Johnny Dodds | |
|---|---|
| Born | (1892-04-12)April 12, 1892 |
| Died | August 8, 1940(1940-08-08) (aged 48) Chicago, Illinois, U.S. |
| Genres | |
| Occupation | Musician |
| Instrument(s) | Clarinet, saxophone |
Johnny Dodds (/ˈdɒts/; April 12, 1892 – August 8, 1940)[2] was an Americanjazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those ofJoe "King" Oliver,Jelly Roll Morton,Lovie Austin andLouis Armstrong. Dodds was the older brother of drummerWarren "Baby" Dodds, one of the first important jazz drummers.[3] They worked together in theNew Orleans Bootblacks in 1926.[4] Dodds is an important figure in jazz history.[5] He was the premier clarinetist of his era and, in recognition of his artistic contributions, he was posthumously inducted into theJazz Hall of Fame.[6] He has been described as "a prime architect in the creation of theJazz Age."[5]
Dodds was born inWaveland, Mississippi. His childhood environment was a musical one.[3] His father and uncle were violinists, his sister played amelodeon, and in adolescence Johnny sang high tenor in the family quartet.[2] According to legend, his instrumental skill began with a toy flute which had been purchased for his brother,Warren "Baby" Dodds.[2] He was known for his serious and reserved manner as well as his "funky blues playing," which earned him the nickname "toilet."[7]
He moved to New Orleans in his youth and studied the clarinet withLorenzo Tio and Charlie McCurdy.[8][3] He played with the bands ofFrankie Duson,Kid Ory,[9] andJoe "King" Oliver.[10][3] Dodds went to Chicago and played with Oliver's Creole Jazz Band, with which he first recorded in 1923. Dodds blamed the breakup on not wanting to travel and on musical conflicts due to Oliver's failing musical abilities.[11] He also worked frequently with his good friendNatty Dominique during this period, a professional relationship that would last a lifetime. After the breakup of Oliver's band in 1924, Dodds replacedAlcide Nunez as the house clarinetist and bandleader ofKelly's Stables.[12] From 1924 to 1930, Dodds worked regularly at Kelly's Stables in Chicago.[3] He recorded with numerous small groups in Chicago, including Louis Armstrong'sHot Five andHot Seven and Jelly Roll Morton'sRed Hot Peppers. He also recorded prolifically under his own name, Johnny Dodds' Black Bottom Stompers, between 1927 and 1929 forParamount, Brunswick/Vocalion, and Victor. He became a big star on the Chicago jazz scene of the 1920s, but his career precipitously declined with theGreat Depression.[13] Although his career gradually recovered,[5] he did not record for most of the 1930s, affected by ill-health; he recorded only two sessions—January 21, 1938, and June 5, 1940—both forDecca. On August 8, 1940, Dodds died of a stroke in his Chicago home[14] and was buried atLincoln Cemetery in Blue Island, Illinois.
_at_Lincoln_Cemetery%2c_Blue_Island%2c_IL.jpg)
Known for his professionalism and virtuosity as a musician and his heartfelt, heavily blues-laden style, Dodds was an important influence on later clarinetists, such asBenny Goodman,[15] who stated that no one ever surpassed Dodds in achieving a finer tone with the clarinet.[15] The tone was probably caused by the use of double embouchure (lower and upper lips over the mouthpiece) in combination with a very hard reed (a thin piece of cane resting against the mouthpiece) according to CDK Cook in the Syncophated Times May 10, 2020. Dodds was inducted into theDownBeat Jazz Hall of Fame in 1987.[6]
Several accounts suggest the Dodds brothers did not always get along. When the brothers were young children, Johnny received a clarinet from his father while Baby did not get a drum even though he asked for one.[16] InThe Baby Dodds Story, Baby Dodds discusses his jealousy of his older brother when they were children. As they grew up, Johnny refused to let Baby play music with him because Baby was a heavy drinker and Johnny did not drink. When Joe Oliver hired Baby to join his band and Johnny realized how much Baby's talent as a drummer had grown, Johnny changed his mind.[17] Although they continued to argue about Baby's excessive drinking, they grew closer as brothers and musicians. Baby was greatly affected by his brother's death.[18]
Releases featuring Johnny Dodds include the following.[6]
