In addition to works by 19th and 20th century "Modern Master" artists, the gallery has been known to represent select contemporary artists including Hungarian-born French hyperrealist painterIstvan Sandorfi.
The gallery is a member of the Fine Art Dealers Association (FADA),CINOA, and a founding member of the International Fine Print Dealers Association.[8]
Tapestry artists often trained in workshops ofAubusson andGobelins origin. These French houses of manufacture achieved fame for their technically skilled textiles popular with 17th century collectors and heads of state throughout Europe. Many of these workshops produced a number of modern tapestries before closing in the late half of the 20th century, following WWII. Houses like Pinton remain in practice of centuries of manufacturing knowledge, and continue to collaborate with artists like Peter Sis in their seriesArt for Amnesty-Sis-Atelier Pinton.[12]
Collectors of mid-20th century tapestry worked with designers such as,Gloria Ross, who established the Gloria F. Ross Center in 1997, later becoming the Gloria F. Ross Tapestry Program at the University of Arizona.[13] This marks an important continuation of the European tapestry tradition globally. Another example of this can be found in Pablo Picasso's tapestry reproduction ofGuernica, commissioned by Nelson Rockefeller in 1955, and placed on long-term loan in 1985 to theHeadquarters of the United Nations. For a brief period in 2009, during planned renovations to the United Nations building, the tapestry was exhibited at the Whitechapel Gallery in London. In 2012 the tapestry was loaned to theSan Antonio Museum of Art in the U.S. State of Texas, returning to the United Nations in 2015.[14] The Rockefeller family had the tapestry conserved in 2021-2022 and rehung in its traditional position outside the Security Council chambers. The New York Times misreported in February 2022 that the tapestry was a "canvas replica of Picasso's painting," when the tapestry is in fact hand-woven.[15][16]
^Ramié, A. (1988). Picasso: Catalogue of the edited ceramic works: 1947-1971. Vallauris: Galerie Madoura. Jane Kahan Gallery cited under Exhibition Credits
^Baal-Teshuva, Jacob.Tapisserien: Hommage an Die Meisterweberin Yvette Cauquil-Prince Und Sammlung Jane Kahan, N.Y., Tapisserien Aus Dem Atelier Pinton, Aubusson: KunstHausWien, 10. Februar-14. Mai 2000. Museums Betriebs Gesellschaft, 2000.
^Hedlund, Ann Lane, "Tapestry Translations in the Twentieth Century: The Entwined Roles of Artists, Weavers, and Editeurs" (2004). Textile Society of America Symposium Proceedings. p. 308.https://digitalcommons.unl.edu/tsaconf/462
^Gilbert, Ruth, editor. “In and Around Town: Art.” NEW YORK MAGAZINE, 12 Nov. 1973, pp. 36–38.Google Books Link
^HANDMADE PAPER: PRINTS AND UNIQUE WORKS, Organized by Richard Marshall, The Museum of Modern Art, New York. June 28 – Sept 12, 1976. See master checklist for artwork credit lines thanking Kahan Esikoff Fine Arts.https://www.moma.org/documents/moma_master-checklist_327001.pdf
