Jean-Joseph de Mondonville (French pronunciation:[ʒɑ̃ʒozɛfdəmɔ̃dɔ̃vil], 25 December 1711 (baptised) – 8 October 1772), also known asJean-Joseph Cassanéa de Mondonville, was aFrenchviolinist andcomposer. He was a younger contemporary ofJean-Philippe Rameau and enjoyed great success in his day. Pierre-Louis Daquin (son of the composerLouis-Claude Daquin) claimed, "If I couldn't be Rameau, there's no one I would rather be than Mondonville".[1]
Mondonville was born inNarbonne inOccitania (SouthFrance) to an aristocratic family which had fallen on hard times. In 1733, he moved toParis where he gained the patronage of the king's mistressMadame de Pompadour and won several musical posts, including violinist for theConcert Spirituel.
His first opus was a volume of violinsonatas, published in 1733. He became a violinist of theChapelle royale and chamber and performed in some 100 concerts. Some of hisgrands motets were also performed that year, receiving considerable acclaim. He was appointedsous-maître in 1740 and, in 1744,intendant of the Chapelle royale. He produced operas and grands motets for the Opéra and Concert Spirituel respectively, and was associated with the Théatre des Petits-Cabinets, all the while maintaining his career as a violinist throughout the 1740s. In 1755, he became director of the Concert Spirituel on the death ofPancrace Royer. Mondonville died inBelleville nearParis at the age of sixty.[2]
Between 1734 and 1755, Mondonville composed 17grands motets, of which only nine have survived. The motetVenite exultemus domino, published in 1740, won him the post ofMaître de musique de la Chapelle (Master of Music of the Chapel). Thanks to his mastery of both orchestral and vocal music, Mondonville brought to the grand motet — the dominant genre of music in the repertory of theChapelle royale (Royal Chapel) before theFrench Revolution — an intensity of colour and a dramatic quality hitherto unknown. In 1758, he introducedoratorios as a new genre at the Concert Spirituel.[3]
Although Mondonville's first stage work,Isbé, was a failure, he enjoyed great success with the lighter forms of French Baroque opera: theopéra-ballet and thepastorale héroïque. His most popular works wereLe carnaval de Parnasse,Titon et l'Aurore andDaphnis et Alcimadure (for which he wrote his ownlibretto inLanguedocien, his native dialect of theOccitan language).[4]Titon et l'Aurore played an important role in theQuerelle des Bouffons, the controversy between partisans of French and Italian opera which raged in Paris in the early 1750s. Members of the "French party" ensured thatTiton's premiere was a resounding success (their opponents even alleged they had guaranteed this result by packing theAcadémie Royale de Musique, where the staging took place, with royal soldiers).[5] Mondonville's one foray into serious French opera - the genre known astragédie en musique - was a failure however. He took the unusual step of re-using a libretto,Thésée, which had originally been set in 1675 by the "father of French opera",Jean-Baptiste Lully. Mondonville's bold move to substitute Lully's much-loved music with his own did not pay off. The premiere at the court in 1765 had a mixed reception and a public performance two years later ended with the audience demanding it be replaced by the original. Yet Mondonville was merely ahead of his time - in the 1770s, it became fashionable to reset Lully's tragedies with new music, the most famous example beingArmide byGluck.[4]
Op.2 - 6Sonates en trio pour deux Violons avec la basse continue Œuvre Second, Dédiées à Monsieur le Marquis de la Bourdonnaye, gravées par Le Duc, (Paris 1734)
Op.3 - 6 Pièces de clavecin en sonates (1734) and orchestrated asSonates en symphonies (1749)
Op.4 - "Les sons harmoniques" (Paris and Lille, 1738) The preface contains the first evidence of a written text concerning playing withsting harmonics
Op.5 - Pièces de clavecin avec voix ou violon (1748)
Grand motet:Cantate Domino, Chorale des Jeunesses Musicales de France, Orchestre Jean-François Paillard, dir. Louis Martini, Erato (1963)
Grand motets :Venite exultemus, Dominus regnavit, Ensemble Regional "A Coeur Joie", Ensemble "Adam de la Halle" d'Arras, Orchestre De Chambre Jean-François Paillard, dir. Jean-François Paillard, Erato (1981)
Grands motets :Venite exultemus ;De profundis. Petits motets :Regna terrae ;In decachordo psaltorio ;Benefac Domine, London Baroque, New College Oxford Choir, dir. Edward Higginbottom, 1 CD Hyperion (1988)(OCLC 517682353) ; réédition, 1 CD Hyperion,coll. « Helios » (2000)(OCLC 50117510)
Grands motets: Dominus regnavit, In exitu Israël, De profundis, Les Arts florissants, dir. William Christie, 1 CD Erato (1997)(OCLC 255380558)
Grand motets:Coeli enarrant,Venite Exultemus,Jubilate Deo, Chantres de la Chapelle, Ensemble baroque de Limoges, dir. Christophe Coin, (1 CD Auvidis Astrée (1997)
Grand motet:Nisi Dominus, Le Parnasse Français, dir. Louis Castelain, Only available on YouTube (2003)[6]
Grand motet:Dominus regnavit, Tafelmusik, dir. Ivars Taurins, CBC Records (2007)
Grands motets:Cantate Domino,Magnus Dominus,De profundis,Nisi Dominus, Purcell Choir, Orfeo Orchestra, dir. Gyögy Vashegyi, Glossa (2016)
Grands motets :In exitu Israël, Dominus Regnavit, Coeli enarrant, Choeur & Orchestre Marguerite Louise, dir. Gaétan Jarry, Château de Versailles Spectacles (2022)
Grand motet:In exitu Israël, Le Concert d’Astrée, dir. Emmanuelle Haïm, Warner Classics (2023)
Pièces de clavecin en sonates avec accompagnement de violon, œuvre 3, Florence Malgoire (violin), Christophe Rousset (harpsichord) 1 CD Verany (1990)
Six sonates en symphonie, op. 3, Les Musiciens du Louvre, dir. Marc Minkowski, 1 CD Archiv Produktion (1998)(OCLC 956264542) ; réédition, 1 CD Archiv Produktioncoll. "Blue" (2003)(OCLC 724831406)
Pièces de clavecin avec voix ou violon, op. 5, Luc Beauséjour, Shannon Mercer, Hélène Plouffe, 1 CD Analekta (2008)(OCLC 705324011)
Sonates en trio, opus 2, Ensemble Diderot, Johannes Pramsohler, violin, Audax (2016)
Daphnis et Alcimadure (Abridged version), Orquèstre e Còrs del Teatre de Montpelhièr, dir. Louis Bertholon, Ventadorn (1981)
Titon et l'Aurore, Ensemble Vocal Françoise Herr, Les Musiciens du Louvre, dir. Marc Minkowski, 2 CD Erato (1992)(OCLC 39039271)
Les Fêtes de Paphos, Choeur de Chambre Accentus, Les Talens Lyriques, dir. Christophe Rousset, 3 CD L'Oiseau-Lyre (1997)
Isbé, Purcell Choir, Orfeo Orchestra, dir. György Vashegyi, Glossa (2017)
Titon et l'Aurore, Les Arts Florissants, dir. William Christie, Naxos DVD (2021)
Daphnis et Alcimadure (Complete opera), Orchestre Baroque de Montauban, Ensemble Les Passions, dir. Jean-Marc Andrieu, 2 CD Ligia Digital (2023)
Le carnaval du Parnasse, Les Ambassadeurs - La Grande Écurie, Choeur de Chambre de Namur, dir. Alexis Kossenko, Château de Versailles Spectacles (2024)
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