Jarre was raised in Lyon by his mother and grandparents and trained on the piano. From an early age, he was introduced to a variety of art forms, including street performers,jazz musicians and the artistPierre Soulages. His musical style was perhaps most heavily influenced byPierre Schaeffer, a pioneer ofmusique concrète at theGroupe de Recherches Musicales.
His first mainstream success was the 1976 albumOxygène. Recorded in a makeshift studio at his home, the album sold an estimated 18 million copies.Oxygène was followed in 1978 byEquinoxe, and in 1979, Jarre performed to a record-breaking audience of more than a million people at thePlace de la Concorde, a record he has since broken three times. More albums followed, but his 1979 concert served as a blueprint for his future performances around the world. Several of his albums have been released to coincide with large-scale outdoor events.
Jean-Michel Jarre was born inLyon on 24 August 1948, to Francette Pejot, aFrench Resistance member andconcentration camp survivor, and composerMaurice Jarre.[3][4] His grandmother wasJewish.[5] When Jarre was five, his parents separated and his father moved to the United States, leaving him with his mother.[6] He did not see his father again until reaching the age of 18.[4]
For the first eight years of his life, Jarre spent six months each year at his maternal grandparents' flat on the Cours de Verdun, in the Perrache district of Lyon. Jarre's grandfather was anoboe player, engineer and inventor, designing an early audio mixer used at Radio Lyon. He also gave Jean-Michel his first tape recorder.[7] From his vantage point high above the pavement, the young Jarre was able to observestreet performers at work, an experience he later cited as proving influential on his art.[4][8]
Jarre struggled with classical piano studies, although he later changed teachers and worked on his scales.[9] A more general interest in musical instruments was sparked by his discovery at theSaint-Ouen flea market, where his mother sold antiques, of aBoris Viantrumpet violin. He often accompanied his mother to Le Chat Qui Pêche (The Fishing Cat), a Parisjazz club run by one of her friends from her resistance years, where saxophonistsArchie Shepp andJohn Coltrane, and trumpet playersDon Cherry andChet Baker were regular performers. These early jazz experiences suggested to him that music may be "descriptive, without lyrics".[4][10]
He was also influenced by the work of French artistPierre Soulages, whose exhibition at theMusée d'Art Moderne de la Ville de Paris he attended. Soulages' paintings used multiple textured layers, and Jarre realised that "for the first time in music, you could act as a painter with frequencies and sounds."[4] He was also influenced by classical, modernist music. In a 2004 interview forThe Guardian, he spoke of the effect that a performance ofStravinsky'sThe Rite of Spring had upon him:
This is where Stravinsky created it in 1913, and it was a huge shock. I also saw the last concert by the great Arabic singerOm Khalsoum. She is the goddess, theMaria Callas of the Orient. Then I heard "Georgia on My Mind" byRay Charles, and I realised that music can talk to your tummy. I was so impressed by the organic sensuality coming from Ray Charles's music – there was no intellectual process and it was great.[11]
As a young man Jarre earned money by selling his paintings, exhibiting some of his works at the Lyon Gallery –L'Œil écoute, and by playing in a band called Mystère IV. While he studied at theLycée Michelet, his mother arranged for him to take lessons inharmony,counterpoint andfugue with Jeannine Rueff of theConservatoire de Paris.[9][10] In 1967 he played guitar in a band calledThe Dustbins, who appear in the filmDes garçons et des filles [fr]. He mixed instruments including the electric guitar and the flute with tape effects and other sounds.[4]
In the kitchen of his apartment in Rue de la Trémoille, Jarre set up a small makeshift recording studio.[14][15] It included his first synthesiser, anEMS VCS 3,[16] and anEMS Synthi AKS, each linked toRevox tape machines. For a 1969 exposition at the Maison de la Culture (Cultural House) inReims, Jarre wrote the five-minute experimental instrumental "Happiness Is a Sad Song". That same year he composed and recorded "La Cage/Erosmachine", a mixture of harmony, tape effects and synthesisers,[17] which was released in 1971.[18]
In 1971 Jarre was commissioned by choreographer Norbert Schmucki to perform a ballet calledAOR (in Hebrew, "the light"), at thePalais Garnier.[19][20] He also composed background music for ballet, theatre, television programs,[9] department stores, and advertising jingles forPepsi-Cola,[21]Nestlé andRTL. The music for airports, and North America libraries was composed with the VCS 3 and aFarfisa professional organ. From 1972 to 1975, Jean-Michel wrote music and lyrics for artists likeFrançoise Hardy,Gérard Lenorman,Christophe andPatrick Juvet. In 1972 he collaborated in anOlympia show,[22] and wrote music for the International Festival of Magic.[23] In 1972 he also released his first solo album,Deserted Palace,[17] and composed the soundtrack forLes Granges Brûlées (English:The Burned Barns).[24]
Jarre's 1976 low-budget solo albumOxygène, recorded at his home studio, made him famous internationally.[14] The music was made with analog synthesizers like theEMS VCS 3 and theEMS Synthi AKS,[25] and recorded with aScully 8-track recorder.[12] Jarre initially was turned down by several record companies, until Jean-Michel decided to meet with Francis Dreyfus, the head of the Disques Motors label, to see if he could release the album, to which he accepted.[26] The first pressing of 50,000 copies was promoted through hi-fi shops, clubs and discos,[27][28] and by April 1977 had sold 70,000 copies in France. When interviewed inBillboard magazine, Motors's director Stanislas Witold said, "In a sense we're putting most of our bets on Jean-Michel Jarre. He is quite exceptional and we're sure that by 1980 he will be recognised worldwide."[29]
Jarre's follow-up album,Equinoxe, was released in 1978.[30] Though its sales were still healthy, it had less of an impact thanOxygène. but in 1979 Jarre held a large open-air concert onBastille Day, at thePlace de la Concorde.[4][31] The free outdoor event set a world record for the largest number of spectators ever at an open-air concert, drawing more than 1 million spectators.[9][32] Although it was not the first time he had performed in concert (Jarre had already played at theParis Opera Ballet), the 40 minute-long event, which used projections of light, images and fireworks, served as a blueprint for Jarre's future concerts.[4][9] Its popularity helped create a surge in sales—a further 800,000 records were sold between 14 July and 31 August 1979—and the FrenchmanFrancis Rimbert featured at the event.[33][34]
By the timeLes Chants Magnétiques was released on 20 May 1981,Oxygène andEquinoxe had achieved global sales of about 6 million units. In its first two months the new album sold 200,000 units in France alone.[35] The album uses sounds from theFairlight CMI,[36] a new instrument of which Jarre was a pioneer. Its digital technology allowed him to continue his earlier sonic experimentation in new ways.[37]
In that same year, the British Embassy gave Radio Beijing copies ofOxygène,Equinoxe, andLes Chants Magnétiques, which became the first pieces of foreign music to be played on Chinese national radio in decades.[38][39] The Republic invited Jarre to become the first western musician to play in post-Mao Zedong China.[40] The performances were scheduled to run from 18 October to 5 November 1981.[35] 5 concerts were performed, two inBeijing and three inShanghai.[41] The first, in Beijing, was initially attended mostly by officials, but before the concert began, technicians realised that not enough power was available to supply the stage and auditorium. Chinese officials solved the problem by temporarily cutting power to the surrounding districts.[42]
The stadium was almost full when the concert began, but as Beijing's buses stopped running at about 10 o'clock, about half the audience left before it finished.[43] To boost the audience attendance for the second night, Jarre and his production team purchased some of the concert tickets and gave them to children on the streets. Jarre originally wanted the concerts to be free, but the Chinese authorities decided to charge between £0.20 and £0.50 per ticket.[42] In 1982, recordings of the concerts, which featured one of Jarre's signature electronic instruments, thelaser harp, were released as a double-discLP.[31][44]
"Zoolook" also demonstrates heavy use of theFairlight CMI
Between February and May 1983, Jarre recorded a single LP copy of an album entitledMusique pour Supermarché (English:Music for Supermarkets) whose objective was to be the soundtrack of a show called Orrimbe, to later be auctioned with the master tapes and plates destroyed. The album was later broadcast exclusively onRadio Luxembourg with Jarre encouraging listeners to record the broadcast.[45]
In 1984, he released seventh studio albumZoolook. In this album he expanded the sample-based approach which had been initiated onLes Chants Magnétiques and continued onMusic for Supermarkets. The album was based around multiple fragments of human voices pronouncing words and speeches in different languages from all over the world, recorded digitally by Jarre and then played back and edited on theFairlight CMI.[4]
In 1985, Jarre was invited by the musical director of theHouston Grand Opera to perform a concert celebratingTexas's 150th anniversary on 5 April 1986. Although he was busy with other projects and was at first unimpressed by the proposal, on a later visit to the city, he was immediately impressed by the visual grandeur of the city'sskyline and agreed to perform. Also, 1985 marked the 25thanniversary of the foundation of theLyndon B. Johnson Space Center;[citation needed] andNASA asked Jarre to integrate the anniversary into the concert.[4]
Third Rendez-Vous, normally performed in concert on thelaser harp
Jarre worked with several Houston-basedastronauts, includingBruce McCandless II andRonald McNair, an accomplished musician who was to have played thesaxophone on "Rendez-Vous VI", recorded in the weightless environment of space. The live performance was curtailed by McNair's death in theSpace ShuttleChallenger disaster on 28 January 1986. Consideration was given to the cancellation of the concert; but McCandless contacted Jarre and urged him to proceed, in memory of the shuttle's crew. McNair's saxophone piece was recorded by French saxophonist Pierre Gossez and retitled "Ron's Piece". At Jarre's giant concerts in Houston and Lyon, the part was performed by McNair's friend, American saxophonistKirk Whalum:
I remember just before take-off, Ron calling me in Paris saying "Everything's ready, see you in a week's time, watch me on television for the take-off" ... I will really, keep always, the bit of Ron's smile and Ron's face in my heart.[4]
About 2,000 projectors shone images onto buildings and giant screens up to 1,200 feet (370 m) high, transforming the city's skyscrapers into spectacular backdrops for an elaborate display of fireworks and lasers.[citation needed]Rendez-vous Houston entered theGuinness Book of Records for its audience of over 1.5 million, beating his earlier record, set in 1979. The display was so impressive that a nearby freeway was blocked by passing vehicles, forcing the authorities to close it for the duration of the concert.[46][47] Several months later he performed to an audience of about a million at his home city ofLyon,[48] in celebration of a visit byPope John Paul II. Watching fromLyon Cathedral, the Pope began the concert with a good-night blessing, a recording of which appears onCities in Concert – Houston/Lyon.[4]
In 1988, Jarre released his ninth studio albumRevolutions, and in same year, a concert calledDestination Docklands was planned for September, to be held at theRoyal Victoria Dock in east London.[49][50] Close to the heart of London, the location was chosen in part for its desolate environment, but also because Jarre thought the architecture was ideally suited for his music. Early in 1988 Jarre met with local officials and members of the community,[51] butNewham Borough Council delayed their decision until 12 September, the month in which the show was due to take place.[50] The local fire service were also concerned about access in the event of a fire. Site work continued as Jarre's team searched for alternative locations in which to stage the concert, but following improvements to both on and off-site safety Jarre eventually won conditional approval on 28 September to stage two separate performances, on 8 and 9 October.[51]
The floating stage on which Jarre and his musicians performed was built on top of four largebarges. Large purpose-built display screens were built, and one of the buildings to be used as a backdrop was painted white. One large mirror ball being transported to the event fell onto the roadside, causing a degree of confusion as some people mistook it for a fallensatellite.World War II searchlights were installed, to illuminate the sky and surrounding architecture.[51]
Along with thousands in the surrounding streets and parks, 200,000 people watched Jarre and guests such as guitaristHank Marvin perform in less than ideal conditions. Inclement weather had threatened to break the stage from its moorings, putting paid to the original plan to float the stage across the Royal Victoria Dock. Wind speeds were so high that television cameras were blown over. On the second evening the audience, which includedDiana, Princess of Wales,[48] was soaked by rain and wind.[51]
In 1990, Jarre releasedEn Attendant Cousteau (Waiting for Cousteau), a tribute to the French oceanographerJacques-Yves Cousteau.[48] OnBastille Day he performed a concert atLa Défense in Paris, attended by arecord-breaking audience of about two million people, again beating his earlier world record.[52] He later promoted a concert near the Pyramids ofTeotihuacan in Mexico, to be held during thesolar eclipse of 11 July 1991. However, with only weeks to go, important equipment had not arrived and the sinking in the Atlantic Ocean of a cargo ship containing the purpose-built pyramidal stage and other technical and financial problems made staging the concert impossible. Jarre's disappointment was such that he "could not cope with Mexican food for two years".[4]
In the state of mind I didChronologie, it's quite close to what I did forOxygène, using a lot of the old synthesizers of the '70s, like the Moog synthesizer — which I consider to be the Stradivarius of electronic music — mixed with the digital sound and the beat of the dance scene of the '90s. In a sense,Chronologie is a kind of mixture between the sounds of the '70s and the sounds of the '90s.[54]
Jarre was invited to the inaugural celebrations of the Palace of the Lost City, a hotel located within the Sun City in South Africa.[55] Three concerts were held on 1, 2 and 3 December 1992, in which more than 45,000 people attended.[56]
Chronologie was performed at a series of 16 performances across Europe calledEurope in Concert. These were on a smaller scale than his previous concerts, featuring a miniature skyline, laser imaging and fireworks. Locations included Lausanne, Mont St Michel, London,Manchester, Barcelona, Seville and the Versailles Palace near Paris.[57] In March 1994, a concert was held in Hong Kong, to mark the opening of the city's new stadium.[58]
Jarre performed many of his most well-known hits at theConcert for Tolerance on Bastille Day in 1995, celebrating the 50th anniversary of the United Nations. TheEiffel Tower was specially lit for the occasion, prompting the installation of amore permanent display.[59] The following December, he created the website "A Space for Tolerance", which featured music fromEn Attendant Cousteau, played while the user browsed a variety of "visual worlds".[60]
In 1997, Jarre returned to the analogue synthesisers of the 1970s withOxygène 7–13,[61] dedicated to his mentor at theGRM,Pierre Schaeffer, who had died two years before.[62] In September that year he set his fourth record for the largest-ever outdoor-concert audience with a performance at theMoscow State University, celebrating the 850th anniversary of Moscow. The event was viewed by an audience of about 3.5 million.[63][64]
On September 18, 1998, during the 15th ParisApple Expo'siMac Night, Jarre,Apple brand ambassador and friend ofSteve Jobs' created the first 3D concert,Electronic Odyssee, to mark the 50th anniversary of electronic music and the launch of the AppleiMac computer. It was enjoyed by 6000 spectators wearing special 3D glasses.[65][66][67][68]
Another large-scale concert followed on 31 December 1999, in the Egyptian desert nearGiza.The Twelve Dreams of the Sun celebrated the new millennium and offered a preview of his next album,Métamorphoses, released in 2000. The show featured performances from more than 1,000 local artists and musicians, and was based on ancient Egyptian mythology about the journey of the Sun and its effect upon humanity.[69] In 1998, British commercial broadcasterITV used a remixed version of "Fourth Rendez-Vous" (called Rendez-Vous 98) for their television coverage of the1998 FIFA World Cup in France. British groupApollo 440 were credited alongside Jarre for the remix.[70]
In 2001, he releasedInterior Music, an album of 1,000 copies created for use by the Danish audio-visual companyBang & Olufsen stores.[71] The album consists of two long-form pieces: "Bonjour Hello", is a 25-minute audiocollage of sounds with voices saying short sentences in French, English and Danish. The second piece, "Whispers of Life", is an instrumental version of the first, with the voices removed.[72]
In 2001 he composed, with Francis Rimbert arrangements, the music for the short-lived French channel Match TV.[73] On 7 September 2002, Jarre held a very wet and muddy concert at theGammel Vrå Enge [da] near the city of Aalborg in Denmark, with 40,000 spectators (including 5,000 VIPs). Danish bandSafri Duo featured on the track "Aero", which in fact was Bourges 2 from the performance earlier that year, and Rendez-Vous 4. The concert was broadcast live on various TV stations around the world and a shortened one-hour version was made available for rebroadcast.[74][75]
By no fault of Jarre, due to 22 millimeters of rain and lack of proper preparation for and execution of the event, it took several hours for all people to be able to leave the area, and many cars were stuck until the next day. The problems became a big issue in Danish media, since, had there been an accident, it would be extremely difficult for help to get to the location. Two years previously, nine people were killed atRoskilde Festival, which had brought focus on security at large concerts. Preparations for AERO were later proven to have been lacking, and the police investigation concluded, in part, that permission for the concert should not have been granted.[76][77] Reactions from spectators were mixed, some claiming it was unsafe, and others saying it was a case of overreacting.[75]
A concert in September of that same year at awind farm nearAalborg in Denmark proved problematic when 22 mm of rain fell on the venue, causing long delays for spectators.[74][78] It also marked a change in direction in Jarre's live concerts; fromRendez-vous Houston onwards he had been accompanied by a full complement of live musicians, but at Aalborg he was accompanied only by Francis Rimbert, and having guests like the Klarup Girls Choir,Safri Duo and the Aalborg Symphonic Orchestra.[74]
In 2003 he releasedGeometry of Love on Warner Music label, it was commissioned byJean-Roch as soundtrack for his 'V.I.P. Room' nightclub in France.[79][80] The physicalCD was a long time out of print, but in 2018 remastered reissue was released on CD again. The album cover is a pixelated and turned counter-clockwise photo of Jarre's girlfriend at the time,Isabelle Adjani.[81]
In October 2004 he returned to China to open its "Year of France" cultural exchange. Jarre gave two performances, the first at theMeridian Gate of theForbidden City, and the second inTiananmen Square. More than 15,000 spectators watched the concert at the Meridian Gate, and each concert was transmitted nationwide on live television. Jarre collaborated with musician Chen Lin. Accompanying his traditional musical repertoire, 600 projectors shone coloured light and images across various screens and objects.[82]
In September 2004, Jarre released both a DVD and a CD in one packageAERO. A compilation album made in 5.1surround sound, it contains re-recorded versions of some of his most famous tracks, including tracks fromOxygène andEquinoxe. Accompanying the audio, the DVD features a visual image ofAnne Parillaud's eyes, recorded in real time as she listened to the album.[11] Jarre used the minimalist imagery to reinforce the audio content of the DVD.[83]
In his role of UNESCO Goodwill Ambassador, Jarre performed a concert namedWater for Life in Morocco, on 16 December 2006, to celebrate the United Nations Year of Desertification in the world.[84] The performance was in front of the Erg Chebbi Dunes ofMerzouga, in theSahara. A free event, it was attended by about 25,000 people. Images of water and the environment were projected onto nine vertical screens, held in place by sand which was watered to keep it hard. Several permanent drinking fountains were built on the site, along with a permanent electricity installation. Jarre was accompanied by over 60 Moroccan artists.[85] Jarre releasedTéo & Téa in 2007, a studio album that described the different stages of a loving relationship.[86]
In that same year released onEMI label a new recording of his 1976 album namedOxygène: New Master Recording.[87] Jarre performed 10 concerts (Oxygène Live) in December 2007, held in theThéâtre Marigny, located in theChamps-Élysées, Paris. Later in 2008 Jarre performed several concerts to celebrate the 30th anniversary ofOxygène, in theaters in Europe. Following one such performance at theRoyal Albert Hall Jarre metQueen guitaristBrian May, who proposed he create a concert inTenerife for theInternational Year of Astronomy,[88] but a lack of sponsorship meant that the concert did not take place.[89] In 2009 he was selected as the artistic director of the World Sky Race,[90] and also accepted a role as Goodwill Ambassador for the International Year of Astronomy.[91] In 2009 he started an indoor tour in arenas throughout Europe.[92]
On 1 March 2010, Jean-Michel Jarre started the second leg of his 2009–2010 Indoors tour; on 10 June, he was presented with aLifetime Achievement Award byMojo magazine.[93] On 1 July 2011, Jarre performed a large-scale concert inMonaco to celebrate the marriage ofPrince Albert and his brideCharlene.[94] A later concert was held atCarthage during the city's 12 August 2013 musical festival.[95]
In June 2013, Jarre was elected as president of theConfédération Internationale des Sociétés d´Auteurs et Compositeurs (CISAC).[96] In Spring 2015, Jarre released the first music from a new studio album, released in October 2015, following around four years of work.[97] The album,Electronica 1: The Time Machine (working title:E-Project),[98] comprises a number of collaborations with other artists. The first of these to be released was the collaboration withGesaffelstein entitledConquistador, followed byGlory, withM83. The track was also featured as part of the soundtrack of a short film entitledEMIC.[99]
Other collaborations on the album includeTangerine Dream forZero Gravity;Armin van Buuren for "Stardust",[100]John Carpenter for"A Question of Blood",[101]Little Boots forIf..![102] andPete Townshend forTravelator, Pt. 2. The album became Jarre's first album in over 25 years to make the UK Top 10 at No. 8. In December 2016, the album was nominated for the Grammys 2017 Awards in the "Best Dance/Electronic Album" category.[103] In June 2015, in collaboration with Jean-Michel Jarre, the transmedia projectSoundhunters was released on the platform of the Franco-German channelARTE.[104] The transmedia conceptualized by the Blies brothers (Stéphane Hueber-Blies and Nicolas Blies), François Le Gall and Marion Guth of the Luxembourg production company a_BAHN, is openly inspired by the albumZoolook to which it pays tribute.[105]
In 2016,Electronica 2: The Heart of Noise was released with 15 more collaborators, includingPet Shop Boys,Hans Zimmer,Yello andGary Numan. One track (8 "Exit") includes speech byEdward Snowden.[113]Electronica 2 has been nominated in theAlbum de musiques électroniques ou dance category for the Grammy 2017 in USA & Victoires de la Musique 2017 awards in France.[114] On 11 April 2016, it was revealed that Jarre worked in collaboration with British virtual bandGorillaz on their fifth studio albumHumanz.[115][116][117] He also composed during 2016 the soundtrack for the French news networkFrance Info.[118] This soundtrack was released asRadiophonie Vol. 9 on 13 January 2017.[119]
In 2017, he performed a concert near the fortress ofMasada, for the purpose of saving theDead Sea and to highlight "the anti-environmental policies ofDonald Trump."[120] He also performed a special concert for the opening of theAño Jubilar (Jubilee year) at the Monasterio deSanto Toribio de Liébana, in Spain.[121] Both concerts were heavily based in the Electronica Tour concept. During May 2017, Jarre toured in Canada and USA for the first time in his career,[122] and in July 2017 another leg of the tour was held in Europe.
In March 2018, Jarre performed in South America for the first time as part of his Electronica Tour inBuenos Aires[123] andSantiago de Chile.[124] These concerts were originally scheduled for November 2017, but problems with the production company caused the rescheduling.[125] The 2018 leg of the tour continued in Canada and the United States during April, including the presentation of the Electronica show with a reduced track list in theCoachella Valley Music and Arts Festival, ending with a one-off concert atRiyadh to celebrate the 88th Saudi National Day (23 September). This concert was called "The Green Concert", and involved laser projections on the skyscrapers of the financial center of Riyadh.[126] In September 2018, a studio compilation album entitledPlanet Jarre – 50 Years of Music, consisting of forty-one songs in "four quite different styles of composition", was released.[127]
On 26 November 2018, Jarre and Scott Kirkland ofThe Crystal Method announced that they would be collaborating on a track on Jarre's nextElectronica album.[128] In January 2019,HSBC revealed their new musical identity, composed by Jarre.[129] On 3 October 2019, French editorRobert Laffont published Melancolique Rodeo, Jarre's autobiography. Jarre started a promotional tour for his book. On 7 November 2019, Jarre announced the release of anapplication for theiOS operating system named EōN. This application contains morphing graphics created by analgorithm developed by Alexis André of Sony Computer Science Laboratories, and music generated from 7 hours of recorded material by Jarre.[130] This music is always different on every device. TheAI algorithm which composes on the fly based on the rules set by Jarre was developed by BLEASS.[131] A limited deluxe box set was later released with excerpts from the application.[132]
On 31 December 2020, Jarre held a virtual New Year's Eve concert online.[133] He performed from a studio in Paris, but it appeared virtually from aNotre Dame setting. The show has had over 75 million viewers as of 5 January 2021.[134] The show was done in support of his new albumWelcome to the other side, which features 12 tracks from his previously released music.[135] The recording of the concert was released on CD, LP andBlu-ray in September 2021.[136] VR Concert created by VRROOM received 2 Webby Award Honoree, Crystal Owl Award for the Best Live Entertainment, and Social Music Award.
On 21 June 2021, Jarre was awarded Commander to the Legion of Honour by French presidentEmmanuel Macron at the Elysée presidential palace in Paris. After the ceremony he performed at the same venue as part of theFête de la Musique.[137] In March 2022 Jarre presented a live project,Oxymore, atRadio France's Hyper Weekend Festival located atParis.[138]
OXYMORE was created as multiformat concert in VR by VRROOM Team and received Webby People's Voice Award in 2023[140] and Webby Nomination and Honoree in 2022,[141] Crystal Owl Award for Best Production Design, Raindance Immersive Honourable Jury Mentioning,[142] as well as nomination for the Producers Guild of America's Innovation Award.[143] In July 2022, his music publishing catalog was acquired byBMG Rights Management.[144]
On 25 December 2023, Jarre held a concert in theHall of Mirrors ofVersailles to celebrate the 400 years of the palace.[145] This was released in October 2024 as a limited edition "phydigital" (hybrid physical and digital release) in either vinyl or CD (with a limited edition of 2000 for each format, the vinyl being numbered on the sleeve), which as well as the physical medium which provided the owner with "a truly unique digital experience," accessible by phone through a custom NFC sticker embedded inside the CD or vinyl sleeve.[146] The digital content featured a special greeting from Jarre's avatar, exclusive behind-the-scenes photos of the event's visuals created by Jarre and his team, custom AI animations of the Hall of Mirrors, and an in-depth interview with Jarre discussing the event and its unique setup. It also included a lossless audio streaming version with an electro rendition ofJB Lully's "Walk to the Turcs Ceremony," the recent single "Epica Oxygene," and fresh versions of existing tracks.[146] In the greeting from Jarre's avatar, Jarre said that they would be updating the content twice.
Jarre was married to Flore Guillard from 1975 until 1977.[149]
He met his second wife, actressCharlotte Rampling, at a dinner party inSaint-Tropez in 1976.[150] The two married. Jarre and Rampling separated in 1996[151][152] and divorced in 2002.[153] Jarre gained custody of his daughter Émilie Charlotte.[150] Rampling gained custody of her son Barnaby. Together Jarre and Rampling had a son, David.[154]
Jarre started dating Chinese actressGong Li in 2016.[158][159] They married in 2019, and have kept the relationship private.[160][161]
Jarre has a half-sister, Stéphanie Jarre, from one ofMaurice Jarre's other marriages.[162] His stepbrother,Kevin Jarre, died in 2011.[163] Although Maurice and Jean-Michel remained estranged, following Maurice's death in 2009, Jarre paid tribute to his legacy.[164]
Jarre said about his father: "My father and I never really achieved a real relationship. We probably saw each other 20 or 25 times in our lifetime. When you are able, at my age, to count the times you have seen your father, it says something. (...) I think it's better to have conflict, or, if you have a parent who dies, you grieve, but the feeling of absence is very difficult to fill, and it took me a while to absorb that".[6]
UNESCO's 50th birthday and UNESCO'S proclaimed year of tolerance[167]
Originally intended to take place atLes Invalides, but changed at short notice. Was originally announced as the first of a series of Concerts For Tolerance. Only the Paris concert took place.[168]
6 September 1997
3.5 million
Moscow
Jarre was invited for a concert celebrating the 850th birthday of Moscow
4th entry in the Guinness Book of Records(equal with Rod Stewart's 1994 Copacabana concert)[64]
14 July 1998
0.8 million
Eiffel Tower
Bastille Day
"Electronic Night", featuring Jarre performing with numerous dance artists, playing heavily remixed versions of Jarre's music[169]
2012 – Awarded the "Miembro Honorífico del Claustro Universitario de las Artes" (Honorary Fellow of the University Senate of the Arts) by theUniversity of Alcalá and the Society of Artists of Spain (AIE).[187]
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