John Raphael Smith | |
|---|---|
 Sculpture by SirFrancis Chantrey in the V&A | |
| Born | 25 May 1751 |
| Died | 2 March 1812(1812-03-02) (aged 60) |
| Occupation(s) | painter andmezzotintengraver |
| Children | John |
| Parent | Thomas Smith |
John Raphael Smith (25 May 1751 – 2 March 1812) was a Britishpainter andmezzotinter. He was the son ofThomas Smith ofDerby, thelandscape painter, and father ofJohn Rubens Smith, a painter who emigrated to theUnited States.
Baptized atSt Alkmund's Church on 25 May 1751, John Raphael, was born to be a painter. Named after the great Renaissance artist, he was born to mother Hannah Silvester and a father who was also a well thought of citizen of Derby. Thus he was able to secure an apprentice to a linen-draper in the city, after a brief education atDerby School. His elder brother, Thomas Corregio Smith (1743–1811), was also a painter.
Determined to pursue a print-making business in London, in 1767 he moved to the capital, making additional income from production ofminiatures. Almost immediately he met Ann Darlow, he proposed and they were married on 20 May 1768 at the Chapel of Savoy.
Then he turned to engraving: his most successful mezzotint ofPascal Poali, afterHenry Benbridge launched his career. He executed his plate of thePublic Ledger, which proved most popular, and was followed by his mezzotints ofEdwin the Minstrel (a portrait ofThomas Haden)[1] afterWright of Derby, andMercury Inventing the Lyre, afterBarry.[2]
He reproduced some forty works ofSir Joshua Reynolds, some of which ranked among the masterpieces ofmezzotint. Notable among these feats was one ofMr Banks, after a portrait by the Royal AcademicianBenjamin West that was exhibited at theSociety of Artists in 1773. In 1778, Smith was commissioned to complete a mezzotint engraving by John Milnes following his purchase of a painting and all known engravings of the work ofJoseph Wright of Derby. The painting was calledThe Captive and the engraving was used to make just twenty impressions before it was destroyed. One of these rare engravings is in Smith's home town at theDerby Museum and Art Gallery.[3]
Reynolds painted all Society, but Smith's mezzotints ofMrs Carnac (1778) andLieutenant-Colonel Banastre Tarleton (1782) are outstanding examples of famous Georgians. Tarleton's reputation as a ruthless cavalry officer in the American campaign was illustrative of Smith's enduring family links to the New World.[citation needed] Adding to his artistic pursuits an extensive connexion as a print-dealer and publisher, he would soon have acquired wealth had it not been for his dissipated habits.[2] Smith knew the theatre, having a keen eye for the dramatic flourish, with a sense of stagecraft, aPromenade at Carlisle House, followed by a mezzotint exhibited in 1782 at the Free Society of Artists.
Mezzotints of George Romney's portrait ofThe Children of Earl Gower and Thomas Gainsborough'sGeorge, Prince of Wales catapulted him into the Royal Household, appointed in 1784 asMezzotint Engraver to the Prince of Wales.[4] Other successful pieces followed withThe Weird Sisters afterHenry Fuseli (1785), and aWidow of an Indian Chief (1789), afterJoseph Wright of Derby. He was a boon companion ofGeorge Morland, whose excellent figure-pieces included mezzotints repository at the British Museum, and frequent exhibitions throughout his career at the Society of Artists. In the intervening periods he showed oils, chalk and pastels at the Royal Academy in Piccadilly, for example his mezzotint of 1785 of theCredulous Lady and Astrologer. In 1803, he had a special exhibition of oils at the British School inBerners Street, Piccadilly. Of his complete oeuvres, over 400 works of mezzotint andstipple, included 120 genre and satirical works about ordinary life.Ladies in Fashionable Dresses by Bowles portrayed, according to one critic, a group of prostitutes.[5]
Smith became a London publisher from 1781, including among his clients the radical writer and artistWilliam Blake. A prolific mentor of apprentices, he shared plates with at least thirty other London printers. In this group wasJ. M. W. Turner,Charles H. Hodges,William Ward,Thomas Girtin andJames Ward, who were among his registered pupils wereWilliam Hilton,Charles Howard Hodges,Christiaan Josi,Samuel William Reynolds,James andWilliam Ward (engraver), andPeter de Wint.[6]
As a mezzotint engraver Smith occupies the very highest rank. His prints are delicate, excellent in drawing and finely expressive of colour.[2] Among his small full-length portraits in pastels and crayons the best is ofFox, the Whig leader which in 1802 was exhibited in the Royal Academy. Other portraits were of important radicals and whigsHorne Tooke,[citation needed]Sir Francis Burdett and the group of theduke of Devonshire and family support his claims as a successful draughtsman and painter. He had a very thorough knowledge of the principles and history of art, and was a brilliant conversationalist.[2]
After a divorce from Ann, on the grounds of adultery, he lived with Emma Johnston, mother of his child, artistEmma Smith (1783–1853); he made an exceptional study of her in 1783.[7] The grandchildren were also distinguished:Julian, Lord Pauncefote was Britain's first fully-fledged Ambassador to United States. His sisterEliza Aders (1785–1857) was a hostess and artist.
Smith's third relationship was with Hannah Croome (1757–1829), by whom he had another two children, who survived him. In 1793, he opened the Morland Gallery in King Street, Covent Garden, whence he issued catalogues of his prints. By 1798, he had listed over 302 publications in addition to his prints.[citation needed] He painted subject-pictures such as theUnsuspecting Maid,Inattention and theMoralist, exhibiting in theRoyal Academy from 1779 to 1790. Upon the decline of his business as a printseller he made a tour through the north and midland counties of England, producing much hasty and indifferent work, and settled inDoncaster.[2] The artistic merit of the sculptor SirFrancis Leggatt Chantrey was spotted by Smith, who gave him lessons in painting.[8] Chantry later did a bust of Smith in appreciation, that is now in the Victoria and Albert Museum, London;[9] and there is a painting of Chantry by Smith. From 1808 Smith grew increasingly deaf. Based in Doncaster he travelled extensively through the North of England. He died at his home there, and was buried in the parish churchyard.
One or more of the preceding sentences incorporates text from a publication now in thepublic domain: Chisholm, Hugh, ed. (1911). "Smith, John Raphael".Encyclopædia Britannica. Vol. 25 (11th ed.). Cambridge University Press. p. 267.{{cite book}}: CS1 maint: location missing publisher (link)Attribution:
This article incorporates text from a publication now in thepublic domain: Chisholm, Hugh, ed. (1911). "Smith, John Raphael".Encyclopædia Britannica. Vol. 25 (11th ed.). Cambridge University Press. p. 267.
Media related toJohn Raphael Smith at Wikimedia Commons
