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AJain temple,Derasar (Gujarati: દેરાસર) orBasadi (Kannada: ಬಸದಿ) is theplace of worship for Jains, the followers ofJainism.[1]Jain architecture is essentially restricted to temples andmonasteries, and Jain buildings generally reflect the prevailing style of the place and time they were built.
Jain temple architecture is generally close toHindu temple architecture, and in ancient timesBuddhist architecture. Normally the same builders andcarvers worked for all religions, and regional and periodic styles are generally similar. For over 1,000 years, the basic layout of a Hindu or most Jain temples has consisted of a smallgarbhagriha or sanctuary for the mainmurti or idol, over which the high superstructure rises, then one or more largermandapa halls.
Māru-Gurjara architecture or the "Solanki style", is a particular temple style fromGujarat andRajasthan (both regions with a strong Jain presence) that originated in both Hindu and Jain temples around the year 1000, but became enduringly popular with Jain patrons. It has remained in use, in somewhat modified form, to the present day, indeed also becoming popular again for some Hindu temples in the 20th century. The style is seen in the groups of pilgrimage temples atDilwara onMount Abu,Taranga,Girnar,Kundalpur,Sonagiri,Muktagiri andPalitana.[2]
There are many different terms used for Jain temples. Those originating from early scriptures, like theAgamas, were often ambiguous. In the early centuries CE, a single word might refer to cave temples, ascetics' dwellings, or religious schools, as their functions overlapped. It was only in later centuries, as buildings were constructed for specific purposes with unique designs, that a clearer and more accurate set of terms emerged. These terms helped differentiate the various structures and their distinct roles.[3]
A temple is often referred to aschaitya, with its Prakrit form beingcheia, which can also denote a religious idol. Another term is the Sanskritbalanaka (Prakritbalanaya), which seems to refer to only a part of the temple structure. In southern India, the wordpalli is widely used and can refer to a temple, a nun's residence, a cave, or even a school. Similarly, the termvihara, used for Jain temples, can also mean a monastery.[3]
In contemporary usage, Jain temples in southern India — especially inKarnataka — are calledbasadi,basti, or similar terms. The historical use ofbasadi in North India is preserved in the names of theVimala Vasahi andLuna Vasahi temples ofMount Abu. The Sanskrit word for vasahi isvasati, which implies an institution for residences of scholars attached to the shrine.[3][4] In northern India, the names often combinejina with words meaning house, residence, or seat, resulting in terms likejinalaya,jina-mandir,jina-yatan,jinagruh, andjina-prasad. InGujarat as wellRajasthan and in regions whereGujarati people have settled, Jain temples are typically known asderasar ordehrasar, which originate from the Sanskritdevagruha-vasara.Deri anddehra are its other variations.[5][3]
Temples may be divided intoShikhar-baddha Jain temples, temple buildings dedicated to the public, normally with a high superstructure, (typically a north Indianshikhara tower above the shrine) and theGriha Chaityalaya (Ghar derasar) , a private Jain house shrine. A Jain temple which is known as a pilgrimage centre is often termed asTirtha.
The main idol of a Jain temple is known as themula nayak.[6] AManastambha (column of honor) is a pillar that is often constructed in front of Jain temples. It has four 'Moortis' i.e. stone figures of the main god of that temple. One facing each direction: North, East, South and West.[7]
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Jain temples are built with various architectural designs.[8] Some of the earliest examples of Jain architecture are of theIndian rock-cut architecture tradition, whereby structures are produced by carving material out of solid rock.[9] These traditions were initially shared with Buddhism, and by the end of the classical period, Hinduism. Jain temples and monasteries designed and constructed using rock-cut methods often share a site with those of the other religions, such as those atUdayagiri,Bava Pyara, Ellora,Aihole,Badami,Kalugumalai andPataini temple. TheEllora Caves are a late site, which contains temples of all three religions, as the earlier Buddhist ones give way to later Hindu excavations.[8]
Despite the similarity between different religions, Jainism is often known for placing large figures of one or more of the 24tirthankaras in the open air rather than inside a shrine.[8] These statues later began to increase in size, often in the form of standing nude figures in thekayotsarga meditation position (which is similar to standingat attention). TheGopachal rock cut Jain monuments, theSiddhachal Caves, and various single figures including the 12th-centuryGommateshwara statue, the modernStatue of Vasupujya, and theStatue of Ahimsa, standing the tallest at 108 feet (33 meters) in height, all exemplify this similarity.[9]
In recent times, the use of murti images has become controversial within Jainism, and some smaller sects reject them entirely, while others are selective in terms of which figures they allow images of. In sects which largely disapprove of images, the religious buildings are used instead.
Following the regional styles in Hindu temples, Jain temples in North India generally use the north Indiannagara style, while those in South India use the dravida style, although the north IndianMāru-Gurjara style or Solanki style has made some inroads in the south over the 20th century or so. For example, theMel Sithamur Jain Math inTamil Nadu has a largegopuram tower, similar to those of local Hindu temples.
Characteristics of the original Māru-Gurjara style are "the external walls of the temples have been structured by increasing numbers of projections and recesses, accommodating sharply carved statues in niches. These are normally positioned in superimposed registers, above the lower bands of mouldings. The latter display continuous lines of horse riders, elephants, andkīrttimukhas. Hardly any segment of the surface is left unadorned." The mainshikhara tower usually has manyurushringa (subsidiary spirelets) on it, and two smaller side-entrances with porches are common in larger temples.[10]
Later, with Dilwara in the lead, surrounding the main temple with a curtain ofdevakulikā shrines, each with a small spire, became a distinctive feature of the Jain temples of West India, still employed in some modern temples. These are fairly plain on the outer walls, and often raised on a very high platform, so that the outside of larger temples can resemble a fortress with high walls.[11] However the entrance(s), often up high, wide steps, are not designed for actual defence, even though medieval Muslim armies and others destroyed many Jain temples in the past, often permanently.
Inside the temple, the Māru-Gurjara style features extremely lavish carving, especially on columns, large and intricately carved rosettes on the ceilings of mandapas, and a characteristic form of "flying arch" between columns, which has no structural role, and is purely decorative. Most early temples in the style are in various local shades of pink, buff or brown sandstone, but the Dilwara temples are in a very pure white marble which lightens the style and has become considered very desirable.
While, beforeBritish India, large Buddhist or Hindu temples (and indeed Muslim mosques) have very often been built with funds from a ruler, this was infrequently the case with Jain temples. Instead they were typically funded by wealthy Jain individuals or families. For this reason, and often the smaller numbers of Jains in the population, Jain temples tend to be at the small or middle end of the range of sizes, but at pilgrimage sites they may cluster in large groups - there are altogether several hundred atPalitana, tightly packed within several high-walled compounds called "tuks" or "tonks".[12] Temple charitable trusts, such as the very largeAnandji Kalyanji Trust, founded in the 17th century and now maintaining 1,200 temples, play a very important role in funding temple building and maintenance.
There are some guidelines to follow when one is visiting a Jain temple:[13]
Prevailing traditional customs should be followed regarding worshipping at the temple and touching an idol. They can vary depending on the region and the specific sect.
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![Das Lakshana (Paryushana) celebrations at the Jain Center of America, Queens, New York City, the oldest Jain temple in the Western Hemisphere[14]](/mt/?noimg=&dark=on&url=http%3a%2f%2fen.wikipedia.org%2fwiki%2fFile%3aDas_Lakshana_(Paryusana)_celebrations%2c_New_York_City_Jain_temple.JPG)
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See also :Jain temples in North America | |
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