Jane Griffiths (born 1970) is a British poet and literary historian.
Griffiths was born inExeter, England, and brought up in the Netherlands. She studied English atOxford University, where she won theNewdigate prize for her poem "The House". After working as abookbinder in London and Norfolk, she returned to Oxford to gain a doctorate with a dissertation on the Tudor poetJohn Skelton, and became an editor on theOxford English Dictionary. Her poetry gained her anEric Gregory Award in 1996.[1]
Griffiths taught at Oxford University'sSt. Edmund Hall, before becoming a lecturer in English literature at theUniversity of Edinburgh. She was appointed a lecturer in the Department of English at theUniversity of Bristol in 2007.[2] In 2012, she left her position as senior lecturer in English literature at the University of Bristol to become a CUF Lecturer in medieval and early modern English literature at the University of Oxford and a tutorial fellow ofWadham College.[3] According to her university page, Griffiths works primarily on the poetry and drama of the fifteenth and early sixteenth centuries. Her first monograph on John Skelton was published byOxford University Press (OUP) in 2005, and she is working on a second monograph, on marginal glosses, which is also to be published by OUP.
Her collectionAnother Country was short-listed for the 2008 Forward Poetry Prize.[4]Griffiths' fourth collection of poetryTerrestrial Variations was published by Bloodaxe Books in 2012.[5] It was described by Adam Thorpe (The Guardian) as "sensuously wrought and even, at times, subtly erotic, her poems simultaneously evoke another level of pure abstraction, with words in place of coils of paint".[6] In 2017 Griffiths’ fifth collection of poemsSilent In Finisterre was published. It was described by Sarah Broom inThe Times Literary Supplement as "a major achievement, outstanding, complex and subtle in thought, supple of tone and piercing in its observation".[7]
Her collectionLittle Silver was published by Bloodaxe Books in 2022.[8]
British poet Jane Griffiths’ sixth collection, Little Silver, offers the riches you might expect from a former bookbinder and Oxford English Dictionary lexicographer turned painter, silversmith, and John Skelton scholar. Clear-eyed lyrics move through shifting perspectives, holding us in moments of narrative tension that evolve into lyric reflection
— Rebecca Morgan Frank, Poetry Foundation USA[9]
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