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| Jaime Hernandez | |
|---|---|
 Jaime Hernandez at the International Comic Fair of Barcelona (2025) | |
| Born | October 10. 1959 |
| Area(s) | Penciller, Inker, Writer |
| Pseudonym | Xaime Hernandez |
Notable works | Love and Rockets |
Jaime (sometimes spelledXaime)Hernandez (born October 10, 1959) is the co-creator of thealternativecomic bookLove and Rockets with his brothersGilbert andMario.[1]
Jaime Hernandez grew up inOxnard, California.[2][3] He is the youngest of his family, with four older brothers and one sister.[4] His family embraced comics: their mother read them frequently and old issues were kept in large quantities in the house, to be read and re-read by all over the years.[4] "We grew up with comics," Hernandez said. "I wanted to draw comics my whole life."[5]
They read all types of comics and enjoyed those that gave a fairly realistic depiction of family life as well as the standardsuperhero adventures. Hernandez was particularly influenced byHank Ketcham'sDennis the Menace andDan DeCarlo'sArchie' comics. The children in his otherwise rather realistic stories are often drawn to resemble Ketcham's, and Jaime's characters often strike very "DeCarlo-esque" poses. The work ofAlex Toth,Charles Schulz,Jesse Marsh andJack Kirby were also hugely influential.[4]
Hernandez has a lifelong fascination withpro wrestling, especially women's wrestling, and it has been a regular part of his work. Hernandez has also been a lifelongpunk rock fan. In addition to playing in bands himself it has been a constant element of his work. His heroine Maggie and her friends are almost all punk fans; he also has done a series of stories about the career of another main character (Hopey) as a bass player for a luckless punk band.
Jaime's main contribution toLove and Rockets is the ongoing serial narrativeLocas which follows the tangled lives of a group of primarilyLatina characters, from their teenage years in the early days of theCaliforniapunk scene to the present day. The two central characters of Jaime's cast are Margarita Luisa "Maggie" Chascarrillo and Esperanza Leticia "Hopey" Glass, whose on-again, off-again, open romance is a focus for manyLocas storylines. Early on, the stories switched back and forth between Maggie's sci-fi adventures journeying around the world and working as a "prosolar" mechanic repairing rocketships, and much more realistic stories of Maggie and her friends in a grungy, mostly LatinCalifornia neighborhood known as "Hoppers". Eventually Hernandez dropped almost all of the sci-fi elements, although he does still occasionally include references to the earlier stories and he still does very occasional short stories about superheroines, robots and other sci-fi genre elements.
The Hernandez brothers announced they were endingLove and Rockets with issue 50, and that they would be doing solo books from then on. For the next few years, the brothers released many solo books, with Jaime doing several books featuring his Locas characters (includingWhoa Nellie,Penny Century, andMaggie and Hopey Color Fun) and Maggie generally occupying a supporting role. Eventually they resumed doingLove and Rockets and Maggie again took center stage, but instead of the large, magazine-style format of the original issues, the book was now released in a more traditional comic book format.
The entireLocas storyline to date was collected into one 700 pagegraphic novel in 2004.
Hernandez has been praised for the physical beauty of his female characters as well as their complex personalities,[citation needed] and for years he struggled to create comparably nuanced male characters.[citation needed] Hernandez has often said that Maggie and Ray Dominguez both represent different aspects of his own personality.[citation needed]
In an interview withThe Comics Journal, Hernandez admitted he'd had difficulty aging his characters, because while he'd known girls like Maggie and Hopey when he was young, he'd never known them long enough to find out what they did in adulthood.[citation needed]
In addition to hisLocas stories, Hernandez has also done occasional work forDC Comics andThe New Yorker, and he has done many album covers for such artists asMichelle Shocked. Earlier in his career Hernandez also did album covers for some "Nardcore" punk bands, such asIll Repute andDr. Know, the latter of whom featured his younger brother Ismael onbass. Hernandez contributed his artwork for theIndigo Girls' 2004 albumAll That We Let In. In September 2006, Hernandez also created the artwork for the critically acclaimedLos Lobos albumThe Town and the City. In 1984-85 Gilbert, Mario and Jaime collaborated onMister X, a sci-fi comic book series from Vortex Press, with Jaime handling the art and Gilbert and Mario plotting. The book's noirish look has been cited as an influence by the creators ofBatman: The Animated Series among otherretro-futuristic works.[6] The Hernandez brothers themselves hold little affection for it, however, with Gilbert once describing it being "like a bad zit... it just sort of happened." The Hernandez brothers left the book when Vortex failed to pay them in full.[7] Responding to the non-payment accusations, publisherBill Marks said "I don't dispute that one bit. And they'll be paid every nickel of it, or every quarter of it."[8] The Hernandez brothers were indeed ultimately paid for their work onMister X in 1988.[9]
In 2006,Publishers Weekly ranked Hernandez' workGhost of Hoppers second on its critics' poll of the best comic books of 2006.[10]
