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Joan La Barbara

From Wikipedia, the free encyclopedia
American vocalist and composer (born 1947)

Joan La Barbara
Also known asJoan La Barbara
Born
Joan Linda Lotz

(1947-06-08)June 8, 1947 (age 78)
Philadelphia, Pennsylvania, U.S.
GenresAvant-garde,Classical,Vocal
Occupation(s)Vocalist, composer, actress, educator
Instrument(s)Vocals, electronics
Years active1971–present
LabelsWizard,Chiaroscuro,Nonesuch, New Albion,Lovely Music,Mode,New World
Websitejoanlabarbara.com
Musical artist

Joan Linda Lotz La Barbara (born June 8, 1947) is an Americanvocalist andcomposer known for her explorations of non-conventional or"extended" vocal techniques.[1][full citation needed] Considered to be a vocal virtuoso in the field ofcontemporary music,[2] she is credited with advancing a new vocabulary of vocal sounds including trills, whispers, cries, sighs, inhaled tones, and multiphonics (singing two or more pitchessimultaneously).

Biography

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An influential figure in experimental music, La Barbara was born inPhiladelphia, Pennsylvania. She is a classically trained singer who studied with sopranoHelen Boatwright atSyracuse University, Phyllis Curtin at Tanglewood/Berkshire Music School and contralto Marion Szekeley Freschl atthe Juilliard School in New York.[3]

Joan La Barbara's early creative work (early to mid 1970s) focuses on experimentation and investigation of vocal sound as raw sonic material, including works that explore variedtimbres on a single pitch,"circular singing" inhaled and exhaled singing inspired by horn players'circular breathing techniques, and multiphonic or chordal singing [i.e. double-stops for the voice]. In the mid 1970s, she began creating more structured compositional works, some of which include electronics and layered voice sounds.[4]

She has accumulated a large repertoire of vocal works by 20th-and 21st-century music masters, including many pieces composed especially for her voice.[5] She has performed and recorded works by composers includingJohn Cage,Robert Ashley,Morton Feldman,Philip Glass,Larry Austin,Peter Gordon,Alvin Lucier, and her husbandMorton Subotnick, and has collaborated with choreographersMerce Cunningham, Jane Comfort, Nai-Ni Chen and poetKenneth Goldsmith.

In 2004, she was awarded aGuggenheim Fellowship in Music Composition.[6] She also received a Foundation for Contemporary ArtsJohn Cage Award (2016).[7]

La Barbara is a guest instructor atHB Studio.[8]

Other work

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Joan La Barbara has also done work acting and composing for television, film, and dance. She composed and performed the music for theSesame Street animated segmentSigning Alphabet, for electronics and voice, and has composed a variety of chamber, orchestral, and choral works. She also appears inMatthew Barney’s 2014 filmRiver of Fundament. La Barbara is currently on the music composition artist faculty atNew York University Steinhardt School of Culture, Education, and Human Development, Department of Music and Performing Arts Professions, and on the faculty of Mannes/The New School/College of Performing Arts.

Discography

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La Barbara works

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  • Voice Is the Original Instrument (2016). Arc Light Editions, vinyl release, ALE005.
  • io: atmos (2009) New World Records, CD 80665
  • Voice Is the Original Instrument: Early Works (2003). Lovely Music, CD 3003.
  • Awakenings, for chamber ensemble (1994) Music & Arts, CD 830
  • Shamansong (1998) New World Records, CD 8054
  • 73 Poems (1994) book and CD withKenneth Goldsmith, Lovely Music, Ltd., CD 3002
  • "Computer Music Series, Vol.13, The Virtuoso in the Computer Age III",l'albero dalle foglie azzurre (tree of blue leaves), for solo oboe and computer music on tape (1993) Centaur Records, CRC 2166
  • Sound Paintings (1991) Lovely Music, Ltd., CD 3001
  • Silent Scroll onNewband Plays Microtonal Works, (1990) Mode Records, #18
  • The Art of Joan La Barbara (1985) Nonesuch, LP 78029-1
  • As Lightning Comes, In Flashes (1983) Wizard Records, LP RVW 2283
  • The Reluctant Gypsy (1980) Wizard Records, RVW 2279
  • Tapesongs (1978) Chiaroscuro, LP CR-196
  • Voice Is the Original Instrument: Early Works (1976) Wizard Records, LP 2266

Featured on works by other composers

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  • Johann JohannssonArrival (Original Soundtrack) (2016) Deutsche Grammophon, CD
  • Robert AshleyNow Eleanor's Idea (2007) Lovely Music, Ltd., CD 1009
  • Robert AshleyCelestial Excursions (2004) Lovely Music, Ltd., CD 1007
  • Robert AshleyDust (2000) Lovely Music, Ltd., CD 1006
  • Robert AshleyYour Money My Life Goodbye (1999) Lovely Music, Ltd., 1005
  • John CageJohn Cage at Summerstage with Joan La Barbara, William Winant and Leonard Stein (1995), Music & Arts, CD 875
  • Larry AustinLa Barbara on CDCM Computer Music Series, Vol. 13, The Virtuoso in the Computer Age III (1993) Centaur Records, CRC 2166
  • Morton SubotnickAll my hummingbirds have alibis (1993) The Voyager Company, CD-Rom LS36
  • Charles DodgeThe Waves on "Any Resemblance is Purely Coincidental" (1992) New Albion, NA 045
  • Robert AshleyImprovement (1992) Elektra/Nonesuch, double CD 79289-2
  • Steve ReichVoices and Organ (1991) Deutsche Grammaphon, CD box
  • John CageJoan La Barbara Singing Through John Cage (1990) New Albion, NA035
  • Philip GlassMusic in 12 Parts (1990) Virgin Records
  • Morton FeldmanThree Voices for Joan La Barbara (1989) New Albion, NA018
  • Morton SubotnickJacob's Room (1987) Wergo, WER2014-50
  • Morton SubotnickThe Last Dream of the Beast on "The Art of Joan La Barbara", Nonesuch 78029–1, 1985, LP only
  • John CageSolo for voice 45 (1978) Chiaroscuro, LP CR-196, 1978
  • Lou HarrisonMay Rain on "Prepared Piano--the First of Four Decades" with Richard Bunger, piano, Musical Heritage Society, LP MHS-4187
  • Bruce DitmasAeray Dust (1978) Chiaroscuro, CR-195
  • Bruce Ditmas Yellow (1977) Wizard Records, LP #222, 1977, LP
  • Philip GlassNorth Star (1977) Virgin Records, PZ-34669
  • Philip GlassMusic in 12 Parts (Parts 1 & 2) (1974) Virgin Records, LP
  • Steve ReichMusic for Mallet Instruments, Voices and Organ (1974) Deutsche Grammaphon, LP box
  • Garrett ListYour Own Self (1973) Opus One Records, LP
  • Jim HallCommitment (A&M/Horizon, 1976) on "Lament for a Fallen Matador (Based on "Adagio in G minor)", arr. by Don Sebesky
  • Stanley Silverman and Richard ForemanDr. Selavy's Magic Theatre (1973) Rainbow Collection records, LP
  • The Living Theatre with Wavy Gravy (Hugh Romney) and The New Wilderness Preservation Band (1973)
  • Don SebeskyThe Rape of El Morro (1973) CTI Records LP

See also

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Sources

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  1. ^Harvard music dictionary.
  2. ^Pool, Jeannie G. (January 1979). "America's Women Composers: Up from the Footnotes".Music Educators Journal.65 (5): 35.doi:10.2307/3395571.JSTOR 3395571.Joan La Barbara, a major innovator in her use of voice in both live and taped electronic works.
  3. ^Sanders, Linda; Sweet, Michelle C. (1994)."La Barbara, Joan". In Sadie, Julie Ann; Samuel, Rhian (eds.).The Norton/Grove Dictionary of Women Composers. W. W. Norton. pp. 259–260.ISBN 0-393-03487-9.
  4. ^Reynolds, Simon (July 2016)."Joan La Barbara, Voice Is The Original Instrument + Tapesongs review".The Wire. RetrievedOctober 26, 2018 – via reynoldsretro.blogspot.com.
  5. ^Goldsmith, Kenneth.Joan La Barbara: Composer as Performer from “Don’t Quit Your Day Job”, New Music Box/American Music Center, 2000.
  6. ^"Video:At Home with Composers Morton Subotnick and Joan La Barbara". Q2 Music.WQXR. April 16, 2013.Archived from the original on August 27, 2024. RetrievedAugust 27, 2024.
  7. ^"Joan La Barbara".Foundation for Contemporary Arts.Archived from the original on April 20, 2018. RetrievedApril 19, 2018.
  8. ^"Joan la Barbara".HB Studio. Archived fromthe original on February 28, 2020. RetrievedFebruary 28, 2020.

Further reading

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External links

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