Jerrold Tarog | |
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![]() Tarog on November 19, 2019 | |
Born | Jerrold Viacrucis Tarog (1977-05-30)May 30, 1977 (age 47) Manila, Philippines |
Nationality | Filipino |
Other names |
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Alma mater | |
Occupations |
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Years active | 2002–present |
Website | jerroldtarog |
Jerrold Viacrucis Tarog[1] (/dʒɛˈrɒld/;[2] born May 30, 1977) is aFilipino film director, screenwriter, producer, editor, and composer. He is best known for directingHeneral Luna (2015),Bliss (2017) andGoyo: The Boy General (2018). His first feature film was theindependently-producedConfessional (2007), followed byMangatyanan (2009) andSana Dati (2013). He directed segments for theShake, Rattle & Roll horror series.
Jerrold Tarog was born inManila on May 30, 1977, and grew up in Dapdap St. CERIS 1, Canlubang,Laguna. He is the only child of Jose, anOverseas Filipino Worker fromBicol, and Aurora, who hails fromLeyte. Tarog learned to play the drum at age six, and the piano at age seven.[3][4]
Tarog went to elementary school at Mary Help of Christians School and for highschool was accepted and graduated from theUniversity of the Philippines Rural High School inLos Baños, Laguna for hisprimary education, and spent two years in theUniversity of the Philippines Los Baños studyingagribusiness management for his higher education. After flunking all subjects in the agribusiness course, he changed his major and transferred to theUniversity of the Philippines Diliman, where he was a scholar and graduated from the university's College of Music school with a degree inmusic composition.[5] He briefly attended theInternational Academy of Film and Television inCebu City.[6]
While a student at the UP Diliman, Tarog developed an interest in filmmaking and began taking film classes at the UP Film Center, which is located near the College of Music building. He recalled watching classic films that were directed byAkira Kurosawa,Martin Scorsese andWoody Allen.[3] After graduation, Tarog played the drums for aheavy metal band.[3][4]
In his early filmmaking career, Tarog assumeddifferent names on separate occasions. As a screenwriter he was Ramon Ukit,[a] aFilipinized name of his favorite American fiction writerRaymond Carver.[7] As an editor he was Pats R. Ranyo,[a] ananagram of the character he played in his own filmConfessional, Ryan Pastor.[7] As asound designer he was Roger "TJ" Ladro,[b] an anagram of his complete name.[7] He has called his filmmaking expertise "self-taught".[8]
In 2002, he landed a job as a musical director of the filmAgimat starringBong Revilla Jr. Subsequently, he worked forindependent film directorDante Mendoza to compose thescore in his filmsMasahista (2005),Manoro (2006),Tirador andFoster Child (both in 2007).[3] His score forMasahista earned him aYoung Critics Circle award forBest Achievement in Aural Orchestration in 2005.[9]
In 2006 Tarog began hisdirectorial debut in ashort film entitledCarpool, which he also wrote and edited.[4] The following year he directed his first feature film,Confessional, apolitical thrillermockumentary shot in Cebu City; he starred in it assuming the name David Barril.[3][10] The film was the first installment in what Tarog has dubbed theCamera trilogy, explaining: "It's three films wherein the protagonist in each movie has a camera, and it's about the contrast of life and truth in front of the camera and behind it. The stories of the movies are different from each other, they're not related, and they just have common plot elements."[11] It garnered a total of five awards at the 24th Star Awards for Movies, two of which were given to Tarog—Digital Movie Director (shared with co-directorRuel Antipuesto) and Digital Original Movie Screenplay.[12] In 2009 he directed the drama filmMangatyanan (also known asThe Blood Trail), starringIrma Adlawan,[13] and was the second installment in theCamera trilogy.[11] The film was an entry to the2009 Cinemalaya Philippine Independent Film Festival where it won the Best Production Design award.[14]
In 2010, Tarog directedSenior Year, acoming-of-age romantic drama film which tells the story of ten high school students during their final year in a private school in Manila. The film was partly inspired by Tarog's experience as a music student at the UP Diliman.[15] The same year he was tapped byRegal Entertainment to direct a segment inShake, Rattle and Roll 12, the twelfth installment in theShake, Rattle & Roll horror anthology franchise, which marked Tarog's transition to mainstream Philippine cinema;[3] his segment is entitled "Punerarya".[16]
In 2011, Tarog directedAswang, aremake ofPeque Gallaga's 1992 horror film of the same name, which starsLovi Poe,Paulo Avelino, andAlbie Casiño among others.[17] The same year he directed another segment in theShake, Rattle and Roll franchise in its thirteenth sequelShake, Rattle & Roll 13, entitled "Parola".[16] The following year he served as composer in the fourteenth installmentShake, Rattle and Roll Fourteen: The Invasion, and returned to direct a segment in the fifteenth installmentShake, Rattle & Roll XV entitled "Ulam" the following year. In 2013, Tarog collaborated the second time with Lovi Poe inSana Dati (also known asIf Only), in which Poe starred opposite Paulo Avelino,[18] who have also previously worked together inAswang. The romantic drama film (the last installment in theCamera trilogy[11]) was an entry to the2013 Cinemalaya Film Festival where it garnered seven awards during the festival's Awards Night, of which Tarog won Best Director.[19]
In 2015 Tarog co-wrote, directed, edited and scoredHeneral Luna, ahistoricalbiographical film which chronicled the leadership of GeneralAntonio Luna of thePhilippine Revolutionary Army during thePhilippine–American War. The film was a commercial success in the Philippines, having earned₱256 million nationwide (about three times its production costs).[20] The film garnered praise for its cinematography, writing, acting and plot, as well as critical acclaim from Filipino professional critics and historians alike.[21][22][23] It has since been regarded as the most expensive Philippine historicalepic film ever made.[24] The Philippine edition ofEsquire consideredHeneral Luna as Tarog's breakthrough film due to its successful run.[25]
In 2017, Tarog wrote, directed, edited and scoredBliss, apsychological thriller film starringIza Calzado.[26] Tarogpitched the idea for the film right afterHeneral Luna's Philippine commercial release and was accepted. It took him roughly three to four months to write the screenplay, and three weeks to score it.[27] The film competed inJapan at the 12th Osaka Asian Film Festival from March 3 to 12, 2017, and received critical acclaim during its run.[28] Calzado received the festival's Yakushi Pearl Award for Best Performer.[29]
In December 2016, Tarog announced that he and screenwriterJade Castro had been developing a screenplay for anadaptation ofArnold Arre'sThe Mythology Class,[30] to which he said that "hopefully [it] materializes".[5] Plans for an adaptation of thegraphic novel was first made by Tarog in October 2015 after a successfulpitch meeting to the producers ofHeneral Luna, and Castro was already onboard as co-writer. He has envisioned the film as being divided into two cinematic parts.[30] Tarog has praisedThe Mythology Class, saying it "remains potent and exhilarating" since its first publication in 1999, as well as complimenting Arre as someone whose "imagination and creativity soar to dizzying heights."[31] Owing to its success, he hired Arre and his wife to design the poster for his filmSenior Year.[30]
In October 2018, Tarog was announced to replaceErik Matti as the director ofStar Cinema's film adaptation ofDarna, which is based on the eponymouscomic-book superheroine created byMars Ravelo.[32] The film began principal photography on January 19, 2020.[33]
Tarog has citedSe7en,Taxi Driver,The Silence of the Lambs, andBullets over Broadway as some of his favorite films,[27] andThe Wire,Breaking Bad, andFreaks and Geeks as his favorite television shows.[34] He credited Filipino filmsCrying Ladies andTanging Yaman as influences in filmmaking,[34] although he had admitted not being a patron of Filipino films as a college student.[3] Tarog is a fan offilm scores composed byAlfred Hitchcock's frequent collaboratorBernard Hermann.[34]
Tarog isnonreligious, but has said that he does "trust evidence, reason and the broadening of knowledge".[35] In regards to his civil status, he has said he is much more "overjoyed" stayingsingle.[5]
† | Denotes films that have not yet been released |
Title | Year | Functioned as | Notes | Ref(s) | ||||
---|---|---|---|---|---|---|---|---|
Director | Writer | Editor | Producer | Composer | ||||
Agimat | 2002 | Yes | [36] | |||||
Lupe | 2004 | Yes | [36] | |||||
Masahista | 2005 | Yes | Also known asThe Masseur | [37] | ||||
Manoro | 2006 | Yes | Also known asThe Teacher | [38] | ||||
Kaleldo | 2006 | Yes | Also known asSummer Heat | [39] | ||||
Carpool | 2006 | Yes | Yes[a] | Yes[a] | Yes | Short film Directorial debut | [4] | |
Tirador | 2007 | Yes | Also known asSlingshot | [3] | ||||
Kadin | 2007 | Yes | [44] | |||||
Foster Child | 2007 | Yes | Also known asJohn-John inFrance | [45] | ||||
Confessional | 2007 | Yes | Yes[a] | Yes[a] | Yes[b] | Directed withRuel Antipuesto Score composed with Arodasi | [50] | |
Astig | 2007 | Yes | Yes | Yes | Yes[b] | Spin-off short film ofConfessional | [51] | |
Mangatyanan | 2009 | Yes | Yes[a] | Yes[a] | Yes[b] | Also known asThe Blood Trail | [52] | |
Senior Year | 2010 | Yes | Yes | Yes | Yes | Also sound designer | [53] | |
Faculty | 2010 | Yes | Yes | Yes | Yes | Short film Also sound designer | [54] | |
Emir | 2010 | Yes | [55] | |||||
Ang Damgo ni Eleuteria | 2010 | Yes | [56] | |||||
Shake, Rattle and Roll 12 | 2010 | Yes | Yes | Segment: "Punerarya" | [4] | |||
Niño | 2011 | Yes | [57] | |||||
Aswang | 2011 | Yes | Yes | Yes | [17] | |||
Shake, Rattle & Roll 13 | 2011 | Yes | Yes | Yes | Segment: "Parola" | [4] | ||
Eksena sa Gubat | 2011 | Yes | Yes | Yes | Yes | Short film Spin-off forSana Dati | [58] | |
Sun Dance | 2012 | Yes | Yes | Yes | Yes | Short film | [59] | |
Agusan Marsh Diaries | 2012 | Yes | Yes | Yes | Yes | Documentary film Also sound designer | [60] | |
Aparisyon | 2012 | Yes | Edited with Vincent Sandoval | [61] | ||||
The Healing | 2012 | Yes | Yes | [62] | ||||
Shake, Rattle and Roll Fourteen: The Invasion | 2012 | Yes | Composed with Carmina Cuya and Von de Guzman | [63] | ||||
Sana Dati | 2013 | Yes | Yes[a] | Yes[a] | Yes | Yes[b] | Also known asIf Only Produced with Jose Mari Abacan and Daphne Chiu | [64] |
Pagpag: Siyam na Buhay | 2013 | Yes | [65] | |||||
Shake, Rattle & Roll XV | 2014 | Yes | Yes | Yes | Yes | Segment: "Ulam" Written with Zig Marasigan; edited with Ben Tolentino | [66] | |
Heneral Luna | 2015 | Yes | Yes | Yes | Yes | [67] | ||
Buy Now, Die Later | 2015 | Yes | [68] | |||||
Angelito | 2017 | Yes | Short film | [69] | ||||
I'm Drunk, I Love You | 2017 | Yes | [70] | |||||
Bliss | 2017 | Yes | Yes | Yes | Yes | [71] | ||
Goyo: Ang Batang Heneral | 2018 | Yes | Yes | [72] | ||||
Write About Love | 2019 | Yes | [73] | |||||
Shake, Rattle & Roll Extreme | 2023 | Yes | Yes | Yes | Segment: “Mukbang” |
Award-giving body | Date of ceremony | Film | Director | Category | Result | Notes | Ref(s) |
---|---|---|---|---|---|---|---|
Young Critics Circle | 2005 | Masahista | Brillante Mendoza | Best Achievement in Aural Orchestration | Won | [74] | |
Cinemalaya Philippine Independent Film Festival | July 29, 2007 | Kadin | Adolfo Alix Jr. | Best Original Music Score | Won | [75] | |
Cinema One Originals | December 1, 2007 | Confessional | Jerrold Tarog | Best Director | Won | Shared with co-directorRuel Antipuesto | [7] |
Best Sound Design | Won | Received as Roger "TJ" Ladro | |||||
Best Editor | Won | Received as Pats R. Ranyo | |||||
Best Actor | Nominated | Received as David Barill | |||||
Gawad Urian | 2007 | Kaleldo | Brillante Mendoza | Best Music | Nominated | [76] | |
Kubrador | Nominated | ||||||
Manoro | Nominated | ||||||
Gawad Urian | 2008 | Confessional | Jerrold Tarog | Best Director | Nominated | [77] | |
Best Screenplay | Nominated | Received as Ramon Ukit | |||||
Best Actor | Nominated | Received as David Barill | |||||
Best Editing | Nominated | Received as Pats R. Ranyo | |||||
Best Sound | Nominated | ||||||
FAMAS Award | December 2, 2008 | Confessional | Jerrold Tarog | Best Screenplay | Nominated | Received as Ramon Ukit | [78] |
Best Editing | Nominated | ||||||
Gawad Urian | May 18, 2011 | Ang Damgo ni Eleuteria | Adolf Alix Jr. | Best Music | Nominated | [79] | |
Luna Award | July 10, 2011 | Emir | Chito S. Roño | Best Editing | Won | [80] | |
Young Critics Circle | December 6, 2011 | Shake, Rattle & Roll 12: "Punerarya" | Jerrold Tarog | Best Film | Nominated | [74] | |
Best Achievement in Sound and Aural Orchestration | Won | Shared with sound designer Lambert Casas Jr. | |||||
Ang Damgo ni Eleuteria | Remton Zuasola | Best Original Score | Nominated | ||||
Gawad Urian | June 13, 2012 | Niño | Loy Arcenas | Best Music | Nominated | [81] | |
Young Critics Circle | June 27, 2012 | Loy Arcenas | Best Achievement in Sound and Aural Orchestration | Nominated | [74] | ||
Cinemalaya Philippine Independent Film Festival | August 4, 2013 | Sana Dati | Jerrold Tarog | Best Director | Won | [82] | |
Best Editing | Won | Received as Pats R. Ranyo | |||||
Best Original Music Score | Won | ||||||
Best Sound | Won | Received as Roger "TJ" Ladro | |||||
Young Critics Circle | September 3, 2013 | Aparisyon | Vincent Sandoval | Best Achievement in Editing | Nominated | [74] | |
February 2014 | Pagpag: Siyam na Buhay | Frasco S. Mortiz | Won | ||||
Metro Manila Film Festival | December 27, 2015 | Buy Now, Die Later | Randolph Longjas | Best Musical Score | Nominated | [83] | |
PMPC Star Awards for Movies | March 6, 2016 | Heneral Luna | Jerrold Tarog | Movie Director of the Year | Nominated | [84] | |
Movie Screenwriter of the Year | Nominated | Shared with co-writers Henry Francia and E.A. Rocha | |||||
Movie Editor of the Year | Won | ||||||
Movie Musical Scorer of the Year | Won | ||||||
Gawad Urian | June 22, 2016 | Heneral Luna | Jerrold Tarog | Best Director | Won | [85] | |
Best Editing | Won | ||||||
Best Screenplay | Nominated | Shared with co-writers Henry Francia and E.A Rocha | |||||
Best Editing | Won | ||||||
Best Music | Nominated | ||||||
Luna Award | September 18, 2016 | Heneral Luna | Jerrold Tarog | Best Director | Won | [86] | |
Best Screenplay | Won | Shared with co-writers Henry Francia and E.A Rocha | |||||
Best Editing | Won | ||||||
Best Musical Scoring | Won |
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