There is also a translation intoKoine Greek known as theSeptuagint (with a different verse numbering), made in the last few centuries BCE. Extant ancient manuscripts of theSeptuagint version includeCodex Vaticanus (B;B; 4th century),Codex Sinaiticus (S;BHK:S; 4th century),Codex Alexandrinus (A;A; 5th century) andCodex Marchalianus (Q;Q; 6th century).[7] The Septuagint version doesn't contain a part what is generally known to be verses 7–8 in Christian Bibles.[8]
Theparashah sections listed here are based on theAleppo Codex.[9] Jeremiah 11 is a part of theFifth prophecy (Jeremiah 11-13) in the section ofProphecies of Destruction (Jeremiah 1-25). {P}: openparashah; {S}: closedparashah.
This section contains the 'second major prose sermon' in the book of Jeremiah, closely related in style to the 'temple sermon' (Jeremiah 7:1–8:3), in which a curse in announced 'upon anyonewho does not heed the words of the Mosaic covenant' (verses 3–4), focusing on the point that 'the possession of the land hinges entirely upon obedience to the covenant' (verse 5).[10]
which I commanded your fathers in the day I brought them out of the land of Egypt, from the iron furnace, saying, 'Obey My voice, and do according to all that I command you; so shall you be My people, and I will be your God,'[14]
The entire future of the community in the land is dependent on the covenant withYHWH as the formula "I will be your God and you will be my people" (verse 4) is linked closely to "YHWH's oath to give them a land 'flowing with milk and honey'".[10]
"Yes, even your own brothers and your own family play you false. Behind your back, they too criticise you openly. Put no reliance on them when they seem to be friendly".[17]
Verse 11 of this chapter, which reads: "Therefore thus saith the Lord, Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them." (KJV), is cited in the 2019 American horror movieUs, directed byJordan Peele.[20] Newslanes.com interprets the verse's use in the film as referring to the coming vengeance of the real Adelaide, also noting that it "mirrors itself like a doppelgänger".[21]