James Granger | |
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| Born | 1723 (1723) Shaftesbury, England |
| Died | 1776 (aged 52–53) |
| Occupation(s) | English clergyman, writer |
James Granger (1723–1776) was an Englishclergyman, biographer, and print collector. He is now known as the author of theBiographical History of England from Egbert the Great to the Revolution (1769). Granger was an early advocate ofanimal rights.[1]
The son of William Granger, by Elizabeth Tutt, daughter of Tracy Tutt, he was born of poor parents atShaftesbury, Dorset. On 26 April 1743 he matriculated atChrist Church, Oxford, but left the university without taking a degree.[2]
Having entered into holy orders, he was presented to the vicarage ofShiplake, Oxfordshire, living a quiet life there. His political views gave rise toSamuel Johnson's remark: ‘The dog is a whig. I do not like much to see a whig in any dress, but I hate to see a whig in a parson's gown.’ Preparation of the materials for hisBiographical History brought him into correspondence with many collectors of engraved portraits and students of English biography.[2]
In 1773 or 1774, he accompaniedLord Mountstuart on a tour to Holland, where his companion made an extensive collection of portraits. Some time before his death he tried unsuccessfully to obtain a living within a moderate distance of Shiplake. On Sunday, 14 April 1776, he performed divine service apparently in his usual health, but, while in the act of administering the sacrament, was seized with anapoplectic fit, and died next morning.[2]
A portrait of him was in the possession of his brother, John Granger, who died at Basingstoke on 21 March 1810, aged 82. His collection of upwards of 14,000 engraved portraits was dispersed by Greenwood in 1778.[2]
Before the publication of the first edition of Granger's work in 1769 five shillings was considered a good price by collectors for any English portrait. After the appearance of theBiographical History, books, ornamented with engraved portraits, rose in price to five times their original value, and few could be found unmutilated. In 1856, Joseph Lilly and Joseph Willis, booksellers, each offered for sale an illustrated copy of Granger's work. Lilly's copy, which included Noble's 'Continuation,' was illustrated by more than thirteen hundred portraits, bound in 27 vols., price £42. The price of Willis's copy, which contained more than three thousand portraits, bound in 19 vols., was £38 10s. It had cost the former owner nearly £200.[2]
The following collections have been published in illustration of Granger's work: (a) ‘Portraits illustrating Granger's Biographical History of England’ (known under the name of ‘Richardson's Collection’), 6 pts. Lond. 1792–1812; (b)Samuel Woodburn's 'Gallery of [over two hundred] Portraits … illustrative of Granger's Biographical History of England, &c.,' Lond. 1816; (c) 'A Collection of Portraits to illustrate Granger's Biographical History of England and Noble's continuation to Granger, forming a Supplement to Richardson's Copies of rare Granger Portraits,' 2 vols. Lond. 1820–2.[2]
Extra-illustration, the process by which drawings, prints and other visual materials were interleaved with a printed text – often the history of a town, county or notable individual – is frequently called "Grangerising" or "Grangerisation." These terms, however, only came into use from the 1880s, more than a century after Granger's death.[3] Ironically for the process of book customisation that carries his name, Granger never "grangerized" a book.[4] There are many examples of extra-illustration, especially Granger'sBiographical History.[5] The most important and first extra-illustrated Granger was prepared byRichard Bull.[6] Now in theHuntington Library, California, it contains over 14,000 prints across 36 volumes.[7] Another was prepared by theBristolantiquarianGeorge Weare Braikenridge, who "grangerized" his copy of theBiographical History with nearly 4,000 portraits. His main interest, however, was in extra-illustrating his copy ofWilliam Barrett'sHistory and Antiquities of the City of Bristol.[8]
In 1772, Granger preached a sermon againstcruelty to animals. However, during the 18th century the subject of humane treatment to animals was deemed beneath the Church and was considered abuse of thepulpit.[9] The sermon caused an "almost universal disgust to two considerable congregations", as mention of dogs and horses was regarded as a "prostitution of the dignity of the pulpit".[10] Granger went to prison for preaching twice against cruelty to animals.
The sermon was published asAn Apology for the Brute Creation (1772). In his day, the sermon was unpopular and only one hundred copies had been sold by January, 1773. However, it was positively reviewed in theMonthly Review and theCritical Review as a sensible discourse.[1] The sermon influencedArthur Broome, one of the founders of theSociety for the Prevention of Cruelty to Animals.[11]
His works are:
This article incorporates text from a publication now in thepublic domain: Cooper, Thompson (1890). "Granger, James". InStephen, Leslie;Lee, Sidney (eds.).Dictionary of National Biography. Vol. 22. London: Smith, Elder & Co. pp. 372–374.
This article incorporates text from a publication now in thepublic domain: Cousin, John William (1910).A Short Biographical Dictionary of English Literature. London: J. M. Dent & Sons – viaWikisource.| International | |
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