Jack King | |
|---|---|
| Born | James Patton King November 4, 1895 (1895-11-04) Birmingham, Alabama, U.S. |
| Died | October 4, 1958 (1958-10-05) (aged 62) Los Angeles, California, U.S. |
| Resting place | Forest Lawn Memorial Park,Glendale, California, U.S. |
| Occupations |
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| Years active | 1920–1948 |
| Employer(s) | Bray Productions (1920) International Film Service (1920-1921) Winkler Productions (1921-1926) Walt Disney Productions (1926-1933; 1936-48) Leon Schlesinger Productions (1933-1936) |
James Patton "Jack"King (November 4, 1895 – October 4, 1958)[1] was an American animator and short film director best known for his work atWalt Disney Productions.
According to Jeff Lenburg's assessment of him, King was an early pioneer of animation. His films were nominated three times for theAcademy Award for Best Animated Short Film. He started his career in thesilent film era. He spent most of his career working at Walt Disney Productions (later known as theWalt Disney Animation Studios). He directed many well-regarded films.[1]
King was born in 1895 inBirmingham, Alabama.[2] He started his animation career in 1920,[1] working atBray Productionsanimation studio. He directed theJudge Rummy series (1920-1921) for theInternational Film Service. The silent animated series was based on thecomic stripJudge Rummy byTad Dorgan.[1] His early films also includedKiss Me (1920),Why Change Your Husband (1920), andThe Chicken Thief (1921). The series reportedly ended in 1921.[1]
King successfully made the transition from silent to sound cartoons and relocated to theWest Coast of the United States, where he joined the Disney studio on June 17, 1929, as ananimator. His animation film credits include severalSilly Symphony animated shorts, which Lenburg describes as "cartoon fables". Among King's Disney film credits was the short filmThe Three Little Pigs (1933), which won theAcademy Award for Best Animated Short Film.[1] King remained with Disney until May 17, 1933.[1]
In 1933, animation producerLeon Schlesinger was setting up a new animation studio,Leon Schlesinger Productions, which would continue producing theLooney Tunes andMerrie Melodies series forWarner Bros. The studio was set on the Warner lot onSunset Boulevard in Los Angeles, California. Schlesinger was in need of a new staff for his studio and started hiring people who used to work for other animation studios. Among them was King, who "was probably the first Disney animator Schlesinger hired".[3]
By June 1933, Schlesinger had rounded out his staff and started work on producing animated short films.Tom Palmer had been appointed production manager and director, with King as the head animator. Among the staff were two of King's former associates from Disney, animatorsPaul Fennell andBill Mason.[3] According toanimation historianMichael Barrier, Schlesinger placed former Disney animators in charge of the studio in hopes of effectively competing with the Disney studio.[3]
Tom Palmer left the studio after completing only two short films. He was replaced as director byEarl Duvall, a former story man for both Disney andHarman and Ising. Duvall himself left the studio after completing five short films. Schlesinger was in need of new directors, and even composerBernard B. Brown received credits for directing twoMerrie Melodies shorts. By early 1934, Schlesinger appointedFriz Freleng as the main director of theMerrie Melodies series and King as the main director of theLooney Tunes series.[3] King handled many of the studio's animated short films starringBuddy, and was responsible for the final year of Buddy films.[1]
By 1935, Buddy was being phased out in favor of new characters; among them wasBeans, ananthropomorphic cat. King directedA Cartoonist's Nightmare, Beans' first starring role.[3] King directed a total of eight animated shorts featuring Beans. Michael Barrier describes Beans under King's direction as resemblingMickey Mouse's incarnation of the early 1930s. Their designs were certainly similar, with both characters having a white face and black body, but in characterization Beans was a pint-sized hero resembling the plucky, boyish, and heroic Mickey featured inThe Klondike Kid (1932) andThe Mail Pilot (1933).[3]
Also in 1935, the studio gained a third full-time director working in addition to Freleng and King:Tex Avery, a former inker for the short-lived Winkler Studio andUniversal Studio Cartoons. Avery directed a single film starring Beans,Gold Diggers of '49 (1935); he would usePorky Pig as the main star of his following films. Meanwhile, King continued using Beans as the main star of his own films. In 1936, Beans and most of the characters introduced the previous year, with the exception of Porky Pig, ceased being used by the studio. Barrier suggests that Leon Schlesinger may have been giving Avery a vote of confidence, when deciding to keep only Porky as a continuing character and to drop Beans. This decision came at the expense of King and his work.[3]
King directed two films featuring characters Ham and Ex:The Phantom Ship (1936) andThe Fire Alarm (1936). The characters were a pair of troublesome puppies and were intended to serve as series stars.[1] In 1936, King started directing films in the newPorky Pig series. Other films in the series were directed by Tex Avery andFrank Tashlin.[1] King directed only three animated shorts starring Porky Pig.
By April 1936, King was hired by the Disney studio again, this time as a director.[3][1] Part of the reason he returned to Disney was the promise that he would be able to direct cartoons in color, which he had been unable to do previously. Friz Freleng and Tex Avery were the only directors that Schlesinger allowed to direct color films for much of the 1930s.
At Disney, King emerged as the director of a new series of short films, featuringDonald Duck as the protagonist.[3] Lenburg notes that King was one of the principal directors of theDonald Duck series, but not the only one (other directors of this series includedBen Sharpsteen,Dick Lundy,Jack Hannah, andJack Kinney).[1] King made his directorial debut at Disney with the filmModern Inventions (1937). It was also his first time directing a Donald Duck animated film.[1]
King directed more than forty films featuring Donald Duck, among them were the Academy Award-nominatedGood Scouts (1938),Truant Officer Donald (1941), andDonald's Crime (1945).[1] One of his films was apropaganda film,The Spirit of '43 (1943), created in association with theUnited States Department of the Treasury.[1] King's last film wasThe Trial of Donald Duck (1948). King retired from Disney in 1948 and spent ten years in retirement. He died on October 4, 1958, inLos Angeles.[1]
In this period, almost all the films in which King worked belong to the Donald Duck's series
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