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Italiani brava gente

From Wikipedia, the free encyclopedia
Italian popular myth about Fascist Italy, the Holocaust, and World War II-related crimes
For the 1964 Italian film of the same name, from which the term derives, seeAttack and Retreat.

Italian troops watch the burning of a Croatian farmhouse in 1941

"Italians, the good people" (Italian:Italiani brava gente) is a phrase adopted byhistorians to refer to Italianpopular beliefs about the allegedly limited, even non-existent, participation ofFascist Italy and theRoyal Italian Army inthe Holocaust andwar crimes committed by Axis soldiers duringWorld War II. The phenomenon is also known as themyth of the good Italian.[1][2]

Concept

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A form ofhistorical revisionism which emerged under thepost-war republic, it was argued that Italian soldiers had been "good" or "decent people" (brava gente) who had acted with humanity and compassion, supposedly inherent Italian values, in contrast to their ideologically motivated and brutalGerman allies.[3] In particular, it argued that the Italians had not participated in, or even had opposed, theNazi persecution of Jews in occupied parts of Eastern Europe.[4][5]Hannah Arendt supports the myth by maintaining thatItalian Jews had been protected by the "general, spontaneous humanity of a people of ancient civilization".[6] By extension, the term is sometimes applied to describe popular beliefs about theItalo-Ethiopian War (1935–36) or non-Jewish responses tothe Holocaust in Italy.[7]

The concept is based on the benevolent characteristics of the Italian people, such as to make them potentially immune from inhumanity towards the enemy in war or towards colonized nations, and capable of guaranteeing Italians special indulgence in return from other peoples.Pierluigi Battista defines it as:

A shield of good-naturedness, joviality, a natural inclination towards meekness and cordial sociability which should have protected [the Italians] from brutal hostility, a comfortable cushion capable of cushioning the dramatic impact of history and cruelty.[8]

In contrast with Battista and others who trace the rise of the myth to the post-World War II period,[8][9]Angelo Del Boca points out that its origins are older and date back to the beginning ofItalian colonial expansion (1885), in which the country, the last to start it among the European powers, programmatically attempted to show itself different, more human, a bringer of civilization, strong as it was in its history.[10] This led to the affirmation of the phrase, distorted by theEritrean population, ofbono italiano ('good Italian').[11]

In popular culture

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Notable examples of the phenomenon inpopular culture are the filmMediterraneo (1991) directed byGabriele Salvatores and the novelCaptain Corelli's Mandolin (1994) byLouis de Bernières which was also adapted intoa film in 2001.[4] The myth avoided "a public debate on collective responsibility, guilt and denial, repentance and pardon" but has recently been challenged by historians.[4] The myth parallels the popular beliefs about the"Clean Wehrmacht" popular in post-warWest Germany or the "victim theory" inAustria.

See also

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References

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  1. ^Paolo Favero,Italians, the “Good People”: Reflections on National Self-Representation in Contemporary Italian Debates on Xenophobia and War, in Outlines - Critical practice studies, No. 2 (2010), p. 138-153
  2. ^Diego Guzzi,The myth of the "Good Italian", the antisemitism and the colonial crimes, in Constelaciones - Revista de Teoría Crítica, No. 4 (2012), p. 255-264
  3. ^Bartolini, Guido (2 October 2018)."'Italiani brava gente' as a Transmedial Phenomenon".Interdisciplinary Italy. Arts and Humanities Research Council. Retrieved31 July 2020.
  4. ^abcPetrusewicz, Marta (2004). "The hidden pages of contemporary Italian history: War crimes, war guilt and collective memory".Journal of Modern Italian Studies.9 (3):269–270.doi:10.1080/1354571042000254700.S2CID 143230795.
  5. ^Rodogno, Davide (2005)."Italiani brava gente? Fascist Italy's Policy Toward the Jews in the Balkans, April 1941-July 1943".European History Quarterly.35 (2):213–240.doi:10.1177/0265691405051464.S2CID 143672344.
  6. ^Allegra, Luciano (April 2013). "Italiani, brava gente? Ebrei, fonti inquisitoriali e senso comune".Quaderni storici(PDF) (in Italian). Vol. 142. Bologna: il Mulino. p. 252.
  7. ^Wilcox, Vanda (2021)."Imperial Thinking and Colonial Combat in the Early Twentieth-Century Italian Army".The Historical Journal.65 (5):1333–1353.doi:10.1017/S0018246X21000741.ISSN 0018-246X.S2CID 240134142.
  8. ^abBattista, Pierluigi (28 August 2004). "Italiani brava gente. Un mito cancellato".La Stampa (in Italian).
  9. ^Allegra, Luciano (April 2013). "Italiani, brava gente? Ebrei, fonti inquisitoriali e senso comune".Quaderni storici(PDF) (in Italian). Vol. 142. Bologna: il Mulino. p. 251.
  10. ^Del Boca, Angelo (2005).Italiani, brava gente? (in Italian). Vicenza: Neri Pozza. p. 47.ISBN 978-88-6559-178-9. Retrieved27 January 2021.
  11. ^Del Boca, Angelo (2005).Italiani, brava gente? (in Italian). Vicenza: Neri Pozza. p. 48.ISBN 978-88-6559-178-9. Retrieved27 January 2021..

Further reading

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  • Focardi, Filippo; Klinkhammer, Lutz (2004). "The Question of Fascist Italy's War Crimes: The Construction of a Self-Acquitting Myth (1943 – 1948)".Journal of Modern Italian Studies.9 (3):330–348.doi:10.1080/1354571042000254755.S2CID 143876226.
  • Del Boca, Angelo (2011).Italiani, brava gente? Un mito duro a morire (5th ed.). Venice: Neri Pozza.ISBN 9788854503199.
  • Fogu, Claudio (2006). "Italiani brava gente: The Legacy of Fascist Historical Culture on Italian Politics of Memory". In Lebow, Richard Ned; Kansteiner, Wulf; Fogu, Claudio (eds.).The Politics of Memory in Postwar Europe. Durham, NC: Duke University Press. pp. 147–176.ISBN 978-0-8223-8833-3.

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