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Joanna Foster

From Wikipedia, the free encyclopedia
British actress

Joanna Foster
NationalityBritish
Alma materRoyal Central School of Speech and Drama
OccupationActress
Years active1978–present
Notable workDiary of A Desperate Woman, The Eve of Saint Venus, Brezhnev's Children
TelevisionCoronation Street
ParentBarry Foster
RelativesMiranda Foster (sister)

Joanna Foster is a British actress active in theatre and television since 1978. On stage, she created roles in the world premieres ofAndrew Davies'sDiary of A Desperate Woman (1979),Anthony Burgess'sThe Eve of Saint Venus (1979), andOlwen Wymark'sBrezhnev's Children (1991), and has performed leading roles with theRoyal Shakespeare Company,Royal National Theatre,The Young Vic,Leicester Haymarket Theatre, andThe Dukes, Lancaster among other theatre companies. She was the fourth and final actress to portraySusan Barlow inCoronation Street.

Career

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Education and stage work

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Foster is the daughter of the actorBarry Foster and the sister of the actress Miranda Foster.[1][2] She was trained at theRoyal Central School of Speech and Drama.[3] While as a student, she performed the role of Celia in the Central School's January 1978 production ofChristopher Hampton'sThe Philanthropist.[3] She made her professional stage debut at theMercury Theatre, Colchester in September 1978 as Valeria inAphra Behn's 1677 playThe Rover. It was the first un-censored staging of the play since the 1750s; restoring much of the original bawdy language.[4]

In 1979, Foster starred in the world premiere ofAndrew Davies'sDiary of A Desperate Woman at theBelgrade Theatre in Coventry, England.[5] That same year she became a resident actress at theNew Wolsey Theatre; making her debut with the company in a production ofCarlo Goldoni's 1746 playThe Servant of Two Masters.[6] Other roles she performed at that theatre included Diana in the world premiere ofAnthony Burgess'sThe Eve of Saint Venus (1979),[7] Gerda in a stage adaptation ofHans Christian Andersen'sThe Snow Queen (1980),[8] andHermia inWilliam Shakespeare'sA Midsummer Night's Dream (1980).[9]

In 1980, Foster portrayed the role of Cheppi / Ilona in János Nyiri'sIf Winter Comes at theLeicester Haymarket Theatre.[10] She had a critical triumph asNora Helmer inHenrik Ibsen'sA Doll's House atThe Dukes, Lancaster in 1981; a production which used a new contemporary English language translation by playwrightPam Gems.The Stage theatre critic Robin Duke wrote "Given the contemporary nature of the new translation, the play compounds its earlier feminist ideals and clenches a new iron fist in a velvet glove. Much of the thanks goes to a remarkable performance by Joanna Foster as the trapped Nora Helmer. She positively trembles with nervous energy, hands desperately seeking somewhere to rest, eyes too busy to settle."[11] She returned to The Dukes in successive seasons as Laura Wingfield inTennessee Williams'sThe Glass Menagerie (1981),[12] Juliet in Shakespeare'sRomeo and Juliet (1981),[13] and Stella inA Streetcar Named Desire (1983).[14] Reviewing the latter performance,The Guardian theatre critic Robin Thornber stated, "Joanna Foster makes Stella a true star of the play, all sweet reason and patience, torn for compassion both for her sister's sensitivity and her husband's animal pride."[15]

In 1982, Foster starred as Armand in theRoyal Shakespeare Company's production ofMikhail Bulgakov'sMolière atThe Other Place in Stratford-upon-Avon;[16] a performance described as "alluring" byThe Observer.[17] Her other performances with the RSC included the Gentlewoman inMacbeth (1982) andHero inMuch Ado About Nothing (1983).[18] In 1984 she performed inDavid Pownall'sMusic to Murder By at the Nuffield Southampton Theatre.[19] In 1985, she appeared at theYoung Vic as Isabella inDavid Thacker's staging of Shakespeare'sMeasure for Measure withPeter Guinness as the Duke andMargot Leicester as Mariana.[20]The Guardian theatre critic Desmond Christy wrote,

"The great scenes between Isabella and Angelo are outstanding. Joanna Foster's Isabella is not the best spoken sister of mercy we have seen but she is one of the most feeling. This is not a neurotic novice obsessed with chastity but one who sincerely believes that her immortal soul is worth more than her brother's life. This moral absolutism, pitted against Angelo's lustful casuistry, makes for superb drama."[21]

In 1986, Foster starred as Lucy inPeter Wood's staging ofBertolt Brecht'sThe Threepenny Opera at theRoyal National Theatre (RNT) withTim Curry andSally Dexter,[22][23] and performed in a special concert of Brecht's music entitled "Sung and Unsung", also with the RNT.[24] That same year she appeared asLady Macbeth in Shakespeare's1606 tragedy at theTorch Theatre, Milford Haven.[25][26] In 1988, she portrayed Ann Deever inArthur Miller'sAll My Sons at theTheatre Royal, Manchester.[27]

In 1991, Foster created the role of Galina in the world premiere ofOlwen Wymark'sBrezhnev's Children with the Moving Target Theatre Company; a work based onJulia Voznesenskaya's 1987 Russian novelThe Women's Decameron.[28][29] In 1995, she portrayed Abigail Brodsky in the UK premiere of Carole Braverman'sThe Yiddish Trojan Women; a work mounted by theSoho Theatre Company at theCockpit Theatre in London.[30] That same year she portrayed Keely in the United Kingdom première ofJane Martin'sKeely and Du at theRoyal Theatre, Northampton.[31] In 1996, she toured internationally as a member of the Actors of the London Stage; performing Shakespeare plays with a minimal cast of five actors who played multiple parts.[32] In 1998, she starred opposite her sister Miranda for the first time in their careers in a production ofJosé Triana'sThe Criminals at theLyric Theatre in Hammersmith; with Joanna portraying the role of Beba and Miranda in the part of Cuca.[2][33]

In 2006 she portrayed Zise Feige inIsaac Bashevis Singer'sThe Dead Fiddler at theNew End Theatre.[34]

Television and film

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Foster's first television role was as Theresa in the 1979 BBC television dramaTestament of Youth.[35] The following year she portrayed Clara Brewer in theITV television seriesFlickers.[36] In 1982, she starred as Fran in "The Visitor"; a supernatural thriller made for the British horror anthology seriesWest Country Tales.[37] In 1988, she portrayed Ellen Thompson in the BBC television seriesBlind Justice;[38] an award winning television series produced byMichael Wearing which "exposed the inadequacies of the British criminal justice system".[39]

Between 1992 and 1993, Foster played staff general manager Kate Miller in the hospital dramaCasualty.[40][41] She is the fourth actress to portray the role ofSusan Barlow inCoronation Street, after Katie Heannau,Wendy Jane Walker andSuzy Paterson. She played the character for one month from January 2001 until the character's death in a car crash in February 2001. She also starred in theFive soapFamily Affairs between 2002 and 2003, where she playedGinny Davenport. She also played the role of Miriam, the sister ofMoses, in theHistory Channel'sThe Bible.

References

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  1. ^Philip Purser (11 February 2002)."Barry Foster: Versatile actor best known for his portrayals of Orde Wingate and a Dutch detective".The Guardian.
  2. ^ab"SHOW PEOPLE: ACCESS ALL AREAS".The Stage (6102): 10. 26 March 1998.
  3. ^abO'Brien, Susan (26 January 1978). "PLAY REVIEWS: THE PHILANTHROPIST".The Stage. No. 5050. p. 17.
  4. ^Mullen, Liz (7 September 1978). "ON THIS WEEK AT: COLCHESTER".The Stage. No. 5082. p. 23.
  5. ^Linsie, John (22 February 1979). "Play Reviews: Diary of A Desperate Woman".The Stage (5106): 11.
  6. ^"WHOLSEY THEATRE: Artistic policy: a plan for all seasons".The Stage (5136): 28. 20 September 1979.
  7. ^Nugent, Ann (6 December 1979). "Play Reviews: Deconstruction Of The Countdown".The Stage (5147): 11.
  8. ^Glenn, Alfred (17 January 1980). "Christmas Show Reviews: IPSWICH".The Stage. No. 5153. p. 8.
  9. ^Glenn, Alfred (20 March 1980). "Regional Reviews: A Midsummer Night's Dream".The Stage (5162): 26.
  10. ^"PRODUCTION NEWS: If Winter Comes".The Stage (5186): 2. 4 September 1980.
  11. ^Duke, Robin (16 April 1981). "Regional Reviews: Remarkable Ibsen play on morals".The Stage (5218): 13.
  12. ^Duke, Robin (29 October 1981). "Lancaster: The Glass Menagerie".The Stage (5246): 23.
  13. ^Duke, Robin (19 November 1981). "Regional Reviews: Romeo and Juliet".The Stage. No. 5249. p. 25.
  14. ^Duke, Robin (30 June 1983). "REGIONAL REVIEWS: Desire, death, violence and success in 'Streetcar'".The Stage (5333): 23.
  15. ^Thornber, Robin (10 June 1983). "A Streetcar Named Desire".The Guardian. p. 14.
  16. ^"THEATRE WEEK; Thursday August 12, Molière".The Stage (5287): 34. 12 August 1982.
  17. ^Cushman, Robert (15 August 1982). "Spectacular Tempest".The Observer: 27.
  18. ^Michael Mullin (1994).Theatre at Stratford-upon-Avon: A catalogue-index to productions of the Royal Shakespeare Company, 1979-1993, Volume 1.Greenwood Press.ISBN 9780313250286.
  19. ^"REGIONAL PRODUCTION NEWS: Music To Murder By".The Stage (5401): 16. 18 October 1984.
  20. ^Marriott, R B. (23 May 1985). "PLAY REVIEWS: Measure for Measure".The Stage (5432): 11.
  21. ^Desmond Christy (8 May 1985). "Harsh times: Desmond Christy on the Young Vic's Measure for Measure".The Guardian. p. 9.
  22. ^"National Theatre, Threepenny Opera".London Theatre Record: 30. 12 March 1986.
  23. ^"PRODUCTION NEWS: The National Theatre".The Stage (5466): 38. 16 January 1986.
  24. ^"Brecht at the Royal National Theatre".Country Life. Vol. 180. p. 468.
  25. ^Adams, David (28 October 1986). "Macbeth/ Deals".The Guardian. p. 13.
  26. ^Stoddart, Vivien (11 December 1986). "Regional Reviews: Macbeth".The Stage (5513): 26.
  27. ^Anglesey, Natalie (7 April 1988). "Regional Reviews: All My Sons".The Stage (5582): 18.
  28. ^"Brezhnev's Children".Theatre Record.11. 27 February 1991.
  29. ^Maureen Paton Maguire (21 March 1991). "Play Reviews: Brezhnev's Children".The Stage (5736): 13.
  30. ^Hepple, Peter (2 February 1995). "Theatre Reviews: Pieces fail to fit in this emotional jigsaw".The Stage (5938): 14.
  31. ^Rigby, Neville (12 October 1995). "THEATRE REVIEW: Keely & Du".The Stage (5974): 14.
  32. ^Aaron Nolan (22 February 1996)."From London's West End to Hollywood's West Coast, The Bard's Words are Still Full of Sound and Fury"(PDF).Scholastic. pp. 22–26.
  33. ^John Thaxter (9 April 1998). "THEATRE REVIEW: The Criminals".The Stage (6104): 12.
  34. ^"The Dead Fiddler".Theatricalia. Retrieved9 November 2022.
  35. ^Larry James Gianakos (1983). "Testament of Youth".Television Drama Series Programming: A Comprehensive Chronicle, 1980-1982, Volume 4.Scarecrow Press. p. 130.ISBN 9780810816268.
  36. ^Lovelace, Jennifer (25 September 1980). "TELEVISION TODAY: Flickers format was an acquired taste".The Stage and Television Today (5189): 24.
  37. ^"BBC South west lines up play and music".The Stage (5196): 22. 13 November 1980.
  38. ^"PRODUCTION: Blind Justice (BBC)".Screen International (628): 24. 28 November 1987.
  39. ^Millington, Bob (2014).""Michael Wearing"". In Horace Newcomb (ed.).Encyclopedia of Television.Taylor & Francis. p. 2507.ISBN 9781135194727.
  40. ^Barrow, Tony (24 September 1992). "Television People: Casualty's scope makes it more than just soap".The Stage (5815): 21.
  41. ^Paul Cornell; Martin Day; Keith Topping (1996). "Casualty".The Guinness Book of Classic British TV.Guinness Publishing. p. 61.ISBN 9780851126289.

External links

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