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Jiggle television

From Wikipedia, the free encyclopedia
Television which uses the sexuality of young women as appeal to their audiences
Farrah Fawcett, from the 1970s seriesCharlie's Angels

Jiggle television is a term coined byNBC executivePaul Klein to criticizeABC's television production and marketing strategy underFred Silverman,[1] describing the use of female television characters who wear loose clothing orunderwear in a way that theirbreasts orbuttocks appear to shake or "jiggle".[2]

Description

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Klein referred to ABC's programs as "porn" in order to tap into the 1970smoral panic and anxiety over the spread of pornography,[3] using theneologism to describe the use of female television celebrities wearing loose clothing orunderwear in a way in which theirbreasts orbuttocks appear to shake, or "jiggle".[2] An American invention,[4] it was used to refer to programs such asCharlie's Angels,[5]Wonder Woman andThree's Company,[3] which used the sexuality of young women as appeal to their audiences.[6]

Characteristics

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The programs' plots were often full of innuendo and suggestive language, and unrealistic in nature.[7] Producers of such series would make sure that its lead actresses would appear in a bikini, one-piece swimsuit, négligée, underwear, or naked under a towel, in each show.[8]Angie Dickinson, star of NBC'sPolice Woman (1974–1978), which preceded and influencedCharlie's Angels, said that although "essentially a woman’s job is being a woman", by the show's last season she was tired of scenes "where the phone rings while I'm taking a bath".[9] Due to censorship standards of the time, however, programs made for U.S. television that fell into the "jiggle television" category were not allowed to move beyond innuendo or slight suggestiveness, with actual nudity and sexual content generally not allowed.[citation needed]

Reception and legacy

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At the time, the ABC target audience was 18 to 35 years old.[10] Jiggle was also called "tits &ass television" or "T&A" for short[11] and in the 1970s the amount of sex on television increased, as did its ratings,[3] creating social controversies and consequences.[12]

James T. Aubrey produced aTV movie about theDallas Cowboys Cheerleaders, whichVariety later said "aired on ABC to huge ratings at the height of its T&A phase".[13] The concept was later taken to new extremes by the late 1980s and throughout the 1990s and early 2000s on such television shows asBaywatch,She Spies, and numerousUSA Network series.

The term has been used to describe the dramatic television series ofAaron Spelling such asThe Love Boat,Fantasy Island,Charmed and others.[14] Jiggle TV is seen as trashy and escapist entertainment.[1] Programs or female performers are often judged by their "jiggle factor"[15] and many, such asPamela Anderson,[4] had their bodies surgically modified to increase it. The term "jiggle-o" is used to describe a character which uses jiggle factor, and "jiggle syndrome" refers to the phenomenon as a whole.[2]

When the show was number three, I figured it was our acting. When it got to be number one, I decided it could only be because none of us wears a bra.[16]

— Farrah Fawcett onCharlie's Angels

See also

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References

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  1. ^abTelevision Everywhere: How Hollywood Can Take Back the Internet and Turn Digital Dimes Into Dollars. Andrei Jezierski. i2 Partners LLC, 12 Oct 2010
  2. ^abcAlgeo, John (1993).Fifty Years Among the New Words: A Dictionary of Neologisms, 1941–1991. Cambridge University Press.
  3. ^abcCensoring Sex: A Historical Journey Through American Media. John E. Semonche, Rowman & Littlefield, 15 Aug 2007
  4. ^abPoints of View. Rex Murphy. McClelland & Stewart, 23 Sep 2003
  5. ^White, Rosie (2007).Violent Femmes: Women As Spies in Popular Culture. Taylor & Francis.
  6. ^Wallowing in Sex: The New Sexual Culture of 1970s American television. Elana Levine. Duke University Press, 19 Dec 2006
  7. ^Perspectives on Radio and Television: Telecommunication in the United States. F. Leslie Smith, John W. Wright (II.), David H. Ostroff. Routledge, 1 Aug 1998
  8. ^Female Action Heroes: A Guide to Women in Comics, Video Games, Film, and Television. Gladys L. Knight. ABC-CLIO, 8 Jun 2010
  9. ^Ames, Wilmer (1978-11-27)."Angie Keeps on Going".People. Retrieved2020-07-22.
  10. ^Programming for TV, Radio, and the Internet: Strategy, Development, and Evaluation. Philippe Perebinossoff, Brian Gross, Lynne S. Gross. Elsevier, 24 Feb 2005
  11. ^Alfred R. Schneider, Kaye Pullen.The Gatekeeper: My Thirty Years as TV Censor. Syracuse University Press, 2001
  12. ^Condom Nation: The U.S. Government's Sex Education Campaign from World War I to the Internet. Alexandra M. Lord. JHU Press, 23 Nov 2009
  13. ^Grossman, Andrew (2004-06-07)."The smiling cobra: James Aubrey was TV's first programming superstar. He ruled CBS in the early '60s like a czar by tapping into the public's thirst for 'broads, bosoms and fun.' While he's largely forgotten, his winning formula endures in a landscape of mindless entertainment".Variety. Retrieved2025-05-08.
  14. ^Jiggle Tv: Charlie's Angels and Aaron Spelling's Television Legacy. Courtney Hutton. BiblioBazaar, 2010.ISBN 1240062885.
  15. ^America's Favorite Radio Station: Wkrp in Cincinnati. Michael B. Kassel. Popular Press, 15 Jun 1993
  16. ^"Charlie's timeless angels: Women who transformed television". Independent.co.uk. 2006-08-30.Archived from the original on 2022-06-08. Retrieved2010-11-11.
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