, Spanish and English.
Ferrer voiced a highly truncated cartoon version ofCyrano for an episode ofThe ABC Afterschool Special in 1974.
Ferrer appeared inThe Missing Are Deadly (1975),Forever Young, Forever Free (1975),Order to Assassinate (1975),Medical Story (1975),The Art of Crime (1975),Truman at Potsdam (1976) (playing Stalin),The Big Bus (1976),Paco (1976).,Voyage of the Damned (1976),Crash! (1976),The Sentinel (1977),Zoltan, Hound of Dracula (1977),Exo-Man (1977),Who Has Seen the Wind (1977),The Rhinemann Exchange,The Private Files of J. Edgar Hoover (1977),Fedora (1978) fromBilly Wilder,The Amazing Captain Nemo (1978) (in the title role), andThe Swarm. He guest starred onStarsky and Hutch andTales of the Unexpected.
During the Bicentennial, Ferrer narrated the world premiere ofMichael Jeffrey Shapiro'sA Declaration of Independence, July 4, 1776 for narrator and orchestra with Martin Rich leading the Philharmonic Symphony of Westchester.
Ferrer was a replacement cast member in a production ofDavid Mamet'sA Life in the Theatre (1977–78). He produced and starred inWhite Pelicans (1978) and directedCarmelina (1979) on stage but it only ran 17 performances.
He was inThe Fifth Musketeer (1979),The Concorde ... Airport '79 (1979),Natural Enemies (1979),The French Atlantic Affair (1979),A Life of Sin, a 1979 film by Puerto Rican director Efraín López Neris which also starredRaul Julia,Míriam Colón andHenry Darrow, andBattles: The Murder That Wouldn't Die (1980). He didThe Merchant on stage in Canada.[30]
In 1980, he had a role as future JusticeAbe Fortas in the made-for-television film version ofAnthony Lewis'Gideon's Trumpet, oppositeHenry Fonda in anEmmy-nominated performance asClarence Earl Gideon.
He also appeared inBattle Creek Brawl (1980),Pleasure Palace (1980),The Dream Merchants (1980),Magnum, P.I.,Evita Peron (1981),Berlin Tunnel 21 (1981),Peter and Paul (1981) withAnthony Hopkins,Bloody Birthday (1981),Woody Allen'sA Midsummer Night's Sex Comedy (1982) (a classy yet somewhat antagonistic university professor/author whose booming voice both begins and ends the film),Blood Tide (1982),Blood Feud (1982),This Girl for Hire (1983),The Being (1983) andMel Brooks's version ofTo Be or Not to Be (1983).
From 1982 to 1985, he was artistic director of the Coconut Grove Theatre in Miami.[31]
He guest-starred onQuincy, M.E.,Another World,Fantasy Island,Hotel,The Love Boat,Bridges to Cross, andMurder, She Wrote.
Ferrer was inThe Evil That Men Do (1984),Samson and Delilah (1984), andGeorge Washington (1984). He was the Emperor inDune (1984) and was inHitler's SS: Portrait in Evil (1985),Seduced (1985),Covenant (1985),Blood & Orchids (1986),Young Harry Houdini, andThe Wind in the Willows (1987).
Ferrer made his farewell to Cyrano by performing a short passage from the play for the1986 Tony Awards telecast.
Although not the original actor to play the character, Ferrer, beginning in the third season, had a recurring role asJulia Duffy'sWASPy father in the long-running television seriesNewhart in the 1980s.
In an interview given in the 1980s, he bemoaned the lack of good character parts for aging stars, and admitted that he now took on roles mostly for the money, such as his roles in the horror potboilersThe Swarm, in which he played a doctor, andDracula's Dog, in which he played a police inspector.
Ferrer's final performances includeThe Sun and the Moon (1987),American Playhouse ("Strange Interlude" withKenneth Branagh),Mother's Day (1989),Matlock,Hired to Kill (1990),Old Explorers (1990) andThe Perfect Tribute.
He was cast in a Broadway playConversations with My Father (1991) but withdrew due to poor health.[32]
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Ferrer was married five times and had six children:
Through his marriage to Clooney, Ferrer was the uncle of actorGeorge Clooney, the father-in-law to singerDebby Boone and actressLeilani Sarelle, and the grandfather of actressTessa Ferrer.
Ferrer died ofcolorectal cancer inCoral Gables, Florida, on January 26, 1992, 18 days after his 80th birthday, and was interred inSanta María Magdalena de Pazzis Cemetery inOld San Juan in his nativePuerto Rico.[32]
| Year | Title | Role | Notes |
|---|---|---|---|
| 1953 | Producers' Showcase: | Cyrano de Bergerac | Episode: "Cyrano de Bergerac" Nominated –Primetime Emmy Award for Best Actor – Single Performance |
| 1964 | Bewitched | Narrator | 3 episodes |
| 1967 | Kismet | Hajj | TV Film |
| 1968 | The Little Drummer Boy | Ben Haramad | Voice, Television Special |
| 1974 | Columbo | Dr. Marshall Cahill | Episode: "Mind Over Mayhem" |
| 1976-8 | Starsky & Hutch | Crazy Joe Fortune | 3 episodes |
| 1977 | The Rhinemann Exchange | Erich Rhinemann | Mini-series |
| 1978 | The Return of Captain Nemo | Captain Nemo | |
| 1979 | Tales of the Unexpected | Carlos | Episode: "The Man from the South" |
| The French Atlantic Affair | President Aristide Brouchard | Mini-series | |
| 1980 | The Dream Merchants | George Pappas | |
| 1981 | Peter and Paul | Gamaliel | |
| Magnum, P.I. | Robert Caine | Episode: "Lest We Forget" | |
| 1981-86 | The Love Boat | Simon Beck/Deke Donnor | 3 episodes |
| 1982 | Quincy, M.E. | Dr. Stanley Royce | Episode: "Ghost of a Chance" |
| 1983 | Fantasy Island | Nikolos Karavatos | Episode: "Random Choices/Mommy the Mood Swinger" |
| 1984 | George Washington | Robert Dinwiddie | Mini-series |
| 1985-87 | Newhart | Arthur Vanderkellen | 6 episodes |
| 1985 | Hitler's SS: Portrait in Evil | Ludwig Rosenberg | TV Film |
| 1986-91 | Matlock | Nicholas Baron | 3 episodes |
| 1987 | The Wind in the Willows | Badger | Voice, TV Film |
| 1988 | Sesame Street | Tío José | 2 episodes |
| 1991 | Maniac Mansion | Himself | Episode: "The Celebrity Visitor" |
| Date | Title | Role | Director | Producer | Playwright | Notes |
|---|---|---|---|---|---|---|
| September 11 – November 1935 | A Slight Case of Murder | 2nd Policeman | Damon Runyon andHoward Lindsay | Howard Lindsay | Damon Runyon and Howard Lindsay | Also Stage Manager |
| November 26 – December 1935 | Stick-in-the-Mud | Chauffeur | Thomas Mitchell | Jack Curtis and Carleton Hoagland | Frederick Hazlitt Brennan | |
| August 25 – September 1936 | Spring Dance | The Lippincot | Jed Harris | Jed Harris | Philip Barry | |
| December 16, 1936 – April 23, 1938 | Brother Rat | Dan Crawford | George Abbott | George Abbott | John Monks Jr. andFred F. Finklehoffe | |
| October 13–15, 1937 | In Clover | Frederick L. Parsons | Bretaigne Windust | John Krimsky and Jerrold Krimsky | Allan Scott | |
| February 8 – February 1938 | How to Get Tough About It | Vergez | Guthrie McClintic | Guthrie McClintic | Robert Ardrey | |
| September 19 – October 1938 | Missouri Legend | Billy Gashade | Guthrie McClintic | Guthrie McClintic andMax Gordon | E.B. Ginty | |
| January 3 – May 1939 | Mamba's Daughters | St. Julien DeC. Wentworth | Guthrie McClintic | Guthrie McClintic | DuBose Heyward andDorothy Heyward | |
| November 27, 1939 – February 24, 1940 | Key Largo | Victor D'Alcala | Guthrie McClintic | The Playwrights' Company | Maxwell Anderson | |
| October 17, 1940 – May 3, 1941 | Charley's Aunt | Lord Fancourt Babberley | Joshua Logan | Day Tuttle and Richard Skinner | Brandon Thomas | |
| February 28 – March 20, 1943 | Let's Face It! | Jerry Walker | Edgar MacGregor | Vinton Freedley | Music and Lyrics byCole Porter; Book byHerbert Fields andDorothy Fields | Replacement forDanny Kaye |
| September 22 – October 31, 1942 | Vickie | George Roberts | José Ferrer andFrank Mandel | Frank Mandel | Sig Herzig | |
| October 19, 1943 – July 1, 1944 | Othello | Iago | Margaret Webster | Theatre Guild | William Shakespeare, adapted by Margaret Webster | |
| May 22 – June 10, 1945 | Othello | Iago | Margaret Webster | Theatre Guild | William Shakespeare, adapted by Margaret Webster | Revival |
| November 26, 1945 – January 16, 1946 | Strange Fruit | N/A | José Ferrer | José Ferrer | Lillian Smith | |
| October 8, 1946 – March 22, 1947 | Cyrano de Bergerac | Cyrano de Bergerac | Mel Ferrer | José Ferrer | Edmond Rostand, translated byBrian Hooker | Tony Award for Best Actor in a Play Adapted forThe Philco Television Playhouse in 1949 and asCyrano de Bergerac in 1950 |
| March 9–16, 1947 | As We Forgive Our Debtors | N/A | José Ferrer | José Ferrer | Tillman Breiseth | |
| January 8–18, 1948 | Volpone | Volpone | Richard Barr | New York City Theatre Company | Ben Jonson, adapted by José Ferrer, Richard Barr, andRichard Whorf | Co-adapter |
| January 22 – February 1, 1948 | Angel Street | Mr. Manningham | Richard Barr | New York City Theatre Company | Patrick Hamilton | |
| May 6–16, 1948 | The Alchemist | Jeremy/Face | Morton DaCosta | New York City Theatre Company | Ben Jonson | |
| May 20–30, 1948 | S.S. Glencairn | N/A | José Ferrer | New York City Theatre Company | Eugene O'Neill | Collection of the one-act playsIn the Zone,Bound East for Cardiff,The Long Voyage Home, andThe Moon of the Caribbees |
| Jun 3–12, 1948 | The Insect Comedy | Felix, Yellow Commander | José Ferrer | New York City Theatre Company | Karel Čapek andJosef Čapek, adapted byOwen Davis | |
| November 24, 1948 – May 28, 1949 | The Silver Whistle | Oliver Erwinter | Paul Crabtree | Theatre Guild | Robert E. McEnroe | |
| December 24, 1950 – June 30, 1951 | Twentieth Century | Oscar Jaffe | José Ferrer | José Ferrer | Ben Hecht andCharles MacArthur | Ferrer stepped down from the lead role on June 2 and was replaced byRobert Preston from June 4–30 |
| May 8, 1951 – June 21, 1952 | Stalag 17 | N/A | José Ferrer | José Ferrer | Donald Bevan andEdmund Trzcinski | Tony Award for Best Director |
| October 24, 1951 – May 2, 1953 | The Fourposter | N/A | José Ferrer | The Playwrights' Company | Jan de Hartog | Tony Award for Best Director |
| January 15 – May 31, 1952 | The Shrike | Jim Downs | José Ferrer | José Ferrer | Joseph Kramm | Adapted asThe Shrike in 1955 Tony Award for Best Director Tony Award for Best Actor in a Play |
| April 15 – May 10, 1952 | The Chase | N/A | José Ferrer | José Ferrer | Horton Foote | |
| March 11, 1953 – January 4, 1954 | My Three Angels | N/A | José Ferrer | Saint Subber, Rita Allen, and Archie Thomson | Bella and Samuel Spewack | |
| November 11–22, 1953 | Cyrano de Bergerac | Cyrano de Bergerac | José Ferrer | New York City Theatre Company | Edmond Rostand, translated by Brian Hooker | Adapted forProducers' Showcase in 1956 |
| November 25 – December 6, 1953 | The Shrike | Jim Downs | Joseph Kramm and José Ferrer | New York City Theatre Company | Joseph Kramm | |
| December 6–20, 1953 | Richard III | Richard III of England | Margaret Webster | New York City Theatre Company | William Shakespeare | |
| December 22, 1953 – January 4, 1954 | Charley's Aunt | Lord Fancourt Babberley | José Ferrer | New York City Theatre Company | Brandon Thomas | |
| January 5, 1954 – January 16, 1955 | The Fourposter | N/A | José Ferrer | New York City Theatre Company | Jan de Hartog | |
| February 4 – July 19, 1958 | Oh Captain! | N/A | José Ferrer | Howard Merrill and Theatre Corporation of America | Music and Lyrics byJay Livingston andRay Evans; Book by José Ferrer andAl Morgan | Adapted fromThe Captain's Paradise Nominated –Tony Award for Best Musical |
| November 24 – December 13, 1958 | Edwin Booth | Edwin Booth | José Ferrer | José Ferrer and The Playwrights' Company | Milton Geiger | Also understudiedIan Keith asJunius Brutus Booth |
| March 9–21, 1959 | Juno | N/A | José Ferrer | The Playwrights' Company,Oliver Smith, and Oliver Rea | Music and Lyrics byMarc Blitzstein; Book byJoseph Stein | |
| December 29, 1959 – June 1, 1960 | The Andersonville Trial | N/A | José Ferrer | William Darrid, Eleanore Saidenberg, and Daniel Hollywood | Saul Levitt | |
| December 8, 1963 – March 14, 1964 | The Girl Who Came to Supper | Grand Duke Charles | Joe Layton | Herman Levin | Music and Lyrics byNoël Coward; Book byHarry Kurnitz | |
| November 22, 1965 – June 26, 1971 | Man of La Mancha | Cervantes | Albert Marre | Albert W. Selden and Hal James | Music byMitch Leigh; Lyrics byJoe Darion; Book byDale Wasserman | Replacement forRichard Kiley on Broadway, May 28 – June 9, 1966 National Tour Sep 24, 1966 – Apr 09, 1967 Replacement forDavid Atkinson on Broadway, April 11 – July 13, 1967 Replacement for Richard Kiley on National Tour July 15 – August 7, 1967 Replacement for Richard Kiley on National Tour September 23, 1968 – September 13, 1969 |
| March 9, 1975 | A Gala Tribute to Joshua Logan | Himself | Donald Saddler | Friends of the Theatre & Music Collection of the Museum of the City of New York | N/A | |
| April 8–21, 1979 | Carmelina | N/A | José Ferrer | Roger L. Stevens, J. W. Fisher,Joan Cullman,Jujamcyn Theaters, andWhitehead-Stevens | Music byBurton Lane; Lyrics byAlan Jay Lerner; Book by Alan Jay Lerner and Joseph Stein | |
| June 22, 1987 | Happy Birthday,Mr. Abbott! | Himself | Fritz Holt | Barry Brown | N/A |
| Year | Award | Category | Nominated work | Results | Ref. |
|---|---|---|---|---|---|
| 1948 | Academy Awards | Best Supporting Actor | Joan of Arc | Nominated | [36] |
| 1950 | Best Actor | Cyrano de Bergerac | Won | [37] | |
| 1952 | Moulin Rouge | Nominated | [38] | ||
| 1954 | British Academy Film Awards | Best Foreign Actor | The Caine Mutiny | Nominated | [39] |
| 1957 | Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | The Great Man | Nominated | [40] |
| 1950 | Golden Globe Awards | Best Actor in a Motion Picture – Drama | Cyrano de Bergerac | Won | [41] |
| 1958 | Grammy Awards | Best Recording for Children | "Tubby the Tuba" | Nominated | [42] |
| 1950 | New York Film Critics Circle Awards | Best Actor | Cyrano de Bergerac | Nominated | [43] |
| 1951 | Primetime Emmy Awards | Best Actor | Nominated | [44] | |
| 1956 | Best Actor – Single Performance | Producers' Showcase | Nominated | ||
| 1947 | Tony Awards | Best Actor in a Play | Cyrano de Bergerac | Won | [45] |
| 1952 | The Shrike | Won | [46] | ||
| Best Director | The Fourposter /The Shrike /Stalag 17 | Won | |||
| 1958 | Best Musical | Oh, Captain! | Nominated | [47] | |
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